We’re back to our survey of Ace Doubles, this time with a surprising pair of adventure books by Ron Goulart.
I’m a fan of Ron Goulart, although I only discovered him recently, when I sampled some stories from his excellent collection What’s Become of Screwloose? and Other Inquiries in 2012. So I was pleased to spot his 1971 Ace Double, Clockwork’s Pirates and Ghost Breaker, in a collection of 23 old paperback I found on eBay. Twenty-two bucks later, the collection was all mine.
Goulart has a well-deserved reputation for satire and comedy, but with Screwloose I was happy to discover he has a talent for mystery and adventure as well. Mystery and adventure are very much what’s advertised in Clockwork’s Pirates and Ghost Breaker. The former is a novel of robot pirates, the scourge of the spaceways, who steal the planetary governor’s daughter and sell her on the slave markets, and the latter is a collection of short stories featuring a modern supernatural detective, in the mold of John Silence and Carnacki the Ghost Finder.
[Click on any of the images for bigger versions.]
Clockwork’s Pirates is the third novel in Goulart’s Barnum System space opera series, which also includes Shaggy Planet (1973), Dr. Scofflaw (1979), and the Star Hawks novels. Its gonzo premise is matched by its breezy narrative style. Here are the opening paragraphs:
They came howling over the rail out of the darkness, reeking steam, with machine oil splashing from them. They were all a shade larger than the biggest of men and they swung cutlasses and fired pistols. The bright metal of their weapons caught the flickering glow of their eyes. There were two dozen of them, all wearing bright clothes, sharply crimson sashes and bright yellow head rags. They were rich with gold earings and sooty eye patches and crinkly black beards.
“Pirates,” said the only female passenger on the small square-sailed merchant ship.
John Wesley Sand, who had been standing with the fair young girl near the cabin, said “Just who I’m looking for.”
As intriguing as that is, I admit I’m more interested in Ghost Breaker. “Ghost Breaker” is rather an unusual term these days, but in the 1960s it was common enough, mostly due to Bob Hope’s popular 1940 screwball comedy The Ghost Breakers. (The modern equivalent is doubtless “Ghostbuster”).
Here’s the inside cover copy of Ghost Breaker:
From the files of Max Kearny
“My late father was a band leader. He and his entire dance pavilion are playing a nightly engagement on my front lawn and the neighbors are beginning to complain…”
“I’ve told my husband there is something wrong with the house, what with sea gulls in the kitchen sink and black furry things in the bedroom. But he’s only interested in the gnome under the living room.”
“The average blue-eyed blonde-haired little girl passes 462 lbs. of smut on her way to Sunday school. We know. We weighed it.”
“I turn into a middle-sized gray elephant on national holidays.”
“Mrs. Levin has summoned up a three-man ghost patrol to protect her son the doctor.”
That should give you a fair idea of Goulart’s off-kilter imagination. Flipping open the book, I found this brief intro to the stories on the first page:
Concerning MAX KEARNY…
People with serious supernatural problems probably will consult John Silence or Carnacki. Max Kearny usually gets the lighter, sometimes screwball, occult cases to work on. Problems like: a tract house with a gnome under it, a young man who turns into an elephant on national holidays, a television set haunted by a ghostly guitar-playing uncle, etc.
Living in San Francisco, and an advertising man by profession, Max has been an amateur ghost breaker for nearly a decade now. He made his debut in the Magazine of Fantasy & Science Fiction in February of 1961 and has appeared there regularly ever since. He got married in September of 1965 (a little over a year after I did), but this hasn’t slowed down his occult investigating any.
The nine stories in this collection cover Max Kearny’s career from 1962 through 1969. They all have California as a setting, usually San Francisco and environs, and once or twice the Los Angeles area.
Clockwork’s Pirates/Ghost Breaker was published by Ace Books in 1971. It is 111+142 pages, priced at 75¢. The art for both covers was by Karel Thole. Both books have been out of print for 44 years; there is no digital edition.
We’ve covered the following Ace Doubles so far:
ATTA/ The Brain-Stealers by by Francis Rufus Bellamy and Murray Leinster
The Ship from Atlantis/ The Stolen Sun by H. Warner Munn and Emil Petaja
Vulcan’s Hammer / The Skynappers by Philip K. Dick and John Brunner
The Ship That Sailed the Time Stream by G.C. Edmondson
Bow Down to Nul / The Dark Destroyers by Brian W. Aldiss and Manly Wade Wellman
Gateway to Elsewhere / The Weapon Shops of Isher by Murray Leinster and A. E. van Vogt
The Cosmic Puppets / Sargasso of Space by Philip K. Dick and Andre Norton
The Beast Master / Star Hunter by Andre Norton
Big Planet by Jack Vance
City Under the Sea by Kenneth Bulmer
The Forgotten Planet (Planets of Adventure) by Murray Leinster
Six Worlds Yonder / The Space Willies by Eric Frank Russell
Sentinels of Space / The Ultimate Invader by Eric Frank Russell and Donald Wollheim
Ring Around the Sun/ Cosmic Manhunt by Clifford D. Simak and L. Sprague de Camp
The Trouble With Tycho/ Bring Back Yesterday by Clifford D. Simak and A. Bertram Chandler
The Last Planet (Star Rangers) by Andre Norton
A Touch of Infinity/ The Man With Nine Lives by Harlan Ellison
Kirkus Looks at Donald A. Wollheim and the Ace Double
Tales of Outer Space/ Adventures in the Far Future edited by Donald A. Wollheim
The Pirates of Zan by Murray Leinster
See all of our recent Vintage Treasures here.