Black Gate – Page 1017 – Adventures in Fantasy Literature

Sword & Sorcery for the Girl Who Wants to be Conan: Gaie Sebold’s Babylon Steel

Tuesday, October 8, 2013 John ONeill Comments 4 comments

I can’t keep up with all the fabulous fiction rolling off the assembly lines of the great factories of modern publishing (I can just barely stay on top of the story-a-week we publish here at Black Gate, truth be told). It’s amazing… I spend all day – and most of the night – reading and writing about this genre, and still can’t encompass it all. Either we live in amazing times, or being hopelessly clueless is just an intrinsic part of my nature.

Eh. Probably a little of both.

Fortunately, there are other bloggers out there to help me out. Liz Bourke’s “Sleeps With Monsters” column at Tor.com helped me out this week, by pointing me to Gaie Sebold’s debut fantasy novel, Babylon Steel.

Now, anyone can miss a novel or two, but I have no excuse for not being on top of this one. For one thing, Solaris has been putting out terrific fantasy recently, and obviously deserves more attention; for another, I’ve had my eye on Gaie Sebold ever since I bought her brilliant and funny “A Touch of Crystal” (co-written with fellow Brit Martin Owton), the tale of a shopkeeper who discovers some of the goods in her New Age shop are actually magical, for Black Gate 9. Here’s Liz:

Gaie Sebold’s Babylon Steel (Solaris, 2011) is a remarkably entertaining debut. It’s as though someone took the best bits of Robert E. Howard and the fantasy noir city of Simon R. Green’s Hawk and Fisher novels, threw in some more Cool S**t ™, and reimagined them through a lens that foregrounded female perspectives. This is sword-and-sorcery pulp wish fulfillment for the kind of girl who wanted to be Conan… And that? That makes one of the most awesome things I’ve read this year…

Sebold evokes mood and atmosphere — and character — very well. And the climactic BOOM LIKE THAT is an earned one.

An excellently entertaining book. Give me more like this. MORE I TELL YOU.

Babylon Steel was nominated in two categories for the Gemmell Awards: The Morningstar (best newcomer) and the Legend (best novel). It came out so long ago now that there’s already a sequel (dang! I really am clueless). Dangerous Gifts appeared in January of this year.

Babylon Steel was published in December 2011 by Solaris. It is 544 pages, priced at $7.99 in paperback and $6.99 for the digital edition.

Daughter of the Bright Moon by Lynn Abbey

Tuesday, October 8, 2013 Fletcher Vredenburgh Comments 1 comment

oie_6554332ckBTZkt Daughter of the Bright Moon (1979) by Lynn Abbey has been sitting on my swords & sorcery to-be-read pile for a long time. One of the main goals I set for myself when I started blogging was to read all the classic era S&S I could. Not only does DotBM date from S&S’s golden age in the 1970s, its hero, Rifkind, is one of the earlier sword-swinging women. This was a book that demanded a look.

Even with all that going for it, I didn’t get to it until last week. Every now and then, I felt like it was staring at me, admonishing me for not having read it already. I mean, I’ve known about it since I read a fun write-up on Rifkind in the Giants in the Earth column in Dragon Magazine #57 and my dad actually had a copy in the attic.

I even started it last year, but stopped after a chapter or two. I don’t know why… I liked it, but maybe something shiny caught my eye.

Warrior women characters have been around forever. There are the myths of the Amazons and the valkyrie. In real life, of course, there was Joan of Arc.

Jirel of Joiry was the first swordswoman to star in her own stories. C. L. Moore created her kick-ass French noblewoman in 1934, but for decades after that you really had to dig to find fighting women as the lead protagonists.

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New Treasures: Ghosts Know by Ramsey Campbell

Tuesday, October 8, 2013 John ONeill Comments 0 Comment

Look at that, it’s October already. And you know that that means, don’t you? It’s spooky reads season, when all the major publishers inundate us with the year’s best creepy fiction.

I like to try new authors every October. Ramsey Campbell is hardly new, but I know him almost exclusively through his short fiction. I’ve been wanting to try one of his novels for years, and this appealing new hardcover from Tor will fit the bill nicely.

Graham Wilde is a contentious, bombastic host of the talk radio program Wilde Card. His job, as he sees it, is to stir the pot, and he is quite good at it, provoking many a heated call with his eccentric and often irrational audience. He invites Frank Jasper, a purported psychic, to come on the program. He firmly believes that the man is a charlatan, albeit a talented one. When Jasper appears on his show, Wilde draws upon personal knowledge about the man to embarrass him on air, using patter similar to that which Jasper utilizes in his act.

