Black Gate

British horror writer Adam Nevill has been winning over fans here in the US, with books like Last Days and The House of Small Shadows (which Goth Chick reviewed for us here). His latest novel, No One Gets Out Alive, looks like it will continue that trend nicely. It was recently released in hardcover by St. Martin’s Press, and has just been nominated for a 2015 British Fantasy Award.

When Stephanie moves to the notoriously cheap Perry Bar neighborhood of Birmingham, she’s just happy to find an affordable room for rent that’s large enough not to deserve her previous room’s nickname, “the cell.” The eccentric — albeit slightly overly-friendly — landlord seems nice and welcoming enough, the ceilings are high, and all of the other tenants are also girls. Things aren’t great, but they’re stable. Or at least that’s what she tells herself when she impulsively hands over enough money to cover the first month’s rent and decides to give it a go.

But soon after she becomes uneasy about her rash decision. She hears things in the night. Feels them. Things… or people… who aren’t there in the light. Who couldn’t be there, because after-all, her door is locked every night, and the key is still in place in the morning. Concern soon turns to terror when the voices she hears and presence she feels each night become hostile. It’s clear that something very bad has happened in this house. And something even worse is happening now. Stephanie has to find a way out, before whatever’s going on in the house finds her first.

No One Gets Out Alive was published by St. Martin’s Press on April 28. It is 640 pages, priced at $27.99 in hardcover and $14.99 for the digital edition.

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Lavie Tidhar has made a heck of a big name for himself in a very short period of time. His novel Osama won the World Fantasy Award, and his “Guns & Sorcery” novella Gorel & The Pot Bellied God won the British Fantasy Award. His novel The Violent Century was called “A masterpiece” by both the Independent and Library Journal. And his second short story collection, Black Gods Kiss, has just been nominated for the British Fantasy Award.

Black Gods Kiss is set in the same world as Gorel & The Pot-Bellied God. Theaker’s Quarterly called it “Classic heroic fantasy,” and Locus called it “One of the most flamboyantly entertaining collections of the year… almost the pure essence of pulp – violent, action-packed, paced like a runaway freight train, politically incorrect and socially unredeemable.” Originally published as a limited edition hardcover in the UK, it is now available in digital format.

His name was Gorel of Goliris and he was a gunslinger and an addict, touched by the Black Kiss. Gorel wanted nothing more than to return to his home, the greatest empire the World had ever known, from which he was banished by sorcery as a child. But wherever he went, trouble doggedly followed, and death preceded his steps.. . In Black Gods Kiss Lavie Tidhar returns to the vivid world of his 2012 British Fantasy Award winning novella, Gorel & The Pot-Bellied God. It collects 5 long adventures set before and after the events of Pot-Bellied God, and includes a brand-new novella, “Kur-a-Len.” In these pages you will find thrilling tales of guns and sorcery, filled with ghosts, mercenaries, necromancers and gods – not to mention sex, and death!

Black Gods Kiss was published in a limited edition hardcover by PS Publishing in October 2014. It was released in digital format by the Jabberwocky Literary Agency on April 30, 2015. It is 174 pages, priced at $35 in hardcover and $6.99 for the digital edition. The cover is by Pedro Marques.

When I returned from the World Fantasy Convention in November, I wrote a series of articles about what it was like to wander one of the finest Dealer’s Room in the country. One of those highlighted the marvelous Hippocampus Press, publishers of Simon Strantzas’s Burnt Black Suns, Clint Smith’s Ghouljaw and Other Stories, John Langan’s The Wide, Carnivorous Sky and Other Monstrous Geographies, and many other fine titles. However, one of their most intriguing books wasn’t released until after the convention: James Robert Smith’s A Confederacy of Horrors. Smith is the author of The Flock, The Living End, and The New Ecology of Death, and his debut collection, released in January, features creatures from the depths of space, vampires, occult horrors, and stranger things.

In recent years, James Robert Smith has emerged as a distinctive new voice in contemporary weird fiction. Melding a smoothly flowing prose style, powerful horrific conceptions, and a keen sense of character and locale, Smith has written dozens of stories that expand the boundaries of the weird tale and take it into new and dynamic directions.

This first collection of his short fiction displays the many virtues of his work. Several of his tales are set in the South, a region he knows well through long residence. Whether it be the alienated youths in “Toke Ghost,” the ruthless plutocrat of “Moving,” or the comic terror of “The Reliable Vacuum Company,” Smith depicts a South where the lush, kudzu-choked landscape breeds horrors both earthly and unearthly.

Monsters from the depths of space are the focus of “On the First Day,” while rats of a more than usual malignancy are featured in “Dope.” “Translator” tells of mysteries emerging out of World War II, while in “Love and Magick” a man battles occult creatures with magic of his own. The ecological horrors of “Symptom” are matched by the existential horror of “Wet.” The end of the world appears imminent in “One of Those Days,” and a vampire of an unusual sort stalks through the pages of “Just a Gigolo.”

With this collection, James Robert Smith presents a rich and diverse smorgasbord of weirdness and terror that will delight his many devotees and bring new ones into his fold.

A Confederacy of Horrors was published by Hippocampus Press on January 15, 2015. It is 236 pages, priced at $20 in trade paperback, and $6 for the digital version. The cover is by Pete von Sholly.