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Expanding Our Magazine Coverage at Black Gate

Expanding Our Magazine Coverage at Black Gate

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New Realm magazine February 2015-smallI’ve slowly been expanding our coverage of fantasy magazines here at Black Gate. Despite how dramatically the industry has changed over the decades since I started reading it, I still consider magazines the heart of the field. Our coverage is not nearly as comprehensive as I’d like it to be, but we’re getting there. I thought I’d pause for a moment and take stock of those publications we currently cover, and see if there are any obvious holes. They are:

Fantasy and Science Fiction, edited by C.C. Finlay
Beneath Ceaseless Skies, edited by Scott H. Andrews
Heroic Fantasy Quarterly, edited by Adrian Simmons, David Farney, William Ledbetter and James Frederick William Rowe
Nightmare, edited by John Joseph Adams
Clarkesworld, edited by Neil Clarke and Sean Wallace
The Dark, edited by Jack Fisher and Sean Wallace
Uncanny, edited by Lynne M. Thomas, Michael Damian Thomas, and Michi Trota
Weirdbook, edited by Douglas Draa‎
Interzone, edited by Andy Cox
Black Static, edited by Andy Cox
Weird Tales, edited by Marvin Kaye
Swords and Sorcery Magazine, edited by Curtis Ellett
Shimmer, edited by E. Catherine Tobler
Fantasy Scroll, edited by Iulian Ionescu, Frederick Doot, and Alexandra Zamorski
Gygax, edited by Jayson Elliot
Weird Fiction Review, edited by S.T. Joshi

Whew. That’s more than I thought.

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Amazing Stories, August 1967: A Retro-Review

Amazing Stories, August 1967: A Retro-Review

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Amazing Stories August 1967-smallI have recently covered a lot of issues of Amazing (and Fantastic) from the Cele Goldsmith/Lalli era, which extended (officially) from December 1958 through June 1965. The two magazines were then sold to Ultimate Publishing, owned by Sol Cohen. Cohen (and managing editor Joseph Ross) immediately instituted a policy of publishing mostly reprints of stories previously published in Amazing/Fantastic, which lasted until Ted White took over in 1969. (White’s issues still featured reprints for a while, but by the time I was buying the magazine (in 1974) the cover would proclaim “All Stories New – No Reprints.”)

Joseph Ross (and Cohen) were briefly succeeded as editor by Harry Harrison and then by Barry Malzberg, both of whom (as I understand) resisted Cohen’s reprint policy. To make things worse, Cohen refused to pay the authors for reprinted stories (technically legal under the terms Amazing had originally bought the stories under). The then new organization SFWA took exception, and threatened a boycott, after which, I believe, Cohen agree to pay at least a nominal fee.

After Amazing and Fantastic stopped publishing reprints (and even before), Ultimate published a variety of dreadful magazines with different titles like Great Science Fiction Stories, and Thrilling Science Fiction, that were all reprint. (Again, all from inventory owned by Ultimate.)

I remember buying one early in my reading career – I thought I had found a brand new SF magazine, and was crushed to realize it was all mostly shoddy reprints. (There was a decent John Campbell story, probably “Uncertainty,” which appeared in the July 1974 Science Fiction Adventure Classics.)

Anyway, I happened to buy one of the Cohen/Ross era Amazings, mainly because it has a rather obscure Jack Vance story that I had not read. And I figured it would be interesting to compare it to Lalli’s Amazing. What is interesting is that, viewed objectively and ignoring the fact that most of the stories are reprints, this is quite a good issue, with at least one very fine story that has been largely forgotten.

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February Short Story Roundup

February Short Story Roundup

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oie_174947HoPAYr1cHere we are again, people. It’s that time when I let you know what’s going on in genre magazines that might possibly appeal to fans of heroic fantasy. Whatever lack of love swords & sorcery gets from the big publishers, it’s doing quite well at the short story length in the ‘zines.

