Tales of the Thieftaker by D.B. Jackson

Tales of the Thieftaker by D.B. Jackson

Tales-of-the-Thieftaker-smallerIf I needed any more proof that there is a TON of fantasy being published these days, I need look no further than the case of D.B. Jackson, aka David B. Coe. He’s written nearly twenty novels, and the first time I heard of him was John O’Neill’s post about the book I’m reviewing today: Tales of the Thieftaker (2017). As Coe he’s written several epic fantasy series.

As Jackson, he’s written four novels about Ethan Kaille, a thieftaker and conjuror in pre-Revolutionary-era Boston. Historically, in a time before police forces, thieftakers were individuals who recovered stolen goods. By summoning up a spirit, conjurors have the ability to cast magic spells by drawing on “the power that dwelt between the living world and the realm of the dead.”

After his service in the Royal Navy Ethan went to sea as second mate on the Ruby Blade, a privateer out of Boston. His participation in a failed mutiny led to a sentence of 14 years penal servitude on Barbados. Upon release he made his way back to Boston. He has lost the woman he loved, lost his reputation, and as we learn in this collection, struggled to find a new purpose to his life.

Tales of the Thieftaker collects eight stories, two not-quite stories, and a novella. Except for the last, all the pieces were previously published. Most star Ethan and the rest focus on other important series characters. Despite one drawback, it serves as a fine introduction to Jackson’s character and his world.

The opening story stars Sephira Pryce, Ethan’s ongoing series antagonist. “The Cully” introduces Sephira as the twelve-year-old scout of a pickpocket. There are none of the supernatural elements that typify the later stories; here is a study of Boston as a city of significant divisions between rich and poor.

“The Tavern Fire” takes place before Ethan has returned to Boston and tells the “true history” of the Great Fire of 1760. It stars another series regular, Janna Windcatcher, proprietor of the Fat Spider tavern.

While the first two stories are well done, my unfamiliarity with the series’ characters meant they didn’t carry as much weight as I imagine they do for veteran readers. That was not the case with Ethan’s origin story, “A Memory of Freedom.” Ethan has only recently come back to Boston and is a bit of a broken man. He’s taken employment with an ill-tempered and unpleasant tavern-keeper. Fourteen years of enslavement have turned him into a subservient and extremely cautious man.

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Birthday Reviews: Pamela Sargent’s “Broken Hoop”

Birthday Reviews: Pamela Sargent’s “Broken Hoop”

Rod Serling’s The Twilight Zone Magazine June 1982-small Rod Serling’s The Twilight Zone Magazine June 1982-back-small

Cover by Malcolm MacNeill

Pamela Sargent was born on March 20, 1948. Sargent edited the Women of Wonder anthologies, which explore the work of women science fiction authors. She has also edited three Nebula award anthologies. Her own fiction includes the Venus trilogy, the Seed trilogy, and the Watchstar trilogy. Stand alone novels include Climb the Wind, Ruler of the Sky, and The Shore of Women. She has co-written Star Trek novels with her husband, George Zebrowski.

Pamela Sargent’s story “Danny Goes to Mars” received the Nebula Award for Best Novelette and was also nominated for the Hugo Award and Theodore Sturgeon Memorial Award. Her novel Climb the Wind was nominated for the Sidewise Award and she was long listed for the James Tiptree Jr. Memorial Award twice. In 2000, she and Zebrowski received the Service to SFWA Award and in 2012, she received a lifetime Pilgrim Award from the Science Fiction Research Association.

“The Broken Hoop” first appeared in Rod Serling’s The Twilight Zone Magazine in its June 1982 issue, edited by T.E.D. Klein. Josh Pachter selected it for his 1985 British anthology Top Fantasy and Pamela Sargent included the story in two of her collections, The Best of Pamela Sargent and Eye of Flame.

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The Latchkey Revelation: An Interview with Nicole Kornher-Stace

The Latchkey Revelation: An Interview with Nicole Kornher-Stace

Latchkey Nicole Kornher-Stace-small Latchkey Nicole Kornher-Stace-back-small

O long, long have I anti…cipated (yes, just like that) the sequel to Nicole Kornher-Stace’s Archivist Wasp. A book about ghosts and girls, ferocity and friendship, catastrophe and cataclysm and katabasis and a whole badass bunch of other alliterative nouns, Archivist Wasp published in 2015 by Big Mouth House, an imprint of Small Beer Press.

So you see, that was ALMOST THREE WHOLE YEARS AGO! I’ve been WAITING and WAITING and WAAAAIIIITIIINNNGGG!

But fear not. That time of endlessly unfulfilled appetite has not been wasted. I have not waited in vain. For now — at last! — the day I have yearned for is AT HAND!

(*cues Phantom of the Opera synthesizers and a falling chandelier*)

Nicole Kornher-Stace has done her job, and done it well. And Mythic Delirium has abetted her by publishing it. Soon! In July! This year! And you can PRE-ORDER IT HERE!

