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There’s a Lifetime of Reading in DAW Omnibus Volumes

There’s a Lifetime of Reading in DAW Omnibus Volumes

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The Initiate Brother Duology-small The Nightfall Duology-small Species Imperative-small

DAW Books was founded in 1971 by uber-editor Donald A. Wollheim after he left Ace Books. In the last five decades it’s published almost two thousand science fiction and fantasy novels (W. Michael Gear’s Pariah, released on May 14, is Daw Book #1823), and it has launched the careers of hundreds of writers, including C. J. Cherryh, Julie E. Czerneda, Patrick Rothfuss, Tad Williams, Kristen Britain, Melanie Rawn, Violette Malan, and Tanith Lee.

Right. So there’s lots of reasons to love DAW Books. But here’s another one you may not be aware of: it has a fascinating tradition of re-releasing much of its most popular SF and fantasy in compact and affordable paperback omnibus editions. In fact, of those 1800 DAW titles released since 1971, nearly a hundred are omnibus editions, many of which are still in print.

Hard to believe? I didn’t believe it myself until I found all three of the omnibus collections above in a recent trip to my local B&N and, after I brought them home, began to poke around to see just how many others were still available. I counted well over 50 without even trying. Here they are.

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New Treasures: Zero Bomb by M.T. Hill

New Treasures: Zero Bomb by M.T. Hill

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Zero Bomb-small Zero Bomb-back-small

Cover by Julia Lloyd

M.T. Hill used to write under the name Matt Hill. Under that name he published the 2017 Philip K. Dick Award nominee Graft, which we covered back in 2016. Lots of folks really liked that book; Edward J Rathke called it “a brilliant eulogy for our ruined future” and Publishers Weekly said it “captures the dark underbelly of Manchester in visceral prose… [a] refreshing take on a futuristic mystery.” His follow-up Zero Bomb was released in March, and is already winning accolades. Here’s an excerpt from Paul Di Filippo’s Locus Online review.

The byline M.T. Hill is a not-too-opaque screen for the writer Matt Hill, whose two previous books under that name have been The Folded Man (2013) and Graft (2016). I mention this fact only because his third novel, Zero Bomb, is so good that you will want to snatch up copies of the first two, as I just did… It features a not-unfamiliar and especially au courant theme — near-future societal and technological collapse — but presents it in so poignant and authentic and original a manner… that it feels fresh, insightful and powerful.

Part I opens in the year 2030, and focuses on a man, approaching middle age, named Remi. Due to a family tragedy — the death of his young daughter Martha — Remi suffers a mental breakdown and abandons his wife Joan and every aspect of his successful life. He becomes more or less a vagrant temp-worker, gets hooked on the drug spark, recovers, and begins to lift himself out of the pit of despair and nihilism. When the tale really kicks off, Remi is a bike messenger in London… One day his current errand is short-circuited when a driverless car attempts to kill him. After that, the deluge. Remi is contacted by a cybernetic fox, who, we eventually learn, is named Rupal, and is one of the more charming personages in the story. The fox delivers a package to Remi with instructions for delivery. Arriving, coerced, at his destination, Remi discovers he has been enrolled willy-nilly in a conspiracy to topple the civilization of “automatic England…” The whole conspiracy is modeled on an old SF novel from 1971: The Cold Veil, by Laurel M. Brace. In fact, Brace might still be around and leading the movement. Part II leaves Remi behind and gives us an abridged sample of The Cold Veil itself. It’s a spot-on rendition of such an artifact from a different era.

Zero Bomb was published by Titan Books on March 19, 2019. It is 303 pages, priced at $14.95 in trade paperback and $3.99 in digital formats. The cover was designed by Julia Lloyd. Read an excerpt at Tor.com. According to Hill’s website, Zero Bomb and his upcoming novel The Breach (Titan, March 2020) “share a fictional northern town called Dillock… but they’re otherwise standalone.”

