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Werewolves and Ghost-powered Zeppelins: Sample Chapters from The Wolf Age Now Available

Werewolves and Ghost-powered Zeppelins: Sample Chapters from The Wolf Age Now Available

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thewolfageJames Enge tells us (rather gleefully) that “A slab of The Wolf Age is up at the Pyr samples site. Werewolves. Ghost-powered zeppelins. The usual stuff.”

The Wolf Age is the third novel of Morlock the Maker.  Morlock, the soft-spoken hunchback and recovering alcoholic who may also be the finest artificer the world has ever seen — not to mention a formidable swordsman — featured in Enge’s first published story, “Turn Up This Crooked Way,” in Black Gate 8, and has appeared six times (so far) in our pages, most recently in Black Gate 14.

Tired of dominating Black Gate‘s pages with an iron fist, Enge turned to more ambitious goals, producing the first two Morlock novels Blood of Ambrose (2009) and This Crooked Way (also 2009 — it makes other writers look bad, doesn’t it?), both published by Pyr.

Blood of Ambrose was recently nominated for the World Fantasy Award, the obvious next step in Enge’s ruthless plan for domination of Western civilization.

You can read the first two chapters of The Wolf Age at the Pyr website, and see for yourself how Enge’s evil scheme is taking shape.  It’s not to late to stop him.

Werewolves. Ghost-powered zeppelins. On second thought, it probably is too late.  Join the Black Gate staff in line to sign up as Enge’s evil henchmen, and get your black leather tunics and infrared goggles before they’re all gone.

Worlds Within Worlds: The First Heroic Fantasy (Part IV)

Worlds Within Worlds: The First Heroic Fantasy (Part IV)

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This is the fourth in a series of posts investigating the question of who wrote the first otherworld fantasy (you can find the first part here, the second here, and the third here). By ‘otherworld fantasy’ I mean a story set entirely in another world, with no framing device to connect it to reality. Traditionally, the credit for inventing otherworld fantasy has been given to William Morris. I have another figure in mind.

You can see her there on the right.

In 1837, Sara Coleridge, the daughter of poet Samuel Taylor Coleridge, published a book called Phantasmion, which was received, and reviewed, as a fairy tale novel. And, at first glance, it certainly seems similar to the German and French fairy tales that were popular at around that time. But I don’t think it reads like a fairy tale, certainly not once it gets going.

It reads very like a high fantasy. In fact, like an otherworld fantasy.

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Adventures in Pulp Awesomeness, Part Deux: Planetoids of Peril

Adventures in Pulp Awesomeness, Part Deux: Planetoids of Peril

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clayton-astounding1Back in April we told you about the first volume of this excellent new Clayton Astounding reprint series, compiled by Dark Worlds editor G.W. Thomas: Vagabonds of Space.

Vagabonds collected the best Space Opera from the Clayton years, the first three years of the most honored science fiction magazine in history: January 1930 – March 1933, when it was briefly owned by Clayton Magazines. This was the era before the pulp magazine was renamed Analog in 1960; even before the name was changed to Astounding Science Fiction — when it bore its original title, Astounding Stories of Super-Science, and was edited by Harry Bates, a skilled writer and editor whose landmark 1940 Astounding story “Farewell to the Master” was adapted as the classic film The Day the Earth Stood Still.

The Clayton years preceded the so-called Golden Age of Astounding when, under legendary editor John W Campbell, it discovered and promoted the work of young new writers such as Isaac Asimov, Robert A. Heinlein, and Hal Clement. The fiction in the Clayton Astounding was raw, undiluted Buck Rogers stuff; the tales that first established the genre and defined for the American public what science fiction was all about.

G.W. Thomas followed Vagabonds with Out of the Dreadful Depths, pulp tales of undersea adventure, and now comes the third volume, Planetoids of Peril:

Not the Golden Age Astounding of John W. Campbell but the fun, Bug-Eyed-Monster-filled pulp of SF adventure. This volume is filled with tales of planets and moons covered with alien monsters and terrible chills. Featuring work by Anthony Pelcher, Sewell Peaslee Wright, Edmond Hamilton, Charles W. Diffin, Paul Ernst and Robert H. Wilson. With introductions and commentary by G. W. Thomas.

