Black Gate – Page 529 – Adventures in Fantasy Literature

The Play’s The Thing

Friday, June 9, 2017 Violette Malan Comments 3 comments

Leiber Ghost Light Here at Black Gate we often have posts on films and TV shows as they connect with or pertain to our favorite genre(s). If we don’t talk as much (or at all) about live drama, it’s probably because there’s not as much SF or Fantasy happening on the stage as there is on the screen. I’d think we’d all agree that with a very few exceptions stage effects are simply not equal to the kind of special effects SF and Fantasy often need.

But if we don’t see our favourite novels and stories on the stage, we certainly do see the opposite: we see the stage in our novels and stories.

We’re all familiar with the “play within a play” concept since we had to read Hamlet in high school. After all, practically every Fred Astaire movie musical is about a musical production, and there can’t be anyone alive who doesn’t know that Singing in the Rain is about making a movie musical. But again, what I’m looking at here is play-within-the-story. We should note that if we follow in Shakespeare’s footsteps, the device has to have purpose. In Hamlet, the play was “the thing to catch the conscience of the king,” that is, it played an integral part of the plot. The same should be true if we see the device in a short story or novel.

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Goth Chick News: “Show Me the Mummy!” or Universal Studios Eats Its Young…

Thursday, June 8, 2017 Sue Granquist Comments 5 comments

Back in October I reported on the travesty that Universal Studios was perpetuating on its own iconic catalog of classic movie monster films. Though I was sincerely hoping the early rumors were not true, it has recently been confirmed that Universal is indeed committing this violent crime which they are entitling their “Dark Universe,” the umbrella under which it is planning at least five films including The Invisible Man (with Johnny Depp), Dr. Jekyll (Russell Crowe), Frankenstein’s Monster (Javier Bardem) and Bride of Frankenstein (not yet cast but Angelina Jolie is rumored).

So what’s the problem you ask?

These films have already been remade multiple times, you say.

True enough.

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Princesses, Space Battles, Monsters and Aliens: The Sirantha Jax Novels by Ann Aguirre

Thursday, June 8, 2017 John ONeill Comments 4 comments

I love adventure science fiction, but I’m a little shy of all these open ended series. I want to fall in love with a series, sure… but do I want to fall for a publishing endeavor with an uncertain future, one that could easily be derailed by an author illness, a fickle market, publishing setbacks or other unexpected tragedy? Who needs that anxiety and potential heartache? Not me; I have three teenagers.

Which leaves me in a bit of a quandary, since most of the adventure SF I like tends to be part of series. But there are a few completed story arcs, out there — not many, but a few. Successful series that have wrapped up with a beginning, middle, and an end. And one of those is Ann Aquirre’s 6-volume Sirantha Jax cycle, a far-ranging space opera in a well-realized universe that left fans happy with a satisfying concluding volume.

My friend Sharon Shinn was one of the first to alert me to these books, with her review of the opening volume Grimspace: “Sirantha Jax doesn’t just leap off the page — she storms out, kicking, cursing, and mouthing off. No wonder her pilot falls in love with her; readers will too.”

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May/June Magazine of Fantasy & Science Fiction Now on Sale

Thursday, June 8, 2017 John ONeill Comments 0 Comment

The May/June F&SF features the second appearance of Matthew Hughes’s new series character Baldemar, in the issue’s cover story “The Prognosticant.” Matt had an interview with Stephen Mazur on the Fantasy & Science Fiction blog in which he discusses the series.

It’s a continuation of the career of young Baldemar, who was introduced in the last issue in “Ten Half-Pennies” as a budding wizard’s henchman working for a thaumaturge who calls himself Thelerion the Incomparable (though his fellow wizards would likely change that to “Incompetent”).

In “The Prognosticant,” Baldemar and his supervisor, Oldo, are sent out to a ruined ancient city in the desert to bring back a magical object known as the Helm of Sagacity. But the Helm, it turns out, is not just an object: it’s an entity, and a powerful one. And it has its own agenda…

I’m writing the life of a character in a Jack Vance-inspired, Dying Earth fantasy world. Like most of my characters, Baldemar is an outlier, as becomes evident as he deals with what the world hands him. He’s not your average henchman.

The cover is by Maurizio Manzieri. The issue also includes fiction by Richard Bowes, Nina Kiriki Hoffman, Leah Cypess, Shannon Connor Winward, and others.

Victoria Silverwolf has a fine review of the issue at Tangent Online, with particular praise for the stories by Brian Trent, Kelly Jennings, Zach Shepard, and R. S. Benedict. Here’s a snippet.

