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Is the Original SF and Fantasy Paperback Anthology Series Dead?

Is the Original SF and Fantasy Paperback Anthology Series Dead?

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Orbit 9 Damon Knight-smallI miss the era of the original paperback anthologies. It seems to have faded away without anyone really noticing and I’m not sure why.

Well, I guess I do know why, but I’m grumpy about it. Short fiction isn’t really viable in mass market anymore. Ten years of trying — and failing — to publish a fantasy fiction magazine taught me that.

That wasn’t always the case. For decades, SF and fantasy readers supported several prestigious, high-paying paperback markets for short fiction and they attracted the best writers in the field. Damon Knight published 21 Orbit anthologies between 1966 and 1980; Robert Silverberg edited New Dimensions (12 volumes, 1971-81) and star editor Terry Carr helmed 17 volumes of the Universe series (1971-1987), for example.

I’d be hard pressed to tell you which of those three was the best source for original SF and fantasy, and I don’t really feel qualified to anyway, since I didn’t read them all. (Or even most of them — we are talking a combined 50 volumes, just for those three. I read pretty fast, but I’m not Rich Horton.)

In any event, those days are gone. And now that they are, I wonder — was it the sheer editorial talent of Messieurs Knight, Silverberg, and Carr that allowed their respective anthologies to continue for decades?

Or was there simply more of an appetite for short fiction forty years ago? Could an editor with the same talent and drive accomplish what they did today? Or is it futile, like trying to argue football with the Borg?

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Future Treasures: The Silk Map, A Gaunt and Bone Novel by Chris Willrich, Due May 6

Future Treasures: The Silk Map, A Gaunt and Bone Novel by Chris Willrich, Due May 6

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The Silk Map Chris WillrichWe published Chris Willrich’s gloriously imaginative sword-and-sorcery tale “The Lions of Karthagar” in Black Gate 15. I’ve been very curious about his popular Gaunt and Bone tales, which have appeared in The Magazine of Fantasy & Science Fiction, Flashing Swords, Beneath Ceaseless Skies, and other places. The first Gaunt and Bone book, The Scroll of Years — which contained a complete novel plus the very first published story, “The Thief with Two Deaths” (from F&SF, June 2000) — was released in September of last year and now we have the details on the sequel.

At the end of The Scroll of Years, the poet Persimmon Gaunt and her husband, the thief Imago Bone, had saved their child from evil forces at the price of trapping him within a pocket dimension. Now they will attempt what seems impossible; they will seek a way to recover their son. Allied with Snow Pine, a scrappy bandit who’s also lost her child to the Scroll of Years, Gaunt and Bone awaken the Great Sage, a monkeylike demigod of the East, currently trapped by vaster powers beneath a mountain. The Sage knows of a way to reach the Scroll — but there is a price. The three must seek the world’s greatest treasure and bring it back to him. They must find the worms of the alien Iron Moths, whose cocoons produce the wondrous material ironsilk.

And so the rogues join a grand contest waged along three thousand miles of dangerous and alluring trade routes between East and West. For many parties have simultaneously uncovered fragments of the Silk Map, a document pointing the way toward a nest of the Iron Moths. Our heroes tangle with Western treasure hunters, a blind mystic warrior and his homicidal magic carpet, a nomad princess determined to rebuild her father’s empire, and a secret society obsessed with guarding the lost paradise where the Moths are found — even if paradise must be protected by murder.

Chris Willrich is also the author of the Pathfinder Tales novel The Dagger of Trust.

The Silk Map will be on published by Pyr Books on May 6, 2014. It is 442 pages, and will be priced at $15.95 in trade paperback and $11.99 for the digital edition. Visit Chris’s website here.

Future Treasures: Lexicon by Max Barry

Future Treasures: Lexicon by Max Barry

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Lexicon Max Barry-smallAt first I thought Max Barry’s latest novel was just another high-tech thriller. But a closer look revealed that Lexicon is a lot more than that: a glimpse at a secret war between rival factions of poets, where the weapons are words; the most feared agents have names like Bronte, Eliot, and Lowell; whole towns have been annihilated; and the most dangerous thing you can do is fall in love.

