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Jim Starlin’s Dreadstar in Development as a TV series

Jim Starlin’s Dreadstar in Development as a TV series

Dreadstar 3-smallJim Starlin, who has seen several of his most famous comic creations transition to the big screen, has reportedly signed a deal to bring his long-running space opera Dreadstar to television.

Jim Starlin is famous in comic circles as the creator of Thanos, the villain of the upcoming Avengers: Infinity War films, as well as Drax the Destroyer and Gamora, two members of the Guardians of the Galaxy. His run on Captain Marvel, which introduced Thanos and his quest to end all life to prove his love for Death, was a high-water mark for superhero comics of the 1970s, and elements from his Infinity Gauntlet storyline have become the unifying storyline for Phase II of the Marvel Cinematic Universe.

In 1980 Stalin introduced a new character, Vanth Dreadstar, in Epic Illustrated #3. Dreadstar’s early adventures were eventually collected in Metamorphosis Odyssey, a grim far future tale of a desperate battle against the Zygoteans, who conquer and enslave virtually all life in the Milky Way. Metamorphosis Odyssey ended with Dreadstar and his companions destroying the entire galaxy, rather than have it fall into the hands of the Zygoteans (I told you it was grim).

No one really dies in comics though, and Dreadstar eventually returned in Dreadstar #1, one of the flagship titles of Marvel’s new Epic comic line, in 1982. Epic published 26 issues before Dreadstar switched publishers to First Comics. Starlin wrote and drew all the issues until he left with issue 41 (March 1989), and Peter David took over writing chores. Dreadstar lasted a total of 64 issues.

Dreadstar had a very different feel to Metamorphosis Odyssey. Whereas the latter is considered an allegory, Dreadstar is straight-up space opera. Set a million years after the destruction of the Milky Way, and halfway across the universe, it follows the adventures of Vanth Dreadstar and his crew of gifted oddballs, including the powerful sorcerer Syzygy Darklock and the wise-cracking Skeevo, as they get caught up in a galaxy-spanning conflict between the Monarchy and the tyrannical Church of the Instrumentality. Dreadstar was closer in spirit to Star Wars than anything else, with desperate battles, betrayals, robots, and ancient and mystical powers influencing events at critical moments.

Variety reports that Universal Cable Productions and Benderspink will develop the series, with Starlin serving as executive producer and writer. No word on a release date yet. See the complete article here.

The Middle Child of Editorial: An Interview with Jake Thomas, Associate Editor at Marvel Comics

The Middle Child of Editorial: An Interview with Jake Thomas, Associate Editor at Marvel Comics

I’m having an e-conversation with Jake Thomas, an Associate Editor at Marvel Comics. punisherHe’s got a ton of editorial credits, as Assistant Editor on titles like Captain America, Avengers, Age of Ultron, and many others, as well as Editor on Iron Fist the Living Weapon, Deadly Hands of Kung Fu, The Punisher and others.

Let’s cover some of the basics first. Jake, you started at Marvel as an Assistant Editor. Editors oversee production. What do Assistant Editors do for the production process?

Marvel editors are involved in a lot more than just production.

A main Editor helps develop projects, gives story and art notes, helps with the marketing of the books, all kinds of things. The nuts and bolts of production are by and large the purview of the Assistants. Assistant Editors keep files moving, track schedules, write recaps, do ad lineups, gather reference, run proofs through our various checks and balances, a bunch of the behind-the-scenes work that allows the machinery of comics to keep functioning.

They also act as another set of eyes; they can give script feedback to their editors, check the art as it comes in to make sure the storytelling is solid and everyone’s in the correct costume. Important stuff!

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Marvel Team Up: Spider-Man to Appear in Captain America: Civil War?

Marvel Team Up: Spider-Man to Appear in Captain America: Civil War?

Marvel Civil War-smallWhen unidentified hackers released a host of embarrassing Sony Pictures internal e-mails last year, one of the things they revealed was that Sony, who owns the film rights to Spider-Man, had unsuccessfully negotiated with Marvel Studios, producers of Iron Man, Captain America, and The Avengers, on a possible Spider-Man/Avengers crossover. Just the possibility was tantalizing to Marvel fans, even if it looked like it hadn’t amounted to anything.

Now Marvel and Sony have announced that the crossover will occur after all. Both studios have confirmed that Spider-Man will first appear in a Marvel film, followed by a Spider-Man film to be released on July 28, 2017. While exact details have not been released, speculation is rampant that the likeliest candidate for the first project is the third Captain America film, Captain America: Civil War, based on the best-selling storyline that prominently featured Spider-Man, Iron Man, and Cap in its comic book incarnation back in 2006.

The announcement is bad news for fans of the Mark Webb-Andrew Garfield incarnation of Spider-Man, however, as BuzzFeed has confirmed that Garfield will not be reprising the role of Spider-Man. That’s unfortunate, as I thought he did a fine job.

