Black Gate – Page 700 – Adventures in Fantasy Literature

The January Fantasy Magazine Rack

Thursday, January 14, 2016 John ONeill Comments 2 comments

In his December Short Story Roundup, Fletcher Vredenburgh gives as eloquent a summary as I’ve seen for the vital importance of short fiction to fantasy, and in particular to sword & sorcery:

Before I get into the reviews, I thought I’d say a little about why I’ve made it a major part of my writing to review and publicize S&S short stories. While there have been good S&S novels… the beating heart of the genre has always been short stories. From that opening blast of thunder in REH’s “The Shadow Kingdom” — and through the decades in the works of authors as diverse as C.L. Moore, Fritz Leiber, Michael Moorcock, and Charles Saunders — it’s been in short stories that the genre’s been best displayed.

The hallmarks of swords & sorcery are adventure, dark fantasy, horror, and a narrow focus on only a few characters, bound together in a narrative that reads like a shot of mainlined adrenaline. In the very best stories — KEW’s “Reflections for the Winter of My Soul,” for example — they’re all present. Not that there can’t be structural complexity, finely detailed characters, or exquisitely tooled prose, but it must be exciting. Detours into side-plots, passages meticulously describing feasts, too many secondary and tertiary characters all put brakes on the action. Limited to fifteen or thirty pages, the focus is on the protagonist and his or her immediate situation…

The very best stories I have read in my years of reviewing S&S are the ones that come closest to meeting the demands I’ve put out above. There are dozens of authors working like mad to create stories that will thrill and chill you, and grab you out of the safety of your comfy chair for a little while. It’s those tellers of tales I’m on constant watch for and hoping to hip readers to. I want S&S to continue as a living, breathing genre, not one content to exist as a museum for forty- or seventy-year-old stories.

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Future Treasures: The Bands of Mourning by Brandon Sanderson

Thursday, January 14, 2016 John ONeill Comments 1 comment

The first three novels in Brandon Sanderson’s Mistborn trilogy — The Final Empire, The Well of Ascension, and The Hero of Ages — were published between 2006-08 by Tor Books. In 2011, Sanderson returned to the world of Mistborn with The Alloy of Law. Set after the trilogy, in a period corresponding to late 19th-century America, the spinoff books became New York Times bestsellers. Now, hot on the heels of last year’s Shadows of Self, (which we covered here), he continues the tale with The Bands of Mourning.

The Bands of Mourning are the mythical metalminds owned by the Lord Ruler, said to grant anyone who wears them the powers that the Lord Ruler had at his command. Hardly anyone thinks they really exist. A kandra researcher has returned to Elendel with images that seem to depict the Bands, as well as writings in a language that no one can read. Waxillium Ladrian is recruited to travel south to the city of New Seran to investigate. Along the way he discovers hints that point to the true goals of his uncle Edwarn and the shadowy organization known as The Set.

The Bands of Mourning will be published by Tor Books on January 26, 2016. It is 448 pages, priced at $27.99 in hardcover, or $14.99 for the digital edition. The cover is by Chris McGrath.

Ancient Lixus: A Roman City in Morocco

Wednesday, January 13, 2016 Sean McLachlan Comments 2 comments

The amphitheater of Lixus. Photo courtesy Almudeana Alonso-Herrero. — The amphitheater of Lixus. Photo courtesy Almudena Alonso-Herrero.

Happy New Year! Or Sana Sayeeda as they say in Arabic! I’m back from another trip to Morocco, and this time besides staying at our usual place in the medina of Tangier, I and my wife also visited the ancient city of Lixus on Morocco’s Atlantic coast.

Like many cities of Roman Morocco, it’s been inhabited since prehistory, and became a Phoenician colony starting around the 8th century BC. The Phoenicians called Lixus Makom Shemesh (“City of the Sun”). It is believed to be their southernmost colony, but considering the many good bays and coves that stud the Atlantic coast to the south, I’m wondering if an archaeological survey might uncover more.

The ruins stand on a hill overlooking Oued Loukos estuary and the city was an important fishing port as well as a fish processing and salt panning center, the products then being shipped to the Mediterranean. Salt is still being panned in this region today.