Swords and Sorcery Magazine Issue 37 kicks off its fourth year of publication with two decent enough stories. The first is “Old Bear and the Grey Bird” by Nathan Elwood. It’s narrated by Old Bear, a non-human native of a land increasingly dominated by human colonists. He’s almost nine feet tall, covered in thick gray fur, and two short horns rise out of his head. His people have retreated into the remote, hidden places of the land and most humans consider them legendary.

Despite his own efforts to escape interaction with humans, Old Bear feels moved to intervene when he comes across a burned and pillaged human settlement. When he spots several raiders about to kill the only survivor, a young girl, the hunter steps in to rescue her. The rest of the story is about him deciding what he should do with her.

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Barry N. Malzberg and Bill Pronzini on Astounding Science Fiction in the 1950s

Barry N. Malzberg and Bill Pronzini on Astounding Science Fiction in the 1950s

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The End Of Summer Science Fiction of the Fifties-smallWe’ve had some discussion here in the last week on the relative merits of the top science fiction digests of the 1950s.

Bob Silverberg offered his opinion that Galaxy magazine took the lead in the field virtually with its very first issue in October 1950, saying “That first year of Galaxy left us all gasping.” And in his Astounding Science Fiction Testimonial, John Boston generally concurs, saying that 1958 was the last good year under editor John W. Campbell.

Over the weekend, I was surprised to run across an interesting and impassioned defense of Astounding magazine in, of all places, the introduction to The End of Summer: Science Fiction of the Fifties, a 1979 paperback edited by Barry N. Malzberg and Bill Pronzini, which collects ten short stories from Isaac Asimov, Poul Anderson, Alfred Bester, Fritz Leiber, C.M. Kornbluth, and others.

Here’s the complete text of the editors’ Prefatory Note:

Six of the ten stories in this anthology are from John W. Campbell’s Astounding. This preponderance was not a publishing decision — Conde Nast gave us complete editorial decision — but our own.

No 70,000-word anthology devoted to the 1950s can give more than a sketchy representation of that tumultuous and fertile decade in science fiction. Accordingly it was felt that a deliberate bias toward Astounding had purpose and would give this book particular value. Concordance on the decade (which will come under increasing challenge as academia’s tanks roll on and on into our little backwater) overrates the not inconsiderable role of Gold’s Galaxy and the Boucher/McComas Fantasy & Science Fiction while somewhat minimizing Astounding, which is felt to have peaked in the forties.

Not quite so. This book is entered in evidence.

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March 2015 Nightmare Magazine Now on Sale

March 2015 Nightmare Magazine Now on Sale

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Nightmare Magazine March 2015-smallThe March 2015 issue of Nightmare Magazine is now available. Nightmare is an online magazine of horror and dark fantasy, with a broad focus — editor John Joseph Adams promises you’ll find all kinds of horror within, from zombie stories and haunted house tales to visceral psychological horror. Fiction this month is:

Original Stories

“Please, Momma” by Chesya Burke
“An Army of Angels” by Caspian Gray

Reprints

“Featherweight” by Robert Shearman
“The Burned House” by Lynda E. Rucker

In his editorial, John Joseph Adams reports on the astonishing success of his latest crowdfunding initiative, the follow-up to the groundbreaking Women Destroy Science Fiction! anniversary issue of Lightspeed:

Lightspeed’s Queers Destroy Science Fiction! Kickstarter campaign has now concluded and we’re happy to report that it was extremely successful; we asked for $5,000 and got $54,523 in return, which was 1090% of our funding goal. As a result of all that success, we unlocked several stretch goals, including additional special issues Queers Destroy Horror!, which will be published in October as a special issue of Nightmare, and Queers Destroy Fantasy!, which will publish in December as a special issue of Fantasy Magazine.

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An Astounding Science Fiction Testimonial

An Astounding Science Fiction Testimonial

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Astounding Science Fiction February 1958-smallI started reading Astounding with the February 1958 issue. 1958 was the last good year under editor John W. Campbell.

Consider the short fiction:

L. Sprague de Camp’s “Aristotle and the Gun”
Charles V. de Vet and Katherine MacLean’s “Second Game”
Fritz Leiber’s “Try and Change the Past”
Jack Vance’s “The Miracle Workers”
Clifford D. Simak’s “The Big Front Yard”
Rog Phillips’s “The Yellow Pill”
Katherine MacLean’s “Unhuman Sacrifice”
J.F. Bone’s “Triggerman”

(Also Randall Garrett’s “The Queen Bee,” but we won’t think about that right now.)

