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Goth Chick News: There’ll Be Scary Ghost Stories

Goth Chick News: There’ll Be Scary Ghost Stories

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image0022Here at Chateaux Goth Chick, the holidays mean spending a lot of time with family. In your house you may be drinking eggnog and celebrating your annual traditions and at my house it’s the same, only different. Here, December first marks the start of approximately four weeks of  more self-restraint than I exercise in all the preceding months put together.

Allow me to explain.

Although it is generally playful, for the eleven previous months I will have been teased about my taste in music, movies and books; about my “little side job” writing a blog for a disgruntled, anti-establishment audience and about how I’ve run all over the planet looking for ghosts when I’d probably scream like a little girl if I ever saw one.

Yeah? So?

My Mom will have told a small number of stories a large number of times about how I was always a “weird little kid” preferring to sit up all hours reading comics with a flashlight under the covers or sneaking out to the living room in the middle of the night to watch reruns of Son of Svengoolie, while other girls my age were playing with Malibu Barbie.

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Art Evolution 14: Todd Lockwood

Art Evolution 14: Todd Lockwood

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thousand-orcs-254Art Evolution continues, from its roots here, to the incredible talent that created the newest vision in ‘Dragon Chess Lyssa’.

Now things were fully flowing in a uniform direction, and the more people I talked to the better the reception. This project was real, solid, and I decided it was time to go back to John O’Neill and give him an update.

O’Neill gave me another ambiguous ‘can’t wait to see what you’ve got’. Again, nothing to write home about, but certainly a continuing vote of confidence that what I was doing would at least be viewed by the movers and shakers in the Black Gate rooftop headquarters.

Not wanting to push matters with O’Neill, I just put my nose back to the grindstone and continued on with my article recruitment. To this end I determined that I’d contact Todd Lockwood.

Now I’m not going to blow smoke here, I knew Todd’s work having immersed myself in D&D 3rd Edition when it released in the late 90s, but I’d never considered his work life-altering because of a single restricting issue, the covers of the 3rd Edition core books were all without picture art [I know, blasphemy!]. From that standpoint nothing in 3rd Edition struck me as particularly awe-inspiring, and it’s much harder to make a huge impression when you are dealing with smaller interior art.

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Stages of Gamer Development

Stages of Gamer Development

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diceI am currently in a master’s program for Counseling Studies, and part of that is the study of psychological theories. Something I have learned is that many theories have been presented over the years about psychological development. What stages are involved, what the normal “process” of psychological development is, and so on.

This got me to thinking. Do gamers go through a development process? (And by that I mean tabletop role-players. Video-gamers may go through a similar process, but that’s not my focus.) Perhaps someday, when I have to write a research paper, I will base it on this idea. Because I’m a geek like that.

Anyway, here’s my initial theory on The Stages of Gamer Development, from a psychological point of view. This theory assumes an average gamer, introduced to the hobby during adolescence (ages 11-13 or so), who continues playing through adulthood. Obviously there will be many who do not fall within these parameters. But, given it’s a psychological theory, it is a broad generalization at best, and open for individual interpretation of course.

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No Mere Nostalgia, Part II: TRON (1982)

No Mere Nostalgia, Part II: TRON (1982)

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tron-title-cardOn the other side of the screen, it all looks so easy. . . .

Earlier this year, I marched stolidly at the front of a phalanx to defend the original Clash of the Titans right before its re-make was about to hit theaters. I found the re-make more palatable than I expected, although I have since gotten frosty about it after watching it a second time when the DVD came out; the sucker just doesn’t hold up. Although a sequel to the re-make is now in the works, I think the status of Harryhausen’s 1981 film remains secure. It may even improve.

Now I am facing a similar-sounding situation with this Friday’s looming release of TRON: Legacy. I am here to defend the 1982 film TRON, a movie that balances on a triple-edged knife’s tip of nostalgia, prescience, and ridicule.

However, my position with the new TRON is different than that of the new Clash of the Titans. The forthcoming TRON: Legacy is not a re-make, but a sequel, and this puts me less on the defensive and instead rezzes me up. The early reviews are lukewarm, but at least TRON: Legacy isn’t trying to override the memory of the first movie, and it has brought back the original star Jeff Bridges as well as director Steven Lisberger (in the role of producer this time).