Wilde’s attack on Jasper earns him the enmity of his guest and some of the members of his audience. He next encounters Jasper when the psychic is hired by the family of a missing adolescent girl to help them find her. Wilde is stunned and then horrified when Jasper seems to suggest that he might be behind the girl’s disappearance.

Thus begins a nightmarish journey as circumstantial evidence against Wilde begins to mount, alienating his listeners, the radio station, and eventually, his lover. As Wilde descends into a pit of despair, reality and fantasy begin to blur in a kaleidoscope of terror….

Ghosts Know was published by Tor Books on October 1st. It is 285 pages, priced at $25.99 for the hardcover and $12.99 for the digital edition.

A Return of Pacesetter RPG Style Horror

Monday, October 7, 2013 ChristianLindke Comments 7 comments

You are about to enter the world of CHILL, where unknown things sneak, and crawl, and creep, and slither in the darkness of a moonless night. This is the world of horror, the world of the vampire, ghost, and ghoul, the world of things not known, and best not dreamt of. CHILL is a role-playing game of adventure into the Unknown and your first adventure is about to begin — CHILL Introductory Folder

In 1984, a group of former TSR Employees that included Mark Acres, Troy Denning, and Stephen Sullivan formed Pacesetter Ltd. Games and ambitiously published four role playing games: Chill, Timemaster, Star Ace, and Sandman. The rights to these games now belong to a diverse list of small publishers. Phil Reed owns the rights to Star Ace, Goblinoid Games own the rights to Timemaster and Sandman (as well as the Pacesetter brand), and Mayfair Games owns the rights to Chill.

Chill wasn’t the first horror role playing game, nor is it considered the best by the majority of gamers. However, it has long held a place as a “cult” favorite in the role playing game world. While it is a cult favorite, that cult status has not enabled it to garner a reprint in recent years. In 2009, Otherworld Creations attempted to do a Fundable campaign (a Kickstarter before Kickstarter was cool) and failed to raise the necessary money to do a new edition.

Chill was different from other horror role playing games that often sought to capture the dark nihilistic material horror of H.P. Lovecraft or turned monster-hunting into an action movie. Chill tried to capture the tone of Hammer and AIP productions. Because of this four-color focus, and I believe also because its creators were former TSR employees, Rick Swan reviewed the game quite negatively in Dragon magazine and in his Complete Guide to Role-Playing Games. Swan wrote that the game was:

A horror game for the easily frightened… While most of Chill‘s vampires, werewolves, and other B-movie refugees wouldn’t scare a ten-year-old, they’re appropriate to the modest ambitions of the game… Chill is too shallow for extended campaigns, and lacks the depth to please anyone but the most undemanding players. For beginners only.

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The Horror: Oz Meets the Scarecrow

Monday, October 7, 2013 Nick Ozment Comments 4 comments

dark harvest As Stephen King once observed, horror has a short shelf life. What scares us today will lose its impact tomorrow. The shock of the new will wear off, the fear of the unknown dispelled by our having come to know it.

Mary Shelley’s Frankenstein may be a literary classic, and it is still required reading in high school and college classes the world over. But when was the last time anyone was actually scared by Frankenstein’s Monster, I wonder? Or by Dracula, or any of the other classic monsters that now grace the sides of cereal boxes?

Familiar, tried-and-true monsters suffer from overexposure just as surely as vampires exposed to too much sunlight. After the umpteenth new Hollywood film, movie of the week, and YA book series, they “jump the shark,” so to speak. They lose their ability to produce chills and instead become the butt of parody or — worse — a love interest.

Until, that is, they come creeping back in an altered guise, rendered frightening and unfamiliar again by the latest horror maverick. Oh, they keep coming back, these perennial terrors. After all, there is a reason they are iconic: they have so aptly embodied so many human fears throughout the ages. We will likely be spooked — genuinely frightened — by a vampire again, hard as that is to imagine now, somewhere down the road.

In this macabre dance, venerable monsters take turns in the blacklight; their popularity waxes and wanes and waxes again, like the cycles of the moon.

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“How Many Psychiatrists Does it Take to Change a Genre?” Karl Edward Wagner in Fantasy 55

Monday, October 7, 2013 John ONeill Comments 40 comments

I need to spend less time on eBay. A few weeks ago, I stumbled on a collector selling significant lots of vintage fanzines and critical journals from the 70s and 80s — things like Science Fiction Review, The Alien Critic, Fantasy Review, SF Collector, Fantasy, and others.

