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Month: November 2019

The Golden Age of Science Fiction: Bob Shaw

The Golden Age of Science Fiction: Bob Shaw

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Bob Shaw
Bob Shaw

The Hugo Award was first presented at the 11th World Science Fiction Convention (sometimes called Philcon II), held in Philadelphia from September 5-7, 1953. The awards were not perceived as an annual event at that time and, in fact, no awards were presented the following year. They were presented again in 1955 and have been presented annually since. Although a #1 Fan Personality Award was presented in the first year, to Forrest J Ackerman and a Best Actifan was awarded to Walt Willis in 1958, the Best Fan Writer Award wasn’t created until 1967, when it was won by Alexei Panshin and has been awarded ever since. The Hugo Awards are nominated and voted on by the members of the World Science Fiction Convention. Bob Shaw won the Hugo Award for Best Fan Writer Award twice, in 1979 and 1980. He was also nominated for the Best Short Story award in 1967 and the Best Novel award in 1987. In 1980 the Hugo Award was presented at Noreascon Two in Boston, Massachusetts on August 31.

The Doc Weir Award was established in 1963 in memory of Arthur Weir. Selected by the membership of Eastercon, the award is presented to individuals who are seeing as making a significant contribution to fandom who have largely gone unrecognized.  The first Doc Weir Award was presented to Peter Mabey. The award takes the form of a silver cup with names of early winners engraved on the base. The cup comes with a presentation box which has plaques on it that contain the names of the winners since the cup’s based was filled.  A new box was created by John Wilson in 2019. The winner is responsible for having their own name engraved and running the following year’s voting process.

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A Game of Moons: Ian McDonald’s Luna Trilogy

A Game of Moons: Ian McDonald’s Luna Trilogy

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Luna New Moon-small Luna Wolf Moon-small Luna Moon Rising-small

Covers by Victor Mosquera

Ian McDonald has had a heck of a career, and I’ve managed to miss all of it. He won the Locus Award for Best First Novel for Desolation Road (1989), the Philip K. Dick Award for King of Morning, Queen of Day (1991), and has been nominated for a Hugo so many time I’ve lost count, including for his novels River of Gods (2005), Brasyl (2008), and The Dervish House (2011). I haven’t read any of those. I suck.

But redemption beckons. We’re heading into the holiday season, with its vacation days and reading time, and I’m casting around for a good, crunchy, science fiction epic. And McDonald just happens to have completed his widely acclaimed Luna series with Luna: Moon Rising in March of this year. The Guardian calls it “Splendid, space-age Game of Thrones-style entertainment. A Game of Moons, if you will. Play it to win, or die.” Boy, I like the sound of that. I just ordered the entire series, and I’m looking forward to long hours in my big green chair.

While I wait for the books to arrive, I’ve been heightening my anticipation by re-reading the reviews. Here’s a snippet from the full review by Adam Roberts.

McDonald’s world of lunar colonists is dog-eat-dog, or indeed dog-push-dog-out-of-airlock. Rival families compete to exploit lunar resources: the rich prosper and the majority poor go to the wall. Helium-3 is plentiful, and mining it provides cheap energy for Moon and Earth both. Five family-owned corporations, or “dragons”, dominate, and although they operate within the law, they are all mafia-style organisations… The story largely concerns the powerful Corta family, originally from Brazil, ruled by the fierce but dying matriarch Adriana Corta. Her first-born son and heir, Rafa Corta, is a hothead, the Sonny Corleone of the novel; his younger brother Lucas, calmer and a better tactician, is more Michael Corleone. The Cortas are effectively at war with the “Mackenzie Metals” family, originally from New Zealand. After somebody tries to assassinate Rafa with a cyberengineered fly, and when the Cortas snatch a lucrative new mining property from under the noses of the Mackenzies, matters heat up fast…

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The Mandalorian: Star Wars goes Old Wild West

The Mandalorian: Star Wars goes Old Wild West

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Mandalorian_HimEDITEDI read my buddy William Patrick Maynard’s post on Guy Boothby’s The Curse of the Snake, and I decided to write a The Public Life of Sherlock Holmes essay on Boothby’s gentleman thief, Simon Carne. But then, I signed up for a one-week Disney+ free trial. And my son and I watched the first three episodes of The Mandalorian, and I knew that Boothby could wait.

I was ten years old when my dad took me to see the first Star Wars movie at the theater. So, I go back to the beginning. I like Star Wars, but I’m not a fanatic. I didn’t care for the second trilogy and I think it was more than ten years before I saw one (I forgot which). I liked Solo, but didn’t like The Last Jedi. I quite enjoyed Star Wars Rebels, but my son likes Star Wars Resistance way more than I do. I’m not predisposed for, or against, a Star Wars production. I judge each one on how much I enjoy watching it.