The Clayton Astounding: Planetoids of Peril is available from Lulu, priced at$13.99 for 218 pages. It’s also available in electronic format for just $4.99.

Harry Connolly’s Game of Cages

Harry Connolly’s Game of Cages

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games-of-cagesThe most interesting title waiting for me when I returned from our adventures at Dragon*Con was Harry Connolly’s Game of Cages, the latest in his Twenty Palaces series and the sequel to his first novel, Child of Fire.

We’ve been big fans of Harry since his first story appeared in Black Gate 2, and his “Soldiers of a Dying God” (BG 10) is one of the finest short pieces we’ve ever published. It’s been great to finally see him get some well-deserved recognition.  Child of Fire received some excellent notices, and Jim Butcher said it contained “Excellent reading… delicious tension and suspense.” Here’s the cover copy to Game of Cages:

As a wealthy few gather to bid on a predator capable of destroying all life on earth, the sorcerers of the Twenty Palace Society mobilize to stop them. Caught up in the scramble is Ray Lilly, the lowest of the low in the society — an ex-­car thief and the expendable assistant of a powerful sorcerer. Ray possesses exactly one spell to his name, along with a strong left hook. But when he arrives in the small town in the North Cascades where the bidding is to take place, the predator has escaped and the society’s most powerful enemies are desperate to recapture it.

We tracked down Harry at the exclusive club where he now writes, between eating oysters and sipping Châteauneuf-du-Pape. Before we were thrown out by the bankers at the next table, Harry did say a few words about his new novel, which Howard Jones managed to transcribe in the hidden notebook he always carries in his pocket:

Ray Lilly is an ex-con, an ex-car-thief, and current minion in the Twenty Palace Society, a secret organization that protects our world from deadly, magical “predators.” Ray may only be a driver — and a decoy — but he’s the only operative close enough to deal with an emergency situation: An auction has gone terribly wrong releasing a predator into a small town, and the bidders — murderous, wealthy bastards all — tear the town apart looking for it. Ray just has to hold out until his sorcerer bosses arrive, but it may already be too late.

Howard had a few choice words of his own about “wealthy bastards” as we dusted ourselves off, but at least we got an exclusive quote.  After his third novel, we’ll probably have to bribe his bodyguards just to get close to Harry. Don’t be one of the last ones to catch on. Check out Game of Cages today — the first three chapters are available online, and the book can be found at better bookstores near you.

Finding Deliverance in a dearth of heroic fantasy

Finding Deliverance in a dearth of heroic fantasy

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dickey-deliveranceI lay with the flashlight still in one hand, and tried to shape the day. The river ran through it, but before we got back into the current other things were possible. What I thought about mainly was that I was in a place where none—or almost none—of my daily ways of living my life would work; there was not habit I could call on. Is this freedom? I wondered.

–James Dickey, Deliverance

So you’ve read yourself out of Robert E. Howard and Fritz Leiber, closed the cover on the latest Bernard Cornwell and Joe Abercrombie, and you’re looking for something new in heroic fiction. But you can’t seem to find what you’re looking for. Rather than slumming around in the dregs of the genre or reaching for The Sword of Shannara (with apologies to fans of Terry Brooks), my suggestion is to take a look at modern realistic adventure fiction and non-fiction.

I read heroic fiction for the action, the adventure, the storytelling, and the sense of palpable danger that real life (typically) doesn’t provide. Likewise, I find that works like The Call of the Wild and The Sea Wolf by Jack London, Alive by Piers Paul Read, and Into Thin Air by Jon Krakauer satisfy the same primal needs as the stories of an Edgar Rice Burroughs or David Gemmell. The best modern adventure fiction/non-fiction stories are bedfellows with heroic fiction: While they may not contain magic or monstrous beasts, they allow us to experience savagery and survival in the wild and walk the line of life and death.

My favorite work in this genre is Deliverance by James Dickey, and it’s to this book that I’d like to devote the remainder of this post.

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E.C. Tubb, October 19, 1919 – September 10, 2010

E.C. Tubb, October 19, 1919 – September 10, 2010

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zenya2British science fiction author Edwin Charles (“E.C.”) Tubb died on September 10, 2010, at his home in London, England. He was 90 years old.