Lexicon was released in hardcover last June and Time called it “Unquestionably the year’s smartest thriller” and listed it as one of the Top 10 Fiction Books of 2013. Over at Tor.com, Niall Alexander called it “Simply gripping from the get-go… Lexicon twists and turns like a lost language, creating tension and expectations… awesome,” and at Boing Boing, Cory Doctorow said it was “Gripping… a pitch-perfect thriller, a jetpack of a plot that rocketed me from page one to page 400 in a single afternoon.”

At an exclusive school somewhere outside of Arlington, Virginia, students aren’t taught history, geography, or mathematics — at least not in the usual ways. Instead, they are taught to persuade. Here the art of coercion has been raised to a science. Students learn that every person can be classified by an extremely specific personality type, his mind segmented and ultimately controlled by the skillful and sometimes magical application of words. The very best will become part of a secretive organization of “poets” — elite manipulators of language who can wield words as weapons and bend others to their will.

Whip-smart orphan Emily Ruff is running a three-card Monte game on the streets of San Francisco when she attracts the attention of the organization’s recruiters. She is flown across the country for the school’s rigorous and mysterious entrance exams. Once admitted, she learns the fundamentals of persuasion by Bronte, Eliot, and Lowell — master teachers who have adopted the names of famous poets to conceal their true identities. Emily becomes the school’s most talented prodigy until she makes a catastrophic mistake: She falls in love.

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Future Treasures: Year’s Best Weird Fiction, Volume One, edited by Laird Barron

Future Treasures: Year’s Best Weird Fiction, Volume One, edited by Laird Barron

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Year's Best Weird Fiction Volume One-smallThere’s lots of great news in this post. So grab some coffee, find a seat, and pay attention.

A few months back, the folks at Undertow Publications, an imprint of the fabulous ChiZine, launched an Indiegogo funding campaign for a brand new anthology of weird fiction: Year’s Best Weird Fiction. The campaign wrapped up in September and was a rousing success. (Good news!)

In fact, it was successful enough that the anthology is planned to be an annual affair. (Good news!) And as the editor of the first volume, the publishers have selected none other than the talented Laird Barron, author of The Beautiful Thing That Awaits Us All, The Croning, and The Light is the Darkness. (Great news!) Here’s the book description:

Each volume of the Year’s Best Weird Fiction will feature a different guest editor. Along with 125,000 words of the finest strange fiction from the previous year, each volume will include an introduction from the editor, a year in review column, and a short list of other notable stories.

Once the purview of esoteric readers, Weird fiction is enjoying wider popularity. Throughout its storied history there has not been a dedicated volume of the year’s best weird writing. There are a host of authors penning weird and strange tales that defy easy categorization. Tales that slip through genre cracks. A yearly anthology of the best of these writings is long overdue. So . . . welcome to the Year’s Best Weird Fiction.

Year’s Best Weird Fiction, Volume One will be published August 19, 2014 by Undertow Publications. I don’t have a projected page count, but it will cost $17.95 in trade paperback. The cover art is by Santiago Caruso, with design by Vince Haig. Learn more at ChiZine.

Future Treasures: Mary Robinette Kowal and Blake Hausladen Read from Upcoming Books at Capricon

Future Treasures: Mary Robinette Kowal and Blake Hausladen Read from Upcoming Books at Capricon

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Mary Robinette Kowal reads from Valour and Vanity at Capricon 2014
Mary Robinette Kowal reads from Valour and Vanity at Capricon 2014

There are lots of reasons to attend conventions. To meet your favorite authors, to network with fellow writers and editors, to browse in the Dealer’s Room (yeah!), to check out the Art Show, to attend entertaining panels.

But the thing I find most delightful these days is author readings. There’s something about hearing beloved characters brought to life right in front of you by the author herself that’s truly magical. In just the past few years, I’ve been lucky enough to attend readings by Peter S. Beagle, Gene Wolfe, Neil Gaiman, Patty Templeton, C.S.E. Cooney, Martha Wells, Fredric Durbin, and Steven Erikson, among many others.

It’s also a great way to discover new writers. I make it a priority to attend as many readings as I can by writers I’m not familiar with. And let me tell you, that’s really paid off — I’ve discovered some of my favorite new writers because I had an empty 30 minute slot between the Firefly panel and the midnight showing of Destroy All Monsters. Over the decades, that’s included people like Charles Saunders, N. K. Jemisin, Mark Sumner, Bradley Beaulieu, Alex Bledsoe, and — believe it or not — George R.R. Martin.