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New Treasures: The Valancourt Book of Horror Stories, Volume One, edited by James D. Jenkins and Ryan Cagle

Wednesday, June 7, 2017 John ONeill Comments 3 comments

Now here’s an interesting idea — a collection of horror stories showcasing the work of a single publisher.

How appealing is that? Depends on the publisher. In the case of Valancourt Books, an independent small press specializing in the rediscovery of rare, neglected, and out-of-print Gothic, Romantic and Horror fiction, it’s very appealing indeed. Here’s a snippet from the Editor’s Forward to give you a taste.

Since 2005, Valancourt Books has made available almost 40 neglected classics by dozens of authors, most of them out of print for decades, sometimes even for a century or two. Our catalogue includes Gothic novels from the late 1700s and early 1800s, Victorian ‘penny dreadfuls’ and ‘sensation’ novels, vintage mystery and horror fiction from the 1920s, ’30s and ’40s, rediscovered gay interest fiction from the mid-20th century, and more recent horror and science fiction from the 1970s, ’80s and ’90s. The idea behind this anthology was, “What if we distilled the best of each part of our catalogue into a single volume? What would a horror anthology spanning two centuries, and featuring only Valancourt authors, look like?”

This book has something for fans of each section of our catalogue. Those who have enjoyed our Gothic Classics series will surely find Matthew Gregory Lewis’s rare ghost story in verse, “The Grim White Woman,” to their liking. If, like us, you love a good, old-fashioned Victorian horror story, you’ll relish the creepy tales we’ve included by authors hugely popular in the day but now little known, like Florence Marryat, Richard Marsh and Mary Cholmondeley. Readers who have appreciated our efforts to rediscover lost gay fiction will be pleased to find contributions from authors such as Forrest Reid, Hugh Walpole and Francis King in this volume. Of course, no horror anthology would be complete without stories from some of the great contemporary masters of horror like Michael McDowell, Bernard Taylor and Stephen Gregory. But perhaps the biggest surprise for some readers will be the excellent tales by writers not normally thought of as “horror authors,” like Christopher Priest, Michael Blumlein and Francis King.

Here’s the complete Table of Contents.

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Stained Glass Windows in Cairo

Wednesday, June 7, 2017 Sean McLachlan Comments 4 comments

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Last week in my post on the Coptic Heritage of Cairo I posted a photo of a stained glass window done in the traditional Egyptian style, from the so-called “Hanging Church” in Cairo, officially known as St. Virgin Mary’s. It got its name because it’s built atop an old Roman gatehouse.

I was surprised at this and other stained glass windows I found all over Cairo, both in Christian and Muslim settings. I had never read about these windows in my (admittedly small) collection of Islamic art books, and I didn’t remember them from my previous visit in 1991. I’ve been able to find very little about them online, so if anyone knows more, please comment!

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Vintage Treasures: World’s Best Science Fiction 1965 – 1970, edited by Donald A. Wollheim and Terry Carr

Wednesday, June 7, 2017 John ONeill Comments 22 comments

If you’ve been paying attention over the past two months, you’re probably aware that we’re deep into the Year’s Best Science Fiction season. So far this year Solaris, Night Shade, and Prime Books have all released Best of the Year anthologies (edited by Jonathan Strahan, Neil Clarke and Rich Horton, respectively), and in the next few months we can expect additional volumes by Gardner Dozois, John Joseph Adams, Ellen Datlow, Paula Guran, Stephan Jones, and others.

Now I know what you’re thinking. What the heck, world? My favorite fantasy series gets canceled after three volumes, but eight publishers happily produce Best of the Year anthologies every single year? How is that even possible? And you know, that’s not a bad question. How did we get to the point where the market is willing to bear so many books that all claim to contain the best science fiction of the year?

Everett F. Bleiler and T.E. Dikty are widely credited with creating the first such anthology, The Best Science Fiction Stories: 1949. But our current appetite for Best of the Year volumes can be traced back to Donald A. Wollheim and Terry Carr, two of the most important editors our field has ever seen. Starting in 1965 and running until Wollheim’s death in 1990, together and separately Wollheim and Carr produced over 50 Best of the Year volumes, and in the process they shaped the direction of short fiction in the genre for generations to come. Their books were of such high quality that they were must-reads for all serious fans of science fiction and fantasy. Year after year the Carr and Wollheim anthologies were absolutely indispensable, and if you enjoy the rich assortment of modern Best of the Year editions, you can trace our modern enthusiasm for the format directly back to these two men.

