The Bloodlands Novels of Christine Cody

The Bloodlands Novels of Christine Cody

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bloodlands2I’ve been having fun with the Bloodlands novels of Christine Cody. Her website calls them “a post-apocalyptic Western fantasy series,” and that’s probably the best way to describe them.

Technically they’re science fiction, since there’s a near-future SF vibe and a post-disaster setting. “The New Badlands” is a vast and devastated American West where a handful of survivors retreated underground to escape changing and deadly weather, and a sequence of unrelenting apocalyptic events that have ravaged the country.

But at heart they’re really fantasy as the Badlands aren’t just filled with lethal storms, desperate survivors and brutal gunslingers — they’re also crawling with monsters, including vampires.

The marketing copy from Ace Books left me in mind of Deadlands, the weird western role playing game from Pinnacle Entertainment that breathed new life into the RPG genre in the 90s. But the author credits her inspiration to classic westerns. This is from the dedication to Bloodlands:

A big shout-out goes to all those Westerns that provided us with High Plains Drifters, Shanes, and Pale Riders, plus all the greedy ranchers and gunslinging villains, feisty homesteaders and rugged pioneers. I wanted to twist and reshape those wonderful tropes into something new while recalling the old. Most important, though, I wanted to pay homage to the mysterious cowboys who have wandered across dusty landscapes to face down the bad guys.

Fair warning to those looking for a pure-blooded adventure series: these books have an outcast female protagonist, and a brooding and misunderstood vampire named “Gabriel.” And there’s kissing.

The technical term for books containing both kissing and vampires is “paranormal romance,” and that’s exactly what these are. If sweaty make-out scenes with the undead make you uncomfortable, then back away now.

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New Treasures: The Drowned Cities by Paolo Bacigalupi

New Treasures: The Drowned Cities by Paolo Bacigalupi

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drowned-citiesOkay, I know we’re here to talk about Paolo Bacigalupi’s new novel, but I just want to take a moment to say that I took my two teenage sons to see The Avengers today, and it totally rocked. It was better than it had any right to be, and I agree with Andrew Zimmerman Jones when he says aspiring writers should bring a notebook. Everyone who wants to learn about storytelling should watch this movie.

‘Nuff said. We now return to our regularly scheduled New Treasures article.

So Paolo Bacigalupi has a new book out. It’s described as “a companion book” to his 2010 novel Ship Breaker.

I don’t know what that means, to be honest. Is it a sequel? Why don’t they just call it a sequel? Maybe it’s a prequel? Or it’s, like, set in the same world but doesn’t involve any of the same characters, like The Avengers and X-Men? Or does it present the same events from two radically different viewpoints, like MSNBC and Fox News?

Dang it, I don’t know why the publicity departments at New York publishing houses keep coming up with different words for sequels. They should use straightforward comic analogies in promotional materials, so busy bloggers like me can get to bed early.

Anyway. Paolo Bacigalupi has a new book. His last two, The Windup Girl and Ship Breaker, were really cool (and The Windup Girl even won the Hugo Award). The Hugo Award is a big deal. Black Gate doesn’t have one (yet), and until we get one, that shiny rocket statue makes us starry-eyed and respectful. That’s Mr. Bacigalupi to you, Buster. Here’s the book description:

In a dark future America where violence, terror, and grief touch everyone, young refugees Mahlia and Mouse have managed to leave behind the war-torn lands of the Drowned Cities by escaping into the jungle outskirts. But when they discover a wounded half-man — a bioengineered war beast named Tool — who is being hunted by a vengeful band of soldiers, their fragile existence quickly collapses. One is taken prisoner by merciless soldier boys, and the other is faced with an impossible decision: Risk everything to save a friend, or flee to a place where freedom might finally be possible.

This thrilling companion to Paolo Bacigalupi’s highly acclaimed Ship Breaker is a haunting and powerful story of loyalty, survival, and heart-pounding adventure.

Ship Breaker is highly acclaimed; forgot to mention that. The Drowned Cities arrived in stores on May 1st, it is $17.99 for 448 pages in hardcover, and is published by Little, Brown Books’ Young Adult division.

Chris Braak Reviews The Winds of Khalakovo

Chris Braak Reviews The Winds of Khalakovo

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windsofkhalakovoThe Winds of Khalakovo
Bradley P. Beaulieu
Nightshade Books (Trade Paperback $14.99, 312pp)
Reivewed by Chris Braak

It’s a little daunting, when you pick up Bradley P. Beaulieu’s The Winds of Khalakovo. Before the story even starts there are three pages of maps, and a list of characters that’s extensive, and full of names that enjoy that horrifically Chekhovian similarity – the kind that makes you wonder how you’re ever going to tell any of these people apart. The setting of this fantasy novel diverges from the traditional, Medieval-Central-European analog, and instead is something more like a 17th-century Russia, filled with costumes and vocabulary that are likely to be quite alien to a regular fantasy reader.