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The 2016 Philip K. Dick Nominees

Wednesday, January 13, 2016 John ONeill Comments 2 comments

The nominees for the 2016 Philip K. Dick Award, given each year for distinguished science fiction originally published in paperback in the United States, have been announced, and it’s an interesting ballot. Over at Barnes&Noble.com, in an article titled This Year’s Philip K. Dick Award Nominees Take SF in Strange New Directions, Joel Cunningham writes:

Sorry Hugos, but for my money, there’s no more interesting award in sci-fi than the ones named for Philip K. Dick. In the tradition of everyone’s favorite gonzo pulpist, the “PKD Award” honors innovative genre works that debuted in paperback, offering a nice reminder that you don’t need the prestige of a hardcover release to write a mind-blowing book (just ask William Gibson, whose seminal cyberpunk classic Neuromancer claimed the title in 1984), and in fact, if past winners are any evidence, the format might be seem as a license to take greater risks. This year’s nominees are of a piece with PKD contenders of the past: they twist genre tropes in new ways, carving new toe-holds in well-worn tropes. Which brings us to another thing we love about this particular award: the winner is basically impossible to [predict].

This year the noninees are

Edge of Dark, Brenda Cooper (Pyr)
After the Saucers Landed, Douglas Lain (Night Shade)
(R)evolution, PJ Manney (47North)
Apex, Ramez Naam (Angry Robot)
Windswept, Adam Rakunas (Angry Robot)
Archangel, Marguerite Reed (Arche)

The winner will be announced on March 25, 2016 at Norwescon 39 in SeaTac, Washington. Congratulations to all the nominees!

Wizards of the Coast Unveils Self-Publishing Site for D&D Adventures

Wednesday, January 13, 2016 Jackson Kuhl Comments 3 comments

Finally! A market for my Drizzt/Wulfgar slash adventure where the heroes discover the greatest treasure of all: love.

Wizards of the Coast has just announced the “Dungeon Masters Guild,” an e-publishing site for self-publishing D&D adventures and other content set in the Forgotten Realms. … The Dungeon Masters Guild seems similar to Amazon’s Kindle Worlds — a way that creators can be permitted to use licensed intellectual property and at the same time make a little money on it. In this case, the intellectual property is D&D‘s venerable Forgotten Realms setting. There are just a few restrictions on these adventures. The main restriction is that they must use the 5th Edition D&D rule set. Apart from that, they’re about what you’d expect — no offensive or pornographic material, no copyright or trademark violations, and nothing libelous.

Writers receive a 50-percent royalty, less than Amazon’s 70 percent yet recalling an earlier age when publishers regarded writers as partners and not grovelling slaves (halfsies was the same cut Melville received for Moby-Dick). The rest of the money is split between WotC and OneBookshelf, which runs the Dungeon Masters Guild site. Full story here.

Dungeons & Dragons has to be the most mismanaged IP in existence; its history is one long sitcom of bungling and idiocy. As the article points out, TSR spent much of the mid-90s sticking its fingers in the holes of the Internet spaghetti drainer, even going so far as to claim copyright over out-of-the-barn horses like “armor class” and “hit points.” It’s good to see WotC, in anno Domini 2016, finally join ’em instead of trying to beat ’em, even if they, like most publishers, continue to be the last across the innovation finish line.

New Treasures: The Library of America Publishes Elmore Leonard

Wednesday, January 13, 2016 John ONeill Comments 9 comments

Elmore Leonard Four Novels of the 1970s-small

Elmore Leonard Four Novels of the 1980s-small

The Library of America has made a fine business of publishing archival quality omnibus editions of the most important novels of the 20th Century. We’ve covered several here recently, including:

A Princess of Mars and Tarzan of the Apes by Edgar Rice Burroughs
American Science Fiction: Nine Classic Novels of the 1950s, edited by Gary K. Wolfe
American Fantastic Tales: Terror and the Uncanny, edited by Peter Straub

They’ve also published omnibus editions of Kurt Vonnegut, Dashiell Hammett, Philip K. Dick, Ross Macdonald, David Goodis, F. Scott Fitzgerald, and many others. I received several review copies in the mail from Library of America recently, including one of their Elmore Leonard collections. It’s been years since I’ve read anything by Leonard, but then again, it’s been a long time since I’ve held something as enticing as these collections. If you’re looking to put together an impressive genre library, this is the place to start.

Elmore Leonard: Four Novels of the 1970s was published on August 28, 2014. It contains Fifty-Two Pickup, Swag, Unknown Man, and The Switch; it is 809 pages, priced at $35 in hardcover. Elmore Leonard: Four Novels of the 1980s was published on September 1, 2015. It contains City Primeval, LaBrava, Glitz, and Freaky Deaky; it is 1024 pages, priced at $37.50 in hardcover. There are no digital editions.

Vintage Treasures: The Walking Drum by Louis L’Amour

Tuesday, January 12, 2016 Comments 15 comments

I read this book so you don’t have to.

Perhaps this review will make you want to read it.

Perhaps you shouldn’t.

It’s complicated.