And right out of the gate, I like The Mandalorian more than a chunk of the movie franchise. Most of my knowledge of Mandalorians comes from Rebels. I don’t know that I ever pondered that Boba and Jango Fett were ones. I just knew they were bounty hunters.

Jon Favreau, who played a huge part in the success of the Marvel franchise, is the creator of this one, and I think he nailed it.

The imdb.com description is pretty accurate:

The travails of a lone gunfighter in the outer reaches of the galaxy, far from the authority of the New Republic.

I immediately picked up on the vibe of the lone gunslinger, wandering from town to town – in this case, as a bounty hunter on a job. We never see star Pedro Pascal’s face, as he never takes off his helmet. He only speaks the bare minimum, making him the stranger of few words.

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Vintage Treasures: The Tomorrow’s Warfare Anthologies, edited by Joe Haldeman, Charles G. Waugh, and Martin Harry Greenberg

Vintage Treasures: The Tomorrow’s Warfare Anthologies, edited by Joe Haldeman, Charles G. Waugh, and Martin Harry Greenberg

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Body Armor 2000-small Supertanks-small Space-Fighters-small

Covers by Walter Velez

One of the things I miss about modern publishing is mass market anthologies. There’s still loads of anthologies being published, of course — we’ve covered dozens in just the last few months — but most come from small presses, and all of them are in hardcover or trade paperback. Casual buyers just don’t buy short fiction these days. Certainly not in enough volume to make inexpensive paperback anthologies viable, anyway. Which is a shame, since there were a ton of ’em in the 70s and 80s, and it was pretty much the way you discovered new authors back then. This fact was not lost on publishers, and the savvy ones — like Ace and DAW — promoted their stable of authors pretty regularly in themed anthologies.

Take the Tomorrow’s Warfare trilogy of anthologies, for example. Edited by the powerhouse trio of Joe Haldeman, Charles G. Waugh, and Martin Harry Greenberg, they appeared between 1986-88 from Ace Books. Each followed a loose future-war theme, and each was packed with stories from the top writers in the industry.

And such stories! A Hugo-nominated Alliance-Union novella by C. J. Cherryh, a Hammer’s Slammers novella by David Drake, the complete short novel Damnation Alley by Roger Zelazny (a 1968 Hugo nominee), a Bolo story by Keith Laumer, a Berserker novelette by Fred Saberhagen, the original short story “Ender’s Game” by Orson Scott Card, an Instrumentality of Mankind tale by Cordwainer Smith, plus stories by Gene Wolfe, Harry Harrison, George R. R. Martin, Robert Sheckley, Gordon R. Dickson, Terry Carr, Christopher Anvil, Joe Haldeman, Edward Bryant, Ben Bova, Walter M. Miller, Jr., Keith Laumer, Ian McDonald, and many, many more.

Anthologies like this don’t exist in paperback anymore. But that’s okay, because I’m still discovering  the old ones — and they’re are still widely available, and they’re still cheap. I wasn’t even aware of this series until I stumbled on two of the three anthologies above in that gargantuan haul of $1 paperbacks I brought home from Windy City Pulp and Paper in April. And I just ordered the third one (Supertanks) on eBay for $1.94.

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Howard Andrew Jones and Todd McAulty on Five Authors Who Taught Me How to Write Fantasy

Howard Andrew Jones and Todd McAulty on Five Authors Who Taught Me How to Write Fantasy

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Five Authors at Tor

Howard Andrew Jones’ new novel Upon the Flight of the Queen arrived in hardcover on Tuesday, and the day before Howard and I (under my Todd McAulty pseudonym, the name I use to write and promote fiction) appeared at Tor.com to talk about authors who teach you how to write fantasy. Here’s a snippet.

Todd: How have you followed Zelazny’s dictum on keeping the readers in the dark in the second book?

Howard: Throughout [The Chronicles of] Amber, Zelazny had masterful twists and surprises, although none can really compare with the end of book 4, The Hand of Oberon, which literally made me dive across the bed, where I was reading, to grab the final book to find out what happened next. No book conclusion, ever, in all my years of reading, has worked so well, and it’s a high water mark I’ve yet to hit myself.

But it’s something I certainly keep in mind as I build a story. Keep your readers interested and wanting more. With Upon the Flight of the Queen I worked hard to implement the lessons we’ve discussed. Zelazny continues to surprise as Amber rolls along because there were always a few more secrets to be learned, both about character motivation and about how the world actually worked. Information you thought was accurate proves either to be more complicated, or to have been completely wrong. In my own books, there are definitely more secrets to learn, and as some mysteries are solved, other related mysteries are introduced.