Tubb published his first novel, Saturn Patrol, in 1951.  Thus began an extraordinary career spanning nearly half a century, and including over 130 novels and more than 230 short stories in magazines such as Astounding/Analog, Galaxy, Nebula, Science Fantasy, and many others. His short story “Little Girl Lost” (1955) was adapted for Rod Serling’s Night Gallery TV series in 1972.

While Tubb received acclaim for much of his early work, including his novel of Martian colonization Alien Dust (1955), and his generation-Starship novel The Space-Born (1956), he is remembered today chiefly for his Dumarest of Terra saga, which began with The Winds of Gath in 1967 .

DAW publisher Don Wollheim commissioned the series, featuring star-hopping adventurer Earl Dumarest and his relentless search for the legendary lost planet of his birth: Earth. The worldwide success of Dumarest of Terra led Tubb to switch almost exclusively to novel writing. Following Wollheim’s death in 1990, Dumarest came to a premature end after 31 novels with The Temple of Truth (1985).

The next novel, The Return, existed for years only in French translation, until it finally appeared in English in 1997 from Gryphon Books.  The ending of The Return was inconclusive however, and it was not until 2009 that Tubb,  at the urging of his agent (and at the age of 90!), wrote the volume that brought Dumarest of Terra to a true conclusion: Child of Earth  (Homeworld Press, 2009).

Later collections of Tubb’s short fiction include The Best Science Fiction of E.C. Tubb (Wildside, 2005) and Mirror of the Night (Sarob Press, 2003).  In recent years, and despite failing health, Tubb continued to write and publish, including the first two novels in his sword & sorcery Chronicle of Malkar series, Death God’s Doom (1999) and The Sleeping City (1999), both from Prime; the Space:1999 novel Earthbound (2003), and three novels in the Linford Mystery Library. His dystopian novel To Dream Again was accepted on the day he died, and is scheduled for publication by Ulverscroft in 2011. At least one other new novel, Fires of Satan, is rumored to be under consideration

I admit I’ve never read any E.C. Tubb — his heyday, the early 1970s, was a bit before my time.  But he was a fixture on science fiction bookshelves in virtually every bookstore I walked into for over twenty years, as ubiquitous as Asimov, Heinlein, and Frank Herbert. His passing feels like the end of an era.

Black Gate‘s Vaughn Heppner reaches #1 at Amazon with Star Soldier

Black Gate‘s Vaughn Heppner reaches #1 at Amazon with Star Soldier

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star-soldierStar Soldier by Vaughn Heppner, Book #1 of the Doom Star Series, has reached the Top of Amazon’s bestseller list for Series Science Fiction in its Kindle edition.

Number 2 on the list is the second volume in the series, Bio-Weapon — outselling Dune, Foundation, and Orson Scott Card’s Ender series, among many others. In the general Science Fiction Bestsellers list for Kindle editions, Star Soldier reached #2, second only to the brand new Zero History by William Gibson.

Star Soldier is a full novel, 82,000 words in length, and is available for download for just 99 cents.  Here’s the description:

It’s survival of the fittest in a brutal war of extinction! Created in the gene labs as super soldiers, the Highborn decide to replace the obsolete Homo sapiens. They pirate the Doom Stars and capture the Sun Works Ring around Mercury. Now they rain asteroids, orbital fighters and nine-foot drop troops onto Earth in a relentless tide of conquest. Marten Kluge is on the receiving end. Hounded by Thought Police, he lives like an ant in a kilometer-deep city. The invasion frees him from a re-education camp but lands him in the military, fighting for the wrong side. Star Solider is the story of techno hell in a merciless war, with too many surprises for any grunt’s sanity.

Vaughn has sold three really terrific linked Sword and Sorcery tales to Black Gate, the first of which, “The Oracle of Gog,” will appear in our next issue.  I asked him to tell us a little bit about the novels:

In many ways Star Soldier is based from my years of reading about the Eastern Front during WWII. Social Unity is like the Soviets. The genetic super-soldiers think like Nazis. Marten Kluge, the hero, just wants to be free. But there is precious little freedom in the Inner Planets of the Solar System in 2350… I’m writing hard these days. I’m working on the third book of the Doom Star Series, Battle Pod.

