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Goth Chick News Mini blog: Midnight Syndicate’s movie The Dead Matter coming July 30th

Goth Chick News Mini blog: Midnight Syndicate’s movie The Dead Matter coming July 30th

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image002I’ve been telling you about this one for quite awhile and now it’s finally here!

Our favorite gothic musician crushes at Midnight Syndicate are finally unleashing their original movie The Dead Matter at Hot Topics stores and on Amazon.com, available July 30th.

The media package retailing for around $20 will include the movie, the original motion picture soundtrack, and Midnight Syndicate’s 13th anniversary greatest hits CD entitled Halloween Music Collection.

Ed and the boys made good on their promise and sent me a screener (or should I say screamer?) so I got an advance look.

Stay tuned for updates all week leading up to the big release date!

Readercon Report

Readercon Report

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Editors Mike Allen (Mythic Delirium) and Amal El-Mohtar (Goblin Fruit) at Readercon 2010
Editors Mike Allen (Mythic Delirium) and Amal El-Mohtar (Goblin Fruit) at Readercon 2010

Readercon is a science fiction convention held every July in or near Boston, Massachusetts.

I’m a member of the Yahoo Fictionmag (FM) group, and FM-ers once again showed up in strength, July 8th thru July 11th in Burlington Ma., to reaffirm Readercon as, short of a worldcon, Fictionmags best attended con. I had occasion over the weekend to engage in a friendly ‘hello’ and often more, with Fictionmag chums J.J. Adams, Amelia Beamer, Mike Blake, Neil Clarke, John Clute, Don D’Ammassa, Ellen Datlow, Paul Di Filippo, Scott Edelman, Peter Halasz, John Kessel, Mary Robinette Kowal, Kate Laity, Barry Malzberg, Darrell Schweitzer, Gordon Van Gelder, Sean Wallace, and Lee Weinstein who, along with myself and chum-alum Marty Halpern, brought our number to 20.

There was rumor of a planned gathering of FM-ers at the con however, consistent with past efforts at such planning, the group maintained its unblemished record of such good intentions remaining unrealized.

Probably the main spanner in the effort was the involvement of so many in our number on panels, precluding a quorum of FM-ers at any one time at the bar during the day. For awhile Paul di Filippo appeared to be on almost every panel but with apparently only seven on his schedule had to vie with with Ms. Kowal (10), Messers Kessel and Malzberg (8 each) and Messers Clute and Edelman (7 each) for the title of ‘Panel-King/Queen’. [Non-FM-ers authors Walter Hunt and Shira Lipkin had us beat with 11 scheduled panel appearances each].

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An Introduction

An Introduction

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comics-journal2It’s only polite to introduce yourself properly, and as this is my fourth posting on this blog, a proper introduction is really overdue. So: Who am I, and what am I doing here?

I’m a writer. I’ve had two short stories published so far, including “The Word of Azrael” in the most recent issue of Black Gate (previewed here), and I’m working on a novel. Several novels, actually, but at the moment only one is actively ongoing.

I also write non-fiction, most notably articles for Old News magazine, short biographies telling true stories from the past. I’ve written criticism and journalism for places including The Comics Journal and the Montreal Gazette. Oh, and I helped cover the 2009 Worldcon for the Gazette (you can find my blog posts about the convention here, along with posts by my colleague, Claude Lalumière, who wrote a comic column for Black Gate a few years back).

I’m also a reader. Like, I’d imagine, most people around these parts, I read a lot, and I love browsing book fairs and used book stores looking for an oddity, a novelty; trawling through the past, magpie-like, looking to pick out glittering fragments that would otherwise be lost in the ocean of published texts.

My sporadically-updated personal blog, Hochelaga Depcta, is mostly a record of what I’ve read, a venue to put down the thoughts that strike me. I’m hoping to do something a bit more focused here.

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Short Fiction Roundup

Short Fiction Roundup

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july2010Each week, Lightspeed features a short story from its current magazine, that is otherwise available for a $2.99 PDF download. The current one is “The Zeppelin Conductor Society’s Annual Gentleman’s Ball” by Genevieve Valentine. Next Tuesday (July 27) it will be “… for a single yesterday” by George R. R. Martin.

Theodora Goss is the new Folkroots editor for Realms of Fantasy.

Here’s another take on Gary MacMahon’s The Harm, which sees a lot more in it that my own lukewarm review.

The 2009 Shirley Jackson Awards winner in the short story category is “The Pelican Bar” by Karen Joy Fowler (Eclipse 3).  Haven’t read it, nor any of the nominees (nor for that matter, any nominees any category, maybe I get out too much):

  • “The Crevasse,” Dale Bailey & Nathan Ballingrud (Lovecraft Unbound)
  • “Strappado,” Laird Barron (Poe)
  • “Faces,” Aimee Bender (The Paris Review, Winter ‘09)
  • “The Jacaranda Smile,” Gemma Files (Apparitions)
  • “Procedure in Plain Air,” Jonathan Lethem (The New Yorker 10/26/09)
Fu Manchu in Comics

Fu Manchu in Comics

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drfumanchu_wallywood2From his first appearance in print in the pages of The Story-Teller in October 1912, Sax Rohmer’s criminal mastermind, Dr. Fu Manchu took the world by storm. While Rohmer would complete three novels featuring the character between 1912 and 1917, the Devil Doctor would extend his domain to include film and comics in the fourteen years before Rohmer bowed to commercial demand and revived the series.

