Black Gate – Page 1049 – Adventures in Fantasy Literature

Black Gate Online Fiction: The Death of the Necromancer, Part One

Sunday, June 2, 2013 John ONeill Comments 14 comments

Black Gate is very proud to present Part One of Martha Wells’s Nebula Award-nominated novel The Death of the Necromancer, presented online in its complete form for the first time.

Nicholas Valiarde is a passionate, embittered nobleman with an enigmatic past. Consumed by thoughts of vengeance, he is consoled only by thoughts of the beautiful, dangerous Madeline. He is also the greatest thief in all of Ile-Rien…

On the gas light streets of the city, he assumes the guise of a master criminal, stealing jewels from wealthy nobles to finance his quest for vengeance the murder of Count Montesq. Montesq orchestrated the wrongful execution of Nicholas’s beloved godfather on false charges of necromancy — the art of divination through communion with spirits of the dead–a practice long outlawed in the kingdom of Ile-Rein.

But now Nicholas’s murderous mission is being interrupted by a series of eerie, unexplainable, even fatal events. Someone with tremendous magical powers is opposing him. Children vanish, corpses assume the visage of real people, mortal spells are cast, and traces of necromantic power that hasn’t been used for centuries are found. And when a spiritualist unwittingly leads Nicholas to a decrepit mansion, the monstrous nature of his peril finally emerges in harrowing detail.Nicholas and his compatriots must destroy an ancient and awesome evil. even the help of Ile-Rien’s greatest sorcerer may not be enough, for Nicholas faces a woefully mismatched battle — and unthinkable horrors await the loser.

Martha Wells is the author of fourteen fantasy novels, including City of Bones, The Element of Fire, The Cloud Roads, and The Serpent Sea. Her most recent novel is the YA fantasy Emilie and the Hollow World, published by Strange Chemistry Books in April. Her previous fiction for us includes “Reflections” in Black Gate 10, “Holy Places” (BG 11), and “Houses of the Dead“ (BG 12). Her most recent article for us was “How Well Does The Cloud Roads Fit as Sword and Sorcery?,” which appeared here March 13. Her web site is www.marthawells.com.

The complete catalog of Black Gate Online Fiction, including stories by Mary Catelli, Michael Penkas, Vera Nazarian, Ryan Harvey, Nina Kiriki Hoffman, E.E. Knight, C.S.E. Cooney, Howard Andrew Jones, Harry Connolly, and many others, is here.

The Death of the Necromancer was originally published in hardcover by Avon EOS in 1998. The complete, unedited text will be presented here over the next four weeks, beginning tonight with the first four chapters. It is offered at no cost.

Read Part One of the complete novel here.

Tabitha Reviews The School for Good and Evil

Sunday, June 2, 2013 John ONeill Comments 0 Comment

The School for Good and Evil
By Soman Chainani
HarperCollins (488 pages, May 14, $16.99 hardcover/$10.99 digital)

The School for Good and Evil is a major summer release from HarperCollins, with a national marketing campaign and lot of pre-release buzz, and it’s already getting a lot of attention.

We know what to do with young adult books getting a lot of attention here at Black Gate – we give them to Tabitha, the thirteen year-old reviewer who covered The House of Dead Maids and All the Lovely Bad Ones for us, among others. We’re glad to have her join us again, even though she makes us feel old and out of touch.

Black Gate: Tabitha, welcome back to the Black Gate offices!

Tabitha: Thanks, I guess.

Before we get started, why don’t you tell us a little about yourself.

Didn’t we do that last time?

Yes but that was like a hundred years ago. All the people who read your last reviews probably got old and died.

Wow. Okay, in that case, I turn 114 this year. I’m going to high school next year. On the introvert scale, I’m beyond “vampire.”

“Beyond vampire.” What does that mean? Explain it for old people.

I scream in agony whenever I set foot outside my house.