This is our third article for Tor.com. The first two, Five Forgotten Swordsmen and Swordswomen of Fantasy and Five Classic Sword-and-Planet Sagas, were surprisingly popular, with nearly 250 comments between them, and that’s been hugely gratifying. We’re having a lot of fun with this series; our next one will likely be about Traveller and classic science fiction gaming.

Howard’s had a good week at Tor.com; on Wednesday reviewer Paul Weimer called Upon the Flight of the Queen “entertaining fun. Sieges, infiltrations, dragon riding, high magic, duels, and larger than life characters trying… to be big damn heroes of their own story. Jones does an excellent job.” Check out his feature review here.

The Golden Age of Science Fiction: The 1973 First Fandom Award: Clifford D. Simak

The Golden Age of Science Fiction: The 1973 First Fandom Award: Clifford D. Simak

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Simak city permabooks-small Simak Way Station-small Cemetery World Simak-small

First Fandom was organized in 1959 to celebrate those who had been active science fiction fans since 1938, that is, “before the Golden Age.” (Some define true “first fandom” as dating to 1936 and before.) One of the founders, and first president, was Robert Madle, who is still alive, approaching his 100th birthday.

Beginning in 1963, a First Fandom Hall of Fame Award was instituted, given to a fan active prior to 1938 who was deemed to have given great service to fandom. Over time, as fans of that vintage became rarer, two categories were established: Dinosaurs, who had to have been active prior to the first Worldcon, in 1939; and Associate Members, who have to have been active for at least 30 years. The Hall of Fame Award can be given to anyone active in fandom for at least 30 years.

At the 1973 Worldcon, the First Fandom Hall of Fame winner was Clifford D. Simak. Simak (1904-1988) was born in rural Millville, WI, and much of his fiction reflected that “pastoral” background. His primary career was as a journalist, and he worked for the Minneapolis Star beginning in 1929, retiring only in 1976. He began publishing SF in 1931 with “The World of the Red Sun” in the December Wonder Stories. Simak’s early pulp fiction (which included some Westerns as well as SF) was fairly minor, but he started to make a mark writing for John W. Campbell’s Astounding beginning in 1938. His novel City (1952), a fixup of a number of 1940s stories, won the International Fantasy Award. He won three Hugos, most notably for the 1963 novel Way Station, but also for “Grotto of the Dancing Deer” as late as 1981. He also won a Nebula, and his story “The Big Front Yard,” another Hugo winner, appears in The Science Fiction Hall of Fame Volume IIB. His last novel, Highway of Eternity, was published when he was 82.

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New Treasures: The Monstrous Citadel by Mirah Bolender

New Treasures: The Monstrous Citadel by Mirah Bolender

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The Monstrous Citadel-small The Monstrous Citadel-back-small

Cover art by Tony Mauro

I found Mirah Bolender’s debut novel City of Broken Magic waiting for me when I got home from the World Fantasy Convention last year. I liked the premise quite a bit — a city in which a understaffed bomb squad must deal with leathly deadly weapons left over from a long-forgotten war. Liz Bourke at Tor.com summarized it nicely:

City of Broken Magic sets itself in a secondary fantasy world where humans live huddled into well-defended cities. Hundreds of years before the novel’s beginning, a colonised people tried to fight back against their colonisers by creating a weapon that ate magic. They succeeded a little too well, creating something that can hatch from broken or empty magical amulets and that can consume everything in its path. These infestations, as they’re known, are extremely dangerous and require specialised knowledge and equipment to combat. The people who do this job are known as “Sweepers,” and their mortality rate can be high…

The novel’s worldbuilding, in the form of infestations and the social response to it, is its big idea. City of Broken Magic is the story of an emergency response unit, and in narrative and stylistic terms, it feels one part thriller, one part procedural, and one part professional coming-of-age for its viewpoint character. Bolender writes action very well, building tension into every escalating encounter with infestations… City of Broken Magic is a fast-paced, exciting ride. And an entertaining one.

The book earned a starred review from Publishers Weekly.

Monsters are threatening to take over the city of Amicae. The government has convinced residents that the monsters can’t get in, but Clae and Laura know that isn’t true. They are Sweepers, the only people in the city qualified to fight the monsters… they take on mobsters, corrupt businessmen, and a deliberately skewed cultural narrative, culminating in a fight to protect their city from its own refusal to accept reality. Amicae’s strict caste system is expertly woven into the fast-paced plot that will keep readers turning pages until the very end.

