Black Gate – Page 1192 – Adventures in Fantasy Literature

World Fantasy Convention In A Really Large Nutshell, Part I

Wednesday, November 2, 2011 C.S.E. Cooney Comments 8 comments

bg-claire-delia — C.S.E. Cooney and Delia Sherman (all con-related photos in this post courtesy of Patty Templeton)

It was a long and arduous journey from New York City to San Diego last Thursday. Oh, the delays! Oh, the taxiing! Oh, the stand-bys!

However, two things made the journey incredibly pleasant. One was my traveling companions, Ellen Kushner and Delia Sherman, who both travel so often that they have it down to an art form.

When I told her I liked to arrive at the airport two hours early, Ellen replied:

“I’m more like Peter Sellars, who said he likes airplanes to be like taxicabs: He gets to the airport, gets on one, and it leaves.”

Daunting! But, see, it worked!

bg-freedom-maze The second thing was the book I read on the airplane. It was Delia’s book, actually released during the convention. It’s a Young Adult time-travel fantasy called The Freedom Maze. I sank into its story as doth the unwary sheep in the treacherous highland bog, and emerged from the last page as we were landing in Texas. Where, due to earlier delays in New York, we’d missed our connection flight.

But have no fear, gentle readers! Even though I was certain I’d never make it to World Fantasy in time for my VERY FIRST EVER WORLD FANTASY READING, the Gods of the Air (and my two traveling companions, AKA fairy godmothers) were with me. Lo was I shunted onto the next flight, the Last of the Stand-By passengers, while Ellen and Delia waved goodbye and sent me texts saying:

“We are eating BBQ and feeling no pain.”

They were booked on the next flight out. I was on my way. I fell promptly asleep.

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Art Evolution Special: Erol Otus

Wednesday, November 2, 2011 Scott Taylor Comments 15 comments

Otus does the cover of perhaps my favorite TSR Module of all time, and be sure to remember that creature!

Erol Otus hates me… It’s a dead on fact, something that can’t be changed, I’m afraid, and yet I find myself having a hankering to talk about him in a favorable light. I went after Erol for Art Evolution, and he was the very first artist I’d never met to get an invite to the project. Erol wasn’t interested, and no matter what I did to try to entice him he just kept getting further away from a commitment. It’s the name of the game, a numbers game, and John O’Neill once told me that if I went out to get 20 artists and my approach had a capture rate of 19, then whatever went wrong couldn’t be put on me.

Still, the more Art Evolutions I did, the more I found people asking for Erol and what his contribution would look like. Erik Mona over at Paizo went so far as to say that without Erol my project would never be complete.

To tell you the honest truth, when I was young I detested Otus’s contributions to the field. I thought his work was that of a child among men, and if you showed me an Otus image I’d sneer at it in veritable disgust. Remember, however, that youth doesn’t represent good taste, and certainly as the years went by and my eye for art changed, a greater respect grew for Otus’s work. Now that’s not to say it became ‘better’ art, but it did facilitate a nostalgic bent to my youth that softened its edges and helped me accept what it was.

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Closing out Halloween with Algernon Blackwood: The Empty House and Other Ghost Stories

Tuesday, November 1, 2011 Ryan Harvey Comments 3 comments

The Empty House and Other Ghost Stories (1906)
By Algernon Blackwood

I’d say “Happy Halloween,” but by the time you read this it is probably already All-Saints Day, also known as “The Start of National Novel Writing Month.” Ah, whatever: Happy Halloween!

In celebration, I’ll turn to my favorite author of the “weird tale”: Algernon Blackwood. I’ve written about Mr. Blackwood before on this site when I reviewed his most unusual collection of fantasy tales, the uncategorizable Incredible Adventures. I’ll now turn the clock back to one of his earliest original collections, a volume that is a bit more on the ordinary side but still contains fine treasures.

Blackwood first emerged into supernatural fiction with The Empty House and Other Ghost Stories in 1906. Although the term “ghost story” would literally haunt Blackwood all of his career, much of his finest supernatural work has little to do with specters and the unquiet dead. The Empty House is the exception that proves the rule: at this early stage of fiction writing, Blackwood was interested in standard ghost tales, but showed signs that he wanted to go a different direction from the style of M. R. James that was popular at the time. The classics “The Wendigo” and the “Willows” were only another bend around the river.

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Romanticism and Fantasy: The Gothic

Monday, October 31, 2011 Matthew David Surridge Comments 3 comments

Mary Shelley's Frankenstein This is the fifth in an ongoing series of posts about Romanticism and the development of fantasy fiction; you can find previous installments here, here, here, and here. To recap so far: I’ve looked at the emergence of the fantastic in English literature in the 18th century up to about 1789, noting that it was connected to a strain of antiquarianism. Then I looked at developments in French literature, which included the creation of a tradition of literary fairy tales as well as stories based on the Arabian Nights; last week I looked at German writing, and noted that the 1789 publication of Friedrich Schiller’s popular Der Geist-Sehrer, The Ghost-Seer, helped foster a tradition of popular horror writing in German which had a complex relationship of mutual influence with another horror tradition in England. That English tradition is what I aim to write about this week: the Gothic novel.

