Browsed by
Category: Editor’s Blog

The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

The Top 50 Black Gate Posts in November

The Top 50 Black Gate Posts in November

astonishing-swordsmen-and-sorcerers-of-hyperborea-smallIf there was a popular topic at Black Gate last month, it was Jeffrey Talanian’s role playing game Astonishing Swordsmen and Sorcerers of Hyperborea. Gabe Dybing interviewed Jeffrey for us on November 11, and Bob Byrne wrote a brief feature on the runaway success of the Kickstarter campaign to fund a second edition of the rules — and both articles leaped into the Top Ten for the month.

The number one post at Black Gate in November was our report on the contents of Rich Horton’s The Year’s Best Science Fiction and Fantasy: 2017, followed by Mark Rigney’s open letter to George R. R. Martin and the producers of Game Of Thrones. Coming in at number three was Howard Andrew Jones’ heartfelt response to the election, Seeking Solace.

Rounding out the Top Five for the month was our report on Asimov’s SF and Analog magazines switching to bimonthly publication, followed by C.S.E. Cooney’s rave review of the new Saga anthology The Starlit Wood, edited by Dominik Parisien and Navah Wolfe.

Anthologies were a hot topic in November. Our third anthology feature, on Hank Davis’ Things From Outer Space, came in at number seven, and Sean McLachlan’s fascinating article on the Iraqui science fiction anthology Iraq + 100 was the ninth’s most popular for the month. Wrapping up the Top Ten was Derek Kunsken’s review of Doctor Strange.

The complete list of Top Articles for November follows. Below that, I’ve also broken out the most popular overall articles, online fiction, and blog categories for the month.

Read More Read More

For the Love of Monster Comics

For the Love of Monster Comics

where-monsters-dwell-lot-3-small

A few months back I spent almost $40 on eBay to acquire two dozen Monsters on the Prowl comics — late 60s and early 70s Marvel monster titles featuring the imaginative work of Stan Lee, Jack Kirby, Steve Ditko, and the entire Marvel bullpen at the height of their creative powers.

It was an impulse buy for sure — not the first I’ve done on eBay, and I strongly suspect it won’t be the last — and I half-expected I’d regret it almost immediately. Or at least, as soon at the package arrived. But the opposite happened. The moment I held those beautiful old artifacts in my hands, I did feel regret. But not the way I expected.

My immediate thought was, Why didn’t I bid on a lot more of these?

Read More Read More

Original Woodgrain Edition Dungeons and Dragons Box Set Sells For $22,100

Original Woodgrain Edition Dungeons and Dragons Box Set Sells For $22,100

woodgrain-first-edition-dungeons-and-dragons-box-small

A first printing of the original woodgrain box edition of Dungeons and Dragons, one of the rarest RPG collectibles, sold on eBay Friday for $22,100. The seller tells the story of how they acquired this ultra-rare piece of gaming history in the item description:

This set is in Very Fine condition with one small stain on the front label and very minor scuffing on the corners of the box. Note that the Reference Sheets are not stapled, but loose sheets folded together. This was the original condition.

It was acquired by the present owner in an interesting way.

In 1974 I worked in a project offering supplemental educational materials to four school districts in Northwestern Wisconsin. I met Bill, an elementary school librarian, who was very excited about working with his students using role playing games. He had a friend in Minneapolis whom he had met through their shared interest in war gaming. This friend, “Lance,” was involved with creating a new project, a fantasy-style wargame in a box that could be played by anyone.

My librarian friend was working with a sixth-grade class to create a book based on playing the game. Included in this set is a copy of the booklet that his students created using the game. Bill also used a 20-sided die that he had hand-colored to differentiate scoring. Adding to the charm of this set, the die is included, as is a hand-written note from Bill, the librarian, explaining the use of the die. He added that there was currently a shortage of these dice, but they were available in England. He was going to England for a vacation, and would be bringing some back with him.

