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The Novels of Michael Shea: The Incompleat Nifft

The Novels of Michael Shea: The Incompleat Nifft

The Incompleat Nifft-smallUnder editor Eric Flint, Baen Books has led the way in producing inexpensive mass market reprints of some of the most essential classic SF and Fantasy of the 20th Century — including Robert E. Howard, Andre Norton, James H. Schmitz., Murray Leinster, and P. C. Hodgell’s God Stalker Chronicles, among many, many others (They’ve continued in this tradition with fabulous anthologies, including the recent In Space No One Can Hear You Scream and many others.)

In 1997, Baen Books turned to Michael Shea, publishing his second Nifft the Lean novel, The Mines of Behemoth. By 2000, they were preparing to trumpet the arrival of his third, but by that point the original World Fantasy Award-winning volume Nifft the Lean had been out of print for almost two decades.

So five months before the release of The A’rak, Baen bundled both of the first two novels into a single paperback, cleverly titled The Incompleat Nifft, signally the impending arrival of the what would be the final book in the series. At 576 pages it was a terrific bargain, collecting both Nifft the Lean and The Mines of Behemoth under a Gary Ruddell cover, and it has become perhaps the most collectible paperback in Shea’s catalog.

This Time, They Would Make a Killing

Join master thief Nifft the Lean with his companion-at-arms, mighty barbarian Barnar Hammer-Hand, as they trust to their wits and their luck. Once Nifft and Barnar were hired by the ghost of a dead woman to kidnap the man who betrayed her and drag him down to hell to join her. A simple task — or so they thought at first…

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New Treasures: The Cold Commands by Richard K. Morgan

New Treasures: The Cold Commands by Richard K. Morgan

The Cold Commands Richard Morgan-smallWay back in Black Gate 13, the distinguished John C. Hocking contributed a feature review of Richard K. Morgan’s first fantasy novel and it alerted me to the fact that I was missing out on a major new work of sword & sorcery.

Here’s what he said, in part:

Richard K Morgan has made a name for himself with a chain of dark, slickly written science fiction thrillers… one might reasonably expect Morgan to continue in that style… Instead, he has written one of the most unusual, powerful, and daring sword & sorcery novels to see print for decades.

The Steel Remains follows a trio of characters, each of whom played a dramatic part in humanity’s grim battle with the Scaled Folk — reptilian invaders from the sea, defeated several years past…

As the three heroes are slowly drawn back together, a threat older and even more alien than the Scaled Folk moves into the world. Ringil and his friends will meet it with steel.

You can see why I was intrigued. Can that Hocking fellow write a review or what?

I’m a little late to talk about the sequel, The Cold Commands, especially in a column that ostensibly deals exclusively with the latest releases. But I just discovered it, so I’m going to do it anyway (I blame Hocking.)

The Cold Commands was released in in hardcover in 2011. It is subtitled Book Two of A Land For Heroes. You know what that means: now that there are two books, Morgan was forced to come up with a name for his series.

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It’s About Time

It’s About Time

WestWe don’t tend to think of time as a literary device, but along with such other abstract concepts as the sublime, time is something that authors often use deliberately to create specific effects. What effects, specifically? Disorientation. Confusion. Dislocation. Even the feeling of something alien.

How is it that something as relatively simple as time can do all these things? The 17th-century philosopher John Locke, in his Essay Concerning Human Understanding, said that humans don’t have a direct perception of time. We don’t actually perceive time at all. What we perceive is the passage of time, or what he calls “duration.”

Want something a little more modern? More physics, less philosophy? Einstein explained it in the form of a joke: When a pretty girl sits on your lap for an hour, it seems like a minute. When you sit on a hot stove for a minute, it seems like an hour. That’s relativity. In other words, your perception of duration is subjective.

And that’s something writers can play with.

