2011 Nebula Award Winners Announced

2011 Nebula Award Winners Announced

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among-othersI turned 48 today. Not a bad accomplishment, considering that when I started reading science fiction in 1974, I didn’t even know people got that old. And ever since I started reading novels on my iPad and Kindle, I’ve decided I’m officially living in the future.  SF used to prep me for the future, but whatever the next 48 years have in store, I ain’t ready.

Fortunately some things don’t change. People fall in love, tax bills come due, and great writing still wins awards. Case in point: the 2011 Nebula Awards, given out last night in a ceremony at the Nebula Awards Weekend in Arlington, Virginia.

Novel

Among Others, Jo Walton (Tor)

Novella

“The Man Who Bridged the Mist”, Kij Johnson (Asimov’s, Oct-Nov, 2011)

Novelette

‘‘What We Found’’, Geoff Ryman (F&SF Sept-Oct, 2011)

Short Story

“The Paper Menagerie”, Ken Liu (F&SF, March-April 2011)

Ray Bradbury Award for Outstanding Dramatic Presentation

Doctor Who: “The Doctor’s Wife”

Andre Norton Award for Young Adult Science Fiction and Fantasy Book

The Freedom Maze, Delia Sherman (Big Mouth House)

You can find the complete list of nominees at Locus Online.

Octavia Butler and John Clute received the Solstice Award, and Black Gate blogger Bud Webster received the SFWA Service Award, for his tireless work with the Estate Project to track literary estates for deceased members of the science fiction community. Congratulations, Bud!

Beth Dawkins Reviews The First Days

Beth Dawkins Reviews The First Days

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the-first-daysThe First Days
Rhiannon Frater
TOR (335pp, $14.99, Paperback July 2011)
Reviewed by Beth Dawkins

The First Days lives up to its title. Opening with Jenni getting attacked by her own children pulls the reader right into it. Housewife Jenni witnesses her abusive husband chewing on their near infant son. Jenni flees while her older son stays behind to confront her zombie husband. By the time Katie enters the picture Jenni has barricaded herself on the porch. Katie hasn’t had the best of days. She went home to find her wife turned into a zombie, and has decided the best thing to do is to get out of town. She is trying to find her way out of the city when she comes across Jenni. Katie is there in the nick of time for Jenni, who is forced to make a mad dash for Katie’s truck. The two women form a bond with one another as they go out to rescue Jenni’s stepson, and find a safe haven in a small town to start rebuilding their lives.

This is the first installment of a trilogy, and a rerelease of an originally self-published title. The heart of the novel is about what happens to people during the zombie apocalypse. They have to come to grips with their loved ones turning into monsters, and the bleak future. The story is nothing new, yet it is done in a very compelling way. After Jenni and Katie set out to find Jenni’s stepson, they find themselves forced towards a town containing other survivors. The town of Shady Springs former construction crew has put together a perimeter fence that is keeping the zombie hordes out. It is in the town where the story slowed down. A lot of time is spent on what each character feels about certain situations, and how they come to decisions. The two lead men are introduced near the middle of the book, and once they enter the story a lot of time is spent on how each character feels. The narrative can at times slow the story down, but it is a character driven story.

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Ernie Chan (1940-2012): A Legend Passes

Ernie Chan (1940-2012): A Legend Passes

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savagae-sword-of-conan-erniechanEarlier this evening I heard the sad news that one of comics’ great legends, Ernie Chan, has passed away. Ernie was set to appear at the BigWow Comicfest in San Jose this weekend, so his death comes as a real surprise to those of us who expected to see him there.

I wanted to post a tribute in the form of my favorite Chan images. You can see that tribute right here. Some of these he painted, some he penciled and inked, and some he only inked — but Ernie’s inks were some of the most powerful in the world of comics.

When I was a kid I couldn’t get enough of Conan the Barbarian and its black-and-white companion magazine The Savage Sword of Conan. But I was incredibly picky about the art in my comics — if the art didn’t blow me away, I wouldn’t buy the comic. Plus, I had the seriously limited budget of a child, so I had to be impressed by the art or I left the book sitting on the rack.

Whenever I found a Conan book that was drawn (or inked) by Ernie Chan, my money hit the counter immediately.

Rest in peace, Ernie. You will be missed…

Blogging Austin Briggs’ Flash Gordon, Part Two – “Freeland”

Blogging Austin Briggs’ Flash Gordon, Part Two – “Freeland”

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9665211flash-gordon-volume-2“Freeland” was the second installment of Austin Briggs’ Flash Gordon daily comic strip serial for King Features Syndicate. Originally published between February 24 and August 21, 1941, “Freeland” was the second story in the daily companion to Alex Raymond’s celebrated Sunday strip. It is the second of two Briggs strips available in a reprint collection from Kitchen Sink Press.