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The Dying Earth: An Appreciation

Sunday, June 2, 2013 Matthew David Surridge Comments 7 comments

Tales of the Dying Earth Last Sunday, May 26, veteran genre writer Jack Vance died at the age of 96. John O’Neill posted a fine overview here of his career; testament to Vance’s influence on other writers can be seen in remembrances by Christopher Priest and George R.R. Martin. Prolific and talented, Vance was a significant figure. I thought I’d do my humble bit to mark his passing with a look at perhaps his best-known series, books which named a subgenre of speculative fiction: The Dying Earth.

The first book in the sequence, The Dying Earth, was a collection of linked short stories published together as a novel in 1950. The second volume, 1966’s Eyes of the Overworld, ties together a half-dozen short stories (of which five had been previously published in The Magazine of Fantasy & Science Fiction) into a sprawling picaresque adventure. After Michael Shea wrote and published an authorised sequel in 1974, A Quest for Simbilis, Vance returned to his setting and lead character in 1983 with Cugel’s Saga. Parts of this book too had been previously published as short fiction, but again the episodic structure worked, creating the sense of an unwinding yarn, a shaggy-dog story — a feel similar to the previous book while still highly individual. The final book, 1984’s Rhialto the Marvellous, was a collection of longish tales featuring new main characters; one story, the last in the book, had been published in 1973.

All four books are set in the unimaginably far future, when a red sun wearily makes its way through the skies of Earth and the moon is no more. Powerful magicians memorise spells based on obscure mathematics and command otherworldly entities. The world is nothing we recognise: not only has every culture and civlisation we have ever known passed away unremembered, but the basic geography of the planet has changed. There are fewer people on the planet, it seems, though far more quasi-human entities; technology’s mostly regressed to pre-industrial levels, except for rare magical artifacts. If ‘magic’ is the right word. What seems to be magic may only be forgotten technology. Who, this far away in time, can recall?

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New Treasures: The Mist-Torn Witches by Barb Hendee

Sunday, June 2, 2013 John ONeill Comments 0 Comment

I remember when I first saw Dhampir, the opening volume of Barb and & J.C. Hendee’s Noble Dead saga, back in 2003.

A supernatural medieval fantasy packed with vampire hunters, assassins, ancient castles, and mysterious guilds? That went right on my to-be-read pile. It was still there when Thief of Lives arrived twelve months later. And the third volume, Sister of the Dead. There are now a dozen, and I’ve surrendered all hope. Those two write faster than I can read.

So that’s why I was pleased when Barb Hendee’s solo effort, The Mist-Torn Witches, arrived in May. It’s the first in a brand new series, but it has many of the same elements that attracted me to The Noble Dead. In one volume, I can be on top of everything and not have to hang my head in shame when we talk about Hendee at the Black Gate reading club. Big green recliner, here I come.

In a small village in the nation of Droevinka, orphaned sisters Céline and Amelie Fawe scrape out a living selling herbal medicines in their apothecary shop. Céline earns additional money by posing as a seer and pretending to read people’s futures.

But they exist in a land of great noble houses, all vying for power, and when the sisters refuse the orders of a warlord prince, they must flee and are forced to depend on the warlord prince’s brother, Anton, for a temporary haven.

A series of bizarre deaths of pretty young girls is plaguing the village surrounding Prince Anton’s castle. He offers Céline and Amelie permanent protection if they can use their “skills” to find the killer.

With little choice, the sisters enter a world unknown to them — of fine gowns and banquets and advances from powerful men. Their survival depends on catching a murderer who appears to walk through walls and vanish without a trace — and the danger grows with each passing night.

The Mist-Torn Witches was published by Roc Books on May 7. It is 326 pages, priced at $7.99 for both the paperback and digital versions.

See all of our recent New Treasures articles here.

The Nightmare Men: “The Phantom Fighter”

Saturday, June 1, 2013 Josh Reynolds Comments 7 comments

‘He was…rather under medium height, but with military erectness of carriage that made him seem several inches taller than he actually was. His light blue eyes were small and exceedingly deep set and would have been humorous had it not been for the curiously cold directness of their gaze. With his blonde moustache waxed at the ends in two perfectly horizontal points and those twinkling, stock taking eyes, he reminded me of an alert tom-cat.’