A Tale of Two Covers: If This Goes On edited by Charles Nuetzel and Cat Rambo

A Tale of Two Covers: If This Goes On edited by Charles Nuetzel and Cat Rambo

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If This Goes On Charles Nuetzel If This Goes On Cat Rambo-small

Art by Albert Nuetzell and Bernard Lee

If This Goes On seems like the perfect title for a science fiction anthology; I’m surprised it hasn’t been used more often. It was first used by Robert A. Heinlein for his 1940 famous novella, which became a key part of his massive science fiction Future History. The story won a Retro Hugo in 2016, but was renamed Revolt in 2100 for its publication as a novel in 1953. Charles Nuetzel co-opted the title 25 years after Heinlein used it for his first (and only) anthology, published in paperback in 1965, reprinting stories by Fredric Brown, Richard Matheson, A. E. van Vogt, Isaac Asimov, Fritz Leiber, Forrest J. Ackerman, and others (above left).

My recent interest springs, of course, from Cat Rambo’s brand new anthology If This Goes On (above right), funded by a June 2018 $12,000 Kickstarter campaign and published in trade paperback by our friends at Parvus Press in March. It contains 30 brand new SF tales by some of the most exciting writers in the field today, including Andy Duncan, Nisi Shawl, Sarah Pinsker, Scott Edelman, Beth Dawkins, and many more. Subtitled The Science Fiction Future of Today’s Politics, this ambitious anthology looks at what today’s politics and policies will do to shape our world a generation from now. Tales within include:

  • “Green Glass: A Love Story” by Lily Yu, Hugo and World Fantasy Award nominee, and winner of the 2012 John W. Campbell Award for Best New Writer, filters the future of now through a wholly relatable lens: relationships and marriage.
  • Hugo-winning editor Scott Edelman’s “The Stranded Time Traveler Embraces the Inevitable” expertly employs an age-old science fiction convention to tell a deeply human tale of love, loss, and desperate hope.
  • Streaming our everyday lives has become commonplace, but in “Making Happy” Zandra Renwick examines a very uncommon consequence of broadcasting your every experience.
  • Former Minnesota Viking and noted equal rights advocate Chris Kluwe’s “The Machine” deals with one of the most important and hotly contested questions of the day: what truly defines citizenship and American identity?
  • Nebula winner Sarah Pinsker’s “That Our Flag Was Still There” uses possibly the most powerful symbol in American iconography to create a frightening and darkly illuminating vision of freedom of speech.
  • NAACP Image Award winner for Outstanding Literary Work Steven Barnes offers up the consequences of integrating technology and surveillance into our daily lives with his detective story “The Last Adventure of Jack Laff: The Dayveil Gambit”

Here’s the complete Table of Contents.

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Goth Chick News: Touch My Books and I’ll Turn You into a Newt

Goth Chick News: Touch My Books and I’ll Turn You into a Newt

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Goth Chick She turned me into a newt-small

For years my one grand ambition was to have an Edwardian-type library in my house, providing the perfect sanctuary for perusing my favorite titles, while offering all my lovely tomes a suitable resting place from which to be admired. So, when I built this house the focus was entirely on having my library, and who cared about anything else?

Though my collection of hardcover volumes is small by most standards (not the least of which is compared to BG Big Cheese John O’s library), I am extremely proud and highly protective of my 500+ collection. Each one tells a story in addition to the literal one, as I’ve collected them on my travels and sometimes, in those early days, saved up for extended periods to buy a highly-desired volume, stood outside in Chicago winters to get first editions signed by the authors, or had them given to me by very special people. Friends have long since stopped asking to borrow a book off my shelf as I’d rather purchase another copy and gift it to them then let any of mine out of sight.

You get the idea.

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Future Treasures: Time’s Demon, Book 2 of the Islevale Cycle by D. B. Jackson

Future Treasures: Time’s Demon, Book 2 of the Islevale Cycle by D. B. Jackson

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Time's Children DB Jackson-small Time's Demon new hires-small

D. B. Jackson is the author of four novels in the popular Thieftaker Chronicles, a historical urban fantasy set in pre-Revolutionary Boston, and the collection Tales of the Thieftaker, which Fletcher Vredenburgh called “tense… the mysteries [are] good, the characters well-drawn… is a brisk read with an engaging lead, a colorful supporting cast, and a nicely detailed setting.” ‘D.B. Jackson’ also happens to be Black Gate contributor David B. Coe, whose blog posts here have covered topics as diverse as World Building and Nicola Griffith’s 90s classic Slow River.