Take my advice: if you find yourself in a place where professional storytellers are willing to stand before you and entertain you, take advantage of it. You won’t be sorry. You can attend that anime panel next year.

A few weeks ago, I was at Capricon 34 in Wheeling, Illinois, with a few other Black Gate staffers, including Patty Templeton and Steven Silver. We didn’t have a booth — we haven’t bothered with one since the print version of the magazine died in 2011 — and I’m still getting used to being able to wander without being tied to the Dealer’s Room. I didn’t get to attend everything I wanted to — I missed Wesley Chu’s Saturday morning reading because I was mailing back issue orders at the post office — but I did catch some terrific panels. And, not too surprisingly, the most delightful and entertaining events at the convention were three readings, from Hugo-Award Winning author Mary Robinette Kowal, Strange Horizons editor Mary Anne Mohanraj, and self-published writer Blake Hausladen.

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Future Treasures: Coldbrook by Tim Lebbon

Future Treasures: Coldbrook by Tim Lebbon

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Coldbrook-smallI’ve been very intrigued by the novels of Tim Lebbon, especially in the last few years as he’s turned to more overt dark fantasies. Echo City was an ambitious post-apocalyptic fantasy set in a sprawling, ruined city, and his Noreela novels (Dusk, Fallen, The Island) are epic adventures set in a land of magic and terror.

His latest, hitting the shelves next month, is a zombie novel with echoes of Stephen King’s The Mist and Valve’s classic Half-Life. A secret government lab hidden in the Appalachian Mountains achieves an incredible breakthrough to another dimension… and you know what that means. Grab the flamethrower, Ethel. It’s the end of the world again.

The facility lay deep in the Appalachian Mountains, a secret laboratory called Coldbrook. Its scientists had achieved the impossible: a gateway to a new world. Theirs was to be the greatest discovery in the history of mankind, but they had no idea what they were unleashing.

With their breakthrough comes disease and now it is out and ravaging the human population. The only hope is a cure and the only cure is genetic resistance: an uninfected person amongst the billions dead. In the chaos of destruction there is only one person that can save the human race. But will they find her in time?

Tim Lebbon won the Bram Stoker Award in 2001, for his short story “Reconstructing Amy,” and Dusk won the British Fantasy Society’s August Derleth Award for best novel of the year in 2007. He had a bestseller in 2007 for his novelization of 30 Days of Night. Coldbrook has already received a starred review from Publisher’s Weekly and looks like it could be a breakout book for him.

Coldbrook will be published by Titan Books on April 8. It is 512 pages, priced at $14.95 in trade paperback and $9.99 for the digital version.

Future Treasures: Nebula Awards Showcase 2014, edited by Kij Johnson

Future Treasures: Nebula Awards Showcase 2014, edited by Kij Johnson

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Nebula Awards Showcase 2014-smallI love the Nebula Awards Showcase volumes. For one thing, they have a glorious history — stretching all the way back to the very first volume in 1966, edited by the founder of SFWA himself, Damon Knight.

And for another thing… they include some damn good stories. The Nebula Award winning short fiction from the previous year (and as many nominees as will fit), as chosen by the members of Science Fiction Writers of America. Alongside those stories are excerpts from the award-winning novel; appreciations of this year’s Grand Master Winner, Gene Wolfe, by Neil Gaiman and Michael Dirda, a Wolfe story, and more. If you’re looking for a survey of the best in SF and fantasy from last year, you’d be hard pressed to do better than this.

The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories in the Nebula Awards, voted on by the members of the Science Fiction & Fantasy Writers of America . The editor selected by SFWA’s anthology committee (chaired by Mike Resnick) is American fantasy writer Kij Johnson, author of three novels and associate director of the Center for the Study of Science Fiction at the University of Kansas.

This year’s Nebula winners, and expected contributors, are Kim Stanley Robinson, Nancy Kress, Andy Duncan, and Aliette de Bodard, with E.C. Myers winning the Andre Norton Award for Young Adult Science Fiction and Fantasy Book.

Nebula Awards Showcase 2014 is edited by Kij Johnson and will be published on May 13, 2014 by Pyr. It is 291 pages, priced at $18 in trade paperback and $11.99 for the digital edition. New publisher Pyr has put together a handsome package for the book, with a colorful cover by Raoul Vitale. Keep an eye out for it — and don’t forget to have a look at the 2013 Nebula Award Nominations, announced earlier this week.

