Slushpile Blues

Slushpile Blues

Heroic Fantasy Quarterly 24I’m going to start this by getting on my high horse for a second.

When we started Heroic Fantasy Quarterly back in ’09 we had several goals; one of them was to bring a little class back into the public face of editing. We had seen one too many editor panels at conventions that turned into sad little pity parties. We vowed (and at HFQ when we vow something, blood oaths are involved) that we would not do that.  Further, we would blood-eagle ourselves before we bitched, pissed or moaned about having to read slush.

In fact, from day one, we don’t even call it reading “slush”, we call it reading submissions. “Slush” is a fundamentally derogatory term. And I want everyone to know that if you see me on a panel and someone else is going on about the slush pile, I’ve got a devil on my shoulder telling me to bust their stupid face into next week. And all the angel on my other shoulder is telling me is just not to use a closed fist to do it.

With all that out of the way, I will be using the term “slush” and “slushpile” in the following article, as distasteful as it is for me to do so.

I ran into this article at New Republic: “Cheat! It’s the Only Way to Get Published.” The writer was an intern at a literary magazine and, aside from the usual denigration of, and projection onto, the writers on the slushpile, the important part is this.

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Vintage Treasures: The Deep by John Crowley

Vintage Treasures: The Deep by John Crowley

The Deep John Crowley back-small The Deep-spine-small The Deep John Crowley-small

I bounced off John Crowley when I first tried him. It was 1977, I was thirteen years old, and the Science Fiction Book Club had just shipped me his second novel, Beasts, because I forgot to return their stupid monthly request form. The cover featured a lion-man in a broken cage, and I figured, eh, what the hell. I got about five pages in before I gave up, and re-read Robert Silverberg’s Collision Course instead (that book rocks).

That probably would have been it for me and John Crowley, if it hadn’t been for his fourth novel, the landmark Little, Big, which won the World Fantasy Award in 1982, and was nominated for every major award the genre had to offer. It wasn’t long before my friends were talking about it excitedly, and I was forced to re-examine John Crowley. (Mark Rigney did a brilliant analysis of Little, Big for us here, if you somehow missed it.)

It was Bantam Spectra who got me re-interested in his early novels, though.

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Last Chance to Win a Copy of Gestapo Mars by Victor Gischler

Last Chance to Win a Copy of Gestapo Mars by Victor Gischler

Gestapo Mars-smallLast week, we told you that you had a chance to win one of three copies of Victor Gischler’s brand new novel of interstellar Nazi mayhem, Gestapo Mars, on sale this week from Titan Books.

How do you enter? Just send an e-mail to john@blackgate.com with the subject “Gestapo Mars” and a one-sentence review of your favorite Nazi science fiction story (bonus points if it includes Gestapo!) That’s it; that’s all that stands between you and a copy of one of the most gonzo SF novels of the year. Three winners will be drawn at random from all qualifying entries and we’ll announce the winners here on the Black Gate blog on Sept 29. What could possibly be easier? But time is running out — the contest closes Monday. Here’s the book blurb:

Carter Sloan is a trained assassin — the best there is, pulled out of cryogenic sleep whenever an assignment demands his skills. So when he’s kept in the deep freeze for 258 years, he’s seriously pissed off.

Yet his government needs him, to hunt down the enemy known as the Daughter of the Brass Dragon. The future of the galaxy-spanning Reich depends on it, so Sloan is off — screwing, swearing, and shooting his way across interstellar space.

It’s action, adventure, and disgusting gelatinous aliens as only Victor Gischler can create them.

No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Not valid where prohibited by law. Eat your vegetables. Gestapo Mars will be published by Titan Books on September 22, 2015. It is 277 pages, priced at $14.95 in trade paperback and $7.99 for the digital version.

September 2015 Nightmare Magazine Now on Sale

September 2015 Nightmare Magazine Now on Sale

Nightmare Magazine September 2015-smallThe September issue of the online magazine Nightmare is now available. In his editorial this month, John Joseph Adams justly celebrates his recent awards, nominations, and publications:

We won another Hugo! Our sister-magazine Lightspeed took home the rocket for Best Semiprozine, but also, just as exciting there were two other Lightspeed Hugo victories: Thomas Olde Heuvelt’s story from Lightspeed, “The Day the World Turned Upside Down,” won the Hugo for Best Novelette, and one of our illustrators, Elizabeth Leggett, won the Hugo for Best Fan Artist…

In other awards news, the World Fantasy Award nominations were also announced recently, and I’m pleased to report that I have been once again nominated in the “Special Award, Professional” category. I am extremely honored to be nominated again (now for the seventh time overall, including three Anthology nominations), and I will be in Saratoga Springs, New York for the World Fantasy Convention (November 5-8) when the awards are presented (where I look forward to losing to Gordon Van Gelder in person)… And ICYMI last month: Both Lightspeed generally and our Women Destroy Science Fiction! special issue specifically have been nominated for the British Fantasy Award!

