Future Treasures: A Gathering of Ravens by Scott Oden

Future Treasures: A Gathering of Ravens by Scott Oden

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Scott Oden is the author of two celebrated historical novels, Men of Bronze (2005) and Memnon (2006), and the historical fantasy The Lion of Cairo (2010). His first novel in seven years is the ambitious historical fantasy A Gathering of Ravens, which author John Gwynne (The Faithful and the Fallen) calls “A magnificent mytho-historical saga, blending the history of 11th century Europe with Norse and Celtic mythology. A dark, grim and unrelentingly bloody tale of the last Orc and his quest for vengeance.” It arrives in hardcover from Thomas Dunne Press later this month.

To the Danes, he is skraelingr; to the English, he is orcnéas; to the Irish, he is fomoraig. He is Corpse-maker and Life-quencher, the Bringer of Night, the Son of the Wolf and Brother of the Serpent. He is Grimnir, and he is the last of his kind ― the last in a long line of monsters who have plagued humanity since the Elder Days.

Drawn from his lair by a thirst for vengeance against the Dane who slew his brother, Grimnir emerges into a world that’s changed. A new faith has arisen. The Old Ways are dying, and their followers retreating into the shadows; even still, Grimnir’s vengeance cannot be denied.

Taking a young Christian hostage to be his guide, Grimnir embarks on a journey that takes him from the hinterlands of Denmark, where the wisdom of the ancient dwarves has given way to madness, to the war-torn heart of southern England, where the spirits of the land make violence on one another. And thence to the green shores of Ireland and the Viking stronghold of Dubhlinn, where his enemy awaits.

But, unless Grimnir can set aside his hatreds, his dream of retribution will come to nothing. For Dubhlinn is set to be the site of a reckoning ― the Old Ways versus the New ― and Grimnir, the last of his kind left to plague mankind, must choose: stand with the Christian King of Ireland and see his vengeance done or stand against him and see it slip away?

Scott Oden’s A Gathering of Ravens is an epic novel of vengeance, faith, and the power of myth.

A Gathering of Ravens will be published by Thomas Dunne Books on June 20, 2017. It is 326 pages, priced at $27.99 in hardcover and $14.99 for the digital edition. The cover is by James Iacobelli. Read an excerpt here.

Things Your Writing Teacher Never Told You: Character Profile Sheet — Revised

Things Your Writing Teacher Never Told You: Character Profile Sheet — Revised

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In my last blog, “Getting to Know Your Omniscient Narrator,” I promised to share my personal character profile sheet. I used to use it on my primary and secondary characters for all my stories. But I haven’t use it in awhile. When I took a look at it, I realized it needed serious revamping. So, here’s the new and improved version.

In the process of revamping it, I realized my writing is stronger when I take the time to really figure out who my characters are: what their quirks are, what makes them an individual. My subconscious can then go to work connecting dots, finding patterns, devising solutions to problems that are uniquely suited to that character, discovering actions and reactions that FEEL right.

I know some authors use a basic RGP character sheet, such as Dungeons & Dragons, but for me, that doesn’t go far enough.

Knowing that my protagonist’s favorite ice cream flavor is peach pecan and they turn very dark and maudlin when they drink tequila may never come up in the story… but it might. Knowing lots of little details about them helps you inhabit your characters and makes them feel more alive.

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Discussing All Things Fantasy, Past, Present, and Future: An Interview with Adrian Simmons and David Farney of Heroic Fantasy Quarterly

Discussing All Things Fantasy, Past, Present, and Future: An Interview with Adrian Simmons and David Farney of Heroic Fantasy Quarterly

Heroic Fantasy Quarterly banner

Heroic Fantasy Quarterly is an ezine dedicated to publishing short works of heroic fantasy. More than that, through both prose and poetry we hope to hearken an older age of storytelling – an age when a story well told enthralled audiences. Traits of great oral storytelling survive the ages to influence treasures of literature, the pulps, radio plays, late-night game sessions, and now Heroic Fantasy Quarterly.

So reads the “Mission Statement “of Heroic Fantasy Quarterly. Like Black Gate e-magazine, Heroic Fantasy Quarterly is one of the bright lights and a sure leader in the Fantasy genre, and always goes above and beyond to keep the genre alive, fresh, and rolling along. When John O’Neill of Black Gate asked me if I would “interview” Adrian Simmons and David Farney of HFQ, I jumped at the chance, thrilled to “meet” these two outstanding editors of such a well-respected e-zine. The result is one great interview with both gentlemen sounding in, and I hope it’s as much of a treat for fans of BG and HFQ as it was for me.

