Black Gate – Page 1034 – Adventures in Fantasy Literature

Goth Chick News: The Devil and Leonardo DiCaprio in the White City

Thursday, November 28, 2013 Sue Granquist Comments 4 comments

The last time we heard anything about a possible film version of one of my very favorite books, Erik Larson‘s The Devil in the White City: Murder, Magic and Madness at the Fair That Changed America, Leonardo DiCaprio‘s company had just optioned it and attached the actor to the project. Way back then DiCaprio had yet to shoot either J. Edgar or The Great Gatsby, both of which have already come and gone.

And that’s what the industry refers to as “development hell.”

However, recently it was confirmed that DiCaprio was, and still is, set to play H.H. Holmes, the serial killer who haunted the creation of the 1893 World’s Fair in Chicago. We still haven’t heard all that much about the film, but Warner Bros. says they are still working to make it a reality, and have hired Graham Moore to script.

It might help to move things along that fellow Chicago native Moore is a huge fan of the book, and has been for some time. As he told Deadline Hollywood,

[I’ve been] obsessed with Devil in the White City for a decade. My high school was 50 yards away from where the Chicago World’s Fair was held, and I played soccer on a field near where Holmes murdered about 200 people. It was a truly horrible crime, but it’s a very Chicago story. Though I moved to LA, I think of myself as fundamentally Mid-Western, and in a weird way, this is a dark and twisted tribute to my hometown.

Nicely put Mr. Moore, I couldn’t agree more.

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Heroic Historical and Uncomfortable Truths

Thursday, November 28, 2013 Comments 8 comments

large_towton — A winter battle. How positively…

People often quote LP Hartley (without having any idea they’re quoting him, or who he was, me included) — “The past is a foreign country: they do things differently there.”

To an extent you can take a tourist attitude and go, “Look at the funny foreigners. How romantic!”

Distance in time fosters distance in morality, making it — for example — entirely acceptable to offer Battle of Towton greetings cards. A winter battle. How positively Christmassy!

Or for the Scottish Borders Council to adopt the Border Reiver as a logo.

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Try Out Spellbound Magazine

Thursday, November 28, 2013 John ONeill Comments 2 comments

Two weeks ago I reported on the great work editor Raechel Henderson was doing with Eggplant Literary Productions. The impetus was dropping by her booth at Windycon, where I saw the fabulous array of new fantasy novels and novellas she’d recently released, including new e-books from Lenora Rose, Laura J. Underwood, Lori Ann White, Patricia Russo, Martin Clark, and many others.

Eggplant is effectively a one-woman show, so I was tremendously impressed to see so many new titles. I know what it’s like to finance, edit, art direct, design, layout, produce, market and distribute one issue of a genre magazine every year… so just seeing the host of new releases Raechel had published in the last 12 months meant I needed to go have a bit of a lie down.

It’s not just her surprising accomplishments in the area of e-books, which are only a small part of Eggplant. On top of the book line, Raechel also produces the excellent Spellbound, a thriving new magazine that has published 19 issues since 1999.

Spellbound is a children’s fantasy e-zine for kids 8-12 years of age, which makes it almost unique in the marketplace. It was originally launched in Fall 1999 and went on hiatus after 15 issues, after the Spring 2003 issue. It was re-launched in Winter 2012 with greatly increased production values, including gorgeous color covers; so far Raechel has released four new issues like clockwork.

If you enjoy children literature — or have an inquisitive or imaginative child in your life — Spellbound makes a great value. Each issue contains original stories, poetry, art, and a Recommended Reading list, all centered around a special featured creature. The Fall 2013 issues showcased Creatures of the Deep, Dark Woods, with gorgeous cover art by Francesca Resta; the Summer 2013 issue focused on Dragons (click on the image at right for the full-sized cover art).

Individual issues of Spellbound are $5.00 (US) each; a four-issue, one year subscription is $20.00 (US). Order directly from the Eggplant website.

What’s next for Raechel and Eggplant Production? I’m not certain, but I’m looking forward to seeing what they produce next. Ignore them at your peril.

Vintage Treasures: The Coming of the Rats by George H. Smith

Thursday, November 28, 2013 John ONeill Comments 6 comments

A lot of post-apocalyptic novels and films appeared in the 50s and 60s. World War II was still a recent memory, and the threat of the H-Bomb was very real, even if most folks didn’t understand exactly what the “H” stood for. Publishers and filmmakers played on the very real terrors people faced every day. Fear of another war. Fear of atomic radiation.

And, going by the cover of George H. Smith’s The Coming of the Rats, the deep-seated fear that rats would attack our women and strip their clothes off.

Now, I’m not sure how our parents and grandparent dealt with these crippling fears, but from what I understand their coping mechanism involved a lot of cheap paperbacks, and multiple Saturday matinees (which seems like a stable strategy, when you think about it).

This is how that generation learned the facts about atomic radiation. And how the logical result would be mutants, and lots of ’em. Giant mutant ants. Mutant town-eating blobs. And horrible, women-chewing mutant rats.

Which brings us to The Coming of the Rats, and its hallowed place in the post-apocalyptic fiction canon.

Author George H. Smith (not to be confused with George O. Smith, author of Venus Equilateral and Troubled Star, or the George H. Smith who wrote Swamp Lust, Swamp Bred, and other swamp love classics) had a checkered career as a paperback writer in the 60s. His first publication was a short story in Startling Stories in 1953, and he sold a number of stories to SF magazines throughout the fifties before graduating to novels. He’s mostly remembered today for a line of soft-core erotica written under various pseudonyms.

His first attempt at more serious SF was The Coming of the Rats. But nobody told the cover artist, who cheerfully went the soft-core route, depicting a toga-party victim unsuccessfully fending off high-jumping rats.