Releasing this month, on September 15, is a new anthology I edited called Loosed Upon the World, the definitive collection of climate fiction… Then in October comes the debut of Best American Science Fiction and Fantasy, part of the prestigious Best American series. In it, guest editor Joe Hill and I present the top twenty stories of 2014 (ten science fiction, ten fantasy).

As we’ve noted previously, John Joseph Adams is one busy guy. It’s a full time job just keeping up with him.

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Conan is My Spirit Guide

Conan is My Spirit Guide

ByCrom2
What if Conan were your spirit guide?

What if Conan were your spirit guide?

It’s such a lovely high concept and the implicit conflict — modernity versus barbarity — gives it instant viral appeal for those in the know (a bit like, I hope, Swords Versus Tanks). It also pings that contrast we Blackgate folk all experience: reading heroic fantasy on the way to a desk job, pausing Halo to change a diaper, leaving off writing a fight scene to print off My Little Pony coloring in sheets.

hunk-raSo I clicked the link and found the tumblr (now mostly gone because the comic has been published). I was expecting the hilarity of Doonesbury’s Boopsie channelling Hunk Ra. Instead I got something different. Just as funny, but deeper laughs and some profound thoughts about modernity and why we still need Conan.

Rachel Kahn, the creator of Conan is My Spirit Guide, By Crom! is a real Conan fan and the joke is always on the modern character.

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Laxmi Hariharan on Marketing Books in India, Her Ruby Iyer Series, and Bombay as a Modern Day Dystopia

Laxmi Hariharan on Marketing Books in India, Her Ruby Iyer Series, and Bombay as a Modern Day Dystopia

LaxmiRubyLaxmi Hariharan is both an indie author and a marketing professional. Her latest book, The First Life of Vikram Roy, is now for sale.

Black Gate readers will appreciate that Laxmi helped launch the SyFy Channel in Europe. Her Ruby Iyer Series is about a young woman in present day India, who is knocked off a train platform one morning, onto a live wire. 10,000 volts of electricity later, she doesn’t die as might be expected, but rather becomes much more than she ever dreamed she could be. Interlaced with her story is the mileau of modern India and ancient Bombay.

While most indie authors focus primarily on western publishing markets, Laxmi put a good portion of her resources towards marketing in her native India. As one of the first indie authors to break into this market, she’s in the ideal position to share what she’s learned from the experience.

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New Treasures: The Death House by Sarah Pinborough

New Treasures: The Death House by Sarah Pinborough

The Death House-smallSarah Pinborough won a British Fantasy Award last year for her novella “Beauty,” and she was nominated for a Bram Stoker in 2013 for her novel A Necessary End, written with F. Paul Wilson. Her latest novel, The Death House, has gotten a lot of attention, including a cover blurb from Stephen King: “Moving and totally involving. I couldn’t put it down.” The publisher’s release that came with it described it as “a contemporary novel with a compelling dystopian setting… with strong YA crossover appeal.” I suppose I could just wait for the movie then.

Toby’s life was perfectly normal… until it was unravelled by something as simple as a blood test.

Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium.

No one returns from the sanatorium.

Living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes. Because everybody dies. It’s how you choose to live that counts.

We last covered Sarah here with her 2013 novel A Matter of Blood, the first book in The Forgotten Gods trilogy.

The Death House was published by Titan Books on September 1, 2015. It is 286 pages, priced at $14.95 in trade paperback and $7.99 for the digital edition. The cover design is by Julie Lloyd.

Feeling Cozy?

Feeling Cozy?

Macleod VaultMost of you already know that I’m a big fan of mystery fiction. I’ve been reading all kinds of it for almost as long as I’ve been reading Fantasy and SF, starting with Agatha Christie’s Mystery on the Blue Train when I was fourteen. For that matter, I was the co-founder of the Wolfe Island Scene of the Crime Festival, and many of my friends are crime writers.