So let’s get started, shall we?

Gentlemen, what are some of your earliest influences? Who inspired you to become an editor? And perhaps even more importantly, why did you decide to become an editor?

ADRIAN: Early influences are many and varied. In the early 80s I discovered Dungeons and Dragons, and all of its clones and hybrids. I was exposed to all those early 80s swords and sorcery movies (good and bad!), and was reading the The Lord of the Rings and such. By the late 80s, in high school, I was reading the The Lord of the Rings and actually understanding most of it, and had picked up Robert Howard’s Conan books (the Ace collections, with all the post-humus collaborations), and Fritz Leiber.

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New Treasures: Behind the Mask, edited by Tricia Reeks and Kyle Richardson

New Treasures: Behind the Mask, edited by Tricia Reeks and Kyle Richardson

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With the constant drumbeat of hit superhero films — mostly recently the huge international hit Wonder Woman, which opened on Friday — I’m surprised there’s not a lot more attention to superheroes in print. But there is the occasional anthology, like the brand new Behind the Mask, which looks at “The hopes and dreams of our cape-clad heroes. The regrets and longings of our cowled villains. That poignant, solitary view of the world that can only be experienced from behind the mask.” It contains original short fiction from some of the top writers in SF & fantasy, including Kelly Link, Carrie Vaughn, Seanan McGuire, Lavie Tidhar, Sarah Pinsker, Cat Rambo, and others. It’s available now in trade paperback from Meerkat Press.

The authors in this collection, both established and new, are all dexterous and wonderfully imaginative, each deserving of their own form-fitting uniforms and capes. Some of the stories pulse with social commentary, like Cat Rambo’s whimsical and deft “Ms. Liberty Gets a Haircut” and Keith Rosson’s haunting “Torch Songs.” Others twist the genre into strange and new territories, like Stuart Suffel’s atmospheric “Birthright,” Kate Marhsall’s moving “Destroy the City with Me Tonight,” and Adam Shannon’s reality-bending “Over an Embattled City.” Some punch with heart and humor, like Matt Mikalatos’s satisfying “The Beard of Truth” and Chris Large’s adventurous “Salt City Blue,” while others punch with bite and grit, such as Michael Milne’s evocative “Inheritance,” Aimee Ogden’s poignant “As I Fall Asleep,” and Jennifer Pullen’s heartfelt “Meeting Someone in the 22nd Century.” Some of the stories feature characters who might not be superheroes in the traditional sense, yet are heroic nonetheless, such as Sarah Pinsker’s imaginative “The Smoke Means It’s Working” and Stephanie Lai’s majestic “The Fall of the Jade Sword.” Some shine a unique, captivating spotlight on supervillains, like Keith Frady’s dramatic “Fool” and Carrie Vaughn’s romantic “Origin Story.” Some are somber, ponderous works, where our heroes consider their impact on the world, like Lavie Tidhar’s regret-tinged “Heroes” and Nathan Crowder’s resonant “Madjack.” Others tread more light-hearted waters, with heroes adjusting to the sometimes-comical, sometimes-stressful life in the public eye, like Seanan McGuire’s entertaining “Pedestal” and Patrick Flanagan’s lively “Quintessential Justice.” And then there are the softer, quieter moments between heroes, as they navigate their extraordinary lives in their own unique ways, such as Ziggy Schutz’s tender “Eggshells” and, of course, Kelly Link’s captivating “Origin Story.”

Behind the Mask was published by Meerkat Press on May 16, 2017. It is 290 pages, priced at $16.95 in trade paperback and $8.95 for the digital edition. Order at your favorite online retailer or at the Meerkat website.

A Tale of Two Covers: Chasers of the Wind by Alexey Pehov

A Tale of Two Covers: Chasers of the Wind by Alexey Pehov

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Back in 2013 I bought a hardcover copy of Shadow Prowler, the opening volume in Alexey Pehov’s epic fantasy trilogy Chronicles of Siala. An international bestseller in his home country of Russia and across Europe, Pehov has been called “the Russian George R.R. Martin.” Two more volumes in translation followed, Shadow Chaser and Shadow Bllizard, both from Tor.

