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Discovering Galaxy Science Fiction

Discovering Galaxy Science Fiction

galaxy-may-1952I’ve known about older speculative magazines for a few years – the pulp fiction magazines from decades ago. I listened to people talk about stories they read from those magazines, and it seemed like I was missing out on something.

I’m Matthew Wuertz, a fiction reader and writer. I’ve been a Black Gate reader since issue 7. I’ve met most of the Black Gate team over the years, and even took part in the 2010 Sword & Sorcery Panel Podcast with them at the World Fantasy Convention in Columbus. I also have my own blog.

My wife’s van had Sirius Satellite Radio for a year, and I liked listening to the station that played old radio shows — including “X Minus One,” which had episodes of science fiction. One of the episodes was “Surface Tension” by James Blish, originally published in Galaxy Science Fiction. When I heard of the episode’s origin, my curiosity in pulp magazines increased. And now I had a title in mind. I recall thinking, “Would it be possible to actually get one of these Galaxy magazines in my hands?”

A short time later, John O’Neill posted the article “How Galaxy Magazine Saved Robert Silverberg from a Life of Smoking,” so I asked how one might acquire an issue. One of the answers was eBay, and John posted several links to active auctions.

At this point, my wife, whose eBay prowess amazes me, became involved. In mere moments, she was saving search results and tracking a number of options. After considering several choices, I chose an auction for 22 issues of Galaxy. So we made a bid. It was a long week until the auction ended, but we won.

When the magazines finally arrived, I was so excited. These were pocketbook-sized magazines with incredible art on the covers, like astronauts mining asteroids with jackhammers while their cylindrical rocket ship floats overhead. This was on the cover of my oldest issue – May, 1952. I was holding a 60-year-old magazine in my hands! I could hardly wait to open the musty, faded pages and read stories written long before I’d been born. See the complete lot here.

What lies within those pages will be revealed another time. I need to stop here. Those astronaut miners are waiting for me.

Apex Magazine #39

Apex Magazine #39

apexmag0812August’s Apex Magazine features  “Armless Maidens of the American West” by Genevieve Valentine (who is interviewed by Maggie Slater), “Murdered Sleep” by Kat Howard, “Waiting for Beauty” by Marie Brennan and “Undercity” by Nir Yaniv. Cover art by Ekaterina Zagustina. Nonfiction by Jim C. Hines and editor Lynne M. Thomas.

Apex is published on the first Tuesday of every month.  While each issue is available free online from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon, Nook, and Weightless.

Twelve-issue (one year) subscriptions can be ordered at Apex and Weightless for $19.95Kindle subscriptions are available for $1.99 a month.

Dean Wesley Smith and Kristine Kathryn Rusch Announce Fiction River

Dean Wesley Smith and Kristine Kathryn Rusch Announce Fiction River

pulphouse-fantasyPulphouse publishers Dean Wesley Smith and Kristine Kathryn have announced a new genre market, Fiction River:

Fiction River will be a bimonthly anthology series starting in April next year. Each anthology will be theme-focused and cross-genre containing all original fiction written by some of the top writers in fiction, including big names and names you might have never heard of.

Each anthology will be published in an electronic edition, a trade paper edition, and a very limited and numbered and signed hardback edition. (Signed by all authors and editors.) Readers will be able to buy each anthology individually or subscribe to the anthology series like a magazine.

As many of you know, Kris and I, in 1987, started Pulphouse Publishing with Pulphouse: The Hardback Magazine. We published those anthologies every three months. Fiction River will be like Pulphouse and Orbit and Universe and other major original fiction anthology series of the past. It will focus on top quality short fiction of all types, in a themed-anthology format.

Pulphouse was one of the most respected fantasy and science fiction markets of the 80s and 90s. They published twelve thick issues of Pulphouse: The Hardback Magazine from 1988 through 1993, and 19 issues of a weekly fiction magazine, also called Pulphouse (which was never quite weekly). They were nominated for a Hugo three times, and won the World Fantasy Award in 1989. After closing down Pulphouse Kristine Kathryn Rusch was the editor of The Magazine of Fantasy and Science Fiction for six years (1991 to 1997), and Dean Wesley Smith edited the anthology series Star Trek: Strange New Worlds.

