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Explore The Dark

Explore The Dark

The Dark Issue 1-smallSean Wallace is an editing powerhouse.

I don’t use that term lightly. But let’s just look at the man’s accomplishments: in the last few years he’s edited or co-edited multiple magazines, including Jabberwocky, Fantasy Magazine, and the prestigious Clarkesworld, for which he was nominated for the Hugo four times (winning three times) and the World Fantasy Award three times. He’s edited numerous anthologies, including Best New Fantasy, Japanese Dreams, The Mammoth Book of Steampunk, People of the Book, Robots: Recent A.I., and War & Space.

Of course, that’s on top of his day job as founder, publisher, and managing editor of Prime Books — where he’s produced a terrific assortment of excellent titles. We covered more than a few, including Weird Detectives, Rich Horton’s The Year’s Best Science Fiction & Fantasy series, Circus: Fantasy Under the Big Top, The Return of the Sorcerer: The Best of Clark Ashton Smith, the War & Space anthology, and others.

So I was extremely intrigued when I heard he was launching a new online magazine of dark and strange fiction with Jack Fisher, former editor and publisher of the award-winning Flesh & Blood magazine. The debut issue of The Dark was released in October, 2013, and the second issue arrived on December 1st.

The first issue feature original fiction from Lisa L. Hannett, Nnedi Okorafor, Angela Slatter, and Rachel Swirsky. Issue 2 has all-new stories from Willow Fagan, Amanda E. Forrest, Sarah Singleton and E. Catherine Tobler.

The Dark is published bi-monthly; you can read issues free online, or help support the magazine by subscribing to the ebook editions, available for the Kindle and Nook in Mobi and ePub format. Issues are around 49 pages, and priced at $2.99.

A one-year sub (six issues) is just $15, and so far I really like what I see. Get in on the ground floor of a promising new magazine — subscribe today.

Sword Sisters: A Partnership, a Prequel, a Picture Show, and a Print Run

Sword Sisters: A Partnership, a Prequel, a Picture Show, and a Print Run

> The first Red Reaper novel from Tara Cardinal and Alex Bledsoe is prequel to the 2014 movie The Legend of the Red Reaper
The first Red Reaper novel from Tara Cardinal and Alex Bledsoe is the prequel to the 2014 movie The Legend of the Red Reaper. Click for bigger version

Tara Cardinal has quite a story to share. And now she has a novel too. They’re not quite the same thing — but they have a lot in common.

Her, for instance. The actress/writer/director pours everything she is into her stories, and once a person knows them both, the interplay between them is obvious. Passion is a way of life for Tara, and she instills in her projects and the people around her a thirst for it.

This is not the sum of her though. Tara does all her own stunts AND swordplay, she added directing to her resume on the fly, learned how to write the score, edited the film, and interested Uwe Boll into co-producing the movie The Legend of the Red Reaper with her. Then she hit upon an idea to write a story prequel to the movie she’d written and created.  She sketched it out, discovered Alex Bledsoe wandering the same Sword & Sorcery super-aisle, and the rest is history. (Alex offers a bit of a better description of how it all worked out over on his site.)

Alex just so happened to have recently worked with RBE on Writing Fantasy Heroes, and so introductions were made, and the work began. It wasn’t long before the manuscript was going through edit exchanges, the art was being penciled & inked, and both interior and cover layout was being described, revised, and delivered.

But wait! There’s even more to the story. Tara’s passion isn’t for writing, directing, even acting. It’s for empowering children and young women in pursuit of her dream of making the world a better, happier place. The martial artist and swordswoman is also a humanitarian, psychologist, and child advocate. From the age of 12, Tara has always been about defending, assisting, and benefiting children survivors of abuse, illness, and disaster.

Best of all, Tara’s rolled all that passion, all that experience, and all those goals into a Sword & Sorcery novel that delivers the sword-swinging, monster-slaying, ancient god-defying, and good ol’ fun we Black Gaters (hmm, sounds like a football team name to me!) expect — and she’s done that while also delivering Aella, a young woman protagonist who struggles with identity, destiny, belonging, and confidence simultaneous with racial, familial, and sexual tensions.

Aella is not your everyday chain-mail bikini warrior — she’s the heroine every young woman experiencing her own struggles with identity, belonging, confidence, and belief can look up to and emulate.

