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What We Can Learn From a Time Lord: Doctor Who and a New Enlightened Perspective

What We Can Learn From a Time Lord: Doctor Who and a New Enlightened Perspective

The DoctorsThere’s an underrated benefit to science fiction and fantasy, and it is not dissimilar from a benefit one gains by being a student of history. Since many folks consider speculative fiction and historical scholarship (or “flights of fancy” and “recorded fact”) to be the antithesis of each other, I think this benefit is worth some attention.

The benefit I here have in mind is the gaining of a healthy detached perspective. Detractors of fantasy and sci-fi will immediately object to my use of the word “healthy,” being that they regard such literature as mere escapism. And it often is that, yes. As is golf, and the Super Bowl, and birthday parties, and most fun things that we do when we aren’t engaged in utilitarian labor. But I’m thinking about a different sort of escape: escape from our own temporal status in this particular time and place and culture and society to which we were born. This is a benefit that is greatly under-appreciated, but I believe it holds real power.

The reader of science fiction, like the historian, steps out of his or her own time frame: if you’re a historian, you step back in time; if you’re a sci-fi fan, you become accustomed to stepping ahead into some speculative future. And if we cultivate that mental exercise, it gives us the unique opportunity to look at our own time from that same detached perspective.

When you do this, it can be liberating. We put so much stock in what people say. We are angered, hurt, offended, cut to the core by what we are bombarded with when we turn on the TV or log onto Twitter or get together with family over Thanksgiving dinner. But the power of these viewpoints — and the hostile ways in which they are sometimes expressed — to affect us is really only predicated on the fact that we are alive now and that these are opinions being expressed by our contemporaries.

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Discovering Robert E. Howard: Barbara Barrett – Painting With Words: The Poetry of REH

Discovering Robert E. Howard: Barbara Barrett – Painting With Words: The Poetry of REH

REH_PoetryIndexBlack Gate‘s ‘Discovering Robert E. Howard’ series had ranged far and wide across the writings of REH. But we had not yet tackled his poetry. Consider it tackled! Barbara Barrett, who put together the extensively detailed The Wordbook: An Index Guide to the Poetry of Robert E. Howard, is the planet’s resident expert on the poetry of REH. And the author of Conan was quite a poet. Read on!


By the time I discovered Howard’s poetry, Solomon Kane, King Kull, Conan and El Borak were familiar characters. I didn’t think Howard’s writing could get any better than the poetic prose in those stories. At least, until I picked up a copy of Shadow Kingdoms: The Weird Works of Robert E. Howard and read these lines from his poem “The Ride of Falume.”

A league behind the western wind, a mile beyond the moon,

Where the dim seas roar on an unknown shore and the drifting stars lie strewn

I was transported to a place straight out of a Hubble star-strewn space photo where I sat on some unknown seashore, gazing at a moon larger than I had ever seen, and listening to the roaring waves crash against sand and rock. I could see it all clearly.

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Larache: An Old Spanish Colony in Morocco

Larache: An Old Spanish Colony in Morocco

The towers on the old Spanish fort overlooking the entrance to the harbor.
The artillery towers of the 17th century Spanish fort overlooking the entrance to the harbor.

Morocco is a country of many parts. While most visitors go down the the Atlas Mountains and the important cities in the interior like Fez and Marrakesh, or strike out into the southern desert, the Moroccan coast is well worth a visit. The Atlantic coast in particular has some interesting historic ports.

Larache is an hour and a half drive along the coast from the Strait of Gibraltar and makes for a good day trip from Tangier. Nearby is the Roman city of Lixus, the main reason we went. Lixus used to be a harbor until the Oued Loukos estuary silted up, marooning it inland and forcing the residents to build the newer city of Larache around the 15th century AD.

For many years it was an important fishing port and was the main shipbuilding center for the Barbary corsairs. Local artisans used wood from the nearby Forest of Mamora, which still stands today and makes a good place for a peaceful stroll.

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Some Vintage Genre Fiction Still Worth Reading (and Why)

Some Vintage Genre Fiction Still Worth Reading (and Why)

Harold Lamb
Harold Lamb. Still worth reading.