To fund the project Smith and Rusch announced a Kickstarter project. By August 7, with 20 days still to go, they have surpassed their original $6,000 goal, with nearly $9,300 pledged.

You can read more about Fiction River here.

Electric Velocipede #24 Now Available

Electric Velocipede #24 Now Available

electric-velocipede-24John Klima’s Hugo Award-winning speculative fiction magazine released its 24th big issue this week. In his editorial, “A Remembrance of the Future,” John talks about modern art, graffiti artist Banksy, and the future of the magazine:

Electric Velocipede has made its own transformation. From a small one-man show print publication, to a dedicated team of people putting out a solid magazine, to an online publication. We’re still navigating the waters and figuring out what’s next, but the transformations have helped keep things interesting and exciting… This is an interesting issue, and we’re opening it with a piece that’s as powerful and different (and subtle) as past work from Hal Duncan and Jeffrey Ford. New work will be going up on an ongoing basis, and the whole issue will be available as an ebook shortly.

The complete table of contents, with online publication dates, is as follows:

NOVELETTE

  • “Heaven Under Earth” by Aliette de Bodard (8/27)

SHORT STORIES

  • “Cutting” by Ken Liu (7/30)
  • “Night’s Slow Poison” by Ann Leckie (8/6)
  • “The Mezzo” by Eli Effinger-Weintraub (8/13)
  • “Under the Tree” by Tania Hershman (8/20)
  • “For They Heard the First Sound and Trembled” by Jessica Breheny (9/4)
  • “To Dive Into a Godling, Where Life Begins” by Jacques Barcia (9/10)
  • “The Lotus Eaters” by Michelle Muenzler (9/17)
  • “The Leaf” by Erik T. Johnson (9/24)

NON-FICTION

  • “A Remembrance of the Future” by John Klima (7/30)
  • “Content TKTK: A Soul Unchained” by John Ottinger III (8/20)
  • “Blindfold Taste Test” with William Shunn (9/17)

Issue 24 of Electric Velocipede is available for free online here. We last covered Electric Velocipede with issue 21/22.

Interzone 241

Interzone 241

482The July-August issue of Interzone features new stories by Sean McMullen (”Steamgothic”), Aliette de Bodard (”Ship’s Brother”), David Ira Cleary (”One Day in Time City”), Gareth L. Powell (“Railroad Angel”), and the 2011 James White Award-winning story “Invocation of the Lurker” by C.J. Paget; cover artwork by Ben Baldwin; an interview with Juliet E. Mckenna by Elaine Gallagher;  “Ansible Link” genre news and miscellanea by David Langford; “Mutant Popcorn” film reviews by Nick Lowe; “Laser Fodder” DVD/Blu-Ray reviews by Tony Lee; and book reviews by various contributors.

Interzone alternates monthly publication with sister dark horror-focused Black Static, published by the fine folks at TTA Press.

Here’s the opening of the lead novelette:

There is something special about things that change the world. I cannot say what it is, but I can feel it. I have stood before the Vostok capsule that carried the first man into space. Influence glowed from it, I knew where it was even with my eyes closed. In the Spurlock Museum I saw the strange, twisted, lumpy thing that was the first transistor. The significance that it radiated was like the heat from a fire. The Babbage Analytical Engine of 1871 had no such aura, yet the whole of Bletchley Park did. There was no doubt in my mind about which of them had really launched the age of computers.

The Wright Brothers’ Flyer had no feeling of significance for me. This made no sense. It was the first heavier than air machine to fly, it proved the principle, it changed the world, yet my strange intuition said otherwise. Then I saw the Aeronaute, and everything should have become clear to me.

484
How Galaxy Magazine Saved Robert Silverberg from a Life of Smoking

How Galaxy Magazine Saved Robert Silverberg from a Life of Smoking

galaxy-issue-1-smallI’ve been neglecting Galaxy magazine in my recent Vintage Treasures articles. I’ve covered some of the great fiction in Analog, Asimov’s Science Fiction, and Worlds of If, but the truth is that Galaxy was on its last legs by the time I started reading science fiction and fantasy in 1976, and it folded in 1979.