But the allure of fantasy is the appeal of the strange, and once the apprehension has passed, The Winds of Khalakovo reveals itself to be something quite extraordinary.

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Sean T. M. Stiennon reviews Warhammer: Bloodforged

Sean T. M. Stiennon reviews Warhammer: Bloodforged

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Bloodforged
Nathan Longbloodforged
Black Library (416 pages, mass market first edition May 2011)
Reviewed by Sean T. M. Stiennon

Apart from walk-ons, cameos, and bit-parts, every single character in Bloodforged is either a daemon worshiper or a vampire.  That’s really the most concise way I can summarize the novel, and your reaction to that ought to be a pretty good indication of how much you’d like Bloodforged.

Ulrika was the daughter of a family of noble warriors before her rising as a vampire, and she finds herself chafing under the restrictions that her loyalty to the Lahmian sisterhood of Nuln imposes on her.  She flees her vampiric mother and travels north, to the Kislevite city of Praag, hoping to make herself useful to humanity by aiding them in the battle against the Chaos horde besieging the city.  However, Ulrika arrives to find that, not only is the city enjoying relative peace (“peace” being a term fundamentally alien to the Warhammer world), but Praag offers her no true refuge from her undead life.  Her former companions have moved on to new horizons, and she can have no real friendship with humans.

Ulrika finds fresh meaning to her unlife only when she stumbles across a secretive Chaos cult which is kidnapping girls off the streets.  At the same time, the local branch of the Lahmian vampires offers her a choice: Either be bound to them, and returned to the same life of servitude she left in Nuln, or die by their hands.  Ulrika is forced to navigate a narrow line between Chaos sorcery and Lahmian vindictiveness.  Her only clear ally is a dashing young vamp named Stefan, who claims to be out for revenge against his master’s killer, but may be hiding a more sinister motive, even as he introduces her to love beyond the grave.

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May/June Fantasy & Science Fiction Magazine now on Sale

May/June Fantasy & Science Fiction Magazine now on Sale

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fandsf-may-june-20121Great cover on the latest issue of F&SF courtesy of Max Bertolini, illustrating “Maze of Shadows” by Fred Chappell, another tale of Falco the shadow thief. Has there ever been a good dungeon-delving cover on F&SF? No idea, but this one makes up for it. Click on the cover for a humongous version, and check out the creepy dude in the shadows. Here’s the complete table of contents:

NOVELLA

  • “Maze of Shadows”  – Fred Chappell

NOVELETS

  • “Liberty’s Daughter”  – Naomi Kritzer
  • “Asylum”  – Albert E. Cowdrey
  • “Taking the Low Road”  – Pat MacEwen
  • “The Children’s Crusade”  – Michael Alexander

SHORT STORIES

  • “Necrosis”  – Dale Bailey
  • “Typhoid Jack”  – Andy Stewart
  • “City League”  – Matthew Corradi
  • “Grand Tour”  – Chris Willrich

As usual, Lois Tilton has already reviewed the issue in detail at Locus Online. Here’s what she says about “Maze of Shadows”:

Master Astolfo has accepted the commission of a nobleman to guard his house with shadows in order to protect a mysterious treasure within. Falco and his fellow-apprentice Mutano have duly constructed a shadow maze, but a blind man sent to test it easily finds his way through. The chateau [pun, there?] also houses the cat that has Mutano’s voice, while he can only converse in cat – a situation that Mutano wants to remedy…

There’s a thing about series: if built around an ingenious and fascinating notion, such a premise can carry the first story a long way. But in the subsequent installments, we expect and require rather more. There is plenty of more in this one. The shadow trade figures prominently, the details sufficient and comprehensible for the purpose of the story without a lot of unnecessary backgrounding. The mannered narrative voice of Falco is engaging. There is also a neatly complex plot full of interwoven mysteries to keep readers involved. And some extraordinary cats.

The cover price is $7.50, for a thick 258 pages. Additional free content at the F&SF website includes book and film reviews by Charles de Lint, James Sallis,Paul Di Filippo, and Kathi Maio, and the “Curiosities” column by Jack Womack. We last covered F&SF here with the March/April issue.

What Writers Can Learn From Joss Whedon’s The Avengers

What Writers Can Learn From Joss Whedon’s The Avengers

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avengers-movie-poster-1Disclaimer: This article will reference some scenes from The Avengers film. While I’ve tried to avoid specific spoilers about major twists, there are some things that give away plot elements and twists from the other Marvel Comics movies, such as Thor.

If you are a writer, be sure that you get a receipt when you go to The Avengers, because you should be claiming it as a work-related research expense on your taxes this year. (This should not be considered tax advice. Please consult with your tax preparer before making financial decisions.)

