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Month: September 2016

Exploring Historic Cádiz

Exploring Historic Cádiz

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The Santa Cueva Oratory in Cádiz was finished in 1796
and is one of the best examples of its kind. It features some
unusually bright and cheery paintings by Francisco de Goya

A couple of weeks ago, I wrote about Phoenician and Roman Cádiz, the early history of one of the oldest continually inhabited cities in Europe, on the southwestern coast of Spain near the Strait of Gibraltar. While Cádiz was important throughout its history, its sheltered harbor on the Atlantic made it a good spot for launching the many exploratory vessels that Spain sent out into the world starting in the late 15th century. Columbus made his second and fourth voyages to America from Cádiz, and some of the tropical plants growing in the city squares are said to be descendants of samples he brought home.

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Check Out Postscripts, the Varied Genre Anthology Series from PS Publishing

Check Out Postscripts, the Varied Genre Anthology Series from PS Publishing

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Postscripts is something of an unusual beast.

It started off as a quarterly British magazine of science fiction, fantasy, horror, and crime. The first issue, edited by Peter Crowther and published by PS Publishing,  appeared in June 2004 to considerable acclaim. It won the International Horror Guild award for best periodical in 2006 and 2008, and the British Fantasy Award for Best Magazine in 2009. I snatched up the early issues as they appeared… they were a little expensive on this side of the pond, but I never regretted it.

Postscripts has undergone some changes over the years. Early issues were essentially trade paperbacks (at least in the newsstand edition; there was also a signed, numbered, limited edition hardcover for the hardcore collectors.) Starting with issue 18 the magazine transitioned to a quarterly anthology; more recently (starting with issue 20/21) it has settled into a biannual schedule, producing two fat double-sized issues every year. The trade paperbacks are also a thing of the past, the “newsstand” edition, such as it is, is a beautiful thick hardcover with a wraparound cover. The capable Nick Gevers became co-editor with issue 18, and sole editor starting with issue 32/33. Under Nick’s stewardship the magazine has published brand new stories by Brian Aldiss, Scott Edelman, Paul Di Filippo, Darrell Schweitzer, Paul Tremblay, Simon Strantzas, Robert Reed, Michael Swanwick, Paul Park, John Langan, Richard Calder, and many others.

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New Treasures: The Dev Harmer Mission Series by James Lovegrove

New Treasures: The Dev Harmer Mission Series by James Lovegrove

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I’m very intrigued by James Longrove’s Dev Harmer Mission series, and I may add it to my Fall Reading Program. (I’m also intrigued by his 8-volume Pantheon series, but let’s remain realistic, shall we?) Dev Harmer is a reluctant agent of mega-corporation Interstellar Security Solutions, dispatched to various hotspots around the galaxy. He wakes up in a brand new cloned body every time. His original body, back on Earth, reportedly no longer exists, so Hammer has to earn enough to afford a new one… and that means doing the dirty jobs no one else wants.

Each of these jobs takes him to a very different locale — starting with Alighieri, a planet perpetually in flames, and the setting for the opening novel in the series, World of Fire.

Dev Harmer, reluctant agent of Interstellar Security Solutions, wakes up in a newly cloned host body on the planet Alighieri, ready for action. It’s an infernal world, so close to its sun that it surface is regularly baked to 1,000°C, hot enough to turn rock to lava. But deep underground there are networks of tunnels connecting colonies of miners who dig for the precious helium-3 regolith deposits in Alighieri’s crust.

Polis+, the AI race who are humankind’s great galactic rivals, want to claim the fiery planet’s mineral wealth for their own. All that stands between them and this goal is Dev. But as well as Polis+’s agents, there are giant moleworms to contend with, and a spate of mysterious earthquakes, and the perils of the surface where a man can be burned to cinders if he gets caught unprotected on the day side…

Giant worms, hostile AIs, hell planet… that’s all the essentials for a rousing space adventure, right there.

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io9 on All the New Scifi and Fantasy Books You Absolutely Must Read This Fall

io9 on All the New Scifi and Fantasy Books You Absolutely Must Read This Fall

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Fall officially begins on Thursday (here in the Northern Hemisphere, at least). Which means I can officially give up on the wreckage of my Summer Reading Plan, and start all over again with a brand new, crazy ambitious and supernaturally awesome Fall Reading Plan. Yeah!