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Catching Up With the Fiction at Tor.com

Tuesday, June 6, 2017 John ONeill Comments 1 comment

Extracurricular Activities by Yoon Ha Lee

The Autobiography of a Traitor and a Half-Savage by Alix Harrow

The Scholast in the Low Waters Kingdom by Max Gladstone

Tor.com is one of the most successful and acclaimed sources of genre short fiction we have. They routinely lead the field in award nominations, as they did with this year’s Hugo nominations. And as recently as 2014, they swept the short fiction categories of the Hugo Awards.

They publish one new work of short fiction every week, completely free, at the Tor.com website. But because they don’t have regular issues, I don’t do a very good job of including them in our regular magazine coverage. So that means I have to report on them as best I can every few months. Which brings us to today’s massive catch-up post featuring 30 stories and 11 flash fiction pieces — enough to fill two decent-sized anthologies.

And what a dazzling list of contributors! Over the last 6+ months Tor.com has published brand new fiction from Peter S. Beagle, Carrie Vaughn, Yoon Ha Lee, Lavie Tidhar, Max Gladstone, Jo Walton, Kelly Robson, M. Dellamonica, Theodora Goss, Allen Steele, S.B. Divya, Stephen Leigh, and many others, plus reprints from Ken Liu, Ellen Klages, and others. All of it gorgeously illustrated by a talented group of artists, and available online completely free. You owe it to yourself to check it out.

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“A World Gone to the Dogs”: City by Clifford D. Simak

Tuesday, June 6, 2017 Fletcher Vredenburgh Comments 7 comments

These are the stories that the Dogs tell when the fires burn high and the wind is from the north. Then each family circle gathers at the hearthstone and the pups sit silently and listen and when the story’s done they ask many questions:

“What is Man?” they’ll ask.

Or perhaps: “What is a city?”

Or: “What is a war?”

from the Editor’s Preface to City

City (1952), by Clifford D. Simak, unfolds over thousands of years, telling of the end of humanity, the rise of dogs and robots to terrestrial preeminence, and finally, the near abandonment of Earth. It’s a fix-up of nine stories, eight written between 1944 and 1951, and one more, added to later editions, in 1973. It is a book conceived of in anger and despair, yet one that strives to posit a better, more humane world — even if it’s one devoid of humans.

Perhaps because we, by which I mean the post-WW II generations, have grown up aware of the deepest, most evil tendencies of humanity, it’s difficult to appreciate completely the anger and despair over what happened during the 1930s and 40s. Years after its publication, Simak said:

“The series was written in a revulsion against mass killing and as a protest against war.”

That revulsion was so intense that Simak contemplated the extinction of his own species and its replacement by a better one.

I suppose following the First World War, there was some hope that humanity would avoid that sort of mass slaughter again. Instead, it only increased by many magnitudes. In an essay on City, Robert Silverberg wrote that the story “Desertion” was written in 1943 in direct response to reports from Europe about the Holocaust. Simak was a gentle writer, so there is little anger or bitterness in the novel, but he wasn’t prone to sentimentality either. His depiction of humanity’s downfall and supplantation is remorseless.

When Simak collected the stories, he presented them as a tales told by dogs to each other as perhaps no more than legends. For each story, Simak wrote an interstitial explaining what different dog philosophers thought about the veracity of each story, as well as any meaning it might hold for their society.

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Self-published Book Review: Clearwater Dawn by Scott Fitzgerald Gray

Monday, June 5, 2017 Donald Crankshaw Comments 0 Comment

I just spent the weekend on a ship, with very limited Internet access, so I’m afraid this month’s review is a bit late. The good news is that there is a self-published book review this month. I’d like to keep the monthly schedule going, so please keep sending me books to review–see the instructions here.

Clearwater Dawn by Scott Fitzgerald Gray is a love story. It’s about the love between the half-Ilvani orphan Chriani and Lauresa, the daughter of an Ilmar prince and a sorcerous Leisanmira.

Chriani is the apprentice of Lauresa’s warden, Barien. At the age of eighteen, Chriani should have his own commission, but his temper, and Barien’s outsider status at court, have left him an unranked tyro. Despite this, he is very good at his job, aided by the preternatural senses he inherited from his Ilvani father, and the training in moving quietly and picking locks he received from his mother. On a night of betrayal and death, Barien is murdered, and Prince Chanist marches off to war against the Valnirata Ilvani war clans. Chriani is left behind, unofficial guardian of the princess, sole keeper of Barien’s last words. When Lauresa hears them, and learns that Chriani was unable to share them with the prince before he left, she heads out to make sure her father learns of the betrayal Barien revealed. Chriani catches up with her before she gets far, and accompanies her to find her father, who may know more than they expect.

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