Today, the adjective ‘gothic’ implies a certain aesthetic, deriving from the word’s use to describe a certain kind of horror writing that had its height in the 1790s. That usage is a largely modern phenomenon. At the time, writers of books we now call ‘gothic’ mostly described their works as ‘romances.’ (Certain critics, incidentally, have argued that gothic writing is distinct from Romanticism proper; my definition of Romanticism is broad, and certainly includes works self-consciously written in the romance tradition.)

Why ‘gothic’? Before about the middle of the 18th century, ‘gothic’ referred to the Germanic peoples who sacked Rome, and by extension to the Middle Ages that followed the fall of the Western Roman Empire. ‘Gothic’ therefore also meant things that were outdated or obsolete, and particuarly all that was crude or tasteless. It tended to imply superstition, and the marvellous. It was implicitly opposed to the classical. As an adjective, it could mean English or German, Druidical, Norman, Tudor, even, in some contexts, ‘Oriental’.

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Fantasy TV Weekly Update – Oct. 31

Monday, October 31, 2011 Andrew Zimmerman Jones Comments 0 Comment

grimm Now that there’s actually more than one good fantasy show on network television, I’ve decided to step back from the detailed Supernatural post mortem (so to speak) and instead to provide a weekly update on the happenings of these fantasy television series all at once. So, here we go with the breakdown for last week’s shows:

Supernatural – “Slash Fiction” (aired: Friday, Oct. 28) – Sam and Dean are up against … Sam and Dean. The Leviathans take a different tactic in an effort to take down the boys, by shapeshifting into them and going on a killing spree (and making sure they get caught on video doing so). Meanwhile, Bobby tries to find a way to kill the Leviathan they took captive at the end of the previous episode. Turns out that decapitation and the chemical borax make for a potent combination. We also learn that when Leviathans touch the person’s body (or, apparently, hair from a shower drain) to shapeshift into their physical form, they also absorb the feelings and thoughts of the target. The two Leviathans are pretty disgusted by the dysfunction of the boys, and the faux Dean reveals to Sam that he killed Amy. The episode will soon be available for online streaming at the Supernatural website.

Grimm – “Pilot” (aired: Friday, Oct. 28) – Check out the review here, including links to places where the episodes are streamed online.

Once Upon a Time – “The Thing You Love Most” (aired: Sunday, October 30) – In my review of the pilot, I said that the show really needed to make the present-day plotline more compelling. The second episode does a much better job of balancing the fairy tale plotline and the real world one, in a way that is reminiscent of the excellent way that Lost handled their flashback structure. The flashbacks of this episode focus on what the Evil Queen had to do in order to enact the dark curse that trapped them all in this world … which included a deal with Rumpelstiltskin and a powerful sacrifice. The present day storyline begins to draw out some better characterization than in the pilot, especially among the local sheriff (not sure who he was in fairy tale world), Mr. Hopper (i.e. Jiminy Cricket), Regina (the Evil Queen), and Emma Swan herself, as Regina’s attempts to force Emma out of town begin to draw in more participants on both sides. It also becomes a lot more clear what sort of person Emma is and that she isn’t going to take attacks lying down. This episode is available for online streaming through the official website and on Hulu.

onceuponpromo

Fairy Tale Television, Part 2: NBC’s Grimm Pilot

Sunday, October 30, 2011 Andrew Zimmerman Jones Comments 0 Comment

grimm As I mentioned last week, there are two major series starting this fall that are based on fairy tales coming to our world. The second of those series is NBC’s Grimm, which comes across as an attempt to wed fairy tales to a police procedural, sort of like Supernatural merged with Criminal Minds.

The result is a particularly brutal program, leaning strongly toward the horror end of the spectrum. I’m not sure if something this dark will really make it as a success on NBC. Supernatural is a cult success, which is fine for the sort of ratings that the CW is aiming for, but NBC would consider the same ratings level a failure.

The concept: Nick Burckhardt is a police detective who begins to see strange visions, only to learn that it’s because he is descended from a family line of Grimms – those with the power to see supernatural creatures for what they really are. It’s his destiny to hunt down these creatures. …

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Still Not Ready for Prime Time

Saturday, October 29, 2011 Soyka Comments 1 comment

6276241335_53830189a1_o1 Well, just as everyone is remarking on how the new conversant iPhone is making science fiction true to life, one pretty big part of the science fiction imagination remains just that; while the 21st century has not only arrived, we’re a decade into it, but we won’t be taking any sight seeing trips to Mars in the near future. Even a suborbital cruise will have to wait until 2013. The overly ambitiously and to-date technically impossibly named Virgin Galactic, a space tourism company founded by British billionaire and all-around let’s do something fun and make some money at it guy Sir Richard Branson, has announced that commercial flights have been delayed for another two years. But don’t start buying any tickets, as this is something like the fourth time the schedule has been bumped forward since flights were supposed to begin back in 2008.