In June 2014 Tor released Chasers of the Wind in hardcover, with an action-filled cover by Kekai Kotaki (above left). Set in the same world as Pehov’s previous trilogy, the cover proudly proclaimed this was the first book of The Cycle of Wind and Sparks, a four-volume series that had already appeared in Russia and Germany.

Eleven months later, in May 2015, Tor reprinted the book in mass market paperback (above right). There were the usual small tweaks in design and font for the paperback edition. But the biggest change was a little more subtle — all mention of The Cycle of Wind and Sparks had been scrubbed. For fans of the series, this was like running into a close friend and noticing her engagement ring was missing. I’m not sure if Tor was unable to secure English language reprint rights, the sales on the first series didn’t meet expectations, or there was some other reason, but Tor never released the next three volumes. They remain unavailable in English.

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May/June 2017 Analog Now on Sale

May/June 2017 Analog Now on Sale

Analog Science Fiction and Fact May June 2017-smallHoward V. Hendrix is experiencing a bit of a comeback in the pages of Analog magazine. He launched his career with a well-respected SF trilogy in the late 90s [Locus Award nominee for Best First Novel Lightpaths (1997), Standing Wave (1998), and Better Angels (1999)], but he hasn’t published a novel since Spears of God in 2006.

But since September 2007 he’s published no less than eight stories in Analog Science Fiction and Fact, including two novellas:

“Palimpsest ” – September 2007
“Knot Your Grandfather’s Knot” -March 2008
“Monuments of Unageing Intellect” – June 2009
“Red Rover, Red Rover” – July-August 2012
“Other People’s Avatars” – July-August 2013 – novella
“The Perfect Bracket” – March 2016 (with Art Holcomb)
“The Infinite Manqué” – May 2016
“The Girls with Kaleidoscope Eyes” – May-June 2017 – novella

The May/June Analog contains that last one, the novella “The Girls with Kaleidoscope Eyes.” Victoria Silverwolf, in her Tangent Online review, summarizes it as follows.

A government agent investigates an apparent attempt by a teacher to kill a classroom full of girls with a bomb, although at the last second he protected them from the explosion, seriously injuring himself in the process. She interviews the teacher while he is in custody in a hospital. He reveals his strange motive for his aborted crime, stating that “before there can exist a world of machines that can pass for people, there first must be a world of people that can pass for machines…”

Silverwolf praised several other stories this issue, including work by Julie Novakova, Eric Choi, Manny Frishberg and Edd Vick, Lavie Tidhar, and Bud Sparhawk. Here’s a few of her story descriptions I found most intriguing.

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Edgar Rice Burroughs’s Pellucidar Saga: Back to the Stone Age

Edgar Rice Burroughs’s Pellucidar Saga: Back to the Stone Age

back-to-stone-age-first-edition-cover-john-coleman-burroughsI’ve now arrived at that period in the Pellucidar series. The period any Edgar Rice Burroughs series eventually reaches: the late 1930s. I took a break from my Pellucidar retrospective to look at Burroughs’s 1913 horror-adventure novel The Monster Men just to delay taking the next step and driving my snowmobile headfirst into the hard ice of the poorest period of Burroughs’s career. But now I’m here and must accept the facts of the late ‘30s and an author trudging through his weakest creative years. Maybe it won’t be so bad. Perhaps I’ll discover a few pleasures in the last three Pellucidar books.

Anyway, enough procrastination. I’m getting on the snowmobile.

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic … Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: Back to the Stone Age (1937)

Previous Installments: At the Earth’s Core (1914), Pellucidar (1915), Tanar of Pellucidar (1929), Tarzan at the Earth’s Core (1929–30)

The Backstory

The ending of Tarzan at the Earth’s Core set the scene for a direct follow-up. Wilhelm von Horst, one of the German members of the O-220 expedition to Pellucidar to rescue David Innes, was still stranded somewhere in the inner world, and Jason Gridley chose to remain in Pellucidar to locate him. But other projects and business concerns prevented Burroughs from moving fast into writing this proposed sequel. He wouldn’t start work on the new Pellucidar novel until January 1935, writing it under the working title Back to the Stone Age: A Romance of the Inner World. It took him eight months to finish the 80,000-word novel, an unusually protracted length for him. And that was only the beginning of the difficulties.