Such is the stout Dr. Trowbridge’s description of Jules de Grandin, late of Paris, the Surete, and the Sorbonne, upon first meeting the irascible little French physician in the 1925 story, “Terror on the Links”. Cat-eyed and ebullient, de Grandin is the epitome of the phrase ‘it’s not the size of the dog in the fight, but the size of the fight in the dog.’ He defends Harrisonville, New Jersey, and by extension, all of mankind, against the spawn of Satan, using forbidden knowledge and firearms alike.

Jules de Grandin and his ever-present companion, Dr. Trowbridge, were created in 1925 by Seabury Quinn for Weird Tales and went on to feature in close to a hundred stories, with the last, “The Ring of Bastet”, appearing in 1951. Quinn, in the introduction to the 1976 Popular Library collection, The Adventures of Jules de Grandin, says that de Grandin is ‘…a sort of literary combination of Topsy and Minerva, that is, he just growed.’

It’s hard to imagine it being otherwise, given the sheer vibrancy of de Grandin from the start. De Grandin, like his more passive predecessor Dr. Hesselius, is a physician, and approaches the supernatural as an illness to be confronted. Unlike the kindly Hesselius, however, de Grandin is no amiable general practitioner, but a surgeon — flamboyant, precise, and ruthless.

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Black Gate Online Fiction Presents the Complete The Death of the Necromancer by Martha Wells

Friday, May 31, 2013 John ONeill Comments 3 comments

Black Gate is very proud to announce that we will be presenting the complete fantasy novel The Death of the Necromancer, by Martha Wells, as part of our Online Fiction series, starting this Sunday, June 2.

The Death of the Necromancer is one of the most important fantasy novels of the past 20 years. When I ran SF Site, we received an advance proof in 1998, and it electrified our entire office. In his review, senior editor Wayne MacLaurin wrote:

Take a great Sherlock Holmes novel, mix in a heavy dose of Steven Brust’s Jhereg, and you’ll have some idea of what you can expect… Martha Wells’ first two novels, The Element of Fire and City of Bones, were praised for their rich detail and original concepts. The Death of the Necromancer raises those two points to new levels… It’s a stunning achievement.

When we polled all 40 regular reviewers for our “Best of the Year” awards, The Death of the Necromancer topped more ballots than any other book, and to no one’s surprise it was nominated for a Nebula Award.

Martha Wells has a long history with Black Gate. We published three long novellas featuring her heroes Giliead & Ilias, starting with “Reflections” in Black Gate 10; followed by “Holy Places” (BG 11), and “Houses of the Dead“ (BG 12). Her stories are fast-paced mysteries, filled with deeply human characters on a splendidly realized stage, and her appearance in BG brought us a whole new audience. Her most recent article for us was “How Well Does The Cloud Roads Fit as Sword and Sorcery?,” which appeared here March 13.

The Death of the Necromancer was originally published in hardcover by Avon EOS in 1998. The complete, unedited text will be serialized as part of our Black Gate Online Fiction line, starting this Sunday, June 2.

Is This a Kissing Book?

Friday, May 31, 2013 Violette Malan Comments 5 comments

Let me get one thing out of the way immediately: It’s my belief that the increase in the numbers of female protagonists in the last thirty years (yes, it’s been that long) is directly related to the increase in the numbers of female authors (yes, it’s that simple). Female readers have been here all along. You can trust me on that one.

Last week I was talking about dual heroes, when is a pair a true pairing, and when a hero/sidekick combo? I mentioned Fafhrd and the Grey Mouser, for me the original hero pair, and some of their literary descendants. But I left it until this week to talk about a much more recent phenomenon, the female/male hero pair.

Now, just to be clear, I don’t mean a book with a male protagonist, and his female companion – until recently known as a “regular book.” Nor do I mean a book with a female protagonist and a male second lead – until recently known as a “romance novel.” What I mean is the same kind of dual hero I talked about before, where both main characters are equally important to the story, but where one happens to be a woman, and one happens to be a man.

Having established the usefulness of a pair of protagonists (each brings a unique perspective and different skills to the problem-solving; the presence of a “friend” establishes the emotional accessibility of both characters; the chance to reveal character through conversation [thanks to Alex Bledsoe for some of these ideas], and, especially, the usefulness of a country/city pair) does having a female/male pair do anything in particular for us?