But I’m not wholly ignorant of the contribution Galaxy made to the field, especially under the editorship of H.L. Gold (1950 – 1961) and Frederik Pohl (1961 – 1969). Until 1950 the field was almost entirely dominated by John W. Campbell, editor of Astounding, who was legendary in his ability to spot talent, but also held a fairly narrow view of what kinds of SF and fantasy would sell. Gold was interested in tales of social and psychological upheaval, not just the hard science puzzle fiction in Astounding, and quickly proved that readers would buy stories with that bent — as well as satire, humor, and tales where mankind didn’t always triumph in its march to the stars and inevitable conflict with alien races.

Mike Ashley, one of our field’s finest historians, credits the success of Galaxy for the huge boom in science fiction and fantasy in the fifties, when the field grew from a handful of magazines to over two dozen, saying Galaxy “revolutionized the field overnight.”

Author Robert Silverberg, however, has a more personal tale of how Galaxy changed his life. He writes:

It was the founding of Galaxy that saved me from a life of smoking. It was September, 1950, and I was a teenager with about forty cents in my pocket. A pack of cigarettes cost about a quarter then. So did the first issue of Galaxy, which had just come out. I went into a newsstand thinking I might buy some cigarettes (I had been smoking a few, not with any pleasure, but simply to make myself look older) and there was the shiny Vol One Number One Galaxy. I could afford one or the other, not both. I made my choice and lived happily ever after.

While I was too late to buy more than a handful of issues of Galaxy on the newsstand, I rectified that later in life, amassing a fair collection going back to that famous first issue in 1950. I’ve been enjoying them over the last few years, and will report in here with the very best stories I find.

Summer 2012 issue of Subterranean Magazine now Available

Summer 2012 issue of Subterranean Magazine now Available

subterranean-magazine-summer-2012-2Subterranean magazine is one of the best sources of online fantasy, and also one of the most reliable. They’ve published a total of 23 issues; the first seven were print, and it became an online publication in Winter 2007. It used to be presented in a rolling format, with new fiction and articles available every week, but with the latest issue they’ve switched to posting the complete contents all at once.

Which means you can now enjoy brand new novellas by K J Parker and Robert Jackson Bennett, and original short stories by Ian R MacLeod and Mike Resnick, as well as a Notes from the Otherworld Column by Kelley Armstrong. Here’s the complete table of contents:

  • “Let Maps to Others,” by K. J. Parker
  • “Tumbling Nancy,” by Ian R MacLeod
  • “To Be Read Upon Your Waking,” by Robert Jackson Bennett
  • “The Puce Whale: A Lucifer Jones Story,” by Mike Resnick
  • Column: Notes from the Otherworld by Kelley Armstrong: “The Sky is (Probably) Not Falling”

In her mid-July fiction review column at Locus Online, Lois Tilton had high praise for the first story:

The K J Parker in particular quite restores my enthusiasm for stories… A brilliant and intriguing work, full of hidden documents, maps, codes, and forgery, as well as adventure, voyages mercantile and military, rivalry, politics, and war. There’s a high degree of historical verisimilitude, based on meticulous attention to realistic detail.

– HIGHLY RECOMMENDED

Subterranean is edited by William Schafer, and published quarterly. The Summer 2012 issue is completely free and available here.

We last covered Subterranean magazine with their previous issue, Spring 2012.

Vintage Treasures: Henry Kuttner’s “The Graveyard Rats”

Vintage Treasures: Henry Kuttner’s “The Graveyard Rats”

weird-tales-march-1936-coverThis is the latest of my short fiction reviews, following my recent reports on Howard Waldrop’s “The Ugly Chickens,” George R.R. Martin’s “Nightflyers,” and others.

In honor of the recent release of the massive Henry Kuttner collection, Thunder in the Void, I thought I’d talk about Kuttner’s first published story, “The Graveyard Rats,” which appeared in the March 1936 Weird Tales — alongside The Hour of the Dragon by Robert E. Howard, Edmond Hamilton’s “In the World’s Dusk,” Clark Ashton Smith’s “The Black Abbot of Puthuum,” and “The Crystal Curse” by Eando Binder.

