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Teaching and Fantasy Literature: Stephen King’s “On Writing”

Teaching and Fantasy Literature: Stephen King’s “On Writing”

I confess: I’m horror-illiterate. Being horrified on my way to some other reading experience is often worthwhile, but reading just to poke my amygdala with a stick is, for me, a joyless enterprise. Some horror writers are manifestly brilliant; I’m still not their audience. Chalk it up to an inherited predisposition to PTSD.

And yet Stephen King’s On Writing: A Memoir of the Craft is one of my favorite writing books. It’s unusual among writing books for its combination of memoir and manual. The memoir could have stood on its own; the manual could not. King knows that most of the true and useful things that can be said in a book to a beginning writer have been said many times, so he finds a way to say those things in a context that spins together cautionary tales, zany vignettes, and roaring triumphs. When he talks about what a writer needs in the way of work space, he shows us the corner of an attic where he wrote his first stories as a child, the laundry room in a trailer where he wrote his first novels, the uselessly enormous and overcompensating desk he bought during the early coke-snorting days of his wealth, and the study-turned-family-room where his kids lounge on couches while he writes contentedly in a corner. There’s something practical, and something human, to be learned from each of those workspaces.

The book is structured in four main movements: two central sections of advice on craftsmanship, bracketed by two sections about the writing life in general by way of King’s own writing life. The opening movement is cheekily titled “C.V.” A C.V., or curriculum vitae, is what an academic has instead of a resume. For a writer who has been so many times disdained by academics to appropriate the term, and then interpret the Latin curriculum vitae literally as the course of his life, is gutsy.

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A Slew of Old D&D (and AD&D) Books Now Available Digitally

A Slew of Old D&D (and AD&D) Books Now Available Digitally

Fiends Folio for Advanced Dungeons & Dragons, 1st Edition
Fiend Folio for Advanced Dungeons & Dragons, 1st Edition

Yesterday, Wizards of the Coast officially released the first wave of backlist products available in digital format. These books are available in PDF format through DriveThruRPG, and you can access all of the Wizards of the Coast titles there … or through their new website, DnDClassics.com.

The move to make their classic backlist titles available was originally announced back at their GenCon keynote (which I liveblogged back in August). The ultimate plan is to have every Dungeons & Dragons resource ever published available, but that’ll obviously take a while.

They appear to have started with collection of about 86 products, ranging from some core rulebooks, adventure modules, setting manuals, and so on. Even in just this first wave of products, we’ve got access to some truly classic material, such as the Basic Set Rulebook and the original Fiend Folio for Advanced D&D.

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Adventure on Film: Terry Pratchett’s Hogfather

Adventure on Film: Terry Pratchett’s Hogfather

Hogfather DeathHaving been all but dared, following my rather critical summation of The Color Of Magic (2008), to view a subsequent Pratchett adaptation, Hogfather (2006, made for TV), I confess I embarked on this quest with great trepidation, especially when I learned the production team responsible was essentially identical to that assembled for Color.

However, I am happy to report that Hogfather is a much superior effort. First, the comedy is spot on. Second, the concept of assassinating Santa Claus (or whatever) is fine dramatic fodder. Third, the film continually asks questions that we (the viewers) really want answered.

Questions such as, who is this Susan woman who looks like Keira Knightley (but turns out to be Downton Abbey‘s Michelle Dockery), and why exactly is she posing as a monster-fighting governess, when it’s perfectly clear she’s some sort of extremely powerful something or other –– and when do we get to find out what?

Great art has been made from less.

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Yes, The Mucker by Edgar Rice Burroughs Really Is That Good

Yes, The Mucker by Edgar Rice Burroughs Really Is That Good

Mucker First EditionI spent last year on an extended trip to Mars exploring Edgar Rice Burroughs’s fantastical version of the Red Planet. But after reviewing all eleven books in the Barsoom series, the time had arrived to return to Earth and the early phase of ERB’s career. Spending too much time with the final sputterings of Burroughs’s Martian stories, when much of his talent was ebbing, has a strong depressive effect. Let’s relive the enthusiasm of youth. Or middle age, in the case of Edgar Rice Burroughs. Yeah, he was a late bloomer.

So, on the centennial of its writing, I land back on Earth with one of ERB’s grubbiest, most “realistic,” and finest works of adventure, The Mucker.

The Mucker and its closely entwined sequel written two years later, The Return of the Mucker, have long held high positions in the canon of ERB’s work — but only for enthusiasts. The general reading population, who might pick up a few Tarzan books or go through the first three Martian novels, has scant familiarity with this oddly titled work. Perhaps it’s the strangeness of the name “Mucker” — is this about the adventures of a sewer worker? — or simply that it doesn’t belong to one of the author’s famous franchises, but the book usually inspires shrugs of ignorance when brought up, mixed with measures of curiosity. Of all Burroughs’s novels, this is the one about which I get the most inquiries: “Hey, is that ‘Mucker’ thing worth reading? I’ve heard good things, but I just never got around to it.”