Congratulations Vaughn!

Imaro: The Naama War

Imaro: The Naama War

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imaro_the_naama_warImaro: The Naama War
Charles R. Saunders (Sword & Soul Media, 2009)

Here we have the long-awaited fourth volume in the “Imaro” series of sword-and-sorcery novels set in a fictional fantasy Africa. Imaro: The Naama War brings to a conclusion the many character arcs and plotlines that have built through Imaro (1981; revised 2006), Imaro 2: The Quest for Cush (1984; revised 2008), and Imaro: The Trail of Bohu (1985; revised 2009). The third book (which was the first written specifically as a novel instead of a collection of novellas and short stories) moves the tale of the Ilyassai warrior Imaro into the territory of the grand epic, threatening to plunge all of the continent of Nyumbani into a battle between the gods and the kingdoms they support, with Imaro as the fulcrum point. The novel ends on a cliffhanger, with the war about to erupt.

Now at last we have that great battle of gods and men, which Saunders started writing back in 1983. And it’s Epic. Big Capital “E” Epic. Charles R. Saunders more than rewards readers’ twenty-five years of patience with the single best installment in the saga of Imaro. This is sword-and-sorcery beauty, filled with bloody rage, bizarre magic, pounding battles, horrific monsters, and intense emotion. It is one of the best fantasy novels I have read over the past five years—and I’m actually glad I came late to reading the Imaro stories, because it means I didn’t have to wait so long to read the last and the best.

Imaro: The Naama War is the sort of fantasy trip I love to take, and I’ll admit that I felt an enormous rush of emotion and nearly came to tears during the thirty page wrap-up, where Saunders refuses to let the reader go from the passion of the story and the characters’ dramatic journeys. The escalation from the beginning to the unexpected conclusion is pitch-perfect. It is almost a textbook for how to build suspense and keep readers reeling with surprises while also maintaining their belief in the story’s inner truth.

So, yeah, this is kind of a good book. (Buy it here!)

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A Review of Jack the Giant Killer, by Charles de Lint

A Review of Jack the Giant Killer, by Charles de Lint

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jackJack the Giant Killer, by Charles de Lint
Ace (202 pages, hardcover, November 1987)

Charles de Lint’s Jack the Giant Killer is an urban fantasy novel, but it feels more accurate to call it an urban fairy tale. It’s set in Ottawa and makes frequent references to streets and landmarks; I have a feeling I’d get even more out of it if I were the least bit familiar with the city. Fortunately, geographic familiarity is not required to enjoy this story.

Jacky Rowan has just been through a moderately poor breakup. Her boyfriend stormed out after declaring her a predictable, boring shut-in. Partly because of his accusations, partly because of feeling empty and numb, she cuts off her waist-length hair, goes drinking, and then wanders down to a park, reflecting on her life and whether or not it means anything.

She has a distinct impression of someone watching her from the blacked-out windows of one house, but before she has time to reflect on that, she witnesses what appears to be a biker gang chasing down what looks like a small man.

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Worlds Within Worlds: The First Heroic Fantasy (Part III)

Worlds Within Worlds: The First Heroic Fantasy (Part III)

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William MorrisThis is the third in a series of posts looking at the question of who wrote the first otherworld fantasy: that is, the first fantasy to be set entirely in its own fictional world, with no connection to conventional reality at all. It’s an innovation traditionally ascribed to William Morris, but I think I’ve found an earlier writer who deserves that honor.

In the first post, I considered how to identify a fictional otherworld. I suggested four characteristics, of which a story’s fictional world needed to have at least three to be a true otherworld: its own logic (which might involve, say, the existence of magic), characters who we identified as residents of another world than our own, a coherent history, and a coherent fictional geography. In the second post, I considered ways in which older fantasies were linked to reality — by being set in the past, or in a place beyond contemporary knowledge, or being established as a dream, or as a story within a story, or as a myth. I concluded by discussing what I felt was significant about the idea of otherworld fantasy.

Before going on to present my suggestion for the writer of the first otherworld fantasy, though, I’d like to take a closer look at some past fantasies I thought came very close to presenting self-contained otherworlds. These are works which I don’t think are true otherworld fantasies, but which other people might choose to see as such.

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