John Klima on Swords and Sorcery
Over at Tor.com, John Klima, editor of the ubercool magazine Electric Velocipede, reflects on a year filled with Swords and Sorcery — including Black Gate magazine:
Everywhere I looked I saw sword-and-sorcery, sort of a mini renaissance of the genre. Now, maybe this was a weird confluence of circumstance on my part. I did meet three people this year who I feel are players in this renaissance.
First, I met John O’Neill, editor of the fantastic Black Gate magazine, who published a gigantic, 384-page issue this year. Black Gate has been one of the few consistent places over the past several years to find good, quality fantasy short fiction. And even rarer, a place to find straightforward sword-and-sorcery action.
Aw, shucks. Thanks for the kind words, John. It was a pleasure to meet you at Odyssey Con 2010 as well (it was the best Indian food I had all year, too).
The man who introduced us, Jason M. Waltz of Rogue Blades Entertainment, also makes the honor roll of S&S renaissance men. The third is Scott H. Andrews, editor of Beneath Ceaseless Skies, which John calls “probably my favorite new magazine.”
You can read the complete article here.

There are bits of wrapping paper static’d to the lamp shade and tendrils of curly ribbon hanging off the chandelier. Here I lay in a sugar and red meat coma under the pressing weight of one too many conversations with the essence of Christmas spirit, three times distilled. With New Years Eve still in front and a bacchanalia of epic proportions behind, what can I do but think happy thoughts about the coming year and a time when the little troll living between my ears will finally stop running in circles and shouting.

Don’t Look Now: Stories
Another year’s drawing to a close, and with it the first full decade of the twenty-first century. It’s a time for looking back, for thinking over what’s happened and what’s going on, in fantasy fiction and elsewhere. I don’t pretend to be in a position to make any worthwhile assessment of fantasy as a whole; but I do want to write about a change that seems to be in process right now. I think it’s a positive change, and potentially a radical one. And I can remember the moment I realised it was happening.
The Wolf Age, by James Enge