We love our vintage Historical Adventure, Science Fiction, Fantasy and Sword and Sorcery/Planet/ Sandal/Wombat etc. Call it Vintage Genre Fiction. This despite the fact that most old stuff is crap.

Seriously.

Listen: We’re on a road trip and my wife — Driver’s Privilege, and bear with me — puts on a retro chart show for 1968. We bop along to The Rolling Stones and some Soul, then on comes a song called MacArthur Park.

Go on, click the link I dare you. You’ll love the maudlin delivery, the lush strings and perky keyboard arrangement. Better yet are the lyrics. Here’s the refrain:

Someone left the cake out in the rain,
I don’t think that I can take it,
‘Cause it took so long to bake it,
And I’ll never have that recipe again, oh noooooo

At this point the kids and I are howling with pain.

Now if you like 60s music, know about, then right now you’re fighting the urge to dive down to the comments and start explaining why it’s good (please don’t). And it’s true, if you have a specialist interest then your cultural pleasures aren’t always mainstream.

Everybody else is still trying to unhear that song (Someone left the cake out in the rain/ I don’t think that I can take it/ Cause it took so long to bake it…).

And that, my friends, is how most people react to Vintage Genre Fiction.

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A Horror-Movie Imagination: The Old Dark House We Lived In

A Horror-Movie Imagination: The Old Dark House We Lived In

Introduction

house of twilightMy frame of reference is at least partly informed by years of being entertained by horror stories and films. Frame of reference shapes expectation, and expectation influences perception. In other words, if you’re a horror fan, you may feel a little twinge of nervous anticipation every time you go alone into the basement. You’re primed for it.

Even if you don’t for one second think that anything is actually lurking down there more frightening than a basket of laundry or a bit of black mold (which actually can be pretty scary, health-wise: not good to breathe that stuff), it’s just that you’ve seen so many artful and artless portrayals of What. Might. Be. Down. There… You get that twinge, a frisson that can be quite delightful, given that you know there’s no real bogeyman waiting to pounce from behind the furnace, just the thrill of imagining there is one. Which is why you’re a horror fan.

I am a storyteller, yes. Sometimes I write horror stories, and I am an aficionado of the genre: guilty as charged. But everything I recount in the following pages really happened. I have restrained myself from the storyteller’s natural tendency to exaggerate for the sake of effect. In this case, the facts are arresting enough without embellishment. My aim is simply to reconstruct some of the thoughts and impressions that went through my head at the time, thoughts and impressions colored by a horror-movie imagination. This may thereby serve to illustrate how one’s perspective can shape perception.

Some of what follows may seem a bit strange. But if you doubt any of it, just ask my ex: it might have gotten weird at times, but to the best of my memory it all happened. (Except for the part where she claims I screamed like a little girl. Take that with a grain of salt. When I am startled, I tend to think of my vocalization as a deep, throaty, manly yell.)

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The Public Life of Sherlock Holmes: The Shannara Chronicles

The Public Life of Sherlock Holmes: The Shannara Chronicles

ShannaraChron_PosterI was reading fantasy before I discovered Sherlock Holmes and it’s still one of my two favorite genres. Now, one of my favorite series’ has finally been brought to the screen. Last October, Fletcher Vrendenbuergh posted about his re-read of Terry Brooks’ classic, The Sword of Shannara. Sword, loved by many (me among them) and reviled by many, was a huge hit upon release, appealing to the horde of Tolkien fans who wanted more of that style of fantasy. It’s a good essay with lots of comments: go check it out.

After Sword, Brooks wrote a big chunk of a sequel, which (Lester) Del Rey told him to chuck and start over. Brooks did so and in 1982, we got The Elfstones of Shannara, which took place two generations after Sword. Shea’s grandson, Wil Ohmsford, now had the magical elfstones. Wishsong of Shannara rounded out the trilogy.

Two dozen more Shannara books would follow, with another due out later this year. Some take place before Sword, with most afterwards. Back when fantasy films consisted of “efforts” such as The Sword and the Sorcerer, Krull, Ator and even Ah-nuld’s two Conan movies, I always wondered why someone didn’t take Sword to the screen; be it live-action or animated. But nope: nothing.

