Browsed by
Category: BG Staff

Playing Favorites: A Talk with Myke Cole

Playing Favorites: A Talk with Myke Cole

Comments 14 comments

Myke ColeMyke Cole is a badass. OK, I’ve never met him, but seriously smalls, take a look at that square-jawed, large-armed headshot. Badass. He looks like the kinda guy who could jump-punch a shark from a speedboat. He probably has. In fact, did you know that Myke Cole once pulled Chuck Norris from the gaping maw of a Great White? True story.* The next day, he saved seventeen pugs and a heretofore unknown, complete vellum copy of the Gutenberg Bible from a warehouse fire on the docks.** Yeah, he’s that guy. You’d hate him if he weren’t so dang nice. Instead, you want to bump into him at a coffeeshop.

His first novel, SHADOW OPS: Control Point, makes for hella good weekend reading. Oscar Britton is an Army officer turned fugitive sorcerer. Britton isn’t a bad guy, but he is dangerous. He’s manifested magical powers that he can’t control (like thousands of others across the world) and the government he formerly worked for is now determined to collect and control him…or take him out.

Cole has the chops to write military fantasy. He’s been a security contractor, government civilian and military officer. Dude’s worked everything from Counterterrorism to Cyber Warfare, in addition to serving three tours in Iraq and being recalled to serve during the Deepwater Horizon oil spill.

We here at Black Gate pride ourselves on asking the questions that dare not be asked. Yes, constant reader, we got a hold of Myke Cole and asked him about his favorites. These sort of questions are usually scoffed at…how can someone pick a favorite book? THERE ARE SO MANY GOOD ONES! But Cole graciously answered us.

…

Read More Read More

When The Hero Comes Home: A Review

When The Hero Comes Home: A Review

Comments 1 comment

When the Hero Comes HomeWhen the Hero Comes Home is an anthology from Dragon Moon Press co-edited by Garbielle Harbowy and Ed Greenwood. It’s a surprisingly thin book, given that it holds nineten stories by twenty writers (including two Black Gate contributors, Peadar Ó Guilín and Jay Lake, in collaboration with Shannon Page). Its theme is exactly what it says: the homecoming. The point where the story usually ends. I have some reservations about how the book turned out, but the idea’s intriguing: what do you find when you make it back to where you began? Has the place changed, or have you?

One thinks of Odysseus’ return to Ithaca, or of Frodo’s discovery of what’s happened to the Shire. The conclusion of the story that sums up the themes of all that’s gone before. The last unexpected twist, the discovery that heightens emotion and gives the protagonist one final conflict. Arthur Miller said that every great play has to do with the question “how may a man make of the outside world a home?” But what, ultimately, is home? How do we recognise it?

Not all of the stories in When the Hero Comes Home have these kinds of questions on their minds. Overall, though, the tales do tend to examine the idea of ‘home,’ rather more than they do the idea of ‘hero.’ Then again, the existence of a hero, however defined, is inherent in the theme; it’s the nature of the home that implicitly has to be established. So: these are stories about fairly unambiguous heroes, finding that things at home are more complicated, and often more disappointing, than they’d thought.

…

Read More Read More

New Treasures: Henry Kuttner’s Thunder in the Void

New Treasures: Henry Kuttner’s Thunder in the Void

Comments 14 comments

thunder-in-the-voidThis weekend here in Chicago was the 12th annual Windy City Pulp and Paper Convention, one of my favorite local shows. I met fellow BG bloggers Jason Waltz, Joe Bonadonna, and David C. Smith on Saturday, as well as Bill “Indy” Cavalier, Morgan Holmes, and the always engaging Bob Garcia. Late on Sunday I heard someone call my name and turned to discover none other than William Patrick Maynard, our distinguished Friday blogger, who was selling his new novels The Terror of Fu Manchu and The Destiny of Fu Manchu at an impressively-stocked table. Despite having worked together for years it was the first time we’d ever meet, and I really enjoyed our conversation. He’s a fascinating fellow, and I kept him until well after the show had ended.

But the highlight of the show is always seeing the new titles at the Haffner Press booth, and this year didn’t disappoint. Stephen Haffner’s archival quality hardcovers are works of art, and his taste is excellent. He has published the definitive short fiction collections of many of the finest early pulp writers, including Leigh Brackett, Edmond Hamilton, Jack Williamson, C.L. Moore, and Henry Kuttner.