The Walking Drum is the only medieval adventure written by Louis L’Amour, the mindbogglingly prolific author of a zillion Westerns. That alone makes it a retro must-read. A medieval romp by a horse-opera yarn-spinner who had also been a professional boxer and merchant seaman. How can we resist?

In actuality, the book is… odd. It fulfills expectations, both positive and negative, exceeds them, falls well short of them, and — ultimately — could have done with an edit before being released into the wild.

Reading it has made rethink my choice of reading matter (and also my strategy as a writer, but that’s for another article). Let me start from the beginning

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Patrick “Not the Starfish” Samphire on His Novel, Secrets of the Dragon Tomb, Building a Career as an Author, and Supporting a Family in an All Author Home

Tuesday, January 12, 2016 Emily Mah Comments 0 Comment

Patrick Samphire has already had a long and impressive career as a short story author. Now he’s got his first novel out, Secrets of the Dragon Tomb. This pulp adventure is set in the Regency era, in a British colony on Mars. It’s got high adventure, action, mystery, dinosaurs, and of course, dragons. What more do you need?

These days both Patrick and his wife, Stephanie Burgis, work full time as authors and support their young family in Wales.

He and I sat down to talk over Skype about his new book, and also about building a life as an author. In this interview, he details his journey from his childhood in Africa, to his earning a doctorate in physics, to his being accepted to and attending Clarion West.

I’ve been reading Patrick’s work for over a decade, now, and highly recommend it to anyone!

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Clarkesworld 112 Now Available

Tuesday, January 12, 2016 John ONeill Comments 0 Comment

Neil Clarke uses his editorial this issue to announce the 2015 Reader’s Poll and Contest. Vote for your favorite Clarkesworld story and cover art, and you could win one of three copies of Clarkesworld: Year Eight (publishing this month). Voting is open now through February 23rd, and the results will be announced in the March issue. Cast your votes here!

Issue #112 of Clarkesworld has four new stories by Robert Reed, E. Catherine Tobler, Rich Larson, and Bao Shu, and two reprints by Robert Silverberg and Megan Lindholm.

Short stories featured this issue are:

“The Algorithms of Value” by Robert Reed
“The Abduction of Europa” by E. Catherine Tobler
“Extraction Request” by Rich Larson
“Everybody Loves Charles” by Bao Shu
“The True Vintage of Erzuine Thale” by Robert Silverberg (from Songs of the Dying Earth: Stories in Honor of Jack Vance, 2009.)
“Old Paint” by Megan Lindholm (from Asimov’s Science Fiction, July 2012)

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Future Treasures: Medusa’s Web by Tim Powers

Tuesday, January 12, 2016 John ONeill Comments 3 comments

A new book by Tim Powers is a major event. Powers made a huge splash with his early novels, especially The Drawing of the Dark (1979), which Fletcher Vredenburgh reviewed for us here, The Anubis Gates (1983), Dinner at Deviant’s Palace (1985), and On Stranger Tides (1987). His last novel was Hide Me Among the Graves (2012), a sequel of sorts to The Stress of Her Regard (1989). Medusa’s Web is a phantasmagoric tale of a man who must uncover occult secrets in 1920s Hollywood to save his family.

In the wake of their Aunt Amity’s suicide, Scott and Madeline Madden are summoned to Caveat, the eerie, decaying mansion in the Hollywood hills in which they were raised. But their decadent and reclusive cousins, the malicious wheelchair-bound Claimayne and his sister, Ariel, do not welcome Scott and Madeline’s return to the childhood home they once shared. While Scott desperately wants to go back to their shabby South-of-Sunset lives, he cannot pry his sister away from this haunted “House of Usher in the Hollywood Hills” that is a conduit for the supernatural.

Decorated by bits salvaged from old hotels and movie sets, Caveat hides a dark family secret that stretches back to the golden days of Rudolph Valentino and the silent film stars. A collection of hypnotic eight-limbed abstract images inked on paper allows the Maddens to briefly fragment and flatten time — to transport themselves into the past and future in visions that are both puzzling and terrifying. Though their cousins know little about these ancient “spiders” which provoke unpredictable temporal dislocations, Ariel and Claimayne have been using for years — an addiction that has brought Claimayne to the brink of selfish destruction.

As Madeline falls more completely under Caveat’s spell, Scott discovers that to protect her, he must use the perilous spiders himself. But will he unravel the mystery of the Madden family’s past and finally free them… or be pulled deeper into their deadly web?

Medusa’s Web will be published by William Morrow on January 19, 2016. It is 368 pages, priced at $26.99 in hardcover and $12.99 for the digital edition.