Hard-to-find-stuff, as I later told my wife Alice, trying to explain why the postman had delivered a 16-pound package and why we were out over two-hundred bucks.

So now I’m in the doghouse. But keeping me company are 87 beautiful magazines packed with news, reviews, artwork, and opinion on the state of fantasy three decades ago, so really, things aren’t so bad. That was probably the height of my book collecting, so there’s lots here that’s of interest. The first one I opened was Fantasy 55, from January 1983, a Locus-like genre news magazine edited by Robert A. Collins. I’d never even heard of Fantasy, so it’s a little humbling to discover it’s clearly a major magazine (which published over 60 issues, apparently). It’s professionally laid out and designed, with lots of art and photos.

Two things I notice right off the bat. First, the cover verges on pornography, with a nude woman sprawled on a bed, getting pretty worked up while some guy with horns drools saliva on her. Eeeugh. Man, the 80s. What can I tell you.

(A lot of these fanzines feature naked women on the covers. Naked women piloting starships. Naked women battling monsters. Naked women in dungeons. This was the era when a lot of young women avoided conventions due to routine sexual harassment. Think there’s a connection?)

The second thing I notice is the fabulous line-up of contributors, including Fritz Leiber, Darrell Schweitzer, Mike Ashley, John Morressy, Somtow Sucharitkul, and many others. I still haven’t read a third of the articles, but the thing that really opened my eyes was Collins’s editorial, in which he quotes contributor Karl Edward Wagner’s thoughts on the expected fantasy boom following the release of Conan the Barbarian and the genesis of his Kane collection, Night Winds:

Last month… Wagner again attacked fantasy fans, writers, and publishers for their apparent inability to evolve intellectually and/or artistically, for constantly rewarming “the same simple plots and conflicts that were boring Robert Bloch back during Conan’s heyday in 1934.” Both writers and fans, he said, eventually “turn their backs on heroic fantasy,” leaving the field to a new crowd of adolescents. “One would hope for a new sophistication among the readers, and one may grow old hoping.”

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Black Gate Online Fiction: The Sacred Band by Janet Morris and Chris Morris

Sunday, October 6, 2013 John ONeill Comments 4 comments

Black Gate is very pleased to offer an exclusive excerpt from The Sacred Band, a new novel in the Sacred Band of Stepsons series by Janet Morris and Chris Morris.

The Sacred Band of Thebes lives on, a world away, in this mythic novel of love in war in ancient times. In 338 BCE, during the Battle of Chaeronea that results in the massacre of the Sacred Band of Thebes, the legendary Tempus and his Stepson cavalry rescue twenty-three pairs of Theban Sacred Banders, paired lovers and friends, to fight on other days. These forty-six Thebans, whose bones will never lie in the mass grave that holds their two hundred and fifty-four brothers, join with the immortalized Tempus and his Sacred Band of Stepsons, consummate ancient cavalry fighters, to make new lives in a faraway land and fight the battle of their dreams where gods walk the earth, ghosts take the field, and the angry Fates demand their due.

Janet Morris alone and Janet Morris and Chris Morris jointly have authored six previous novels and two novelized anthology volumes in their Sacred Band of Stepsons series. Some works in this series were previously published in somewhat different form in the Thieves World® shared universe, or as authorized works taking place beyond Sanctuary®.

The Sacred Band was published in trade paperback and an electronic edition by Paradise Publishing in 2010; the first Kerlak hardcover edition appeared in 2011 and the first trade and electronic editions from Perseid Press in 2012. It is 618 pages, priced at $24.95 in trade paperback.

The complete catalog of Black Gate Online Fiction, including stories by John C. Hocking, Michael Shea, Ryan Harvey, Peadar Ó Guilín, Vaughn Heppner, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, E.E. Knight, C.S.E. Cooney, Howard Andrew Jones, and many others, is here.

Read “Shock Troops of the Gods,” a complete chapter from The Sacred Band, here.

The Thinning of Thinness: Susan Palwick’s The Necessary Beggar

Sunday, October 6, 2013 Matthew David Surridge Comments 2 comments

The Necessary Beggar Of the many useful terms suggested by John Clute in The Encyclopedia of Fantasy, perhaps the most useful is the idea of ‘thinning.’ Clute sees certain archetypal patterns frequently recurring in fantastic fiction and thinning’s a part of that. It is the lessening that afflicts threatened fantasylands, a type of diminishment. It’s the fading of magic, the passing of the great old order. Sometimes, eventually, the greatness of the past is restored, though perhaps in a different form.