During the early stages of the “New TRON movie” development, Disney did consider doing a re-make, but thankfully someone in the Mouse House realized that a sequel was a better plan. Developments in computer technology between 1982 and 2010 provide an opportunity to explore how the world of computers from the original film have changed — how the grid and the primitive Internet have expanded to rule the world and transform into a reality parallel to our own — and that is fertile ground for a sequel. A sequel almost seems a necessity.

But that TRON: Legacy got made at all is a celebration of one the weirdest, long-term success stories of science-fiction cinema: how a “video-game craze” movie that got a muddy reception on its original release turned into a piece of technical prophecy, an oracle of the modern hi-tech zeitgeist.

Yes, but is it a good movie?

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A Review of Another Fine Myth by Robert Asprin

A Review of Another Fine Myth by Robert Asprin

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another-fine-mythAnother Fine Myth, by Robert Asprin
Dell Fantasy (224 pages, $1.95, 1978)

Reading Another Fine Myth, by Robert Asprin, was a peculiar experience. This is not because of the book itself, but because I’ve been following the comic by Phil Foglio, currently being posted as a webcomic. I think Foglio’s style made me expect a more frantic story than I got; if you read any of his comics, such as Girl Genius, you’ll know that the panels tend to be full to the point of bursting.

While I liked Another Fine Myth, I didn’t love it, and some of that may be because I was expecting a different sort of story. Mostly, though, I think it’s because the narrator never really took control of the events, making him more a sidekick than the protagonist I thought he was supposed to be.

He’s not enough of a fool to be the sort of protagonist who solves the problem through sheer luck and incompetence, but he doesn’t really get a shining moment either. He’s just there. I suspect this is a problem that goes away as the series progresses. My opinion of the series as a whole will probably be a bit different from my feelings about this one book.

Skeeve is a magician’s apprentice, but arguably not a very good one. He sees magic mainly as a potential thieves’ tool, a point of contention between him and his master. To show Skeeve that control is more important than power, the master decides to summon a “cold, vicious and bloodthirsty” demon by way of demonstration. Unfortunately, said master is assassinated just as the ritual is completed.

Fortunately for Skeeve’s continuing existence, the demon is not as vicious and deadly as advertised. His name is Aahz.

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Supernatural Spotlight – Episode 6.11 “Appointment in Samarra”

Supernatural Spotlight – Episode 6.11 “Appointment in Samarra”

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This episode begins with the appearance of Robert Englund (better known as Freddy Kreuger from Nightmare on Elm Street) as a doctor who works out of the back room of a Chinatown butcher shop. He’s stitched up John Winchester many times over the years, but now it’s Dean seeking him out, for some sort of procedure which, apparently, has a 75% success rate. I’m thinking a vasectomy, but no, he’s going to go all Flatliners.

Death (left) and grim reaper Tessa (right) offer Dean a deal to get Sam's soul back.
Death (left) and grim reaper Tessa (right) offer Dean a deal to get Sam's soul back.

In the seven minutes that he’s dead, Dean casts a spell to summon Tessa, a Reaper (as in the Grim kind). But he doesn’t really want Tessa, he wants her boss … Death.

Dean figures that if there’s anyone they know who can get Sam’s soul out of its little hell box with Lucifer and Michael, it’s Death. And, in fact, he’s right. He tries to blackmail Death by threatening to not give his ring back (the ring was obtained at the end of last season, so that the Winchesters could trap Lucifer). Death is amused, because he knows exactly where the ring is being held. But still, he offers Dean a deal, a bet, and if successful he’ll give Sam’s soul back and put up a wall that will hold back the memories of his torments … for a time. Possibly even a lifetime.

The terms of the bet: Dean has to wear Death’s ring for a day.

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ODIN’S RETURN: A Great New Era for THOR

ODIN’S RETURN: A Great New Era for THOR

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The latest issue of Marvel's THOR features Odin the All-Father and his return from the death of Limbo.
The latest issue of Marvel's THOR features Odin the All-Father and his return from the death of Limbo.

You’ve probably heard about Marvel Comics’ latest big movie sensation, THOR, coming soon to a theatre near you. You may know that Anthony Hopkins is playing Odin the All-Father, Natalie Portman is involved,  and the great Kenneth Branagh is directing in a feat of Shapespearean brilliance.  You may be convinced (as I am) that this will be the best “comic book movie” since SPIDER-MAN.

Well, forget all that and pick up the latest issue of Marvel’s THOR comic.