I’m not sure this is a record price, but it must be pretty close. It’s definitely one of the most high-profile sales of a D&D collectible in recent memory. The seller, editorjan_1, has never previously sold on eBay, and has a zero feedback score, which makes this auction something of a risk for the buyer. See the complete listing on eBay here, and a more detailed breakdown of everything in the box at acaeum.com.

Jonathan Strahan on the Best Short Novels of 2016

Jonathan Strahan on the Best Short Novels of 2016

the-best-story-i-can-manage-robert-shearman-smallJonathan Strahan used to edit a marvelous anthology series for the Science Fiction Book Club called Best Short Novels. He published four volumes, from 2004-2007. On his Coode Street website yesterday, Jonathan published “An Imaginary List” of his picks for a 2016 volume.

I was pondering what I’d put into my old Best Short Novels series, if I was still editing it for someone today. After a bit of reflection I came up with the following list. I wasn’t restricted to Hugo length requirements, so one story is actually a long novelette, but this list would still come close to 200,000 words which is about right for the old series.

Here’s his selections for the ten best short novels of 2016, including five entries from the new Tor.com novella line, two from collections, and one each from Asimov’s SF and F&SF.

The Dream Quest of Vellitt Boe, Kij Johnson (Tor)
The Ballad of Black Tom, Victor LaValle (Tor)
Every Heart A Doorway, Seanan McGuire (Tor)
This Census-taker, China Mieville (Del Rey)
“The Charge and the Storm,” An Owomoyela (Asimov’s)
The Devil You Know, K.J. Parker (Tor)
The Iron Tactician, Alastair Reynolds (Newcon)
The Best Story I Can Manage, Robert Shearman (Five Storeys High)
“The Vanishing Kind,” Lavie Tidhar (F&SF)
A Taste of Honey, Kai Ashante Wilson (Tor)

We discussed Jonathan’s Best Short Novels series in a feature earlier this year, and we covered the latest from Tor.com here.

See Jonthan’s complete post here.

Prime Books Reveals the Contents of The Year’s Best Science Fiction and Fantasy: 2017, edited by Rich Horton

Prime Books Reveals the Contents of The Year’s Best Science Fiction and Fantasy: 2017, edited by Rich Horton

the-years-best-science-fiction-and-fantasy-2017-smallYesterday Prime Book publisher Sean Wallace announced the Table of Contents for the ninth (ninth!) volume of Rich Horton’s Year’s Best Science Fiction and Fantasy, one of the very best of the Year’s Best volumes. Rich said this about it:

I am excited as I am every year to be able to publicly share the contents of my Best of the Year anthology. Thrilled to share the riches of our field — honored that so many wonderful writers allow me to publish their stories.

The book will be available next summer from Prime Books. And without further ado, here’s the compete TOC, sorted alphabetically by original venue.

“Seven Ways of Looking at the Sun-Worshippers of Yul-Katan” by Maggie Clark, Analog
“All that Robot Shit” by Rich Larson, Asimov’s
“Project Empathy” by Dominica Phetteplace, Asimov’s
“Lazy Dog Out” by Suzanne Palmer, Asimov’s
“The Visitor from Taured” by Ian R. MacLeod, Asimov’s
“Openness” by Alexander Weinstein, Beloit Fiction Journal
“In Skander, for a Boy” by Chaz Brenchley, Beneath Ceaseless Skies
“Laws of Night and Silk” by Seth Dickinson, Beneath Ceaseless Skies
“Blood Grains Speak Through Memories” by Jason Sanford, Beneath Ceaseless Skies
“Rager in Space” by Charlie Jane Anders, Bridging Infinity
“Ozymandias” by Karin Lowachee, Bridging Infinity

Read More Read More

The Top 50 Black Gate Posts in October

The Top 50 Black Gate Posts in October

captive-of-gor-smallHere at Black Gate, we take great pride in our meticulous research, passionate reporting, and thoughtful analysis, especially on fantasy writers who are being criminally overlooked.

None of that stuff gets read, of course. What does get read? Articles like Nick Ozment’s “An Experiment in Gor: What Are John Norman’s Books About, Really?”, the runaway most popular post at Black Gate last month — by a wide margin. We love our readers, but boy, are you ever predictable. (Also: Ozment! Five more Gor articles, on my desk by Friday. Chop chop!)