I love the planning stages of my quarterly reading plans, ’cause they’re filled with crazy optimism. Shall we throw the 10-volume Malazan Book of the Fallen in there? Why the hell not! It’s only September!

It’s at this stage of the quarter that I find articles like Cheryl Eddy’s “All the New Scifi and Fantasy Books You Absolutely Must Read This Fall,” published at io9 at the end of August, so very helpful. Eddy lists over two dozen major books launching this fall, including A Night Without Stars by Peter F. Hamilton, Certain Dark Things by Silvia Moreno-Garcia, and new books by Connie Willis, Cixin Liu, Christopher Pries, Ken Liu, Margaret Atwood, Mel Brooks, Mark Frost, Bruce Sterling, and many others. Here’s her take on A City Dreaming by Daniel Polansky.

An ageless magician fond of drinking beer and sleeping late visits New York City to visit old friends, only to find the city has changed in unexpected ways — and a supernatural war is brewing on its fringes.

See the complete article here.

Return to Enoch: The King of Nightspore’s Crown by Raphael Ordoñez

Return to Enoch: The King of Nightspore’s Crown by Raphael Ordoñez

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“Answers, he wants! Do you really think you can just go out and find the whole story somewhere, complete and cross-referenced, without any gaps or inconsistencies? I’m sorry to disillusion you, my boy, but that’s not the sort of world we live in. It’s a messy place. There are no infallible interpreters walking among the living, no emissaries sent from the blessed realm to dole out bits of lore that move history along and need never be questioned.”

Astyges speaking to Keftu, from The King of Nightspore’s Crown

oie_201222utyzw9lrIt’s a rare fantasy story that really surprises me. Partly, I have read a lot, but often there appears to be a collective dearth of imagination. I know readers — myself included — enjoy and find easy comfort in stories filled with familiar characters and plots, but once upon a time, before fantasy became a mass-market commodity in the 1970s, there seemed to be limitless inspiration in the stories that were told. Contemporary fantasy keeps getting stuck in homage and mimicry. When faux-European settings weren’t the norm, a reader could be transported to worlds as strikingly weird as Hodgson’s sunless Night Land, Burroughs’ dying Barsoom, or the haunted corridors of Peake’s Castle Gormenghast. When there’s no limit to the colors on a fantasy writer’s palette, why do I feel like I keep seeing the same dozen or so?

It was exactly three years ago that I first encountered Raphael Ordoñez’s writing. “The Goblin King’s Concubine” (BCS #129), a captivity narrative set in a deadly, spider- and fungus-infested jungle swamp on the dying world of Antellus, was like nothing else I was reading at the time. I sought out Ordoñez’s blog, Cosmic Antipodes, and spent hours reading his older posts on things ranging from planetary adventure to painting to autism. His love for storytelling unconstrained by the modern expectations of genre fantasy were refreshing. By the end I was ensnared, and watched for new stories with anticipation. Each is strange and unique and couched within a complex cosmogony which is a mix of Old Testament, William Blake, and pulp nuttiness, among other things. It can be read about at length here.

Last year, Ordoñez self-published the novel Dragonfly (read my review here). It brings together several characters introduced previously in short stories. Unlike the discrete events of those tales, the novel is a full-blown epic. Keftu, sole survivor of a desert tribe, thinks he is the only person alive in the entire world, until he espies a glowing city floating above the ocean. He is prevented from reaching the sky-city Narva when he falls into the clutches of the Cheriopt. The Cheripot is the the “semi-divine headless social machine” that controls everything in the crumbling, ocean-encircling megacity, Enoch. He becomes by turns, a famous gladiator, a liberator, and finally, the last hope to thwart the half-goblin Zilla’s nefarious plans to throw Enoch into total chaos.

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October 2016 Analog Now on Sale

October 2016 Analog Now on Sale

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analog-science-fiction-october-smallPeople have been watching Trevor Qachari’s rein as the new editor of Analog pretty closely. It’s been four years exactly since he took over from Stanley Schmidt in September of 2012, plenty of time to get a sense of his editorial taste.