“Freeland” gets underway with the ship bearing our motley crew making its way toward the Promised Land free from Ming. Flash and Dale set out in a rocketship to scout for a safe harbor and encounter a hostile tribe of what appear to be Native Americans.

Once more, Austin Briggs demonstrates his version of Mongo is more attuned to contemporary American experience or American history than the prehistoric or Medieval Europe model chosen by Alex Raymond. Briggs may also be borrowing a page from Edgar Rice Burroughs (one of Raymond’s primary inspirations) in transplanting Native Americans to another world.

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Weird Tales 359 Arrives

Weird Tales 359 Arrives

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weird-tales-359aWell, sort of.

I’ve been waiting expectantly for this one. It’s something of a watershed issue — Ann VanderMeer’s final issue as editor, and the first from the new publishers, Nth Dimension media (as we reported back in August). It has fiction from Stephen Graham Jones, Tamsyn Muir, Evan J. Peterson, and many others, and articles from Paula Guran, Michael Skeet and Kenneth Hite.

At least, so they tell me. I haven’t been able to find a copy. I blame the death of Borders, where I used to be able to buy it. I’ve been checking the magazine section of my local Barnes & Noble (where I get F&SF, Asimov’s, Analog and Interzone), but no luck.

But Ann VanderMeer tells me it’s out. New publisher John Harlacher tells me it’s out. So it probably is. If you see a copy in the wild, let me know will you? Speaking of Harlacher, here’s what he says about this issue, and the spectacular cover:

The first Weird Tales issue by our company, Nth Dimension media, has gone to press, and will be in your mailboxes by the end of February. It’s edited by Ann VanderMeer, has art direction by Stephen H. Segal, and is quite beautiful… Stephen worked with our artist, Dave Buchwald (known in the graphic design world for creating the covers of 2600 magazine), to create this cover, and we think it represents a style we will use for the near future. It features the new/old logo, an intriguing symbol by Jeff Wong (www.JeffWong.com), and a stunning piece of art by Aurielien Police. The layout achieved what was most important to me – an emphasis on art, while keeping the writer in the forefront.

It really is a great cover. Click on the image at right for a bigger version. Love the dapper robot dude.

Cover price for the issue is $6.99 (I guess). It is probably 80 pages. The complete table of contents is here. We last covered Weird Tales with issue 358.

Goth Chick News: Pass Me a Prom Dress and Some Pig Blood

Goth Chick News: Pass Me a Prom Dress and Some Pig Blood

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image0022There’s just no point in continuing to harp on this whole remake / reboot craze that Hollywood seems to be suffering from the last few years.

True that the lack of innovation is depressing and the originals are almost always better, but you can probably think of at least one movie that you’d be interested to see in the light of a new generation of special effects.

So with that firmly in mind, let’s dust off the formalwear, order some carnations, drop by that slaughter house on the outskirts of town and once again, take Carrie White to the prom.

If you recall, the original Carrie of 1976 had Sissy Spacek in the waif-like, telekinetic, bullying-victim lead role, while Piper Laurie played her nutso, religious fanatic Mommy-dearest, Margaret.

Margaret White is, in many ways, the center of the horror classic and undoubtedly one of the most disturbing characters ever seen on screen. Associating sex and puberty with shame and sin, Mrs. White turned her tortured daughter’s home into another place of torment instead of a sanctuary.

Spitting out lines like, “They’re all gonna’ laugh at you,” and “I can see your dirty pillows,” Laurie created a psycho movie mom that would make you want to spend the holidays with Joan Crawford.

Now four-time Oscar nominee Julianne Moore will attempt to top Laurie’s Oscar-nominated performance; she has signed on to play Margaret White in the upcoming Carrie remake.

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The Nightmare Men: The Good Inspector

The Nightmare Men: The Good Inspector

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jrlegrasseLike Van Helsing before him, Inspector John Raymond Legrasse has only had one canonical appearance: HP Lovecraft’s seminal “The Call of Cthulhu”. But like the Dutch professor, the Creole Inspector has continued on past the end of his own story, popping up here and there, stubbornly inserting himself into the arcane worlds of others, most notably those of CJ Henderson.

Described as a “commonplace looking middle-aged man”, Legrasse is a man devoted to duty and possessed of an unshakeable resolve, despite his unassuming appearance. This resolve pitches him into conflict with the servants of one of Lovecraft’s most enduring creations, Cthulhu. Legrasse’ part in “The Call of Cthulhu” is a minor one, but its reverberations reach far, especially when one considers how much a template ‘The Tale of Inspector Legrasse’ is for the modern occult detective story.

