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Month: November 2019

Goth Chick News: Thanksgiving History Makes for a Horror Feast

Goth Chick News: Thanksgiving History Makes for a Horror Feast

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Goth Chick News Pilgrims-small

Considering all the stories one hears about how stressful Thanksgiving family time can be, it’s surprising that the annual bacchanalia of feasting and intoxicated relatives has not been fodder for more Thanksgiving-themed horror movies. There have been a few of course, such as Home Sweet Home and Thankskilling, but they have been campy and largely forgettable, in spite of the bewildering amount of material to work with.

But, as we reported last week, Jason Blum and his crew at Blumhouse Productions are on a very entertaining roll turning your cherished memories upside down. Last year they joined forces with Hulu for an analogy project called Into the Dark, dedicated to releasing holiday-themed horror films every month. Blumhouse’s Thanksgiving offering for 2019 will likely go down in history as the best Thanksgiving-horror movie tie in ever.

In a collaboration between screenwriter Noah Feinberg and the writing duo Patrick Melton and Marcus Dunstan (Feast, Saw IV-VII) Pilgrim isn’t just a horror story that happens to be set during Thanksgiving, but instead is a film steeped in Thanksgiving history and tradition; all of which is perversely twisted for our enjoyment.

A woman invites Pilgrim re-enactors into her home to give her family an authentic recreation of the first Thanksgiving, all in the hopes that they’ll put down their phones, cast their differences aside, and learn to truly appreciate one another – if only for a couple days. But when the actors refuse to ever break character and their behavior becomes increasingly concerning, the lessons they bring may come at a deadly cost.

Not long after daughter Cody wishes on a turkey wishbone that her step-mother’s Thanksgiving plans backfire in her face, Pilgrims Ethan (Peter Giles) and Patience (Elyse Levesque) arrive at the family’s home and her fears (and wishes) come true. Ethan and Patience represent Puritanical extremism at its most frightening and aren’t afraid to get a whole lot of blood on their hands in the process of spreading their message. Their mission is simple: make the family appreciate what they’ve got.

Check out the trailer….

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Dark Cults and Alien Mysteries: Warhammer 40,000: The Magos by Dan Abnett

Dark Cults and Alien Mysteries: Warhammer 40,000: The Magos by Dan Abnett

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The Magos Audiobook-big

I’ve gotten in the habit of listening to audiobooks as I take the train into Chicago every morning. Yes, it’s a little risky to be wearing headphones in the middle of that jostling crowd, completely caught up in tales spun by skilled narrators while blithely stepping out into traffic. Someday you may read a somber obituary that claims I was splatted by a fast-moving cab. But know that I died happy.

This morning I was enjoying the new Eisenhorn “novel” by Dan Abnett, The Magos, which is really a fat collection of short stories (plus a new novel). And I was completely and utterly caught up in Toby Longworth’s brilliant narration of “The Curiosity,” the short tale of a taxonomist who finds himself in a life-and-death hunt for an alien beast in the mist-crowded hills of a backward province. I found this brief review at Track of Words that let me know there are other tales featuring Valentin Drusher, magos biologis, and that makes me happy.

First published in 2003 in Inferno! magazine, Dan Abnett’s short story “The Curiosity” offers the first glimpse of Valentin Drusher, magos biologis… Dispatched to a bleak, distant province to investigate sightings of an unknown beast that’s left a trail of corpses behind it, it’s not long before he realises this is more than just an apex predator he somehow missed. Caught up in the hunt for the beast, Drusher is out of his league and in terrible danger…

Drusher may be an amateur sleuth rather than an inquisitor, but that just makes the situation that bit more dangerous. It’s a nicely self-contained story, complete with all the descriptive scene-setting and strong, effective characterisation that you’d expect from Abnett, and the slightly baffled, eccentric Drusher is instantly engaging. In the grand scheme of 40k the stakes are small, but away from the battlefields and in context of a simple, rural community there’s more than enough drama for this to be gripping and entirely satisfying.

The Magos is available in print and on audio, but you really haven’t experienced this story until you’ve listened to Longworth’s deep, resonant (and surprising versatile) voice bring it to life — preferably while watching Chicago slide by through a rain-slicked window. Highly recommended. The audio version is 20 hours, and sells for $22.90 on Audible.