Archetypes by their nature are constantly taking on new guises. I found an intriguing example of the thinning-and-recovery motif of fantasy in Susan Palwick’s 2005 YA-ish novel, The Necessary Beggar. Her second novel, it won an Alex Award, awarded by the American Library Association to books written for adults, but with “special appeal” to teens; her first novel, 1993’s Flying in Place, won the Crawford Award for Best First Fantasy Novel. In 2007, Palwick published her third novel, Shelter, as well as a collection of short fiction, The Fate of Mice. 2013 saw the publication of her most recent book, Mending the Moon.

The Necessary Beggar is an interesting exploration of thinning because it literalises and inverts the whole idea. It follows a family exiled from their home in the (relatively) magical land of Gandiffri after one of them is convicted of murder. They’re sent through a dimensional portal, ending up in this world, in Nevada in the not-too-distant future. They’re held in a refugee camp for a while, but eventually manage to leave the camp and try to make a new life in America.

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Self-Published Book Review: Mistress of the Dancing Bones by Thomas Alexander

Sunday, October 6, 2013 Donald Crankshaw Comments 2 comments

This month’s self-published book is Mistress of the Dancing Bones by Thomas Alexander.

Four hundred years ago, the Deathlords threatened to destroy all of humanity. It was the nephilim who saved the human race. Thus was the Code Sanguine founded: humans swore to serve the nephilim, and if required, give them their blood, while the nephilim swore to protect humanity, and raise the best of the humans to nephilim themselves. For before the Code Sanguine, the nephilim were known by another name: vampires.

Ashia is the daughter of a nephilim warlord, Marcel Boucher, and his human wife. This does not make her a nephilim, or even part nephilim. She is fully human until embraced by the nephilim. She is also, thanks to her mother, Dahraki, one of the dragon-blooded, and that gives her access to another kind of magic, the necromancy of the Than Khet. Unfortunately, the servant who secretly tutored her in Than Khet magic neglected to tell her that it is incompatible with becoming nephilim. Should a Than Khet be embraced as a nephilim, she would go mad as the two parts of herself warred.

When he discovers what has happened, Ashia’s father is furious. All his dreams for his daughter have come crashing down. But larger problems plague Ashia’s family. Renegade vampires are plaguing Marcel’s territory and the family’s enemies are placing the blame squarely on Marcel and his willingness to embrace barbarians rather than civilized Avensh as nephilim. In order to discover the truth, Ashia agrees to accompany the legendary nephilim witch-hunter Dusang and his demon-cat-fey ally, Tama, in tracking down the renegades and discovering the truth behind a conspiracy that involves not only renegades and political enemies, but the Deathlords themselves.

I am generally not a fan of vampire novels. I prefer my vampires as antagonists rather than as love interests. And for the love of God, sunlight better burn, or at least weaken, them, not cause them to sparkle. So I was taking a chance on this novel, but I’m glad I did.

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Derek Künsken wins 2012 Asimov’s SF Readers’ Award

Saturday, October 5, 2013 John ONeill Comments 0 Comment

I flipped open the October/November issue of Asimov’s SF this afternoon and the first words to catch my eye were from Sheila Williams’s editorial, on the 27th Annual Readers’ Award Results. They were:

Much praise was lavished on relatively new writer, Derek Künsken. Richard Harding spoke for many when he wrote, “the most striking story I read was ‘The Way of the Needle.’ Wonderful imagination combined with ethics and striving. Thank you very much.

I missed the original announcement on Derek’s blog back in May, so I’m glad I caught it in print.

Congratulations to Derek! We were proud to publish his popular story, “The Gifts of Li Tzu-Ch’eng,” in Black Gate 15 (and not just because Derek is a fellow Ottawa native). Sherwood Smith’s SF Site review of the story said, in part:

Though he is famous in both history and legend, what finally happened to the warlord Li Tzu-Ch’eng is not known. A possible path is hinted at in this tale, which begins when Li is approached by a woman, Nü Wa, who claims to be a messenger of Heaven. She offers Li four gifts. When the reader discovers that Li may only use three of the gifts — the fourth will be used against him — and one of the gifts is love, it’s clear that this will not be a straightforward tale of swords and war…

Other winners this year include Joe Haldeman (Best Poem), Robert Reed (Best Novella, for “Murder Born”), and Sandra McDonald and Megan Arkenberg, who tied for Best Short Story (for “Sexy Robot Mom” and “Final Exam,” respectively.)

Artist Laura Diehl won for Best Cover for the December 2012 issue, which you can see here. Congratulations to all the winners!