Leo O’Mealia was responsible for adapting Rohmer’s three original novels into a daily newspaper strip, Fu Manchu from 1930 to 1931 while Warner Oland was occupied starring as the character in three feature films and a short for Paramount. Oland, incidentally, was the second screen Fu Manchu following Harry Agar Lyons in the 1920’s.

The comic strips were later colored and edited as a back-up feature in the pages of Detective Comics which top-lined a new comic character in the pulp tradition known as The Batman.

Despite the fact that Rohmer went to great pains to make it clear that the Devil Doctor was clean-shaven, the very first magazine illustrators to tackle the character were responsible for grafting upon his terrifying visage the stereotypical Chinese moustache known today as a Fu Manchu.

O’Mealia presented Fu Manchu devoid of facial hair in his daily strip, but in place of Rohmer’s famous description of “a brow like Shakespeare and a face like Satan,” the artist depicted a repulsive hunchbacked gargoyle.

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Luke Reviews looks at Black Gate 14, Part III

Luke Reviews looks at Black Gate 14, Part III

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lasenorodleoro-277Luke Forney wraps up his detailed, three-part examination of Black Gate 14 with a look back at Part II:

The novellas really took the cake for the middle section, and had me really excited about the last part of this juggernaut of a magazine.

In the closing section he singles out “La Señora de Oro” by R.L. Roth:

This epistolary tale of a man out seeking gold to buy his farm from the bank is very engaging, playing with some nice horror themes, and really drawing out the protagonist’s character. The story races to a conclusion that was plenty rewarding.

And “Building Character” by Tom Sneem:

An entertaining tale of a character being run through a novice writer’s series of stories, this one manages to be both engaging and funny. A nice piece to build towards the end.

He closes coverage of the issue with:

The volume wraps up, as usual, with a Knights of the Dinner Table: The Java Joint comic strip, in which one of the characters plans on confronting Neil Gaiman for stealing his ideas. The extra-long strip was a fun way to close such a large issue, and manages to be plenty funny.

You can find the complete text of Part III here; Part I and Part Two are also still available. The complete TOC for Black Gate 14 is here.

Art by Malcolm McClinton for “La Señora de Oro.”

Goth Chick News: I Can’t Believe I’m Writing This, But…

Goth Chick News: I Can’t Believe I’m Writing This, But…

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rocky-horror2No seriously, I can’t believe I’m writing this. But here goes.

I live next door to a twenty-something, just out of college couple I’ve referred to here before as “Mr. and Mrs. Disney.” Though you probably wouldn’t immediately come to this conclusion, I am truly fond of them; I just think they’re a little too cute together, and they think I’m personally responsible for knocking out Sleeping Beauty and Snow White (with a spindle and an apple, respectively).

That being said, they are generally pretty tuned into pop culture — they even attended last year’s Chicago ComicCon, along with several movie and sci-fi conventions. It is in this context that I plan to couch my mortification.

A week ago Mr. and Mrs. Disney showed up on my doorstep in a driving rain to return some borrowed items. Side-by-side as always, they stood there on the stoop sharing an open newspaper as a makeshift umbrella, and when I opened the door I couldn’t help myself. I broke out into the first verse of “There’s A Light (Over at the Frankenstein Place)” and Mr. and Mrs. Disney’s starred at me like I had bats crawling out of my ears. They asked me why I was singing to them; was it like a “Singing in the Rain” thing?

The reality of what I was facing started sinking in, but slowly.

“No, it’s just that the two of you standing there under an open piece of newspaper in the rain made you look like Brad and Janet.”

Blank stares. This can’t be happening.

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ON WRITING FANTASY: A Timeless Style

ON WRITING FANTASY: A Timeless Style

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dunsany“If any man wishes to write in a clear style, let him be first clear in his thoughts…”
–Goethe

“Don’t tell me the moon is shining; show me the glint of light on broken glass.”
–Anton Chekhov

“A good style should show no signs of effort. What is written should seem a happy accident.”
–W. Somerset Maugham

 

The five basic Elements of Fiction are character, plot, setting, theme, and style. In a previous post I added Originality to this list, especially when it comes to Fantasy Fiction. This time around I’d like to talk about Style…what it is, why it’s important, and most importantly how to get one.

Style is important in all kinds of writing, but Fantasy has its own stylistic demands. Very few people alive today are experts at writing in Old English, Middle English, or other antique forms of language. And what’s more, very few readers want to read stories/book written in such a style.