There has been no shortage of digital ink spilled gushing over how great the movie is. I’ll provide a link to some of the highlights below if you want to delve into the film itself. However, I wanted to go beyond discussing The Avengers as purely a viewing experience, but to focus on a couple of elements that writers can best take away from it.

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Lost Classics of Pulp: Judex

Lost Classics of Pulp: Judex

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judex_65_2judex01Pioneering silent film director, Louis Feuillade rose to prominence with his stylish 1913 serial, Fantomas which faithfully adapted five of Pierre Souvestre and Marcel Allain’s bestselling pulp thrillers. Feuillade next succeeded in fashioning an enthralling original story based around the Apache street gang which figured prominently in the Fantomas series. Les Vampires are led by the vampish Irma Vep, played by the exotic Musidora (France’s answer to Theda Bara). The 1915 serial was hugely successful and was a highly influential work in its day. Feuillade was tasked with the challenge of trying to follow up these two successes with a third commercial property.

Responding to the criticism that his films glorified crime and violence, Feuillade turned to author and playwright Arthur Bernede for help. Together they crafted a pulp vigilante dressed in a dark cloak with his face partially obscured by a slouch hat. Judex, Latin for “judge,” fought crime with his loyal brother, Roger and a menagerie of amazing beasts and an assortment of colorful companions by his side. These and Judex’s gadget-filled secret lair and private plane had a tremendous influence on the burgeoning pulp fiction market in England and America.

 

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Goth Chick News: An Internet Head-Trip Brought to You by Shaun of the Dead Creator Edgar Wright

Goth Chick News: An Internet Head-Trip Brought to You by Shaun of the Dead Creator Edgar Wright

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image002Two versions of Snow White, TV sitcoms remade for the big screen and (stop me before I hurt myself) the re-release of Titanic…

Think there’s no originality left in Hollywood?

Microsoft apparently agrees with us but is thankfully smart enough not to try and fix it themselves.

Instead they enlisted the talents of Shaun of the Dead director Edgar Wright and Marvel and Lucasfilm illustrator Tommy Lee Edwards (famous for his work on the Batman and Hellboy comics) to create a very cool entertainment concept in the form of an interactive animated story called The Random Adventures of Brandon Generator, launched April 12th.

Think of it as a Choose Your Own Adventure story for the multi-media generation.

Visitors to the site will get a seven-minute video that explains the story of our hero Brandon Generator, who is having severe writer’s block.  One dark night after too much coffee, Brandon wakes from his caffeine-induced blackout to discover prose, sketches and ideas on his Dictaphone that he did not remember leaving.

And you get to provide one or all of those elements.

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Alana Joli Abbott Reviews Grave Dance

Alana Joli Abbott Reviews Grave Dance

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gravedanceGrave Dance
Kalayna Price
Roc (pages 372, $7.99, mass market first edition July 2011)
Reviewed by Alana Joli Abbott

It is infrequent that I find myself reading a second novel in a series that utterly outstrips the first, especially when the first volume is highly enjoyable in its own right. So it was with delight that I flew through the pages of Grave Dance, Kalayna Price’s second Alex Craft adventure. Set a month after the conclusion of Grave Witch, this mystery-come-urban fantasy starts in the middle of the action, with Alex, a magic-wielding private eye, investigating the mysterious appearance of a pile of dismembered left feet. Although a foot is not enough to allow her to raise the shades – the memories stored in dead bodies – that usually make her valuable as a consultant, she soon finds herself embroiled in a case being fought over by her city’s mostly-human police force and the Fae Investigation Bureau.

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Snarky Female Protagonists and Why I Read Them

Snarky Female Protagonists and Why I Read Them

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junoDear Black Gate readers,

I don’t even remember what my last post was. Mea culpa, mea culpa; I was moving across the country, I was getting a job with some Beluga whales, I was joining a writing group,  I was traveling to places I’d never been before, I was reading other people’s fledgling novels and trying to come up with some kind — any kind! — of useful crit for them, I was writing up a storm.

(Several storms. Big magical brouhahas*, with silver clouds and dark lightning and dead swans and such.)

Woe is me, these things are hard, man! But enough of this moaning and groaning. I’m back now, see?  And I’ve been reading.

You know that thing that happens when suddenly you realize how busy you’ve been because you haven’t picked up a book for the sheer pleasure of reading in a while? There are many joys in reading other people’s early drafts of things that are going to turn into magnificently faboosh final drafts, but one of the downers is that when I’m doing that, I feel guilty reading anything for fun. And I’m a fast reader; I’m just a slow dang beta-reader.

However! Last week, I found myself at the Westerly Public Library, a place of golden beauty and polished staircases, browsing. Browsing, I tell you! Do you know how that felt?

Novel.

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