David’s 2018 novel Time’s Children was the opening novel in the Islevale series. It related the adventures of Tobias Doljan, time-traveling agent of the court of Daerjen. In her Black Gate review Margaret S. McGraw said:

This is an epic fantasy with magic, sword fighting, political intrigue, demons, assassins, and budding romance. Plus time travel! And well done time travel at that. I’m a sucker for time travel stories, but I’m often disappointed by their simplistic delivery or avoidance of temporal paradox — that’s not the case here at all. Jackson created an entirely believable world of Travelers and other magical beings… I look forward to Time’s Demon — where I hope we will learn more about Droë, as well as the continued adventures of Tobias, Mara, and Sofya.

Time’s Demon finally arrives next week amid much anticipation. Here’s the description.

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The Triumphant Return of Fantomas

The Triumphant Return of Fantomas

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The Wrath Of Fantomas-smallThe Wrath of Fantomas is a book I approached with extreme prejudice. It’s a graphic novel that seeks to present a new version of Pierre Souvestre and Marcel Allain’s Fantomas series, which proved so successful when it was introduced a scant 108 years ago. As a rule, I dislike the concept of rebooting a series.

When first discovering a book series as a kid, continuity was key. It made a property more meaningful if there were numerous volumes to find and devour. Scouring used bookstores for dogeared copies of the missing pieces in the narrative puzzle made such books far more valuable to me. It seemed there were always a half dozen series I was working on completing in those decades long before the internet. They form some of the happiest memories of my formative years.

The entire concept of rebooting a series as a jumping-on point for new readers (or viewers, in the case of films) is distasteful to me. It devalues the worth of the original works. It suggests a series can be boiled down to its lowest common denominator and elements juggled so that a name and basic concept are enough to move forward with renewed sense of purpose.

Generally, in these overly sensitive times of ours, it also means elements that are no longer fashionable or politically acceptable will be whitewashed, bowdlerized, and otherwise made acceptable for Stalin, Mao, or whomever else has the clout to say censorship is required when the past inconveniently reminds us people were always flawed, unfair, uncouth, or sometimes just bluntly honest.

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The Golden Age of Science Fiction: Manly Wade Wellman

The Golden Age of Science Fiction: Manly Wade Wellman

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Cover by Lee Brown Coye
Cover by Lee Brown Coye

Manly Wade Wellman
Manly Wade Wellman

Cover by Michael Flanagan
Cover by Michael Flanagan

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs and has been replaced with a trophy of a tree with a full moon. The Lifetime Achievement Award has been part of the award since its founding, with the first one being presented to Robert Bloch. In 1980, the year Wellman was recognized, the convention was held in Baltimore, Maryland. Judges were Stephen R. Donaldson, Frank Belknap Long, andrew j. offutt, Ted White, and Susan Wood.

Manly Wade Wellman was born in Kamundongo in Portuguese West Africa (now part of Angola) on May 21, 1903, where his father was serving as a medical officer. When he was six years old, his family moved back to the United States and Wellman attended school in Washington, DC and prep school in Salt Lake City before going to Wichita Municipal University to earn a BA in English.

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The Best of HFQ Volume III Now Funding on Kickstarter

The Best of HFQ Volume III Now Funding on Kickstarter

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Heroic Fantasy Quarterly Kickstarter

Adrian Simmons, one of the editorial masterminds at Heroic Fantasy Quarterly (HFQ) alerted me that they’ve just launched a crowdfunding campaign for the third volume of The Best of HFQ. The first two books were very warmly received by Black Gate readers, and this one looks like it could be the best yet. Here’s Adrian with all the deets.