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Goth Chick News: A Unique Musical Take on a Weird Tales Classic

Goth Chick News: A Unique Musical Take on a Weird Tales Classic

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When musician Matthew Knight contacted me about his new release, The Beast of Averoigne I admittedly had to do a bit of research. I knew I had heard of the story somewhere, but could not immediately place it.

The story’s author, Clark Ashton Smith (1893 –1961) was one of “the big three” of Weird Tales, alongside Robert E. Howard and H. P. Lovecraft. Smith was a member of the Lovecraft circle and his literary friendship with Lovecraft lasted from 1922 until Lovecraft’s death in 1937.

First appearing in the May, 1933 issue of Weird Tales, Clark Ashton Smith’s story “The Beast of Averoigne” concerns itself with a man of science whose superior knowledge enables him to deal with a dark threat that the ignorant, religion-besotted inhabitants of 14th century France simply cannot. What sets “The Beast of Averoigne” apart is that it might be called a science fiction tale rather than a fantasy one, for the titular “beast” is not some demon from Hell but an alien invader.

And it is around this story that Matthew Knight weaves his debut release under the label Haunted Abbey Mythos. The theatrical, musical audiobook presentation consists of a dramatic narration of “The Beast” read by Knight and set to a backdrop of eerie soundscapes scored by avant garde electronic musician, Jon Zaremba. The CD also contains five unique interlude pieces by Knight, which range from ambient synth-driven, to darkly romantic.

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Support the Literary Wonder & Adventure Show!

Support the Literary Wonder & Adventure Show!

Literary Wonder & Adventure Show

Dream Tower Media, fine folks behind the Literary Wonder & Adventure Show, have launched a Patreon site to help fund it and offset some of the extensive costs of creating a top-notch audio program. And you know what that means. That’s right — you can now help support the creation of new episodes in this fine podcast series!

And Robert Zoltan (and his pal Edgar the Raven) have some terrific new episodes in the pipeline. They will be following up their popular interviews with BG blogger Ryan Harvey, fantasy author Scott Oden, and neglected genius Howard Andrew Jones, with THE GOLDEN AGE OF SCIENCE FICTION. With Special Guest, Hugo, Locus and Robert A. Heinlein award-winning author, Allen Steele in Part 1, and Hugo-nominee Becky Chambers (A Closed and Common Orbit) in Part 2.

Check out some of their earlier episodes, and learn more about how to support this worthy project at the Patreon site.

In 500 Words or Less … Never Now Always by Desirina Boskovich

In 500 Words or Less … Never Now Always by Desirina Boskovich

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By Desirina Boskovich
Broken Eye Books (88 pages, $9.99 paperback, June 2017)

A while back I had an idea for a short story about people caught up in a massive alien invasion, where humanity is rounded up and imprisoned in gray, windowless compounds while their captors run nefarious experiments, all of which is part of some mysterious, overarching plot a la Lost and the like. Then I told myself something like that has been done so many times that it wasn’t worth bothering, and I tucked the idea away on a mental shelf and haven’t looked at it since.

I bring this up because the novella Never Now Always by Desirina Boskovich takes that core premise of people imprisoned and experimented on by mysterious overlords and spins it so effectively, adding layers of dark surrealism and uncertainty to create a deeply compelling story. Never Now Always has a War of the Worlds/The Fifth Wave vibe with a literary style, propelled by the fact that the story’s three protagonists (and practically the only characters focused on) are constantly having their memories stolen and/or modified, stripping away most of their identity by removing the thing that makes each of us distinct. Main character Lolo knows that she has to find her sister, Tess, but everything else is an uncertain blur, to the point that she doesn’t even know the words for things. Boskovich weaves those language gaps into the narrative with a subtlety that is also easy to read and follow – something that a lot of surrealist and literary fiction doesn’t pull off.

There are cycles repeated here, as Lolo and the others try to find and support each other and ultimately escape, but the ongoing layers of mystery means that there is never a moment without intrigue. Is their bizarre prison on Earth, or somewhere else? Are Lolo and the others children, or adults who have lost their semantic and episodic memories – or something else? Are the Caretakers around them seeking to experiment, indoctrinate, or possibly protect these humans from self-inflicted harm?

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