Future Treasures: The Year’s Best Dark Fantasy & Horror 2019 edited by Paula Guran

Future Treasures: The Year’s Best Dark Fantasy & Horror 2019 edited by Paula Guran

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The Year’s Best Dark Fantasy & Horror 2019

Usually when I write a Future Treasures piece, it’s about a book that hasn’t been published yet. And that applies in this case. The Year’s Best Dark Fantasy & Horror 2019, the tenth volume in Paula Guran’s excellent anthology series, definitely ain’t out yet.

Now, the official publication date was yesterday, so this is a little frustrating. I look forward to this book every year. It’s the companion to my favorite Year’s Best volume, Rich Horton’s Year’s Best Science Fiction & Fantasy, and Paula is one of the most experienced editors in the business. She has a sharp eye for delightful and surprising fiction, and this year’s volume — with stories by Tim Powers, Jeffrey Ford, Simon Strantzas, Tim Lebbon, Naomi Kritzer, Mary Robinette Kowal, E. Lily Yu, Isabel Yap, Michael Wehunt, Steve Rasnic Tem, Brian Hodge, Robert Shearman, Angela Slatter, M. Rickert, and many others — looks like a terrific package. But despite having an official pub date of November 19, it’s listed as unavailable at every online outlet I’ve checked.

I assume this is something that the publisher, Prime Books, will sort out in the next few weeks (they usually do). In the meantime I shall wait patiently, as I look over the delicious Table of Contents with great anticipation. Here it is.

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The Diamond Service Brigade

The Diamond Service Brigade

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1931-10-04 Des Moines Register 18 Diamond Service Brigade cropped

In 1931 the Mid-Continent Petroleum Company was hot stuff. Its 6,000 Diamond dealers owned the upper Midwest and could found as far south as Oklahoma, not surprising since it was the biggest employer in its home base of Tulsa. NevrNox Ethyl gasoline, the company boasted, provided the highest mileage of any product on the market. Mid-Continent was cutting edge, both in the science behind their formulations and in the way they presented them. 1931 was the year it pioneered a new type of service station, one that was to take over the field in the 1940s. Mimicking the modernistic International Style, that first Supulpa, OK, station had expanses of plate glass set in unpainted aluminum frames and walls of vitrolite, a black structural glass.

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Terror, Existential Dread, and Surprised Laughter: A Review of Spectral Realms #11

Terror, Existential Dread, and Surprised Laughter: A Review of Spectral Realms #11

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Spectral Realms 11-small

Cover by Daniel V. Sauer

Spectral Realms magazine is a square-bound journal of weird poetry, reviews, and articles launched in 2014 and published twice yearly by S. T. Joshi — the field’s foremost scholar, writer, advocate, and critic.  If ever there was a man who should need no introduction, Mr. Joshi is he — 300+ books to date and counting. An avowed rationalist, rapier-witted satirist (in the savage tradition of Bierce, Twain, and Mencken), and sometime crafter of his own macabre tales, S. T. Joshi bestrides the entirety of weird fiction like a colossus. His error-corrected drafts of the writings of H. P. Lovecraft, Clark Ashton Smith, Arthur Machen, George Sterling, Ambrose Bierce, Algernon Blackwood, et. al. — produced through an exhaustive and meticulous examination of extant hand-written copy, typescripts, and published versions — serve as the final word on these respective writers’ original aesthetic intentions and lasting literary legacy. To those who know, the words “texts by S. T. Joshi” prominently displayed on a book’s cover assure the discriminating reader that he or she is perusing an author’s truest, error-corrected, “best” published version of any given work.

So it is no small matter when a man of S. T. Joshi’s stature and first-rate scholarship decides to launch a new journal dedicated to the poetic expression and criticism of the weird.

Hippocampus Press announced the inaugural issue of Spectral Realms to the reading public thusly. (I quote the passage in its entirety, as it cannot be improved upon — no better introduction and summarizing mission statement can be crafted):

The spectral realms that thou canst see
With eyes veil’d from the world and me.
—- “To a Dreamer,” H. P. Lovecraft

The last few decades have seen a remarkable efflorescence of weird poetry, to such a degree that we can authentically state that a renaissance of the genre is underway. Hippocampus Press has always been committed to this most rarefied mode of expression, and now Spectral Realms, published in Summer and Winter, leads the way.