HFQ has been bringing great S&S and adventure fiction to the world for ten years, and we have distilled our best tales and poems from years 5-6 for our third Best-of anthology. In those two years we published work by Nebula winner P. Djéli Clark, brought the work of Cullen Groves to the world, and introduced Eric Atkisson’s Comanche adventurer Crazy Snake. As with Best-of #2, we have fired up a Kickstarter campaign to cover the costs, and we’ve already hit 40% of our goal!

Need a reminder about the quality of our work from the time? Black Gate readers may remember the glowing reviews of Fletcher Vredenburgh for Issue #22 and Issue #23.

I almost never back Kickstarter campaigns, but I happily made an exception in this case. Read our thoughts on Volume I here, Volume II here, and support a worthy cause — and one of the best adventure fantasy magazines on the market in the process — right here.

Future Treasures: The Record Keeper by Agnes Gomillion

Future Treasures: The Record Keeper by Agnes Gomillion

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The Record Keeper-small The Record Keeper-back-small

Afrofuturism has become one of the most vibrant and exciting branches of modern science fiction and fantasy. Recent major novels include Marlon James’ Black Leopard, Red Wolf, Rivers Solomon’s An Unkindness of Ghosts, Nnedi Okorafor’s Lagoon and Who Fears Death, N. K. Jemisin’s Inheritance Trilogy, and many others.

The Record Keeper by Agnes Gomillion is a near-future dystopia based on the life of Frederick Douglass, and it looks like a worthy addition to an exciting sub-genre. It arrives next month from Titan Books, and a starred review from Publishers Weekly calls it “a gut-punch Afrofuturist novel.”

Gomillion debuts with a gut-punch Afrofuturist novel that examines the incalculable damage systemic racism wreaks on individuals and societies, and the many forms liberation can take. Sometime in the future, in the aftermath of WWIII, societies enforce peace through rigidly controlled racial hierarchies. That control includes using medication to erase the memories of the less privileged. Born in the remnants of America, Arika Cobane inhabits the upper echelons of the race of dark-skinned laborers known as the Kongo, trained by her white teachers to be a record keeper and write false histories that reinforce social norms. As rumors spread of rebels challenging the state’s authority, a new Kongo student, Hosea Khan, enters Arika’s class, shocking her by openly questioning the violence committed against the Kongo people… This intellectually rich, emotional, and ruthlessly honest confrontation of racism proves Gomillion is a critically important new voice.

The Record Keeper will be published by Titan Books on June 18, 2019. It is 457 pages, priced at $14.95 in trade paperback and $9.99 in digital formats. The cover artist is uncredited.

Disgust and Desire: An Interview with Anna Smith Spark

Disgust and Desire: An Interview with Anna Smith Spark

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It is not intuitive to seek beauty in art deemed grotesque/weird, but most authors who produce horror/fantasy actually are usually (a) serious about their craft, and (b) driven my strange muses.  This interview series engages contemporary authors & artists on the theme of “Art & Beauty in Weird/Fantasy Fiction.”  Previously we cornered weird fantasy authors like John Fultz, Janeen Webb, Aliya Whiteley, Richard Lee Byers, Sebastian Jones, Charles Gramlich, and Darrell Schweitzer. This one features the “Queen of Grimdark,” Anna Smith Spark.

Anna Smith Spark is the author of the critically acclaimed Queen of Grimdark. The David Gemmell Awards shortlisted The Court of Broken Knives and The Tower of Living and Dying continued the Empires of Dust trilogy (Harper Voyager US/ Orbit US/Can). The finale, The House of Sacrifice, will be published August 2019. Anna lives in London, UK. She loves grimdark and epic fantasy and historical military fiction. Anna has a BA in Classics, an MA in history and a Ph.D. in English Literature. She has previously been published in the Fortean Times and the poetry website greatworks.org. Previous jobs include petty bureaucrat, English teacher and fetish model. Anna’s favorite authors and key influences are R. Scott Bakker, Steve Erikson, M. John Harrison, Ursula Le Guin, Mary Stewart and Mary Renault. She spent several years as an obsessive D&D player. She can often be spotted at sff conventions wearing very unusual shoes.

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