Consider this passage from E. R. Eddison’s fantasy masterpiece, THE WORM OUROBOROS:

“Then befell great manslaying between the sea-cliffs and the sea. The Demons, taken at that advantage, were like a man tripped in mid-stride by a rope across the way. By the sore onset of the Witches they were driven down into the shallows of the sea, and the spume of the sea was red with blood. And the Lord Corinius, now that he had done with feigned retreat, fared through the battle like a stream of unquenchable wildfire, that none might sustain his strokes that were about him.”

worm1For those of us who relish Shakespeare and thrill to antique forms of language, this brilliant passage is highly enjoyable. Yet there is no doubt that its style is vastly outdated and many modern readers would shy away from this fantastic novel simply because of its weight of style and ponderous language. Beauty is in the eye of the beholder, but keep in mind that Eddison published his masterwork way back in 1922. Although beautiful and perfect for the feel of high fantasy, that language just doesn’t fly today…unless you’re staging a production of HAMLET.

Instead of antique language, today’s fantasy demands a certain timelessness of language. That’s where the writer’s Style means everything.

There’s on old show-biz joke that goes: “How do you get to Carnegie Hall?” The punch line: “Practice.” It’s much the same with Style. The absolute WORST thing you can do as a young/beginning writer is consciously emulate someone’s style. Imitation may be the sincerest form of flattery, but it is NOT the best route to great writing. Style comes mainly from a writer’s subconscious and natural tendencies…it is as distinctive as a thumbprint and it can change over time. We all change as we grow, learn, and develop in life, and so it’s only perfectly natural for our writing style to change.

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This Review Is the Scene of the Crime: Inception

This Review Is the Scene of the Crime: Inception

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inception-city-posterInception (2010)
Written and Directed by Christopher Nolan. Starring Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Marion Cotillard, Cillian Murphy, Ken Watanabe, Tom Berenger.

You expected a review of The Sorcerer’s Apprentice, didn’t you? I respect Dukas and Goethe too much for that. As apparently does the rest of the nation, since over the weekend the film made roughly the amount of change found in the lint catcher of the dryer.

Inception right now is the movie conversation. No matter what else occurs in cinema during 2010 (Tron Legacy! So hyped for that), this will known as the year of Inception. Even if We Make Contact. Inception is guaranteed to become a speculative-fiction classic that will sit on the same shelf with Metropolis, Blade Runner, 2001: A Space Odyssey, Alien, The Terminator, The Matrix, et al.

What? Did you think I was going to go against the grain of critical and viewer opinion that has almost cased and mounted Inception in the Hall of Fame?

I’m not. I can’t. The movie deserves every accolade it has received. I don’t even think there can possibly be a fan-backlash against it like there was with Avatar. Inception is as good as you’ve heard it is, and for many of you, it might even be far better.

But don’t walk into the theater with expectations, or even that much knowledge about it. Writer-director Christopher Nolan remained closed-mouth about the film in the build toward its premiere, which was the perfect approach. Inception isn’t exactly a “twist” movie (Bruce Willis was dead all along!), but it is a film of the constant escalation of surprise. Its story continues to plunge deeper and deeper, turning more complex with each passing scene, where the stories of most movie strip away complications as they head toward their finales. It’s a reversal that recalls Nolan’s second movie, the breakthrough Memento, but Inception is much more intricate in design. Hell, it makes Memento seem linear! Therefore, even though Inception can’t be spoiled with a single sentence the way you might spoil The Crying Game, it’s still best if you know as few details about the plot as possible or any of the specific scenes before you go in.

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A Review of The Hero and the Crown by Robin McKinley

A Review of The Hero and the Crown by Robin McKinley

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hero-and-the-crownThe Hero and the Crown by Robin McKinley
Ace Books (240 pages, $6.99, 1987)

Almost two decades before The Hero and the Crown begins, we are told, a witch seduced the king of Damar.

She married him, bore a child, and then died of disappointment when the child turned out to be a girl, unlikely to take the throne and fulfill her ambitions. Or, at least, that’s the version of the story that everyone knows.

The protagonist of the story is that daughter, a young woman named Aerin. I have to admit to some positive prejudice here: the maladjusted princess is a favorite archetype of mine, and Aerin fits it perfectly. Awkward, prickly, shy, taller than all the other women around her, an outsider in her own family and to her own court — it’s even mentioned that her embroidery is lousy, which has gotten to be a little bit of a cliché.

But she’s also determined, kind, brave, and — interestingly — thinks very scientifically for a quasi-medieval person, so even if you don’t like princesses with problems, I believe she’s a relatable hero.

Shortly after the story begins, we get an extended flashback explaining how she came to her current place in life. At fifteen, Aerin hadn’t yet manifested the magical gifts that mark Damarian royalty. To prove to her cousin Galanna that she truly had royal blood, she ate some leaves from a plant that was supposed to be deadly poison to all those outside the royal family — and nearly killed herself.

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