Still, Stephen may have outdone himself with his newest release, Henry Kuttner’s Thunder in the Void, a massive collection of 16 Space Opera tales from Planet Stories, Weird Tales, Super Science Stories, and other classic pulps. Before Kuttner married C.L. Moore in 1940, he wrote blood-n-thunder Space Opera in the style of one of his favorite authors, Edmond Hamilton — with winning titles like “Raider of the Spaceways,” “We Guard the Black Planet,” and my favorite, “Crypt-City of the Deathless Ones” — all of which are collected here.

The book looks terrific, even by the high standards of Haffner Press. Most of the these tales are appearing in book form for the first time. Also included is a previously unpublished story, “The Interplanetary Limited,” and an introduction by Mike Resnick.

Stephen mention to me that Thunder in the Void may be the fastest-selling book he has ever printed. It was released on April 4th in a printing of 1000 copies, of which only 200 are left. If you want a copy, I urge you to act fast. Thunder in the Void is 612 pages in a high-quality hardcover, with a cover price of $40. Cover art is by Norman Saunders. It is available directly from Haffner Press.

Previous Haffner releases covered here include Kuttner and Moore’s Detour to Otherness, Henry Kuttner’s Terror in the House: The Early Kuttner, Volume One, and the upcoming The Complete John Thunstone, by Manly Wade Wellman.

The Return of SEP

The Return of SEP

Comments 0 Comment

sword-noirBack in 2004, a friend and I decided to become role-playing game publishers, possibly for the wrong reasons – we wanted publish our stuff rather than wanting to be publishers. Given that, we still went forward in as professional a manner as possible.

While we established Sword’s Edge Publishing as a business, I’m afraid I ran it as hobbyist. I made decisions based on my interests and enthusiasms. I should have been looking to build the brand and increase SEP’s audience. In the end, when I lost interest, SEP went to sleep.

It has only recently returned to bring forth some new games, and then quickly returned to its slumber. This last year, from April 2011 (when it released Sword Noir) to January 2012 (when it released the adventure Suffer the Witch), SEP did things a little different than it had before.

…

Read More Read More

April-May Black Static Magazine Arrives

April-May Black Static Magazine Arrives

Comments 0 Comment

455_largeThe April-May Black Static features new horror fiction from Carole Johnstone (”The Pest House”), Jon Ingold (”Cracks”), Priya Sharma (”The Ballad of Boomtown”), Joel Lane (”The Messenger”) and Daniel Kaysen (”Pale Limbs”).

Nonfiction by the usual suspects, Peter Tennant, Christopher Fowler, Tony Lee, and Mike Driscoll. The editor is Andy Cox.

Black Static alternates monthly publication with sister SF and fantasy focused Interzone.

In other news, check out this NPR feature about Ray Bradbury’s Something Wicked This Way Come, which should resonate with anyone who, as I did,  read the book9780380977277_custom as a young boy.

Art of the Genre: When Great Art is actually Bad Art

Art of the Genre: When Great Art is actually Bad Art

Comments 17 comments
Amazing isn't it? Is originality dead, or is someone in Hollywood smarter than we give them credit?
Amazing isn't it? Is originality dead, or is someone in Hollywood smarter than we give them credit for?

I had a question proposed to me in my Saturday blog here on Black Gate concerning the multiple covers of Howard Andrew Jones’s The Desert of Souls. I’ll repost the question here.

I see a lot of photo-manipulation covers and hybrid photo/3D/digital painted covers, and I feel that a lot of them actually look pretty cheap and nasty. If I was Howard Andrew Jones, for example, I would be very happy with the first The Desert of Souls cover (100% digitally painted, stirring, full of life and movement, etc) and very unhappy with the second cover (a mish-mash of photo elements and, I don’t know? 3D elements? What’s going on with those faces? It almost looks like a romance novel cover.) What do you think about this trend?

I’m going to break this down into two different answers. The first will deal with The Desert of Souls, and the second on the current state of science fiction/fantasy covers in general.

The question immediately reminded me of Hollywood and their great marketing machine. In 1990 Paramount Studios released Hunt for the Red October. The movie cost roughly $30 million to make and grossed $200 million worldwide, which is to say it was an enormous success. The movie poster featured a shadowy submarine, Sean Connery’s face, all in black and red, and the title in white lettering.