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Blogging Sax Rohmer’s The Island of Fu Manchu, Part Three

Blogging Sax Rohmer’s The Island of Fu Manchu, Part Three

82island corgiSax Rohmer’s Fu Manchu and the Panama Canal was first serialized in Liberty Magazine from November 16, 1940 to February 1, 1941. It was published in book form as The Island of Fu Manchu by Doubleday in the US and Cassell in the UK in 1941. The book serves as a direct follow-up to Rohmer’s 1939 bestseller The Drums of Fu Manchu and is again narrated by Fleet Street journalist, Bart Kerrigan.

The second half of the book gets underway with Sir Denis Nayland Smith, Sir Lionel Barton, Bart Kerrigan, and the local Panamanian police chief holding a council of war to discuss the enigmatic Lou Cabot. A meeting is arranged by Kerrigan and Sir Denis with the dancer Flammario, who is Cabot’s former lover. Cabot is involved with the Si-Fan and has run afoul of Dr. Fu Manchu. Both the Devil Doctor and Flammario wish to see Cabot dead.

Flammario is meant to recall Zarmi from the third Fu Manchu novel, 1917’s The Hand of Fu Manchu, but she is more bitter than seductive. The exotic dancer leads Smith and Kerrigan to Cabot’s apartment. Unfortunately, the Si-Fan had the advantage and arrived before them. The place is in a shambles and they discover Cabot’s hideously mangled corpse. Kerrigan spies Ardatha’s ring on a shelf and knows that his lost love has fallen back into the Si-Fan’s clutches.

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Future Treasures: The Silk Map, A Gaunt and Bone Novel by Chris Willrich, Due May 6

Future Treasures: The Silk Map, A Gaunt and Bone Novel by Chris Willrich, Due May 6

The Silk Map Chris WillrichWe published Chris Willrich’s gloriously imaginative sword-and-sorcery tale “The Lions of Karthagar” in Black Gate 15. I’ve been very curious about his popular Gaunt and Bone tales, which have appeared in The Magazine of Fantasy & Science Fiction, Flashing Swords, Beneath Ceaseless Skies, and other places. The first Gaunt and Bone book, The Scroll of Years — which contained a complete novel plus the very first published story, “The Thief with Two Deaths” (from F&SF, June 2000) — was released in September of last year and now we have the details on the sequel.

At the end of The Scroll of Years, the poet Persimmon Gaunt and her husband, the thief Imago Bone, had saved their child from evil forces at the price of trapping him within a pocket dimension. Now they will attempt what seems impossible; they will seek a way to recover their son. Allied with Snow Pine, a scrappy bandit who’s also lost her child to the Scroll of Years, Gaunt and Bone awaken the Great Sage, a monkeylike demigod of the East, currently trapped by vaster powers beneath a mountain. The Sage knows of a way to reach the Scroll — but there is a price. The three must seek the world’s greatest treasure and bring it back to him. They must find the worms of the alien Iron Moths, whose cocoons produce the wondrous material ironsilk.

And so the rogues join a grand contest waged along three thousand miles of dangerous and alluring trade routes between East and West. For many parties have simultaneously uncovered fragments of the Silk Map, a document pointing the way toward a nest of the Iron Moths. Our heroes tangle with Western treasure hunters, a blind mystic warrior and his homicidal magic carpet, a nomad princess determined to rebuild her father’s empire, and a secret society obsessed with guarding the lost paradise where the Moths are found — even if paradise must be protected by murder.

Chris Willrich is also the author of the Pathfinder Tales novel The Dagger of Trust.

The Silk Map will be on published by Pyr Books on May 6, 2014. It is 442 pages, and will be priced at $15.95 in trade paperback and $11.99 for the digital edition. Visit Chris’s website here.

New Treasures: Night Owls by Lauren M. Roy

New Treasures: Night Owls by Lauren M. Roy

Night Owls Lauren M. Roy-smallI love fantasies about book stores. They already seem magical to me anyway, so they’re a logical setting for tales of strange goings-on and otherwordly adventure. Add a cast of quirky characters and a supernatural menace or two, and I’m sold.

Night Owls bookstore is the one spot on campus open late enough to help out even the most practiced slacker. The employees’ penchant for fighting the evil creatures of the night is just a perk…

Valerie McTeague’s business model is simple: provide the students of Edgewood College with a late-night study haven and stay as far away as possible from the underworld conflicts of her vampire brethren. She’s experienced that life, and the price she paid was far too high for her to ever want to return.