Those of you who weren’t reading Nick’s Gor piece were enjoying Sean McLachlan’s ghost writing expose, “The New Pulp Era: Ghostwriting, Ebooks, and the Economics of Now,” and Fletcher Vredenburgh’s essay on “Horror and Swords & Sorcery.” Rounding out the Top Five were Violette Malan’s “My Top Ten Novel-to-Movie Adaptations,” and Bob Byrne’s gaming post “Modular: Eye of the Beholder – The Art of Dungeons & Dragons.”

Our report on winning our first World Fantasy Award came in at #6, followed by Bob’s Modular piece on the new Swords & Wizardry Kickstarter. Coming in at #8 was Harold Page’s review of Jason Thompson’s graphic novel The Dream-Quest of the Unknown Kadath & Other Stories.

Closing out the Top Ten were John DeNardo and his Savory Selection of Science Fiction and Fantasy for October, and an entry in Bob Byrne’s other popular column series, “The Public Life of Sherlock Holmes: Milton F. Perry’s ‘Harry S. Truman, Sherlockian’.”

The complete list of Top Articles for October follows. Below that, I’ve also broken out the most popular overall articles, online fiction, and blog categories for the month.

Read More Read More

At Long Last, the World Begins to Appreciate Claire Suzanne Elizabeth Cooney

At Long Last, the World Begins to Appreciate Claire Suzanne Elizabeth Cooney

cse-cooney-small

Claire Cooney, who writes under the name CSE Cooney, was Black Gate‘s first website editor, and we published two of her short stories, “Godmother Lizard” and “Life on the Sun,” as part of our Black Gate Online Fiction library. I was sitting next to Claire three weeks ago when she won the World Fantasy Award for her groundbreaking debut collection Bone Swans, and I watched in pleasant surprise as the crowd around us exploded in cheers. It seems that, at long last, the world is starting to appreciate what those of us in the BG community have long known: CSE Cooney is one of the genre’s most gifted writers.

Today The Westerly Sun published a fine feature on Claire, titled “World award is no fantasy for Westerly author Claire Cooney.” Here’s a snippet.

“I had no expectation of winning so I didn’t prepare any comments,” said Cooney, whose stories take readers on fantastical journeys through reimagined fairy tales and myths. “I just sat there saying ‘No way’ … until my friends started screaming.”

Cooney describes her writing as secondary world fantasy, similar in genre to the work of J.R.R. Tolkien and C.S. Lewis. Her writing features flying carpets, strange clowns and pied pipers, she said, with strong female characters and people who turn into things. “Swords and sorcery,” said the writer who has been influenced by such fairy tales as the The Pied Piper and Rumpelstilskin…

The World Fantasy Award is one of the three big awards given in her fantasy genre, and Cooney faced stiff competition in a category that included a Pulitzer Prize finalist and two career retrospectives from well-established international writers.

Read the complete article, written by Nancy Burns-Fusaro, here, and read the Nebula-nominated title story “The Bone Swans of Amandale” online here.

Asimov’s SF and Analog Magazine Switch to Bi-Monthly Publication

Asimov’s SF and Analog Magazine Switch to Bi-Monthly Publication

asimovs-science-fiction-april-1993-smallWay back in January 2009, F&SF edition Gordon Van Gelder announced that his magazine would be switching to bimonthly publication. Instead of 11 issues a year, including a special double-sized issue every October, F&SF would publish six double issues a year, in an attempt to reduce mailing costs and other overhead. At the time there were ominous rumblings and dire prophecies, but it seems to have worked out nicely for the magazine, which has been been publishing regularly every since.

Since then I’ve been waiting for the other shoe to drop — meaning, when would the two remaining print SF magazines, Analog Science Fiction/Science Fact and Asimov’s Science Fiction, follow suit? And on Wednesday Locus Online broke the news that both magazines would be switching to bimonthly publication starting in January 2017.