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The Cost of Publishing Through a Small Press

The Cost of Publishing Through a Small Press

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chizine-publications

I’m sure many of you by now have heard of the sudden controversy that erupted around Canadian horror/speculative fiction publisher, ChiZine. The story has been picked up by Victoria Strauss of Writer Beware. You always know it’s bad when Writer Beware gets involved. For those of you who are blissfully unaware of the situation, good for you. Stay that way if you can. If you insist on knowing it all, I can recommend a great round-up by High Fever Books (here). Start at the bottom and work your way up through the updates.

It’s bad.

For the most part, there has been an outpouring of support for those affected; the authors who were not paid, and the former staff who were so atrociously abused. As with all controversies, however, there have been a number of bad takes. The worst has come from an editor by the name of Stephen Jones, who had this to say:

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New Treasures: Queen of the Conquered by Kacen Callender

New Treasures: Queen of the Conquered by Kacen Callender

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Queen of the Conquered-small Queen of the Conquered-back-small

Cover design by Lisa Marie Pompilio

Even today, too much of the fantasy that arrives every month feels very familiar, especially in setting. So novels that explore non-European and non-American settings have a special appeal for me. Kacen Callender’s Queen of the Conquered, on sale last week from Orbit, is a Caribbean-inspired historical fantasy, and that alone makes it interesting in my book.

What else does it have going for it? A lot of positive early buzz, for one thing. Jason Heller at NPR says it has a “stunning, satisfying conclusion,” and Alex Brown at Tor.com tells us it’s “nothing short of remarkable… it absolutely must be read.” Here’s a snippet from the starred review at Kirkus.

In a grimly plausible political fantasy–turned–murder mystery, a young woman faces the bloody consequences of her choices. Centuries ago, the pale-skinned Fjern conquered a group of Caribbean-like islands and enslaved its dark-skinned inhabitants. The islander Sigourney Rose was the sole survivor of the slaughter of her family by Fjern conspirators resentful that her mother, Mirjam, a freed slave married to a wealthy landowner, was invited to join the king’s inner circle of advisers. Resolved to revenge herself and to seize the regency, Sigourney poisons her cousin for his political position and uses her “kraft,” magical psychic abilities, to manipulate the failing mind of an orchestrator of the conspiracy… But once Sigourney reaches the royal island of Hans Lollik Helle, where the king will make his choice, nothing is as it seems… A fascinating exploration of how power corrupts and drives a person toward self-betrayal.

Queen of the Conquered is the opening novel of Islands of Blood and Storm. It was published by Orbit on November 12, 2019. It is 359 pages, priced at $15.99 in trade paperback and $9.99 in digital formats. The cover was designed by Lisa Marie Pompilio. See all of our recent New Treasures here.

Black Gate Online Fiction: ‘The Jarvis Pendragon Files – The Adventure of the Speckled Band’

Black Gate Online Fiction: ‘The Jarvis Pendragon Files – The Adventure of the Speckled Band’

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The sitting room of 221b Baker Street London
The sitting room of 221b Baker Street London

My friend Sherlock Holmes, with whom I shared lodgings and adventures, had already breakfasted and was slumped in his favorite chair when I descended to our sitting one room one November morning. From the discarded newspapers strewn about the floor, I knew that he had failed to find one of those interesting crimes which so intrigued him.

Shortly after hearing my footsteps on the stairs, Mrs. Hudson arrived with fresh coffee, some fish left over from the previous night’s meal, devilled kidneys (which Holmes despised), bacon and toast. As Holmes had rather churlishly replied to my greeting, I set to breaking my fast.

After the dishes had been cleared away and I was settled in my own chair, sorting through the post, I held a letter out towards him. “Here’s one for you, Holmes. From a “Jarvis Pendragon, DC.”

I looked at him, puzzled. “What does ‘DC’ stand for?”

He broke through the malaise enough to negligently wave a hand. “Who knows? Pray, read it. Perhaps it will enliven this otherwise intolerably boring morning.”