Elly Garrett hasn’t known any life except that of fighting the supernatural beings known as Creeps or Jackals. But she always had her mentor and foster father by her side — until he gave his life protecting a book that the Creeps desperately want to get their hands on.

When the book gets stashed at Night Owls for safekeeping, those Val holds nearest and dearest are put in mortal peril. Now Val and Elly will have to team up, along with a mismatched crew of humans, vampires, and lesbian succubi, to stop the Jackals from getting their claws on the book and unleashing unnamed horrors…

I can’t find much about author Lauren M. Roy — I eventually uncovered her website — but I did discover she is a bookseller, in addition to being a first-time novelist and a freelance writer for games such as Trail of Cthulhu, Dragon Age, and A Song of Ice and Fire Roleplaying. I also found a pic of her wearing a cool hat at GoodReads. I think all authors should be required to wear cool hats, so we can spot them in public. And buy them lunch.

Night Owls was published on February 25, 2014 by Ace Books. It is 296 pages, priced at $7.99 for both the paperback and digital versions. It is the first volume in the Night Owls series.

Vintage Treasures: The Dunwich Horror and Others by H.P. Lovecraft

Vintage Treasures: The Dunwich Horror and Others by H.P. Lovecraft

The Dunwich Horror Rowena-smallBack in December, in the comments section of my post on “H.P. Lovecraft, A. Merritt, and Appendix N: Advanced Readings in D&D,” Joe. H. noted:

My first encounter with Lovecraft was the… paperback of Colour Out of Space. I was probably too young and had no idea what I was in for — the title story scared the bejeebers out of me (and to this day still creeps me out)… it was actually the Jove edition; the one with the Rowena painting of a Great Old One from “Shadow Out of Time” on the cover. Needless to say, it was the cover that drew me.

(Hmmm … Rowena also pulled me to Clark Ashton Smith with her City of the Singing Flame cover.)

Naturally, I went searching for evidence of a Jove edition of The Colour Out of Space, and it didn’t take long to find. In the process I also discovered the companion volume, The Dunwich Horror. Both were published by Jove in 1978; see them side-by-side here.

This is why I love collecting paperbacks. I have the Arkham House three-volume set of Lovecraft’s collected fiction in hardcover, but I still find different editions delightful — particularly the compact and inexpensive paperbacks, and especially when they’re as eye-catching as these two. Rowena is a very gifted artist and her interpretations of a Great Old One (on The Colour Out of Space) and Wilbur Whateley (for The Dunwich Horror and Others) are wholly unique and vibrantly real.

Of course, the other reason I love collecting paperbacks is the joy of the hunt, and by late December I was on a hunt for both volumes.

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His Name is Vengeance: Kellory the Warlock by Lin Carter

His Name is Vengeance: Kellory the Warlock by Lin Carter

BKTG22855Poor Lin Carter: perhaps the greatest champion heroic fantasy ever had, an editor with few equals, one of the most knowledgeable fan boys in the world, but a poor writer. I think he would have liked his stories and novels to be remembered more fondly than they are. I believe Kellory the Warlock proves he had the potential to have been a better writer.

Carter remains despised among the Robert E. Howard scholars for his involvement in Sprague de Camp’s Conan projects. As recently as 2008, Morgan Holmes over at the Robert E. Howard United Press Association was giving him grief for his sins against good prose in general and REH in particular.

It’s easy to be rough on Lin Carter’s writing. For my very first review on Swords & Sorcery: A Blog, I really lit into Carter’s debut novel, Thongor and the Wizard of Lemuria. It’s derived entirely from Robert E. Howard and Edgar Rice Burroughs, which should mean good, pulpy fun, but instead it’s awful with no redeeming qualities. The plot isn’t built well enough to merit being called ramshackle, the characters are thin and bloodless because they’re cut out of cardboard, and the writing is lumpy and turgid. Even the cover stinks.