The sequel, The Monstrous Citadel, the second novel in the Chronicles of Amicae, sees the Sweepers face new threats, including gangs, ungrateful bureaucrats, and the grasping ambition of Rex, the City of Kings, which breeds its own monsters. The Monstrous Citadel was published by Tor on November 5, 2019. It is 415 pages, priced at $18.99 in trade paperback and $9.99 in digital versions. The cover art is by Tony Mauro. Read Chapter One of from City of Broken Magic here, and a lengthy excerpt at the Tor-Forge Blog. See all our recent New Treasures here.

Galaxy Science Fiction, September 1954: A Retro-Review

Galaxy Science Fiction, September 1954: A Retro-Review

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Galaxy Science Fiction September 1954-small

Art by Ed Emshwiller

I find the cover of the September, 1954 issue of Galaxy Science Fiction a bit risque for Ed Emshwiller (a piece titled “Robots Repaired While U Wait”). Editor H. L. Gold produced a magazine that you wouldn’t have to hide from people, unlike other fiction offerings that had much more salacious artwork (please don’t attach any to this article, John). But you may have to keep this issue face-down around coworkers and family.

“The Man Who Was Six” by F. L. Wallace — Dan Merrol doesn’t know who he is anymore. Ostensibly, he’s Dan Merrol, but his body is unrecognizable, even to himself. After a horrific accident, doctors used an amalgamation of human donors to heal Dan’s broken body. With legs of different lengths, arms of varying bulk, and multi-colored hair, Dan’s become a laughable caricature of humanity. But it’s not just his body; his damaged brain was also rebuilt using slivers of other brains, giving him memories of lives he never lived. He wants to return to a normal life as a pilot and try to resume his marriage, if his wife could possibly still love the creature he’s become.

I like how Wallace examines Dan’s predicament. The initial confusion, the stages of grief in dealing with who and what he’s become. It maintains a somber tone but allows for lighter moments.

“A Start in Life” by Arthur Sellings — Em and Jay are robots raising two unrelated six-year-old children (a boy and a girl). Their world is confined, and there are no other humans to interact with. The children begin asking more questions about their world, and Em is hesitant to share anything new. The truth will come out eventually, but is this the right time, she wonders?

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Lost Classics of the Pulps: Guy Boothby’s The Curse of the Snake

Lost Classics of the Pulps: Guy Boothby’s The Curse of the Snake

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Curse of the SnakeThe Curse of the Snake is the Guy Boothby title I have been waiting years to read. I previously covered the five books in his Dr. Nikola series as well as his 1899 novel, Pharos the Egyptian for Black Gate. Boothby is an author whose works have fallen into relative obscurity, but his influence was quite pervasive. A contemporary of Sir Arthur Conan Doyle and Bram Stoker, he turned out works that stand up well against their more celebrated efforts. Most importantly, the influence of Dr. Nikola is felt heavily upon Sax Rohmer’s Fu Manchu series and the character of Ernst Stavro Blofeld from Ian Fleming’s James Bond novels. Boothby’s great flaw was that he was a prolific author of serialized novels who made no effort to correct inconsistencies when his works were published in book form. This hurt his reputation and, along with the speed with which he produced new works, unfairly suggested he was little more than a hack.

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The Golden Age of Science Fiction: Alexis Gilliland

The Golden Age of Science Fiction: Alexis Gilliland

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by Alexis Gilliland
by Alexis Gilliland

Alexis Gilliland
Alexis Gilliland

by Alexis Gilliland
by Alexis Gilliland

The Best Fan Artist category was not one of the original Hugo categories in 1953, not introduced until 1967, when it was won by Jack Gaughan. The award has been presented every year since then. Gilliland was nominated for the Hugo every year between 1978 and 1985, winning that award in 1980 and for three years running from 1983 to 1985. While several fan artists have won the award more times than Gilliland, his three year streak ties those of Tim Kirk and Brad W. Foster for consecutive wins.

The Fan Activity Achievement Awards, or FAAN Awards were founded in 1976 by Moshe Feder and Arnie Katz. Created to highlight writing in fandom, they differed from the Fan Hugos in that they were voted on specifically by fanzine fans. The original awards were presented at various convention. Following the 1980 awards, the awards were on hiatus until 1994 and have been presented each year since, with the exception of 1996. Alexis Gilliland won the last of the original run of FAAN Awards for Best Fan Artist—Humorous, his third sequential win. The first winner was Bill Rotsler. The category was not revived after the hiatus, being combined with the Best Fan Artist—Serious category and replaced by the Best Fan Artist category. Gilliland was nominated for The FAAN Award for Best Humorous Art in three consecutive years from 1978 through 1980.

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