Of course, Peter Jackson redefined fantasy films with his six movies from Tolkien’s books. And HBO created a monster with George R. Martin’s Game of Thrones. The 44-episode Legend of the Seeker, based on Terry Goodkind’s Sword of Truth novels, did not fare so well and was cancelled after two seasons on television.

But now, in 2016, we finally have The Shannara Chronicles, a ten-episode miniseries, based on The Elfstones. For that, we have MTV to thank. Well, it’s a mixed blessing.  You got a sneak preview and some Black Gate commentary HERE last summer.

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Can You Help Date This John W. Campbell Pic?

Can You Help Date This John W. Campbell Pic?

John W Campbell-small

A few weeks ago I talked about Hubert Rogers’ Astounding covers, and his fascinating correspondence with Robert A. Heinlein and L. Sprague de Camp.

During one of his trips to visit editor John W. Campbell at Astounding‘s offices, Rogers took along his camera. Here’s one of several shots that Rogers took that day of Campbell at his desk. [Click the image for a bigger version.]

None of the photos are dated, unfortunately, but my guess is that it’s sometime in the 1940’s. If anyone can pin down a more precise date, I’d love to hear it!

From Toys to Comics: The Micronauts

From Toys to Comics: The Micronauts

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Life ain’t easy when you’re 3.75″ tall.

A number of toy properties have been re-imagined in comic books. Some examples are the Shogun Warriors, The Transformers, Rom the Space Knight, He-Man and the Masters of the Universe, and G.I. Joe.

My own personal favorite was Marvel’s/Mego’s The Micronauts. The story of how Mego’s Micronaut toy line got turned into a comic is unexpected.

It turns out that Marvel writer Bill Mantlo’s son was opening up his Christmas presents in 1977, which included a haul of Micronauts (something that happened in my house that year too).

Mantlo was inspired by the toys and asked Marvel Editor-in-Chief Jim Shooter to get his hands on the comics rights, and voila!

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Feast Or Famine?

Feast Or Famine?

Tom Jones1Typically my characters don’t spend a lot of their time eating. It’s not because I’m not interested in food, quite the contrary (see my previous BG posts on the subject, here, here, and here.) No, it’s usually because, if I can paraphrase my agent for a moment, I’ve found my characters something more interesting to do. Having your characters sit down and eat is a useful device, however, in that it does give them something to do – even if it doesn’t forward the plot – while they’re talking, which usually does forward the plot. As a general rule, characters need to be doing something while they talk to each other, and if they eat, you can also use the details of the food to help with world-building and setting.

Joyce RedmanStill, even when my characters are eating, they’re not usually attending a banquet. Indeed, banquets and eating scenes in general are usually something we encounter visually, rather than on the page. Who can forget the scene in the Errol Flynn version of The Adventures of Robin Hood, where he walks into Prince John’s supper banquet with a stag on his shoulders?

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Ancient Lixus: A Roman City in Morocco

Ancient Lixus: A Roman City in Morocco

The amphitheater of Lixus. Photo courtesy Almudeana Alonso-Herrero.
The amphitheater of Lixus. Photo courtesy Almudena Alonso-Herrero.

Happy New Year! Or Sana Sayeeda as they say in Arabic! I’m back from another trip to Morocco, and this time besides staying at our usual place in the medina of Tangier, I and my wife also visited the ancient city of Lixus on Morocco’s Atlantic coast.

Like many cities of Roman Morocco, it’s been inhabited since prehistory, and became a Phoenician colony starting around the 8th century BC. The Phoenicians called Lixus Makom Shemesh (“City of the Sun”). It is believed to be their southernmost colony, but considering the many good bays and coves that stud the Atlantic coast to the south, I’m wondering if an archaeological survey might uncover more.

The ruins stand on a hill overlooking Oued Loukos estuary and the city was an important fishing port as well as a fish processing and salt panning center, the products then being shipped to the Mediterranean. Salt is still being panned in this region today.

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