Quite auspicious company! I found echoes of both Howard and Lovecraft in the opening paragraphs. Here, see what you think:

Masson… recalled certain vaguely disturbing legends he had heard since coming to ancient, witch-haunted Salem — tales of a moribund, inhuman life that was said to exist in forgotten burrows in the earth. The old days, when Cotton Mather had hunted down the evil cults that worshipped Hecate and the dark Magna Mater in frightful orgies, had passed; but dark gabled houses still leaned perilously towards each other over narrow cobbled streets, and blasphemous secrets and mysteries were said to be hidden in subterranean cellars and caverns, where forgotten pagan rites were still celebrated in defiance of law and sanity. Wagging their grey heads wisely, the elders declared that there were worse things than rats and maggots crawling in the unhallowed earth of the ancient Salem cemeteries.

And then, too, there was this curious dread of the rats. Masson… had heard vague rumours of ghoulish beings that dwelt far underground, and that had the power of commanding the rats, marshalling them like horrible armies. The rats, the old men whispered, were messengers between this world and the grim and ancient caverns far below Salem. Bodies had been stolen from graves for nocturnal subterranean feasts, they said.

What a great opening. I especially enjoyed the promise of a tale of eldritch and powerful subterranean evils… although truthfully, he had me at “frightful orgies.”

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July/August Fantasy & Science Fiction Magazine now on Sale

July/August Fantasy & Science Fiction Magazine now on Sale

fantasy-and-science-ficiton-july-aug-2012Nice creepy cover on the new issue of Fantasy & Science Fiction. This one is by Ed Valigursky; click for a bigger version. Great line of writers this issue too, including Kate Wilhelm, Eleanor Arnason, Jeffrey Ford, Matthew Hughes, Rachel Pollack, Albert E. Cowdrey, and many others. Check out the TOC:

NOVELLAS

  • “The Fullness Of Time” – Kate Wilhelm

NOVELETS

  • “Wearaway and Flambeau” – Matthew Hughes
  • “The Afflicted” – Matthew Johnson
  • “Jack Shade in the Forest of Souls” – Rachel Pollack

SHORT STORIES

  • “Hartmut’s World” – Albert E. Cowdrey
  • “The Woman Who Fooled Death Five Times” – Eleanor Arnason
  • “A Natural History of Autumn” – Jeffrey Ford
  • “Wizard” – Michaele Jordan
  • “Real Faces” – Ken Liu

The tireless Lois Tilton has already reviewed the issue in detail at Locus Online, calling this one “A superior issue… most notably a fine novella by Kate Wilhelm and a short anthropological tale by Eleanor Arneson.” Here’s what she says about Matthew Hughes’ “Wearaway and Flambeau,” a far-future tale of Raffalon the thief:

This time, Raffalon has been nabbed in the act of breaking into the well-warded stronghold of the wizard Hurdevant the Stringent. The wizard employs an experimental punitive spell, which, fortunately for the thief, goes awry in a manner that offers unexpected possibilities. Entertaining stuff. The editorial blurb claims that this one is set in the author’s far-future universe, but it seems like a typical fantasy world of the sort with wizards and thieves.

The cover price is $7.50, for a thick 258 pages. Additional free content at the F&SF website includes book and film reviews by Charles de Lint, Michelle West, and Lucius Shepard; a Science column, “Quicksand and Ketchup,” by Pat Murphy and Paul Doherty; and the “Curiosities” column by the talented Bud Webster. We last covered F&SF here with the May/June issue.

Apex Magazine #38

Apex Magazine #38

apex-38July’s Apex Magazine features  ”Coyote Gets His Own Back” by Sarah Monette, “The Silk Merchant” by Ken Liu, “Ironheart” by Alec Austin and “Wolf Trapping” by Kij Johnson  (who is interviewed by Maggie Slater). Bruce Holwerda provides the cover art. Nonfiction by Christopher J. Garcia and editor Lynne M. Thomas round out the issue.

Apex is published on the first Tuesday of every month.  While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon, Nook and Weightless.

Twelve issue (one year) subscriptions can be ordered at Apex and Weightless for $19.95Kindle subscriptions are available for $1.99 a month.