The announcement clearly took some major behind-the-scenes effort, as it has shuffled the release dates for Marvel Studios major projects, pushing back almost all of their upcoming films to make room for Sony Pictures’ third Spider-Man picture. The release date for Thor: Ragnarok has been moved from July 28, 2017, to Nov. 3, 2017; Black Panther has been re-scheduled for July 6, 2018, Captain Marvel to Nov. 2, 2018, and Inhumans to July 12, 2019. The three announced Avengers films, Avengers Age of Ulton and Infinity War Part 1 and Part 2, are still scheduled to open on May 1, 2015, May 4, 2018, and May 3, 2019, respectively. Sony Pictures is also moving forward with their previous plans for Spider-Man spin-off films featuring the Sinister Six and Venom, although those release dates will likely be impacted as well.

Read the complete details at Marvel’s website.

Goth Chick News Catches Up With Our Favorite Comic Horror Crush: Dirk Manning

Goth Chick News Catches Up With Our Favorite Comic Horror Crush: Dirk Manning

Dirk Manning
Dirk Manning

We first introduced you to Dirk Manning way back in 2011, courtesy of his nationwide tour promoting Nightmare World, his horror comic series.

As someone who spent a significant amount of my childhood reading contraband horror stories by flashlight under the covers, Manning’s work struck a chord with his vintage-look illustrations and old-school storylines.

So it’s no surprise that his work holds a place of honor on the bookshelves in the underground offices of Goth Chick News.  Nor is it probably a shocker that due to his genre of choice (not to mention the black top hat), that he’s become a personal favorite as well.

When I learned about Manning’s latest installment of his paranormal Mr. Rhee series, I had to ask him to spill some double-secret details just for you.  And being my favorite goth guy, horror-comic crush, he graciously complied.

Let’s wade in shall we?

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See the Teaser Trailer for the Fantastic Four Reboot

See the Teaser Trailer for the Fantastic Four Reboot

I’m a big fan of what Marvel has accomplished with their movie properties, but I didn’t enjoy the two Fantastic Four films. And I really wanted to — Stan Lee and Jack Kirby’s FF was my favorite comic growing up, and I thrilled to the cosmic adventures of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm as they explored the Negative Zone and uncovered countless ancient mysteries (not to mention giant robots, weird alien races, and noble heralds on surf boards.)

But love of the source material only goes so far, and I don’t think the two films were well cast, or captured the true spirit of the comic. As Matthew David Surridge wisely pointed out in his lengthy look at Stan and Jack’s amazing 104-issue run, “The FF are explorers, not crime-fighters or warriors.” So I was pleased to see that — from what little I can puzzle out from the Teaser trailer released yesterday for the new reboot — the new version seems to focus on the explorer aspect of the team. This is from Marvel’s description:

Fantastic Four, a contemporary re-imagining of Marvel’s original and longest-running superhero team, centers on four young outsiders who teleport to an alternate and dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy.

And here’s peek at the trailer itself. See what you think. Worth looking forward to?

Check Out The Goon in For Want of Whiskey and Blood

Check Out The Goon in For Want of Whiskey and Blood

The Goon For Want of Whiskey and Blood-smallEric Powell’s The Goon is one of the most original — not to mention funniest — comics on the market.

When I was still visiting comic shops regularly it was always on my pull list, right alongside Courtney Crumrin and Atomic Robo. The Goon is the story of a none-too-swift hired muscle man (named only “the Goon”) who’s left high and dry when the gangster he works for dies suddenly. With nothing left to lose, the Goon simply continues the racket set up by his boss, collecting protection money from local businesses in a small American city.

When a zombie invasion threatens the inhabitants, the Goon does what he does best… provide protection. Soon most of the city falls into chaos, with the exception of those few square blocks under the Goon’s protection. The constant scheming of the Zombie Priest and his various minions to get rid of the Goon and seize total control of the town provides most of the drama (and the comedy). The art is top-notch, and Powell has shown a real talent for surprisingly touching storylines.

Truth to tell, I had stopped buying The Goon trade paperbacks, because I had heard the issues were being collected in deluxe hardcover Library Editions. Not sure what happened to those plans, so now I’m back to catching up with the regularly issued trade collections. For Want of Whiskey and Blood is the 13th volume, and it collects issues #42 — #45 of the ongoing comic.

The return of the Zombie Priest, a Latin-tongued Godzilla, drunk sailors, and a Halloween visit from Billy the Kid are just a few of the special tricks and treats for Goon and company in this new collection from Eric Powell, which Comic Book Resources calls, “the product of a contentedly demented mind.”

The Goon Volume 13: For Want of Whiskey and Blood was written and drawn by Eric Powell and published by Dark Horse Books on October 21, 2014. It is 128 pages in full color, priced at $16.99. Check it out.

Spotlight on a Fictional Fantasy Fan: Which G.I. Joe Team Member Dug Sci-Fi?

Spotlight on a Fictional Fantasy Fan: Which G.I. Joe Team Member Dug Sci-Fi?

Joe-Poster
Poster depicting most of the ’82 – ’87 Joe team. Art by Ian Fell

Anyone else out there grow up immersed in the adventures of those Real American Heroes, the Joes? Back in the early ’80s, via the Larry-Hama penned Marvel comic, the Hasbro toys, and the television cartoon, they were a big part of my landscape.