The serials: two substantial ones by Poul Anderson, “The Man Who Counts” (a/k/a War of the Wing Men) and “We Have Fed Our Sea” (a/k/a The Enemy Stars), Hal Clement’s admirable if clumsy Close to Critical, and another Anderson, very lightweight but appealing to a 10-year-old, “A Bicycle Built for Brew” (The Makeshift Rocket).

Then the bottom dropped out. The only short fiction in 1959 on a level with the 1958 items cited were Ralph Williams’ “Cat and Mouse,” Chad Oliver’s “Transfusion,” A. Bertram Chandler’s “Familiar Pattern” (undeservedly obscure), and Theodore L. Thomas’s “Day of Succession” — and that’s being generous.

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Clarkesworld 102 Now on Sale

Clarkesworld 102 Now on Sale

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Clarkesworld 102-smallThe latest issue of Clarkesworld, one of the most acclaimed fiction mags on the market, went on sale last week. Issue 102 contains seven short stories:

Slowly Builds An Empire, by Naim Kabir
Cassandra by Ken Liu
The Long Goodnight of Violet Wild (Part 2) by Catherynne M. Valente
All Original Brightness by Mike Buckley
Coming of the Light by Chen Qiufan
The Clear Blue Seas of Luna by Gregory Benford
The Book Seller by Lavie Tidhar

Non-fiction includes “Dark Angels: Insects in the Films of Guillermo del Toro,” by Orrin Grey, “Another Word: A Shed of One’s Own,” by Chuck Wendig, interviews with Randy Henderson and Silvia Morena-Garcia, and Chen Qiufan, and an editorial, “Reader’s Poll Winners, Nebulas, and Forever,” by Neil Clarke. This issue’s podcast is “Slowly Builds An Empire,” by Naim Kabir, read by Kate Baker.

Clarkesworld is a three-time winner of the Hugo Award for Best Semiprozine. In 2013 Clarkesworld received more Hugo nominations for short fiction than all the leading print magazines (Asimov’s, Analog, and The Magazine of Fantasy & Science Fiction) combined, and last November the magazine was awarded a World Fantasy Award.

We last covered Clarkesworld with Issue 101. Clarkesworld 102 was edited by Neil Clarke and Sean Wallace, and published by Wyrm Publishing. The contents are available for free online; individual issues can be purchased for $3.99, and monthly subscriptions are $2.99/month. A 6-month sub is $17.94, and the annual price is $35.88. Learn more and order individual issues at the magazine’s website.

This issue’s cover, “Keter,” is by Peter Mohrbacher. See the complete issue here.

See all of our recent magazine coverage here.

Robert Silverberg on the First Year of Galaxy Science Fiction

Robert Silverberg on the First Year of Galaxy Science Fiction

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The First Issue of Galazy Magazine-smallGalaxy magazine was founded in 1950; its legendary first editor was H.L. Gold. At the time Astounding Science Fiction, under John W. Campbell, was the leading SF magazine, publishing such writers as Isaac Asimov, Robert A. Heinlein, Clifford D. Simak, and H. Beam Piper. Within a single year, Gold wrestled the mantle of leadership away from Campbell, making Galaxy the top magazine in the industry. In his first two years Gold published some of the most memorable SF of the century, including Ray Bradbury’s “The Fireman” (later expanded as Fahrenheit 451), Robert A. Heinlein’s The Puppet Masters, and Alfred Bester’s The Demolished Man.

Author Robert Silverberg (who credits the first issue of Galaxy with saving him from becoming a smoker) offers his own comments on the effect Galaxy had on the field, saying:

It is impossible to overestimate the impact that Galaxy had on us in its first twelve or fifteen issues. There had never been such a succession of brilliant stories in an s-f magazine, not even in the Campbell Astounding of 1941, which had plenty of future classics but also a high percentage of pulp filler.