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William Patrick Maynard’s The Terror of Fu Manchu

William Patrick Maynard’s The Terror of Fu Manchu

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the-terror-of-fu-manchu2We’re a talented group here at Black Gate. Every time I drop a pencil someone on staff publishes a book. Last week I spilled a pencil case, and Scott Taylor announced a nine-volume fantasy series.

I was especially pleased to get my hands on the first novel by Friday blogger William Patrick Maynard, The Terror of Fu Manchu, published in 2009 by Black Coat Press. Bill was authorized to continue Sax Rohmer’s Fu Manchu thrillers and the second volume, The Destiny of Fu Manchu has just appeared, also from Black Coat Press.

I met Bill for the first time at the Windy City Pulp and Paper show two weeks ago here in Chicago, and found him to be an intelligent and entertaining conversationalist. I was fortunate to have the chance to ask him about his novels, and I was treated to an enthusiastic and fascinating lecture on the Boxer Rebellion, the psychology of Yellow Peril novels, and the uniquely global evil of Fu Manchu.

It was one of those moments when you wish you had a recorder. After listening to Bill I was more intrigued than ever to read his novels, and I wished I had a way to share his infectious enthusiasm with our readers.

Eventually I asked Bill to recreate what he told me as best he could in an e-mail message, to post here.

He graciously complied, and here’s what he sent me.

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Continued Fallout for Undead Press

Continued Fallout for Undead Press

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undead-pressThe fallout from the very public feud between first-time writer Mandy DeGeit and Anthony Giangregorio of Undead Press (first covered here yesterday) continues today, with professional writers weighing in on the controversy. Neil Gaiman tweeted DeGeit’s original post, bringing thousands of readers to her blog, and now Adam-Troy Castro, Alyn Day, Richard Salter, Nick Mamatas and others have written about their own experiences.

Here’s Adam-Troy Castro, from his blog:

There’s recently been a flurry of posts about Undead Press, a small publishing house that a) doesn’t pay, b) allegedly humiliates its authors by inserting gratuitous rape scenes into their stories, without asking those authors if they want those rape scenes to be there, and c) has apparently published and continues to advertise a sequel to George Romero’s Dawn of the Dead, showing an absolute lack of respect for copyright or concern for the legal consequences… what I really want to address is that Dawn of the Dead sequel, an act of supreme arrogance… What Giangregorio has done is specifically, and deliberately, hijack the name of a better work and superior work to his sequel; he is specifically saying, “This is a sequel to Dawn of the Dead.” Which he has no right to do.

Alyn Day, another Undead Press contributor, relates how her story was also rewritten and retitled without permission.

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Win a copy of Thunder in the Void from Haffner Press!

Win a copy of Thunder in the Void from Haffner Press!

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thunder-in-the-voidContests! I love contests. It’s because we love to give away stuff, like Santa Claus.

In this case, it’s stuff you really, really want: the latest archival quality hardcover from Haffner Press, Thunder in the Void, a massive collection of 16 Space Opera tales by Henry Kuttner. It’s scarcely been on sale two weeks, and it’s already almost sold out, so act fast.

Thunder in the Void gathers classic pulp fiction from Planet Stories, Weird Tales, Super Science Stories, and even rarer sources, including “War-Gods of the Void,” “Raider of the Spaceways,” “We Guard the Black Planet,” “Crypt-City of the Deathless Ones,” and the previously unpublished “The Interplanetary Limited.”  Most appear here in book form for the first time.

How do you win? Now pay attention, this is the fun part. You must submit the title of an imaginary Space Opera story. The most compelling pulp title — as selected by a crack team of judges including Howard Andrew Jones, C.S.E. Cooney, and John O’Neill — will receive a free copy of Thunder in the Void in the mail, complements of Haffner Press and Black Gate magazine.

One submission per person, please. Submissions must be received by May 31st, 2012. Winner will be contacted by e-mail, so use a real e-mail address maybe. All submissions must be sent to john@blackgate.com, with the subject line Thunder in the Void, or something obvious like that so I don’t randomly delete it.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Employees of New Epoch Press are ineligible to enter (including the judges — sorry, Howard and C.S.E.) Not valid where prohibited by law. Or anywhere postage for a hefty hardcover is more than, like, 10 bucks. Seriously, this book is heavy and we’re on a budget.

Thunder in the Void is 612 pages in high-quality hardcover format, with an introduction by Mike Resnick and a cover price of $40. Cover art is by Norman Saunders. It is available directly from Haffner Press.