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Future Treasures: The Sisters Mederos by Patrice Sarath

Future Treasures: The Sisters Mederos by Patrice Sarath

The Sisters Mederos-smallPatrice Sarath’s story “A Prayer for Captain LaHire” appeared in Black Gate 4 and was reprinted in Year’s Best Fantasy 3 (2003). She published the Gordath Wood trilogy (Gordath Wood, Red Gold Bridge, and The Crow God’s Girl) between 2008 – 2012. Her latest is something brand new, the tale of a once-great family that has fallen on hard times, and the two sisters — one who becomes a masked bandit, and another with secret supernatural powers — who set out to reverse their family’s downfall. Publishers Weekly praised it saying,

The young women, newly returned from boarding school to a fantasy version of a preindustrial European port city, are determined to restore their family’s fortune and revenge themselves on the corrupt Merchant’s Guild, whose machinations lie behind House Mederos’s downfall. Yvienne, “the smartest girl in Port Saint Frey,” provokes through newspaper editorials, takes a governess job as an entrée into the houses of the powerful, and eventually discovers the excitement of committing armed robbery. Tesara, who conceals supernatural powers that she blames for the shipwreck that ruined her family, ingratiates herself with the upper classes at gambling tables… [The] heroines are entertaining company, and the dynamic between the two sisters — occasionally contentious, often secretive, always loving — is the most enjoyable part of this effervescent tale.

Here’s the official description.

Two sisters fight with manners, magic, and mayhem to reclaim their family’s name, in this captivating historical fantasy adventure.

House Mederos was once the wealthiest merchant family in Port Saint Frey. Now the family is disgraced, impoverished, and humbled by the powerful Merchants Guild. Daughters Yvienne and Tesara Mederos are determined to uncover who was behind their family’s downfall and get revenge. But Tesara has a secret – could it have been her wild magic that caused the storm that destroyed the family’s merchant fleet? The sisters’ schemes quickly get out of hand – gambling is one thing, but robbing people is another…

Together the sisters must trust each another to keep their secrets and save their family.

The Sisters Mederos will be published by Angry Robot on April 3, 2018. It is 368 pages, priced at $12.99 in trade paperback and $9.99 for the digital edition. The cover is by Paul Young. Read an excerpt at the B&N Sci-Fi & Fantasy Blog, and a brief discussion at Patrice’s website.

Sublimity, Decadence, and Pulp: Venera Dreams, by Claude Lalumière

Sublimity, Decadence, and Pulp: Venera Dreams, by Claude Lalumière

Venera Dreams-smallThere’s magic in the linked short-story form. A series of interrelated short fictions can examine a setting from many angles, build a character through a range of perspectives, establish a set of overlapping histories, and create a whole world with multiple centres: many heroes, many protagonists, together making a world bigger than can live in any one of their stories. Claude Lalumière’s Venera Dreams is the most recent example of the form I’ve seen, an exploration of the past (and future) of a mysterious island in the Mediterranean not far from Italy that’s home to a range of powerful and subversive artists — as well as the mysterious sacred spice vermilion, and a variety of myths and goddesses including the fabled Scheherazade.

I know Lalumière well (so well I’d never normally refer to him by his last name, but such is the nature of a book review), and interviewed him for Black Gate seven years ago; as he was already engaged on the Venera Dreams project back then, the interview’s surprisingly relevant. He’s edited or co-edited seven anthologies, and had two collections of his own short fiction published (Objects of Worship in 2009 and Nocturnes and Other Nocturnes in 2013). In 2011 his book The Door to Lost Pages came out, a set of linked stories revolving around a magical bookshop. That store tuns up in Venera Dreams, notably in the opening story, but the first book is in no way necessary reading for this one.

The subtitle of Venera Dreams proclaims the collection “A Weird Entertainment,” and that’s accurate in just about every sense. It is strange and it is entertaining. But it’s weird in a more profound way; weird in the way of the pulps, in the way of Weird Tales. And it is an entertainment in the way the first English version of the One Thousand And One Nights called itself The Arabian Nights’ Entertainment. It’s a series of reveries about storytelling and art, about ecstasy and myth, about cities and history and yearning. About Venera the venerable: about venery and veneration.

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The March Fantasy Magazine Rack

The March Fantasy Magazine Rack

Analog Science Fiction March April 2018-rack Black Static 62 March April 2018-small Kaleidotrope Winter 2008-rack Tin House Candy March 2018-rack
Weirdbook 38-rack Interzone 274 March April 2018-small Meeple Monthly March 2018-rack The Magazine of Fantasy and Science Fiction March April 2018-rack

It’s a bonanza of print this month… all the titles above are print magazines, with the exception of Kaleidotrope (top row, second from right), which is new to the list. Kaleidotrope was a recommendation from Rich Horton; I’d never heard of it, but it featured prominently in Rich’s 2018 Hugo Recs list, so I thought I would check it out this month. Rich is right — it’s a very impressive magazine, with brand new fiction by Mari Ness, Octavia Cade, and others.