Writer Matt Fraction and artist extraordinaire Pascal Ferry took over the title a few months back and Asgard may never be the same. It has quickly become one of Marvel’s best books. For fantasy lovers of all stripes, this is THE monthly book to buy into. Ferry’s art is truly amazing, a blend of fantasy and science fiction that creates its own unique style while hearkening back to the original Jack Kirby THOR designs with an amazing energy. The panels fairly leap off the page.

thorkirby2A little context: I am a huge fan of the old-school Stan Lee/Jack Kirby THOR run from the 1960s. Not the entire run, mind you, just the really good second half when Kirby was really off the hook. The Origin of Galactus, Ego the Living Planet, the ManGog, Tales of Asgard, just amazing and timeless Kirby goodness. There’s a reason this guy was called the King of Comics, and this series shows it like no other.

I also love the run that followed Kirby’s departure, the early 1970s run by the legendary John Buscema, who brought a whole new lithe and streamlined style to the Thunder God and his cast of friends and foes. Anybody into THOR will also tell you about the landmark Walt Simonson run of the early 1980s; this was the run that brought Thor back to the top of Marvel’s list.

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Blogging Alex Raymond’s Flash Gordon, Part Five: “The Witch Queen of Mongo”

Blogging Alex Raymond’s Flash Gordon, Part Five: “The Witch Queen of Mongo”

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flashgordon2_1cvr1“The Witch Queen of Mongo“ was the fifth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between April 21 and October 13, 1935, “The Witch Queen of Mongo” picked up the storyline where the fourth installment, “Caverns of Mongo” left off with Flash and Dale setting out to conquer the cave kingdom that was awarded to Flash following the tourney held by Ming and Vultan.

Writer/artist Alex Raymond benefitted greatly from the contributions of ghost writer Don Moore who developed characterization to bring much-needed balance to the nonstop parade of cliffhangers. The serial quickly sets the tone with Dale’s mounting frustration with Flash’s preference for continued adventures over settling down and marrying her. This development coincides with the introduction of Azura, the titular Witch Queen of the Kingdom of Syk.

azuracomicsAzura is the second of Alex Raymond’s stunning exotic women of Mongo and rivals Aura in complexity and appeal. The Witch Queen’s descent from the heavens on a stair of flames is an iconic image that may have influenced Frank Frazetta’s cover art for Conan the Freebooter three decades later. Likewise, Flash’s Nordic-style horned helmet suggests the strip was a vital inspiration on the depiction of Robert E. Howard’s barbarian pulp hero.

From the very start, the point is made that the Witch Queen’s “magic” is nothing more than advanced technology. The continued juxtaposition of the futuristic with medieval fantasy remained a potent formula for success with the stip.

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And now a word (or several) about Ideomancer

And now a word (or several) about Ideomancer

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Leah Bobet of <i>Ideomancer</i>
Leah Bobet of Ideomancer

At Readercon 2009, I wended my way through the lobby crush until at last I came upon a clump of ladies who were more or less my friends. A few strangers, true. A few people I had adored only cyberspacially, true. However, everyone was cheerful and in the mood to be introduced.

Introductions were made.

One of the strangers was a tall, smiling, black-haired (with a bright blue streak, like a sailor’s vocabulary) lady who may or may not have been wearing at the time (if she wasn’t then, she certainly was later) a wicked cool corset. Her name was Leah Bobet, and she was the Editor-in-Chief of Ideomancer Magazine.

Upon learning my name, she grinned and said, “Oh! I think you’re in my slush pile.”

If slush could blush, this one certainly did. I mean, what do you say to that?

Except, “Uh… Uh-oh. Ha-ha. Well. Ahhhh, NICE TO MEETCHA!”

Or some stammering equivalent thereof.

Since then, I did make it out of the slush and into an issue of Ideomancer, and have pursued my acquaintance with the Lady Bobet through the usual social networking sites (LiveJournal chief among them) and what other writing conventions we happened to attend together.

bg1It gives me great pleasure, now, to invite Leah here to talk to us about Ideomancer and its exciting current issue.

Ladies and Gentlemen of Black Gate, I give you… Leah Bobet.

Ideomancer‘s one of the longest-running speculative fiction zines on the Internet. It’s been publishing regularly since 1999, and has gone through four publishers, been based in three countries, and had several different publication schedules. What hasn’t changed is the aesthetic: complex, literary speculative fiction from authors you might not have heard of right now, but will soon.

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