The Series Series: The End Is Nigh: The Apocalypse Triptych, edited by John Joseph Adams and Hugh Howey

The Series Series: The End Is Nigh: The Apocalypse Triptych, edited by John Joseph Adams and Hugh Howey

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The End is Nigh John Joseph Adams-smallThe end of the world turns out to be heartbreaking. Who would have guessed?

This anthology of end-of-the-world stories from two dozen big-name and up-and-coming writers is nothing like the Hollywood blockbuster apocalypse experience, all stirring music and flashy effects, tidily wrapped up with a life-affirming ending in under two hours. Nor is it much like the sprawling genre novels of cosmic disaster that we like so much. You could stack the dead characters in George R.R. Martin’s A Song of Ice and Fire like cordwood and get a wall longer than Hadrian’s, but we keep reading because there are still characters to root for, and moments of hope for a world that hasn’t altogether ended.

Adams and Howey’s planned three-volume anthology series The Apocalypse Triptych opens with a volume of stories that cover the moment the old world ends. A second volume, The End Is Now, will feature stories set in the midst of the chaos between, and The End Has Come will focus on the beginnings of whatever gets built from the ashes.

The structure of The End Is Nigh shapes a very specific emotional rhythm and, if you try to read the book straight through over a few days, a reading experience unlike any other I’ve had. Each author has come up with a different take on how the world might end, and each story presents a different vision of what the world that’s ending is like.

The viewpoint characters are all deliciously different from each other and their predicaments grow increasingly extreme in their deliciously different and often absurd ways, until the not-so-delicious moment when the worlds and stories end. No matter how funny, juicy, or satirically entertaining the story has been up to that moment, the world’s end hits like a knife to the gut. You’re still reeling when the story slams into its last sentence and ejects you before you can find some way to ask, But what happened next?

And then, dear reader, you turn the page and go through it all again. You try not to get too attached to the main characters, whose odds of survival two weeks past the final paragraph range from pretty slim to definitely toast.

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Future Treasures: Irenicon by Aidan Harte

Future Treasures: Irenicon by Aidan Harte

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Irenicon by Aidan Harte-smallI get a lot of advance proofs. I used to treasure them. I remember I got this advance proof for an upcoming novel by George R.R. Martin back in 1996 called A Game of Thrones. Looked pretty good. I took it with me to Archon in St. Louis and sat in on a very lightly-attended reading — just six of us in a cozy room, listening to George act out the character of a dwarf named Tyrion — and George was gracious enough to sign my copy. I eventually gave it away. No sense holding on to proofs once they’ve been reviewed; you just clutter up your house.

Point is, it’s got to be pretty special to grab my attention these days. The latest fantasy epic from Jo Fletcher books got my attention for two reasons. First, I couldn’t make out the title. What that heck is that? Frenicon? Srenicon? (renicon? That’s bizarre. Alice, help me out here. I think it’s some kind of eye test.

Second, the book features a sentient river. That’s right, a sentient river — and not a happy one. That’s worth a read right there.

The river Irenicon is a feat of ancient Concordian engineering. Blasted through the middle of Rasenna in 1347, using Wave technology, it divided the only city strong enough to defeat the Concordian Empire. But no one could have predicted the river would become sentient — and hostile.

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Goth Chick News: Phantasmagoria: The Visions of Lewis Carroll by Marilyn Manson – WTF?

Goth Chick News: Phantasmagoria: The Visions of Lewis Carroll by Marilyn Manson – WTF?

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image002When I first heard about this, I thought Marilyn Manson was taking on one of my favorite computer games.

In case you don’t remember, Phantasmagoria is the 1995 interactive movie horror adventure game created by Sierra for the PC.

Made at the height of the “interactive movie” boom in the computer game industry, Phantasmagoria is notable not only for being one of the first games to use a live actor as an on-screen avatar, but also for being banned by some retailers due to its fairly graphic depiction of violence.

What I didn’t know until now is that Phantasmagoria is also a famous collection of Lewis Carroll’s poems, as well as the name for live horror shows involving projection onto smoke screens that were invented in the 18th century France.

Oh, and it’s also the title of Marilyn Manson’s first foray into film.

Yes, you read that right. Marilyn Manson, the horror rocker cum performance artist is the writer, producer, and director of this $4.2M venture that has been trying to get legs since 2005.

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