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Blogging Dan Barry’s Flash Gordon, Part One

Friday, May 31, 2013 William Patrick Maynard Comments 0 Comment

While Mac Raboy kept alive the Flash Gordon Sunday strip from 1948 until his death in 1967, Dan Barry emerged on the scene to take the reins of a revived daily strip in November 1951. Barry became the longest running artist ever associated with the character and eventually took over the Sunday strip after Mac Raboy’s untimely demise. He illustrated the strip for nearly forty years before stepping down in 1990.

Interestingly, Barry’s revival of the daily strip marked a radical departure from past continuity and would be seen as a reboot of the property in modern parlance. The strip established Flash Gordon and his girlfriend Dale Arden as seasoned space explorers who have visited Mars on more than one occasion and are currently leading an expedition to Jupiter. This marks Earth’s third Jupiter mission (the first two having ended in disaster). As an amusing aside, the strip places the site of the U.S. space program in Ohio.

“Space Prison” was serialized by King Features Syndicate from November 19, 1951 to February 16, 1952. The story kicks off with the X-3 mission running into immediate problems when one of the booster rockets fails. The ship is forced to make an emergency landing on a space station that also serves as a space prison.

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Goth Chick News: Hanging with Head Smash Creator Vlad Yudin

Thursday, May 30, 2013 Sue Granquist Comments 1 comment

At this year’s Chicago Comic and Entertainment Expo (“C2E2”), you couldn’t spit a piece of gum without hitting a promotional plug for Head Smash.

To be honest, you couldn’t spit a piece of gum without hitting a lot of unusual things at the May event, but Black Gate photog Chris Z and I couldn’t help but notice that the sheer quantity of Head Smash promotion was on par with the visual assault launched by Marvel for its own upcoming releases.

We had to admit, the curiosity factor was being driven off the scale for a graphic novel that hadn’t yet been released — not to mention an indy film adaptation barely into pre-production.

I had read that Yudin was creating Head Smash (penned by Erik Hendrix and illustrated by Dwayne Harris) for Arcana Comics, as well as writing the film adaptation of the story. He is also producing and adapting the film’s screenplay with The Twilight Saga producers Mark Morgan and Michael Beckor.

So thanks partially to our nosiness– but mostly to the tenacity of the PR company handling Head Smash and its creator — Chris and I got an early morning exclusive chat with the Russian-born-US-raised writer, director and producer Vlad Yudin.

And yes, I admit it, there’s no way I’m not going to talk to a guy named “Vlad…”

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Jack Vance, August 28, 1916 — May 26, 2013

Thursday, May 30, 2013 John ONeill Comments 8 comments

Jack Vance, one of the greatest fantasists of the 20th Century and one of the last living links to the pulp era, died Sunday at the age of 96.

Vance was an electrician in the naval shipyards at Pearl Harbor in 1941, working for 56 cents an hour. He left a month before the Japanese attack; during World War II, he was in the Merchant Marines.

His first published story, “The World-Thinker” in the Summer 1945 issue of Thrilling Wonder Stories, was written at sea. Over the next six decades, he wrote more than 60 books (and perhaps as many as 90).

Vance was a prolific contributor to the pulp magazines in the 40s and 50s, especially Startling Stories and Thrilling Wonder. Some of his most famous work during this period included “The Five Gold Bands” (Startling Stories, 1950), “Son of the Tree” (Thrilling Wonder, 1951), “Telek” (Astounding Science Fiction, 1952), “The Houses of Iszm” (Startling Stories, 1954), and “The Moon Moth” (Galaxy, 1961).

Vance won his first Hugo Award for the brilliant novella “The Dragon Masters” (Galaxy, 1962); “The Last Castle” (Galaxy, 1966) won both the Hugo and Nebula Award.

During this period, he also wrote most of the stories that were collected as The Dying Earth in 1950. Famously, Vance was unable to sell his collection to genre publishers, as a result one of the most important works of American fantasy was published by tiny Hillman Periodicals, who chiefly published comics.

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