Goth Chick News: Godzilla Geek Out – More on the First Trailer for 2014 Remake

Goth Chick News: Godzilla Geek Out – More on the First Trailer for 2014 Remake

Godzilla 2014 Poster 2-smallFifteen years ago a horrific monstrosity was loosed on an unsuspecting public. It was huge and ghastly and made you want to avert your eyes.

And it starred Matthew Broderick.

Yes, I am referring to the 1998 “American” remake of Godzilla, which outraged fans nicknamed  G.I.N.O., an acronym for “Godzilla in Name Only,” to ensure it would never be confused with the original source material.

To be fair, there were two good things about the film. One, even with an estimated budget of $130M it did at least break even in the US, pulling in $136M. Second, TriStar Pictures was able to keep all the velociraptor special effects guys employed (they had recently been laid off following the release of Jurassic Park: Lost World in 1997).

However what happened this week may finally eradicate the revulsion from our collective memories.

As my co-worker Ryan Harvey announced on Tuesday (by jumping up and roaring “out loud with him at the top of my lungs”… while at work), Legendary and Warner Brothers released the trailer for their 2014 Godzilla reboot and it looks pretty epic. Considering how long it took me to actually access it, there is clearly a whole lot of interest in seeing what will happen with the iconic monster this time around.

Monsters‘ special effects guru, Gareth Edwards writes the story and directs an eclectic cast including Elizabeth Olsen (Kill Your Darlings), Bryan Cranston (Breaking Bad), Aaron Johnson (Kick-Ass) and Juliette Binoche (The English Patient).

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The Rebirth of Ares Magazine

The Rebirth of Ares Magazine

Ares Magazine 2014-smallIn the early ’80’s, Simulation Publications, Inc. (aka SPI) published a magazine named Ares. It included science fiction and fantasy along with articles and a complete game in every issue. It was short-lived, lasting only 19 issues, and Dragon revived it briefly within its own pages as an Ares section (see our review of issue #3 of the original magazine, featuring the game Barbarian Kings). And so it remained as an intriguing concept that simply ceased publication.

But that wasn’t the last hope for Ares. As Yoda would say, “No, there is another.” One Small Step Games, under Michael Anderson, decided to venture into remaking the old magazine. “The big idea is to fill a void,” says Anderson, “a new magazine that combines a standalone, unique, playable board game in every issue with a collection of spectacular, new fiction.”

With pay rates of five cents per word, Ares is serious about finding great fiction. Their preferred genres include fantasy, science fiction, horror, and pulp adventure.

They plan on publishing bi-monthly, and each issue will include 80 pages of fiction and other content, wrapped around the playable game. The first game will be War of the Worlds by independent game designer Bill Banks.

On January 1, Ares will launch a Kickstarter campaign to raise funding for this endeavor. If successful, the target delivery date for the first issue is May 1, 2014.

A magazine of speculative fiction AND a playable game? That sounds like a great combination to me.

Check out their website for more information: Ares Magazine.

Roar for Victory! The Godzilla ’14 Trailer Is Here and Life Is Good

Roar for Victory! The Godzilla ’14 Trailer Is Here and Life Is Good

godzilla 2014 poster-smallTHE TRAILER IS HERE AND YOU SHOULD BE WATCHING IT.

You might not have noticed it, because I’ve only had a few opportunities to discuss it at Black Gate (here and here), but Godzilla is sort of a huge big damn bloody deal to me.

Well, Godzilla is just plain huge to anybody, especially if you are in its way.

That’s why I hovered over my keyboard today at 10 a.m., hands palsied, awaiting the premiere of the first teaser trailer for the new Hollywood Godzilla from director Gareth Edwards. And… when the camera at last found the great lengths of the Japanese leviathan looming through the rubble of its devastation, and the beast let loose the legendary roar… I also roared out loud with him at the top of my lungs.

I was at work, mind you. Some impulses cannot be stopped. We’re a loose workplace, fortunately. They expect weird actions from their writers.

There’s no need to describe the trailer further — you can behold it for yourself — except to say that using György Ligeti’s “Requiem for Soprano, Mezzo-Soprano, 2 Mixed Choirs and Orchestra” for the HALO-drop opening is perfect. This music is best known for its use as the “monolith theme” in 2001: A Space Odyssey, and is anything more monolithic than Godzilla? (As a hardcore Stanley Kubrick fan as well, this slammed my geek-meter up to “Do Not Pull This Lever Again.”)