But they don’t seem very web-savvy, especially for a web magazine. The site loads extremely slowly, and the culprit seems to be the beautiful but massive 1.26 megabyte (!!) PNG cover image. I was able to convert it to a visually identical 90 Kb jpeg file less than 8% the size in about 15 seconds on my machine. Doing that at their end would greatly speed up loading times, and cut their monthly bandwidth costs by about 90%. I hope someone helps them get that sorted.

Here’s the complete list of magazines that won my attention in early March (links will bring you to magazine websites).

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Birthday Review: John Gribbin’s “Something to Beef About”

Birthday Review: John Gribbin’s “Something to Beef About”

Interzone 49-small Interzone 49-contents-small

Cover by Tim White

John Gribbin was born on March 19, 1946. Gribbin has published both fiction and non-fiction, including non-fiction titles The Jupiter Effect with Stephen Plagemann, In Search of the Big Bang, and The Science of Philip Pullman’s His Dark Materials with Mary Gribbin. His own novels include The Sixth Winter with Douglas Orgill, Ragnarok with D.G. Compton, and solo works Timeswitch and Father to the Man.

“Something to Beef About” was first published in Interzone 49 in July 1991, edited by David Pringle and Lee Montgomerie. In 2016, a revised version of the story was reprinted in the anthology Existence is Elsewhen, published by Elsewhen Press.

Gribbin opens “Something to Beef About” by falling into the trap described by Mark Rosenfelder in his satirical “If All Stories Were Written Like Science Fiction.” He describes the mundane aspects of David Jenkins’s life in an attempt to set up a future society in which Jenkins lives, but for the most part it comes across as telling the readers something they should already know. Instead of setting the scene, it makes the reader very aware that the story is a construct.

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Vintage Treasures: A Midsummer Tempest by Poul Anderson

Vintage Treasures: A Midsummer Tempest by Poul Anderson

A Midsummer Tempest Poul Anderson-small A Midsummer Tempest Poul Anderson-back-small

Cover by Luis Bermejo

Poul Anderson formed a pretty consistent part of my paperback SF diet in the late 70s and early 80s. Novels like Mirkheim (1977) and classic tales like the Hugo Award-winning “No Truce with Kings” (1963) made me an early fan. But I always thought of Anderson as an SF writer, and as a result I never paid much attention to his fantasy. It wasn’t until my fellow writers here at Black Gate educated me that I learned what I was missing:

Ryan Harvey on The Broken Sword
Fletcher Vredenburgh on The Whole Northern Thing: Hrolf Kraki’s Saga by Poul Anderson
Gabe Dybing on Poul Anderson and the Northern Mythic Tradition: An Introduction
Gabe Dybing on Chaotic and Lawful Alignments in Poul Anderson’s Three Hearts and Three Lions
Gabe Dybing on Northern Matter in Poul Anderson’s “Middle Ages” of The Broken Sword and in J.R.R. Tolkien’s Middle-Earth
Gabe Dybing on Sex and Violence in Poul Anderson’s Rogue Sword

I’ve recently started exploring more of Anderson’s fantasy back catalog, and last month I purchased a copy of A Midsummer Tempest, an alternate world fantasy in which William Shakespeare was an historian, rather than playwright, and the events he recorded were all factual. While the plot draws from multiple Shakespearean plays, as the name implies it is chiefly based on A Midsummer Night’s Dream and The Tempest. It was nominated for both the World Fantasy Award and a Nebula, and won the 1975 Mythopoeic Award for Best Novel.

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Birthday Reviews: Marcos Donnelly’s “As a Still Small Voice”

Birthday Reviews: Marcos Donnelly’s “As a Still Small Voice”

Full Spectrum 2-small Full Spectrum 2 flap-small

Cover by Peter Stallard

Marcos Donnelly was born on March 18, 1962. He has published a handful of short stories, mostly dealing with religious themes and three novels, Prophets for the End of Time, Letters from the Flesh, and The Mostly Weird Chronicles of Steffan McFessel, the last in collaboration with Ted Wenskus.

Donnelly’s debut story, “As a Still Small Voice,” appeared in 1989 in Full Spectrum 2, edited by Lou Aronica, Shawna McCarthy, Amy Stout, and Pat LoBrutto. It has never been reprinted.

Father Jim is a priest at a small seminary where the rumors that one of the students, Danny, actually hears God’s voice. Jim has mixed views about Danny’s gift and sees him as an innocent child who needs to be protected, particularly from one of the other students, Bob, an older man who has come to the seminary after servicing in the marines. Jim can only see Bob as a bad influence on Danny, although the reasons for Jim’s mistrust don’t seem to be fully justified by anything aside from Jim’s own biases.

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Looking at the Density of Comic Book Page Layouts

Looking at the Density of Comic Book Page Layouts

Eternals01-003 copy

I may have picked the most boring blog post title in history, but this is something I’ve been thinking a lot about lately.

I was listening to Kieron Gillen’s excellent podcast Decompressed. Decompressed is a look under the hood at the craft of comic book creation and in the 4th one, he interviewed Matt Fraction and David Aja, the creative team behind Marvel’s Hawkeye from 2012. During the episode, Matt Fraction mentioned that Hawkeye was meant to feel different from most of the mainstream comics at the time, especially with respect to how much compression there was.

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