That first year of Galaxy left us all gasping, and I still look at those early issues with reverence and awe. It was as if Campbell’s whole stable had been holding in its best work, which Gold now was able to set free. Alas, by 1954 much of the magic was gone, and from 1955 on Galaxy was a good magazine indeed but no longer, well, astounding.

Rich Horton has been reviewing individual issues of Galaxy (and other vintage science fiction digest magazines) for us for the past few years. And Matthew Wuertz has taken on the ambitious project of reading and reviewing the Gold issues of Galaxy for Black Gate, starting with issue 1, dated October, 1950. His most recent review was the July 1952 issue, containing stories by John Wyndham and Richard Matheson, and the second installment of Frederik Pohl and C. M. Kornbluth’s serial novel The Space Merchants.

March/April Magazine of Fantasy & Science Fiction now on Sale

March/April Magazine of Fantasy & Science Fiction now on Sale

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The Magazine of Fantasy & Science Fiction March April 2015-smallGordon van Gelder, who has been editing The Magazine of Fantasy & Science Fiction since June 1997 when he took over from Kristine Kathryn Rusch, steps down this issue. As we announced in January, he is being replaced by C.C. Finlay, author of  “The Nursemaid’s Suitor” in Black Gate 8. In his Publisher’s Note this issue, Gordon had this to say:

AFTER eighteen years of reading submissions, my eyes need a break. I’ve hired C. C. Finlay as the new editor of F&SF, effective with this issue.

When I first started editing the magazine back in 1997, I likened the role of editor to that of managing a baseball team. That analogy still works well for me. I think I’ve had a lot of good seasons, but now it’s time to move to the back office and let someone else kick dirt on the umpire when he gets a call wrong.

You got a good sample of our new editor’s skills in our July/August issue last year, and you can see more of his taste in action in this issue. I think you’ll like what you see.

I’ll take this moment to thank all you readers and artists who have put your trust in me. I’ve done my best to bring you the best magazine I can, and I’ll continue to do so as publisher. To that end, I’m very happy to have Charlie replacing me.

Mr. Finlay begins his first issue as regular editor with a diverse range of fiction — including two Black Gate regulars, Jonathan L. Howard (author of the Kyth the Taker stories, “The Shuttered Temple” and “The Beautiful Corridor”), and Brian Dolton (“What Chains Bind Us”), both of whom I’m very pleased to see in F&SF. There’s also fiction from Bao Shu, Alice Sola Kim, Paul M. Berger, Jay O’Connell, Kat Howard, and many others.

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Uncanny Magazine Issue 3 Now on Sale

Uncanny Magazine Issue 3 Now on Sale

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Uncanny Magazine 3-smallThe third issue of Uncanny Magazine is now on sale, with a cover that caused me to do a bit of a double take. I’m not entirely sure if it depicts a plucky adventuress assisting a monster in distress, a strange sexual romp in a pastoral field, or something else entirely. The artist is Carrie Ann Baade, and the title of the work (Unspeakable #2) doesn’t help. Click on the image at left for a bigger version, and make up your own mind.

Whatever the case, the new issue has a stellar line up, with all-new short fiction by Sofia Samatar, Rosamund Hodge, Emily Devenport, a classic reprint by Ellen Klages, and more. Here’s the complete fiction contents:

“The Lamps Thereof Are Fire and Flames,” by Rosamund Hodge
“Translatio Corporis,” by Kat Howard
‘Ivory Darts, Golden Arrows,” by Maria Dahvana Headley
“Those,” by Sofia Samatar
“When the Circus Lights Down,” by Sarah Pinsker
“Dr. Polingyouma’s Machine,” by Emily Devenport
“In the House of the Seven Librarians,” by Ellen Klages
“You Are Two Point Three Meters from Your Destination,” by Fran Wilde

Nonfiction this issues is by Ytasha L. Womack, Stephanie Zvan, Amal El–Mohtar, and L.M. Myles. There are also poems by Jennifer Crow, M Sereno, and our very own C.S.E. Cooney, and interviews with Sofia Samatar, C.S.E. Cooney, and Ellen Klages.

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