Although the trailer leaves many open questions, as any early teaser trailer should (will Walter White have to move the cook now that a monster has stomped it?), it does show that Gareth Edwards and company have created a genuine interpretation of the figure of Godzilla.

This is crucial: there are many different Godzilla interpretations since the beast first crashed onto Japanese screens in 1954. Godzilla has served as a nuclear metaphor, a force of nature, a butt-kicking anti-hero, a child friendly superhero, and a near-demonic force. All of these are legitimate interpretations of Godzilla, who can absorb many concepts and channel many human emotions. I prefer some versions to others, but as a dedicated G-fan, I can find some enjoyment in all of them.

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Colin Wilson, June 26, 1931 – December 5, 2013

Colin Wilson, June 26, 1931 – December 5, 2013

The Space VampiresBill Crider is reporting that Colin Wilson, the British author of over 110 books — including Ritual in the Dark (1960), The Mind Parasites (1967), The Space Vampires (1976), Science Fiction as Existentialism (1980), and the Spider World novels — passed away late last week.

Wilson debuted in 1956 with a bestselling work of non-fiction, The Outsider, when he was only 24 years old. Written mostly in the Reading Room of the British Museum, while he was living in a sleeping bag on Hampstead Heath, the book examined the psyche of the Outsider by looking at the lives of artists and writers including Ernest Hemingway, Franz Kafka, Jean-Paul Sartre, Friedrich Nietzsche, Vincent van Gogh, T. E. Lawrence, and others. (See “Now they will realise that I am a genius,” The Observer‘s entertaining piece on his autobiography, for more details)

Wilson was immediately celebrated as one of Britain’s leading intellectuals — a reputation “that sank as fast as it had rocketed” (as he later observed) after the publication of his second book, Religion and the Rebel (1957), which Time magazine reviewed under the headline “Scrambled Egghead.” By the 60s and early 70s, Wilson had left academic subjects behind to focus on the Occult, in books like The Occult: A History (1971), Aleister Crowley: The Nature of the Beast (1987), and biographies of other spiritualists. Wilson became an active member of the Ghost Club and began to seriously explore topics such as telepathy, life after death, and the existence of spirits in his later writing.

Wilson’s fiction includes several noted Cthulhu Mythos pieces. The hero of The Return of the Lloigor (1974) discovers the Voynich Manuscript is actually a medieval translation of the Necronomicon; and in the preface to his 1967 novel The Mind Parasites, Wilson wonders “what would have happened if Lovecraft had possessed a private income – enough, say, to allow him to spend his winters in Italy and his summers in Greece or Switzerland?… what he did produce would have been highly polished, without the pulp magazine cliches that disfigure so much of his work.”

In 1985, Poltergeist director Tobe Hooper filmed Wilson’s The Space Vampires as Lifeforce. Wilson hated the film version (so did a lot of people), but it’s cheesy fun, as Leonard Maltin happily reported in his review for Entertainment Tonight.

Colin Wilson was a tireless writer; his last two books, Super Consciousness and Existential Criticism: Selected Book Reviews, appeared in 2009. He suffered a stroke in June of last year, losing the ability to speak. He died on December 5th in Cornwall, at the age of 82.

Watch the First Trailer for Winter’s Tale

Watch the First Trailer for Winter’s Tale

Winter's Tale Mark Halprin-smallMark Helprin’s 1983 novel Winter’s Tale was perhaps the prototype for modern urban fantasy. No, it didn’t have vampires or werewolves, but it was a star-crossed love story set in a mythic New York City, with a great villain — and a magical horse.

Mark Helprin isn’t really known as a fantasy writer; he’s chiefly known for his literary novels A Soldier of the Great War, Memoir From Antproof Case, and others. His three books for children — Swan Lake, A City in Winter, and The Veil of Snows — are certainly magical, and not just due to Chris Van Allsburg’s superb illustrations, but Winter’s Tale is his only adult work that crossed over into genre territory.

But Winter’s Tale was joyfully embraced by fantasy fans, and not simply because the main character is a thief. It is a epic tale of love, loss, and the mysteries of death.

The story opens in an imaginary 19th Century Manhattan, an industrial Edwardian-era metropolis that shares some characteristics with the city we know. It centers on Peter Lake, the son of two immigrants denied admission at Ellis Island.