Asimov’s editor Sheila Williams explains in a forthcoming editorial that the magazines will now publish “six 208-page double issues” per year, a 16-page increase over current double issues. She expects the change will allow her to publish more novellas and a higher percentage of original cover art. Despite the change in publication schedule, she says readers “will receive the same number of pages of fiction as in the past,” and subscribers will “receive the same number of issue months” they purchased. Publishing bimonthly will allow them “to hold the current subscription prices a bit longer.” Both periodicals are published by Dell Magazines.

Speaking as someone who enjoys the big double issues, I view this as a positive development — and anything that helps the magazines save costs is a good thing. The current double-issue size is 192 pages, so the increase to 208 pages is another welcome change. However, it is a rather historic milestone for the genre. As Jonathan Strahan puts it:

Moving to a point where we have no monthly print fiction magazines left seems like some sort of turning point, though I don’t know towards what.

Visit the Asimov’s website here, and Analog here. See our November Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

Seeking Solace

Seeking Solace

howard-zebras-smallWhen assembling the first round of Black Gate bloggers one of the few rules I laid down was that we keep our personal politics and religion out of our posts. John and I both wanted to create a safe and welcoming space where people of all stripes could come together to discuss the genres we love.

Over the last week I’ve never found that admonition more of a challenge. You see, I’ve been grieving. Not for any one person’s loss, or even because the side I backed lost, but because it feels to me that an ideal has vanished. That ideal may not have been flawless, but I shudder at the manner in which the leading proponent of a replacement movement conducts himself. And for the first time in my life I’m not just disheartened by an election result contrary to my own wishes, I’m a little frightened.

I believe I’m in the letter of my own law still because I’m not here to proselytize. The preceding paragraph is solely for context so you’ll understand what it is that’s upset me. If, like me, the depth of your own grief and your anger and fear surprise you, you’ve probably been wondering how to cope. I wish I could give you a good answer. I can tell you that one of the things I’ve done is distract myself with the genres I love. The other was to create some art. That is one (and not the only) way I mean to act.

Read More Read More

Sarah Avery on “The War of the Wheat Berry Year”

Sarah Avery on “The War of the Wheat Berry Year”

the-war-of-the-wheat-berry-year-sarah-avery-small

Sarah Avery’s story “The War of the Wheat Berry Year” first appeared in the Black Gate 15, our last print issue. Since then, Sarah has had a stellar career — winning the 2015 Mythopoeic Award for her novel Tales from Rugosa Coven, editing an anthology with David Sklar, and successfully Kickstarting The Imlen Brat, a novella featuring the heroine of “War of the Wheat Berry Year,” when she was a child adopted into a perilous royal court. Now Great Jones Street has reprinted a revised version of “The War of the Wheat Berry Year.” Here’s Sarah.

In 2003, I wrote a fantasy short story about.. a turncoat. I gave her many of the attributes we see so often — an army of followers who are Other to her, a homeland with blatant unresolved injustices, an offstage villain who is suitably repellent. But I gave her a few other things, too, that the usual turncoats don’t have.

She faces someone she loves on the battlefield. Someone she owes, who has done her lifesaving kindnesses she can never forget or repay. He’s angry, and his anger has its reasons. Quite apart from her betrayal of their nation, she has betrayed him, humiliated him, endangered him, put him in the position of having to make choices he finds unbearable. Worst of all, she has put him in the position of having to kill her or to die trying…

A few years later, “The War of the Wheat Berry Year” was my first professional sale. I sold the story to John O’Neill at Black Gate  —  he put me through three rounds of revisions for clarity, and I’ll always be grateful for his patience. In 2009, when the magazine was about to transition from print to online publication, my story appeared in the last print issue. Some things about the first published version of the story hold up pretty well, well enough that Great Jones Street picked it up for reprint this year.

Read Sarah’s complete article on the reasons for her revisions, “Conscientious Turncoats, Or Why I Stopped the Virtual Presses on “The War of the Wheat Berry Year,” at Great Jones Street.