I’ve often talked about crossovers, and mixed genre novels, but I don’t think we have anything in our world that’s the equivalent of the cozy mystery. Read on, and let me know what you think.

The easiest way to describe cozies is to say they’re like Agatha Christie mysteries. Though she wasn’t deliberately trying to write cozies – there being no such thing at the time – Christie established many of the standard conventions used by the cozy mystery today. See if any of this sounds familiar to you:

There will be a murder, which often takes place “off stage” and of which no graphic or gory details are given.

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Future Treasures: Songs of a Dead Dreamer and Grimscribe by Thomas Ligotti

Future Treasures: Songs of a Dead Dreamer and Grimscribe by Thomas Ligotti

Songs of a Dead Dreamer and Grimscribe-smallBack in 1990 I bought a remaindered copy of Songs of a Dead Dreamer at a Waldenbooks in Champaign, IL. I’d never heard of the author, Thomas Ligotti, but the book sounded kind of interesting. I added it to my to-be-read pile, where it was quickly buried, and years went by before I really thought of it again.

In those intervening years, I learned the name Thomas Ligotti. So did anyone who read Weird Tales, Grue, or other horror magazines in the late 80s and early 90s. He was a singularly unique talent, and his fame quietly grew during those decades. In fact, when I launched the first issue of Black Gate in the year 2000, I had more-or-less decided not to put the names of authors on the cover, to keep the artwork clean and give the magazine a unique look, but I talked to a few other editors to get their opinion first. One of them was Darrell Schweitzer, co-editor of Weird Tales.

“We never noticed a bit of difference in sales when we put authors names on the cover,” he confided. “Unless the name was Thomas Ligotti.”

Ligotti’s first two collections were Songs of a Dead Dreamer (1985) and Grimscribe: His Lives and Works (1991), both of which appeared first in small print-run hardcovers. Those editions — including the one I bought at Waldenbooks for three bucks — became highly prized collectors items. Both appeared in paperback, in June 1991 and October 1994, respectively. Those editions shortly went out of print, and also became became highly sought-after. In 2010 and 2011, after both volumes had been out of print for nearly two decades, Subterranean Press re-issued them with matching dust jackets. Those editions quickly sold out, and routinely command prices of $200-400 in the collectors market.

In short, if you wanted a print copy of Songs of a Dead Dreamer or Grimscribe any time in the last 20 years, you pretty much needed to be very wealthy, very lucky, or both. So you can understand why the impending release of Songs of a Dead Dreamer and Grimscribe, an omnibus 464-page collection of both volumes in a handsome and affordable trade paperback from Penguin Classics, has generated excited buzz in horror circles.

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Goth Chick News: Kicking the Apocalypse’s Ass

Goth Chick News: Kicking the Apocalypse’s Ass

The 5th Wave poster-smallThough she has been in the biz since she was six years old, we only really got a chance to fall in love with Chloë Grace Moretz in 2010, when she was all of thirteen and played the little purple-wigged assassin in Kick Ass.

From that point forward it sure seemed as though either someone was giving Moretz awesome advice on what roles to take on, or her own quirky tastes in characters was leading her to some juicy parts. Either way, and if the movie was a hit or not, Moretz’s performances always left an indelible impression; whether it was her reworking of blood-drenched Carrie or the vampire Abby in Let Me In.

So imagine the anticipation when last week we were gifted with the first trailer for The 5th Wave and found the now 21-year-old Miss Moretz continuing her tradition of headstrong, revenge-dishing, ass-kickery.

The 5th Wave began as a 2013 young adult science fiction novel by Rick Yancey; the first installment in a trilogy. Critics have compared the book favorably to The Hunger Games and noted that it “should do for aliens what Twilight did for vampires.”

Okay, let’s hope the heck not. But moving on…

The story follows 16-year-old Cassie Sullivan as she tries to survive in a world devastated by the waves of alien invasion that have already decimated the population and knocked humankind back to the Stone Age.

First, they wiped out the power. Then, an earthquake hit, causing worldwide devastation. Third, a massive epidemic, spreading across the globe.  And for the fourth wave, the alien invaders responsible for all this chaos finally descended to Earth — with the ability to inhabit human bodies. So the question is: What is the fifth wave going to look like?

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