Desperate, Peter’s parents set him adrift in a tiny ship in New York Harbor, where he is eventually found among the reeds and adopted by the rough-and-tumble Baymen of the Bayonne Marsh. Peter grows up to be a mechanic — and a skilled cat burglar. He who stakes out a fortresslike mansion in the Upper West Side and, when he’s certain it’s unoccupied, he breaks in.

But the home isn’t empty. Inside is Beverly  Penn, a shut-in heiress dying of consumption, and the most beautiful woman Peter has ever seen. What begins as a robbery becomes a love story — and a driving quest that spans nearly a century.

Winter’s Tale was adapted for the screen by Akiva Goldsman, who is also directing. It stars Colin Farrell, Jessica Brown Findlay, Russell Crowe, and Jennifer Connelly, and is scheduled for release on Valentine’s Day of next year. Warner Bros. has released the first trailer for the film, and it’s shaping up to be one of the most promising big-budget fantasies of 2014. Check it out below.

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The Sword Folk Are Coming!

The Sword Folk Are Coming!

John Gwynne
John Gwynne (who won!) with a nice non-fantasy looking longsword

The Gemmell Award ceremony at the World Fantasy Convention was a hoot. It was also illuminating.

Out of the five contenders for the Morningstar Award (Best Debut Novel), two appeared with weapons in the brochure: John Gwynne (who won!), with a nice non-fantasy looking longsword, and Miles Cameron, in Hundred Years War era armor.

Miles Cameron
Miles Cameron, in Hundred Years War era armor

Cameron is obviously a part-time sword person. Mr Gwynne, when I asked him, ‘fessed up to being a collector only, but still interested in authentic historical combat.

Later in the bar, I got talking to a journalist and the conversation turned to my obsession with Historical European Martial Arts, especially the superiority of the German Longsword tradition.

“Ah,” said the journalist, backing away and holding up his hands defensively. “You should chat to Adrian Tchaikovsky. He talks about that.”

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Goodbye, Blockbuster

Goodbye, Blockbuster

Blockbuster is GoneThe Chicago Tribune is reporting today that Blockbuster will close all of its remaining brick-and-mortar outlets.

And so we bid a fond goodbye to an earlier, simpler way of life. When Friday nights meant leaving work a few minutes early to get in line at the rental store, before all the new releases were gone and you were stuck with an Andrew Dice Clay picture.

This is just one more thing that will confuse the hell out of me when I’m old and senile and wander away from the home. I’ll be standing in the parking lot of Best Buy with five bucks in my hand, trying to rent the first season of Kolchak the Night Stalker. Just you wait.

End of an era, for sure. The last remnants of the Old Republic have been swept away. (But how will Google maintain control without the bureaucracy?)

Blockbuster filed for bankruptcy in September 2010. It was purchased by DISH Network Corp. in a bankruptcy auction for $320 million in 2011, back when they were trying to seriously compete with Netflix. The company says it will close all of its 300 remaining U.S. stores by early January and shut down the Blockbuster By Mail service in mid-December.

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The Blinding Knife by Brent Weeks Wins the 2013 David Gemmell Legend Award

The Blinding Knife by Brent Weeks Wins the 2013 David Gemmell Legend Award

The Blinding Knife-smallBrent Weeks’s The Blinding Knife, the second volume of The Lightbringer Saga, has won the David Gemmell Legend Award for Best Fantasy Novel of 2012.

The David Gemmell Legend Award is a fan-voted award administered by the DGLA. This is the fifth year for the Legend Award; it was first granted in 2009 to Andrzej Sapkowski’s Blood of Elves; in 2010 to Graham McNeill’s Empire: The Legend of Sigmar, in 2011 the winner was Brandon Sanderson’s The Way of Kings, and last year The Wise Man’s Fear by Patrick Rothfuss received the honors.

The nominees for the 2013 award also included The Red Country by Joe Abercrombie, Stormdancer by Jay Kristoff, King of Thorns by Mark Lawrence, and The Gathering of the Lost by Helen Lowe.

The Morningstar Award for Best Fantasy Debut was awarded to Malice by John Gwynne.

The Ravensheart Award for best Fantasy Book Jacket Artist went to Didier Graffet & Dave Senior for the cover of The Red Country by Joe Abercrombie.

Our man-on-the-scene, roving reporter Harold M. Page, will report in with complete details on the ceremonies right here on Thursday.

Complete details are available at the DGLA website.

Congratulations to all the winners!