One thing I’ve noticed is that Trevor is a bit more experimental than Stan, especially in his willingness to blend genres a little. The October issue features a pair of stories that playfully mix SF and pulp thrillers, including perhaps the last thing I would have expected to see in Analog: a Shadow homage by Robert R. Chase, “Revenge of the Invisible Man.” Here’s a snippet from Jason McGregor’s review at Tangent Online.

The Shadow gets on the trail of the Invisible Man. Sort of. In the near future, a company has been working on human invisibility and has succeeded in making a human invisible — but not in getting rich off it, which means the guinea pig gets no reward either and, worse, it turns out not to be reversible. So the heads of the company start falling down stairs and having their throats cut. This prompts a call to a mysterious Power who sends his agent, our protagonist, in to discover how the invisible man has been committing these crimes from the locked room in which the company holds him. The agent adopts the name Kent Allard (one of the Shadow’s real names) for this mission (which… seems likely to be one of a series) and proceeds to investigate. The strongest feature of this story is probably the direct, sinewy prose… a good read.

While we’re at it, he’s a sample from Jason’s review of the other SF thriller, Adam-Troy Castro’s novella “The Soul Behind the Face.”

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Future Treasures: The Fall of the House of Cabal by Jonathan L. Howard

Future Treasures: The Fall of the House of Cabal by Jonathan L. Howard

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the-fall-of-the-house-of-cabal-smallJonathan is a marvelously talented fantasy author. We published two of his stories featuring Kyth the Taker, the cunning and resourceful thief whose commissions somehow always involve her in sorcerous intrigue: “The Beautiful Corridor,” (Black Gate 13) and its sequel, “The Shuttered Temple” (BG 15).

His most recent novel was Carter & Lovecraft (October 2015). He published his first novel, Johannes Cabal the Necromancer, in 2009; his newest novel The Fall of the House of Cabal is the fifth to feature gentleman necromancer Johannes Cabal and his comrades, including his vampiric brother, Horst. It arrives in hardcover from Thomas Dunne Books at the end of the month.

Johannes Cabal, a necromancer of some little infamy, has come into possession of a vital clue that may lead him to his ultimate goal: a cure for death. The path is vague, however, and certainly treacherous as it takes him into strange territories that, quite literally, no one has ever seen before. The task is too dangerous to venture upon alone, so he must seek assistance, comrades for the coming travails.

So assisted ― ably and otherwise ― by his vampiric brother, Horst, and by the kindly accompaniment of a criminologist and a devil, he will encounter ruins and diableries, mystery and murder, the depths of the lowest pit and a city of horrors. London, to be exact.

Yet even though Cabal has risked such peril believing he understands the dangers he faces, he is still underestimating them. He is walking into a trap of such arcane complexity that even the one who drew him there has no idea of its true terrors. As the snare closes slowly and subtly around them, it may be that there will be no survivors at all.

We’ve covered most of Jonathan’s recent releases here at Black Gate — including his article on writing the Johannes Cabal series, “Some Little Infamy.”

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The Public Life of Sherlock Holmes: RPGing is Story Telling

The Public Life of Sherlock Holmes: RPGing is Story Telling

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inspiration_tomblizardAs I recall, I began playing Dungeons and Dragons at the very end of 1st Edition. Most of my early memories are of playing AD&D and that’s still my favorite Role Playing Game (RPG) system. My buddy Chris and I used to ride our bikes to Hobbyland and he would get a shiny new TSR module, while I grabbed a color-bled, paper-bound supplement from Judges Guild.

I had read Moorcock and Lieber by then (though I didn’t get to Tolkien until early high school). I had acquired a love of Greek mythology (and to a lesser extent, Norse) earlier, and The Trojan War was probably my favorite subject matter (I rooted for Troy: that was disappointing: I mean, c’mon, tear apart the walls to drag in a giant horse your enemy left you???).