 

There was one member of the Joe team who, if he were real, might be reading Black Gate today. Which G.I. Joe team member read science fiction and comic books? Click on the “READ MORE” tab for the answer…

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Ody-C Issue #2: In Which I Try to Not Use the Word “Weird” at All

Ody-C Issue #2: In Which I Try to Not Use the Word “Weird” at All

ODY-C-1-Cover

Author’s Note: I had wondered how I would handle spoilers as I review my way through the first handful of issues of Ody-C, the new genderqueer retelling of Homer’s Odyssey. At first I thought this wouldn’t be necessary: how many spoilers will there be in the retelling of a three thousand year old myth? As of now, with the second issue released, I can safely say “At least a few”. So while I will avoid any plot-altering spoilers to the fullest extent possible, if you don’t want to be spoiled on world building or character development, read no further.

At the conclusion of the first issue of Ody-C, I wasn’t certain of how I felt about the series. I had opinions, certainly, and I had impressions and ideas, but it was hard to compile those into a solid opinion. After reading the second issue, which was released last week, I feel far more comfortable saying that I think I am going to love this.

As a single issue goes, Ody-C #2 is slender in terms of both page length and events. But it is incredibly dense in terms of world-building. While the bones of this story were familiar in issue 1, the setting and surroundings were so strange as to leave this reader at least feeling a bit adrift. Issue 2 leads us deeper into the world, and while it is in some ways more surreal it is also leaves us far more grounded in what the world Matt Fraction and Christian Ward are creating looks like.

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A Most-Enjoyable Crisis

A Most-Enjoyable Crisis

dc_comics_crisis_3d_600x600_0If you’ve read DC comics for any length of time since the mid-1960’s, the term “crisis” probably triggers memories of monumental, universe-shattering storylines. It began as the name for several of the major DC cross-over events, ultimately culminating in the classic 1986 Crisis on Infinite Earths storyline, which was one of the most effective efforts to fix continuity errors in comics with a comprehensive universal reboot. (It has since been followed up by DC universal reboots of varying degrees in their crossovers Zero Hour, Infinite Crisis, and Flashpoint.)

So the title of this game-changing expansion to the DC Deck-Building Game (Amazon) should be no surprise. The Crisis expansion (Amazon) introduces significant new elements of gameplay. I’ve played a number of games and expansions, but it’s been a while since I saw an expansion which gave an existing game such a phenomenal revamp as this one.

I first reviewed the DC Deck-Building Game a year ago, in a face-off against the Marvel: Legendary deck-building game. At the time, my 9-year-old son considered the DC game as his favorite, though I came down in favor of the Marvel game, mostly for the following reasons:

  • Marvel: Legendary felt more like narratively being inside a comic book, in comparison to the DC game. Marvel is built around a Scheme Card implemented by specific Mastermind supervillains, meaning that each game has a unique storyline and game objectives. The DC game, on the other hand, involves beating up a pile of villain cards to win.
  • Marvel: Legendary was at least partially cooperative, while the DC game was entirely competitive. Since I mostly play with my son, I prefer cooperative games. Also, from a storytelling standpoint, I felt like a game where I’m supposed to be Batgirl and my son is supposed to be Nightwing should be more cooperative.

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Future Treasures: Courtney Crumrin Volume 7: Tales of a Warlock by Ted Naifeh

Future Treasures: Courtney Crumrin Volume 7: Tales of a Warlock by Ted Naifeh

Courtney Crumrin Volume 7 Tales of a Warlock-smallNearly three years ago, I reviewed the first volume of the new hardcover editions of Courtney Crumrin, concluding that “Courtney Crumrin is one of the finest comics produced in the 21st Century.”

In his Black Gate blog post on Courtney Crumrin and the Night Things, renamed Courtney Crumrin Volume One: The Night Things in its expanded hardcover edition, Michael Penkas did a far better job than I of describing the appeal of this brilliant comic:

Be honest. If you had magical powers when you were a teenager, what would you have done? How long would you have walked the path of righteousness before cursing the school bullies? Before casting a spell to make yourself popular? Before just flat-out killing bad people? Would you have made friends with elves… or goblins?

Ted Naifeh’s series of fantasy comics… introduces us to Courtney Crumrin on the day her vapid parents move in with her grand-uncle, Aloysius… Going through his collection of grimoires, she begins her own self-guided education in the magical arts. In the first volume, she traps a child-eating goblin, enchants herself to become the most popular girl in school, travels to the faerie kingdom to swap out a changeling for a human infant, and gets replaced by a doppelganger who turns out to be nicer than her.

Like Michael, I was thrilled to find the early black & white issues of Courtney Crumrin gradually being collected in handsome and affordable hardcover editions — and in color! I was purchasing them steadily, until I kinda lost track of them. (Cut me some slack… I collect a lot of stuff.) Shortly after Christmas, when I noticed that it was now 2015, I did a quick check to see how many volumes were out. I was startled to see that no less than six had already been released, and a seventh, Tales of a Warlock, was on its way.

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