But his bad prose is overshadowed by the importance of his editing. His most prestigious work was the creation of the Ballantine Adult Fantasy Series (being reviewed one volume at a time here on Black Gate by Keith West). It resurrected many of the forebears of genre fantasy fiction (e.g. James Branch Cabell, H. Rider Hagard) and introduced several new authors to the public (Katherine Kurtz, Joy Chant).

The series also included several books, one being Imaginary Worlds, about the history and evolution of fantasy (though it’s been pointed out by no less a literary figure than Peter Beagle that Carter’s research was poor and his attributions incorrect). Nevertheless, these works represent one of the earliest efforts to provide a critical study of the genre.

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Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

Pathfinder Tales Stalking the Beast-smallLike many fantasy fans of my generation and the generation before (Gen X and Baby Boom respectively), I was ushered into the genre by Edgar Rice Burroughs, Robert E. Howard, and C.S. Lewis. There were others, of course, but those were the big three. Narnia gave me my first taste of a secondary world populated by mythical creatures, witches and wizards, and talking beasts. Burroughs inched me toward a more Americanized “sword and sorcery” via the “sword-and-planet” Barsoom novels. Howard’s gritty, fabled world of a certain barbaric Cimmerian delivered the full-on S&S.

Branching out from Narnia, I found my way to the towering, epic high fantasy of J.R.R. Tolkien’s Middle-Earth. And moving on from Howard I stumbled into the dangerous alleyways of Lankhmar in Fritz Leiber’s world of Nehwon.

Not surprisingly, when I got wind of a game that allowed you to invent your own characters and take them on adventures in such worlds via some cool dice, maps, rulebooks, and a little bit of imagination, I was all over it. By the sixth grade I was a devout Dungeons & Dragons player, and Tolkien was my favorite author. Both statements remain true.

So perhaps it’s a bit surprising, given this profile, that I never delved into any of the D&D novelizations — the Dragonlance Chronicles and their ilk. (I did read some of the D&D Endless Quest books, which were in the style of Choose Your Own Adventure, lured by their solo-gaming appeal — a craving that was better met by the Lone Wolf and Fighting Fantasy game books.)

My reading of Howard Andrew Jones’s new novel Pathfinder Tales: Stalking the Beast may be a test case on whether it stands on its own merits because, first, I’ve just never been much into tie-in novels. (Somewhere along the line I read a Star Wars novel, and in junior high I went on a Doctor Who kick. There were also a couple movie novelizations in the mix — inevitably written by Alan Dean Foster. But when it comes to full disclosure on that point, there’s just not much to disclose.)

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The Novels of Michael Shea: The A’rak

The Novels of Michael Shea: The A’rak

The A'rak-smallMichael Shea’s classic Nifft the Lean was published in 1982 and won the World Fantasy Award, a rare honor for a  sword and sorcery collection. Nfift returned in a three-part novel serialized in Algis Budrys’ Tomorrow Speculative Fiction magazine (June – November, 1996), eventually collected by Baen Books in paperback as The Mines of Behemoth.

Nifft made one last appearance in the year 2000, in his third and final book: The A’rak.

Prosperous Hagia’s vaults brimmed with gold. Her warehouse bulged with the goods of the Southern Seas. She had the Spider-God to thank for her prosperity.

But beneath Hagia’s ancient bargain with the A’Rak lay the direst danger. That mercenary kingdom had mortgaged its soul in its pact with the giant arachnoid. When the note fell due, death of the most hideous kind awaited the multitudes of that affluent and bustling nation.

As Hagia’s debt falls due, two foreigners arrive in Big Quay, her capital: Lagademe and her team, foremost among the world’s Nuncios — deliverers of anything to anywhere — and Nifft the Lean, thief and rogue extraordinaire.

Nifft and Lagademe, strangers to one another at the outset, will soon be struggling side by side for their lives — and a nation’s survival — against the most hideous foe in the annals of Sword and Sorcery fiction.

The A’rak was published by Baen in October 2000. It is 320 pages, originally priced at $6.99 in paperback. The cover was by Gary Ruddell. It was never reprinted, and there is no digital edition, so copies are in some demand.

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