…

Read More Read More

Strange Horizons April 16, 2012

Strange Horizons April 16, 2012

Comments 1 comment

This past week’s issue of Strange Horizons features a story by Andrea Kneeland. “Beneath Impossible Circumstances”:

Analise wants to have a baby. A real baby. I tell her that if we had a baby together, it would be a real baby. It would be a real baby and it would have parts from both of us, and it would be a real person made from both of our genes, and that I want parts of myself in a child just as much as she wants parts of herself in a child. When I tell her these things, she turns on the faucet or runs the vacuum or opens the refrigerator door wide and sticks her head in like she’s looking for something so she can pretend not to hear me and I can pretend not to see how damp and salted her reddening cheeks are, and on days like these, when I tell her things like these, the bed sheets between us stay cool and dry and I remind myself of the virtue of silence and I bite my lip to draw blood so that in the morning, when I move my mouth, the pain will remind me not to say a thing.

Other features include poetry by Virginia M, Mohlere, commentary by Adam Roberts on the 2012 Arthur C. Clarke shortlist and a review of Lev Grossman’s The Magician King by Bill Mingin.

sh_head

Clarkesworld #67

Clarkesworld #67

Comments 1 comment

cw_67_300The April  issue of Clarkesworld is currently online. Featured fiction: “Fragmentation, or Ten Thousand Goodbyes” by Tom Crosshill, “Draftyhouse” by Erik Amundsen and “The Womb Factory” by Gary Kloster.  Non fiction by Brian Francis Slattery, Jeremy L.C. Jones and Danile Baker.  The cover art is by Steve Goad.

All of this is available online for free; there’s even an audio podcast version of the Crosshill story read by Kate Baker. However, nothing is really free. The magazine is supported by “Clarkesworld Citizens” who donate $10 or more. There’s also a Kindle edition.

We last covered Clarkesworld with issue #66.

Rich Horton and Sean Wallace explore War and Space

Rich Horton and Sean Wallace explore War and Space

Comments 5 comments

warandspace1Rich Horton has been a Contributing Editor for Black Gate since…. you know, I’m not even sure I remember. When we were in Kindergarten, maybe.  Or possibly since that drunken weekend when we assembled Goth Chick in our old laboratory. Good times, good times.

There was a day when I thought Rich and I would conquer science fiction together. We were two freelance journalists telling it like it is. When Tor started printing books with ink made in Singapore sweat shops, we blew the lid off the whole thing. Sleep didn’t matter, friendships didn’t matter. Only the truth mattered. And hot babes. Babes were on us like… like… well, not really. But anyway, we were unstoppable. The world was ours for the taking. At least, that part of the world that didn’t include women.

Then Rich met Sean Wallace, and Sean offered him something I never could: an actual wage. Rich dropped me like a hot potato for a career as one of the hottest anthologists in the field, and never looked back. Last time I saw him he was driving a Lamborghini Diablo and talking to J.K. Rowling on his cell.

I confronted Sean on the front steps of the Prime Books skyscraper in ’06. I was in a snarling rage, and threatened his life. He punched me in the nose and made me cry.  Then he bought me a hot chocolate and a bus ticket back to Chicago, and that was that.

That was nearly a dozen acclaimed anthologies ago, including three volumes of The Year’s Best Science Fiction and Fantasy, my favorite of the annual survey anthologies. Now Rich and Sean have teamed up for War and Space: Recent Combat, a reprint anthology collecting some of the best tales of space warfare from the last few decades, including “Who’s Afraid of Wolf 359” by Ken MacLeod, “Art of War” by Nancy Kress, and “The Political Officer” by Charles Coleman Finlay. This isn’t your typical military SF collection however, as Sean makes clear in a question to a reader in the comments section of his blog:

Will you still like it even if it’s not, well, in the vein of Baen military sf? I have to admit that we went a bit broader with this, and while we love it a lot, I just hope people aren’t expecting something a bit more militaristic?

Coming from a guy with a mean right hook, that sounds great to me.  War and Space will be released on May 2 by Prime Books. It is $15.95 for 384 pages in trade paperback.

Apex Magazine #35

Apex Magazine #35

Comments 0 Comment

apexmag0412_mediumThis month’s Apex Magazine is a special international themed issue, featuring ”Love is a Parasite Meme” by Lavie Tidhar  (who is interviewed by Stephanie Jacob) and  ”The Second Card of the Major Arcana” by Thoraiya Dyer; the classic reprint is “Alternate Girl’s Expatriate Life”  by Rochita Loenen-Ruuize.

Raul Cruz provides the cover art. Nonfiction by Charles Tan and editor Lynne M. Thomas round out the issue.

While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless. A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95; Kindle subscriptions are available for $1.99 a month.