You know, The Iliad is like a game of Chainmail: a mass combat wargame with the fantasy supplement for individual heroes. Then  you’ve got The Odyssey, which is an overland (over-the-sea, mostly) D&D campaign. After you’ve played that one a time or two, you could switch to The Aeneid and you’ve got an overland campaign with a kingdom building mechanic. Huh – there’s fodder for another post…

My earliest fantasy gaming memories are of playing Adventure on an Atari 2600. That led to Temple of Apshai on an Atari 1200XL computer. I mapped out every room of that game (and The Upper Reaches sequel) on graph paper. Eventually I got an IBM-compatible PC and tore through the gold box games from SSI. I made the graphical leap to Dungeon Master from FTL (this preceded the more successful but derivative Eye of the Beholder by a few years). Even when I stopped playing pen and paper D&D, I continued on through Baldur’s Gate, Neverwinter Nights, Morrowwind and right up to Age of Conan.

Though I stopped playing, I still read a lot of 3rd Edition D&D stuff and began playing once again with Pathfinder. And as I wrote here at Black Gate just a few weeks ago, I’ve begun running a Swords & Wizardry game for some non-pen and paper fantasy players (it’s a good post. Really. You should go read it!).

And from Dungeon! to Wrath of Ashardalon to the Pathfinder Adventure Card Game, I’ve played fantasy board games for decades.

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A Secret Conflict During the Civil War: The House Divided Series by Sean McLachlan

A Secret Conflict During the Civil War: The House Divided Series by Sean McLachlan

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Sean McLachlan, our Wednesday afternoon blogger, is primarily known around our offices as the guy with the enviable travel budget. His recent travelogues have taken him to Roman ruins in Spain, Wallingord Castle in England, a volcanic island in the Canary Islands, the National Archaeological Museum in Madrid, a writing retreat in Tangier, Morocco, and even more exotic places.

But Sean is also a prolific author. A former archaeologist, he is now a full-time writer who specializes in history, travel, and fiction. He won the 2013 Society of American Travel Writers Award for his Iraq reportage, and his historical fantasy novella “The Quintessence of Absence” appeared in Black Gate. He currently has several series on the go, including Toxic World, a post-apocalyptic science fiction adventure, and the Trench Raiders action series set in World War One. And his contemporary thriller, The Last Hotel Room, will be released later this month.

But my current favorite is his Civil War horror series House Divided, which so far consists of two novels: A Fine Likeness and The River of Desperation. Here’s what Sean told me when I asked him about the origin of the series.

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Amazing, May 1963: A Retro-Review

Amazing, May 1963: A Retro-Review

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amazing-science-fiction-may-1963-smallThis is one of the best issues of Cele Goldsmith’s Amazing I’ve encountered. Only four stories, but all decent, one really good.

The cover is by Ray Kalfus, illustrating Henry Slesar’s “Jobo” in a fashion that gives away one of the story’s secrets (not that it’s that big of a secret). Interiors are by Leo Summers, George Schelling, and Virgil Finlay.

Norman Lobsenz’ Editorial opens thusly:

The New Yorker magazine, which normally does not care to admit of the existence of such a literary form as science fiction (probably because sf stories have plots with beginnings, middles, and ends, which the New Yorker fiction editors abhor)…

Plus ça change! The occasion is an approving New Yorker review of Arthur C. Clarke’s Tales of Ten Worlds, and in particular their praise for the story “Before Eden,” which was first published in Amazing in 1961.

“… Or So You Say”, the letter column, is mostly occupied with complaints about a letter in the January issue from Lorne Yacuk, which apparently complained about the “new” type of stories published in those days, particularly that they featured dull “common men” instead of “supermen.” The writers are James C. Pierce, W. D. Shephard, and Gil Lamont. In addition, Paul Gilster (from St. Louis!) praises Albert Teichner’s “Cerebrum” (mentioned in these reviews some time ago).

The Spectroscope, S. E. Cotts’ book review column, covers The Space Child’s Mother Goose, by Frederick Winsor; Moon Missing, by Edward Gorey; They Walked Like Men, by Clifford Simak; and Anything You Can Do…, by Darrel T. Langart (Randall Garrett). The only one he really approves of is the Simak.

There are two “fact” articles. One is called “A Soviet View of American SF,” by Alexander Kazantsev. It’s a reprint (translated by John Isaac) of the introduction to an anthology of American SF published in the Soviet Union. The author (Kazantsev) is said to be famous for suggesting that the Tunguska event was caused by the explosion of a Martian spaceship. His views of the stories mentioned are politically tinged to the point of parody. The other article is by Ben Bova, “Where is Everybody?”, and it’s a look at the Fermi Paradox.

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