Let me answer the question for everyone who has asked or planned to ask: Yes, The Mucker (and its sequel) is good. Actually, superb. Burroughs gathered all the conventions from the stories and novels of the first fifteen years of pulp writing, most of which are unreadable today, and condensed them into a rollicking action yarn with fistfights, shipwrecks, cannibals, sword duels, a lost civilization, kidnappings (and not just of women), street brawls, piracy, and prizefighting. And he wrapped this all around one of his most interesting heroes, a man who goes from an alley thug without an ounce of sympathetic qualities (aside from questionable criminal “honor”) to a reformed hero in a tangled love tale.

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Speculate! Interviews Howard Andrew Jones

Speculate! Interviews Howard Andrew Jones

bones-of-the-old-ones-contest-win11Gregory A. Wilson and Bradley P. Beaulieu interview Black Gate Managing Editor Howard Andrew Jones for episode 65 of Speculate!, the Podcast for Writers, Readers, and Fans.

We kick off 2013 with an interview of author Howard Andrew Jones, who writes both original world novels and books set in Paizo‘s Pathfinder universe, adding to our ever-growing list of speculative fiction authors who enjoy gaming almost as much as they enjoy writing! We cover the influences on Howard’s work (including an abiding interest in 1,001 Arabian Nights), his fascination with the short story writer and novelist Harold Lamb, and the differences between writing an original world book like The Bones of the Old Ones and a shared world book like Plague of Shadows.

The interview covers a lot of ground — everything except, apparently, Howard’s growing herd of horses.

Gregory A. Wilson’s first novel, The Third Sign, was published by Five Star Press in 2009, and Bradley P. Beaulieu’s The Winds of Khalakovo and The Straits of Galahesh were published by Night Shade Books. Next episode, they talk about the state of the field with Michael Stackpole and Matt Forbeck.

Listen to the complete 38-minute podcast here.

Black Gate Online Fiction: “A Princess of Jadh” by Gregory Bierly

Black Gate Online Fiction: “A Princess of Jadh” by Gregory Bierly

Princess of Jadh2Naome Amryth, Priestess of the Sea, battles the inevitability of dark prophecy — and worse things — in Gregory Bierly’s heroic adventure, a sword & sorcery tale in classic pulp style.

Pink dawn was on the mountains when Naome saw the first of the flying creatures. It paid her no notice, but flew on with speed along the curve of the coastline, toward Jadh.

Suddenly the sky was filled with the thump of fell wings. The grotesque creatures were some sort of winged baboon, but not like any seen on Earth. Each was as large as a horse, and great ram horns curled down from the crown of their massive foreheads. Savage yellow fangs overhung the jaws of these demons. The baboons flew with stupid purpose, ignoring one another and Naome’s boat as they rushed toward Jadh.

It was the most terrifying vision Naome had ever beheld. Nausea overcame her as she wondered if these hellspawn were searching for her. Thousands of baboon demons croaked overhead and Naome began to sense her doom, and that of Jadh, which she knew lay at the end of their mindless journey.

The last of the croaking horrors disappeared into the south. She trembled and wept, and then reversed course, paddling hard. She knew she would be late, far too late to give warning to her father and sisters. A demon host was coming to Jadh, and it was her fault entirely.

Greg Bierly is a climatologist, professor of geography and director of the honors program at Indiana State University. This is his first fiction sale.

You can see the complete catalog of Black Gate Online Fiction, including stories by E.E. Knight, John R. Fultz, Mark Rigney, C.S.E. Cooney, Donald S. Crankshaw, Aaron Bradford Starr, Sean McLachlan, Judith Berman, Howard Andrew Jones, Harry Connolly, and Jason E. Thummel, here.

“A Princess of Jadh” is a complete 13,000-word swords & sorcery novelette offered at no cost, with original art by Rachel Patterson.

Read the complete story here.

Oz’s Alembic: A Brief Introduction

Oz’s Alembic: A Brief Introduction

DSCN0009
Photo taken by author at House on the Rock in Spring Green, WI

Hello, fellow connoisseurs of fantasy and horror, and welcome to the first installment of my yet-to-be titled Sunday blog. In a much earlier time of my life (and sometimes it seems like another life altogether), I was a youth pastor with aspirations to be a full-time preacher (for those who know me and are chuckling right now: yes, believe it or not), so perhaps it’s fitting that I’m on Sunday; this is my Sunday sermon.

In coming weeks, I’ll be jawing about everything from obscure fantasy comics (e.g. Arak, Son of Thunder) to the origin of seminal Dungeons and Dragons monsters (rust monster, anyone?) to the latest Hollywood blockbusters. My interests, even when limited to the boundaries of the fantasy genre, are broad.

But for this first installment, I’d like to share the perspective I bring to these topics. I’ll also share — briefly — my credentials, but I’ll keep that short and sweet, because too often that can devolve into sounding like you’re tooting your own horn (as my wife would say), which is why — a little insider fact of the trade here — most authors’ bios are in third person even though they’re usually written by the author.