If you did want to get in on the ground floor, so to speak, tickets cost $200,000, with a deposit of$20,000 required. Not sure if that includes complimentary drinks.

A Halloween Treat: The New Death and Others by James Hutchings

Friday, October 28, 2011 William Patrick Maynard Comments 0 Comment

The New Death and Others is James Hutchings’ newly-published collection of gothic poetry and short fiction. The title found its way to me through my appreciation of Robert E. Howard’s “The Mirrors of Tuzun Thune” for it is one of four fantasy stories that the author adapts in verse form. I admit to being skeptical that the quality would not come even close to doing justice to the works that provided inspiration. When I read Hutchings’ poem, I found myself recalling Tolkien’s use of poetry throughout The Hobbit and The Lord of the Rings. Here was a similar approach that uses the beauty of words sparingly to convey complex stories or histories in minimalist form. Hutchings’ work immediately captured my imaginations and left me hungry to sample more of his work.

I humbly admit to struggling with technology. Many are the times I require my kids’ assistance to navigate through the DVD’s remote in order to access special features or skip chapters or fast forward properly. The idea of owning an eBook is something that appeals to me as much as owning an iPod or iPhone. That said Amazon has made it hard for me to resist the technology with their free PC for Kindle download. As a reviewer, there are an increasing number of publishers who prefer to send their works as an eBook. The freeware allows readers to enjoy numerous free classics as well as sample other works for literally a fraction of their printed cost and without having to buy an expensive Kindle or Nook. All of this is actually relevant since Mr. Hutchings’ excellent offering is available at Amazon as an eBook or direct from Smashwords’ website for download. Quite honestly, I cannot think of a more perfect Halloween gift than this collection of poems. One could easily see the book becoming a seasonal tradition.

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Swords from the East, Swords from the Sea by Harold Lamb, a Review

Thursday, October 27, 2011 Brian Murphy Comments 0 Comment

Swords from the Sea
Harold Lamb
Howard Andrew Jones, ed.
Bison Books (552 pp, $24.95, 2010)

Swords from the East
Harold Lamb
Howard Andrew Jones, ed.
Bison Books (476 pp, $24.95, 2010)

It must have been something, the pre-television age when pulp magazines were a widely consumed form of entertainment. I can only imagine the anticipation of opening up one’s mailbox, finding inside the latest copy of Adventure magazine, and settling in to an evening of rousing tales by the likes of Talbot Mundy, H. Rider Haggard, and Harold Lamb. It was a time of pulse-pounding action and tales of distant historic epochs on the printed page.

Those days are now gone, and for many years the contents of those now-yellowed pulps were largely inaccessible, save through the efforts of patient and often deep-pocketed enthusiasts. But fortunately some of these works are now being collected in anthologies. Editor Howard Andrew Jones has done the Herculean task of assembling Lamb’s stories in the eight volume “Harold Lamb Library” series by Bison Books. These include Swords from the Desert and Swords from the West, and recently concluded with Swords from the Sea and Swords from the East.

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World Fantasy Awards to be Presented this Weekend

Thursday, October 27, 2011 John ONeill Comments 3 comments

Well, here it is Thursday, so I must be Goth Chick. Except I’m not.

Apologies to all those who tuned in today for their regular dose of 80’s sci-fi movie nostalgia and penetrating interviews with the luminaries of modern horror. Goth Chick is unavailable for her regular Thursday slot this week.

Monday is Halloween, the most important night of the year, and she apparently has more important things to do than be here with us today. Things that likely involve the sacrifice of small farm animals, midnight Sabbaths, and ancient voodoo rites. But I shall say no more, on the advice of counsel and due to the sticky consequences of federal libel law. We wish her well, whatever she’s doing, and we hope there are no witnesses.

Instead, let’s turn our attention to the World Fantasy Convention, happening this weekend in San Diego. WFC is hands-down my favorite convention, and I’ve been attending since 1984, when it came to my home town of Ottawa.

What’s so cool about WFC? For one thing, it’s a professional convention, attended chiefly by established writers, editors, agents, and artists. You can’t sling a dead cat in the dealer’s room without hitting half a dozen well-known names. And unlike other cons (I’m looking at you, Dragon*Con), slinging a dead cat won’t instantly win you half a dozen new friends, either. At WFC, that sort of thing isn’t done.

For another thing, the WFC is where the World Fantasy Awards are presented — the highest honor our field can bestow. That’s one above on the left. Yes, they’re in the shape of our beloved patriarch, H.P. Lovecraft. And just like the man’s work, the statue both fills you with a sense of wonder, and kinda gives you the creeps at the same time.

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