I have mentioned before in these recountings of Sherlock Holmes’ cases, that humility is not a trait for which he has much admiration. On more than one occasion, he has identified modesty not as a virtue, but as a distortion of the truth. And I have excluded many of his own statements about his powers of observation and deduction that were quite the opposite of ‘humble.’

Of course, his belief in his talents and abilities, which he had honed to razor sharpness, were justified. But, as his roommate, companion, and if I may add, useful assistant, on his adventures, his self-aggrandizement could be more than a trifle wearying.

So, it was with some amusement, as I was to discover, that I read aloud his letter.

But first, he forestalled me with an upraised hand. “Be not so hasty, Watson. What can you tell me from an inspection of the envelope?”

I turned it over in my hands slowly, my eyes scanning the surface for any clues or hints.

“Brighton postmark. Common envelope. Careful handwriting on the address. Clearly legible. I see nothing else of note, Holmes.”

He shook his head in disapproval, but said nothing.

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The Golden Age of Science Fiction: Make Room! Make Room!, by Harry Harrison

The Golden Age of Science Fiction: Make Room! Make Room!, by Harry Harrison

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Cover by Keith Roberts
Cover by Keith Roberts

Cover by Richard Powers
Cover by Richard Powers

Cover by Alan Aldridge
Cover by Alan Aldridge

An award called The Prix Jules Verne would seem to be presented in France, and, in fact, such a literary prize was given out in France from 1927 to 1933 and 1958 to 1963 for fantasy and science fiction by French authors.  However, the Prix Jules Verne that was presented from 1975 to 1980 was a Swedish award about which little is known. The first one was given to Roland Adlerberth. Rolf Ahlgren, Eugen Semitjov, and Lars-Olov Strandberg for their service to Swedish science fiction.  Subsequent awards were presented to individual authors for specific novels. The first novel to win the award was Ursula K. Le Guin’s The Left Hand of Darkness.  The last award before it was discontinued was presented to Harry Harrison for Make Room! Make Room!.

Make Room! Make Room! is best known for being the inspiration for the 1973 Charlton Heston and Edward G. Robinson film Soylent Green, although there are significant differences between the film and the novel. The novel is an interesting and atypical work.  While the protagonist, Andy Rusch, is a police detective tasked with tracking down the murderer of Big Mike O’Brien and discovering if there are political implications in Big Mike’s death, it is not a police procedural and the crime and investigation often take a back seat. Harrison also provides the identity of the killer, as well as telling parts of the story from his point of view, throughout the book.

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Traveller Journeys into Deep Space with a New Kickstarter: An Interview with Martin Dougherty

Traveller Journeys into Deep Space with a New Kickstarter: An Interview with Martin Dougherty

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Traveller The Deepnight Revelation Campaign Box Set-small

Traveller RPG: The Deepnight Revelation Campaign Box Set

I’m a long time Traveller fan. It’s not just the simple but effective game system that’s been pretty much the same since its design, but the appeal of the sweeping hard science/space opera of the default setting, lovingly added to through the decades.

Of course you don’t have to use the Imperium as your setting, but a lot of people do, or use part of it, or use it with modifications. A new Kickstarter launched last week focused upon the exploration side of the Traveller universe. Many of the adventures and campaigns that have appeared for Traveller over the years have been focused upon small spaceship crews and their potential exploits, rather a lot like Firefly. This Kickstarter, though, is going to take a naval ship into areas unexplored by the Imperium, deep into the unknown. It looks splendid.

The man writing it is one of my very favorite adventure writers, Martin Dougherty, who never fails to entertain with clever and inventive scenarios that favor role-playing over rolls, and reward ingenuity. He was kind enough to take time away from writing the new campaign and answer some questions.

Howard: Before we really get started, what do you think is behind the appeal of Traveller, and the Imperium itself?

Martin: That’s a difficult question. I suspect it’s different for everyone. For me, I like the grounding in hard-ish science. I’ve never really got on with fantasy-in-space with swords the size of ironing boards and little actual science. The scale is attractive, too. For the most part it’s a bunch of resourceful people doing the best they can rather than superheroes. I know it’s fun to play someone incredibly far above the human norm sometimes, but I suspect a lot of us identify with the talented-but-ordinary protagonists of the typical Traveller game.

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