My tastes always have been rather eclectic, but with fantasy and horror consistently predominant. My imagination is attracted to the peculiar slant, the odd angle, the ghost lurking in the corner of the dusty room. J.R.R. Tolkien and C.S. Lewis were my early masters, and E.A. Poe and E.R. Burroughs. Later, H.P. Lovecraft pulled up a seat at the table, and R.E. Howard and T. Powers (all right, Tim. Enough with the initials!). And many others, from Hayao Miyazaki to Joss Whedon.

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New Treasures: The Mammoth Book of Steampunk, edited by Sean Wallace

New Treasures: The Mammoth Book of Steampunk, edited by Sean Wallace

Mammoth Book of Steampunk-smallBack in 1987, I was reading novels like Tim Powers’s On Stranger Tides, James Blaylock’s Homunculus, and K.W. Jeter’s Infernal Devices.

Although I didn’t know it at the time, all three men were friends. What I did notice was that all three shared a common fascination with Victorian-era manners and plots, and their books likewise shared a common aesthetic, an alternate-history extrapolation and love of steam-powered gadgetry. I remember Jeter’s famous letter, published in the April 1987 issue of Locus, in which he coined the term ‘steampunk’ to describe what he and his friends were doing, and make a modest prediction:

Personally, I think Victorian fantasies are going to be the next big thing, as long as we can come up with a fitting collective term for Powers, Blaylock and myself. Something based on the appropriate technology of the era; like ‘steam-punks,’ perhaps.

How right he was. Steampunk did become the next big thing, gradually displacing the “cyberpunks,” who were widely considered The Next Big Thing in 1987. No one predicted steampunk would be just as much a clothing and cosplay phenomenon as a literary trend, but no one had heard of cosplay in 1987 either, so that’s understandable.

If you want to get into steampunk fashion, you’re on your own. But if you’re looking for a great introduction to the ideas and writers behind the defining SF aesthetic of the 21st Century (so far), Sean Wallace’s The Mammoth Book of Steampunk is a fine place to start. Reprinting fiction from Jeff VanderMeer, Aliette de Bodard, N.K. Jemisin, Eileen Gunn & Michael Swanwick, Margo Lanagan, Amal El-Mohtar, Barth Anderson, Jeffrey Ford, James Morrow, Mary Robinette Kowal, Jay Lake, Cherie Priest, Catherynne M. Valente, Genevieve Valentine, and many other, this fat anthology will make you an expert on the sub-genre in short order.

The Mammoth Book of Steampunk was published by Running Press in June, 2012. It is 498-pages in trade paperback, priced at $13.95, or $11.12 for the digital edition. Check it out.

Arisia 2013

Arisia 2013

Our stalwart audience. The Puffin is named Edgar, apparently. "A very good listener," says his buddy, Justine Graykin.
Our stalwart audience. The Puffin is named Edgar, apparently. “A very good listener,” says his buddy, Justine Graykin.

SATURDAY: 11:48 AM

This morning in the Green Room, as I nibbled at my pastry or bagel or whatever, mourning my lack of PG Tips with the bleary lamentations of a woman who has experienced the Awfulness of Dawn to commute in for an 8:30 AM panel about Discworld, I overheard one fellow say to another over the cream cheese, “In my world, I run the Federation.”

Ah.

I must be at a Science Fiction convention.

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“Releasing the Kraken”: Tangent Online on E.E. Knight’s “The Terror in the Vale”

“Releasing the Kraken”: Tangent Online on E.E. Knight’s “The Terror in the Vale”

EE Knight-smallCyd Athens at Tangent Online reviews E.E. Knight’s Blue Pilgrim tale for Black Gate, published here on Sunday, January 13:

The Evil Overlord in E.E. Knight’s “The Terror in the Vale” is the Scripton, who is angered when the peaceful vale folk take offense that his soldiers are lifting the skirts of females to determine whether they are girls or women. He alleges that this is necessary because some adults are weaseling their way out of paying taxes by impersonating children…

As is the way of these things, the people resist and fight. This, of course, ups the stakes…

The Scripton decides to change tactics and does this story’s equivalent of releasing the Kraken — he creates a monster.

E.E. Knight is a scifi/fantasy author. He lives with his wife and three kids in Oak Park, IL. He may be contacted through his website at eeknight.com. The Blue Pilgrim was last seen in “That of the Pit,” published in Lords of Swords (2005).

You can read Cyd’s complete review at Tangent Online and “The Terror in the Vale,” a complete 9,400-word novelette of heroic fantasy, free here.

The complete catalog of Black Gate Online Fiction, including stories by John R. Fultz, Mark Rigney, C.S.E. Cooney, Donald S. Crankshaw, Judith Berman, Howard Andrew Jones, Dave Gross, Sean McLachlan, Harry Connolly, and Jason E. Thummel, is here.