Of course, the best covers intrigue readers and make them ask questions, and this cover made me ask questions. Chiefly, “Why are you wearing a dish towel?”

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New Treasures: Copperhead by Tina Connolly

Wednesday, November 27, 2013 John ONeill Comments 0 Comment

I first met Tina Connolly at the World Fantasy Convention in San Diego in 2011. She was charming, witty, and very entertaining — precisely the kind of person you want to follow around to all the good parties. I tried this enthusiastically for a while, until someone from the con committee patiently explained to me that this was called “stalking” and was, like, illegal.

Fortunately, Tina Connolly is also a very talented writer. And reading her novels (I’ve discovered) is exactly like hanging out with the author at a great party. The same sparkling wit, the same penetrating intelligence. Except, unlike at parties, I can pause the conversation to look up words without looking stupid.

Tina’s first novel Ironskin was an historical fantasy set in an alternate version of early 1900s England, and was nominated for a Nebula Award last year. The sequel Copperhead has finally arrived, and it looks just as delightful as the first volume.

Helen Huntingdon is beautiful — so beautiful she has to wear an iron mask.

Six months ago her sister Jane uncovered a fey plot to take over the city. Too late for Helen, who opted for fey beauty in her face — and now has to cover her face with iron so she won’t be taken over, her personality erased by the bodiless fey.

Not that Helen would mind that some days. Stuck in a marriage with the wealthy and controlling Alistair, she lives at the edges of her life, secretly helping Jane remove the dangerous fey beauty from the wealthy society women who paid for it. But when the chancy procedure turns deadly, Jane goes missing — and is implicated in a murder.

Meanwhile, Alistair’s influential clique Copperhead — whose emblem is the poisonous copperhead hydra — is out to restore humans to their “rightful” place, even to the point of destroying the dwarvven who have always been allies.

Helen is determined to find her missing sister, as well as continue the good fight against the fey. But when that pits her against her own husband — and when she meets an enigmatic young revolutionary — she’s pushed to discover how far she’ll bend society’s rules to do what’s right. It may be more than her beauty at stake. It may be her honor… and her heart.

Copperhead was published by Tor Books on October 15th. It is 318 pages, priced at $24.99 in hardcover, and $11.99 for the digital edition.

The Powerful Geek

Wednesday, November 27, 2013 Jon Sprunk Comments 6 comments

When I was ten years old, my father enrolled my brother and me into martial arts classes given at the local YMCA. It was a two-class session, starting with tae kwon do and then switching to judo for the second hour. It was my first real experience with physical training outside of school gym class. I was hooked right away.

At first, I really preferred the tae kwon do with its blocks and punches and kicks that somewhat resembled what my brother and I watched on Black Belt Theater on Saturday afternoons. The judo, on the other hand, was a lot more work. The instructor spent half the class running us through fairly rigorous calisthenics, followed by grappling and throws.

Now, by the time we began these lessons, I was already a fantasy- and scifi-loving geek. I was into Star Wars, Star Trek, The Lord of the Rings, Conan, and superheroes. For me, martial arts were a real-life connection to the heroic feats that permeated those works. Bruce Lee was one of my earliest personal icons. As I got older and went college, I added bodybuilding to my repertoire. After graduating, I worked for fourteen years as a guard at a maximum-security juvenile detention center, where my training was put to practical use.

It doesn’t require a Ph.D. in psychology to realize I was undergoing a transformation in all this. Studying these arts and working out allowed me to model the attributes of my childhood heroes. Yet, in aping these heroic qualities, I was also feeding my inner fantasy life. It helped me to make the decision to pursue fantasy writing as a career, as if it were a natural step on my personal journey.

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The Top 50 Black Gate Posts in October

Wednesday, November 27, 2013 John ONeill Comments 0 Comment

The top article on the Black Gate blog last month was our look at Mike Resnick and Robert Garcia’s new anthology Worlds of Edgar Rice Burroughs. (A few weeks later Robert Garcia wrote his first Saturday blog post for us, a fond look back at The Pulp Art of Virgil Finlay. Do we bring the heavy hitters, or what?)

Second on the list was E.E. Knight’s open letter to Amy Farrah Fowler, a character on The Big Bang Theory, on her controversial theory that Indiana Jones had no impact on the ending of Raiders of the Lost Ark. Fight the good fight, Eric.

Third was Jon Sprunk’s look at his favorite fantasy films, followed by his article on the use of elves in fantasy lit. Way to hog the list, Jon. Rounding out the Top Five was James Maliszewski’s “Appendix T,” an attempt to craft a hypothetical Appendix N for the great Traveller RPG, listing roughly 20 works of classic science fiction that clearly influenced the game’s creators.

The complete Top 50 Black Gate posts in October were:

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Ancient Worlds: Between a Rock and a Rabid Sea She-Monster

Tuesday, November 26, 2013 Elizabeth Cady Comments 0 Comment

After Odysseus makes his way past the Sirens, he has to thread his way through twin threats on his way home: Scylla and Charybdis. Like many of the threats the Ithacan king faces, these have become proverbial: to be caught between Scylla and Charybdis is to be forced to choose between two terrible options.

And terrible they are. Scylla is a many-headed creature who snaps up sailors as they pass by. Charybdis is an unseen monster who lives under the sea, gulping down water and devouring ships like an aquatic Sarlacc. And if these weren’t individually terrifying enough, they are placed on opposites sides of a narrow strait, so that Odysseus must choose between them. Sailing far enough from Scylla to avoid getting chomped means getting sucked down into Charybdis’ maw, and vice versa.

(And does anyone at this point notice that an overwhelming number of Odysseus’ problems involve him being in terror of being sucked down, eaten, conquered or otherwise waylaid by women? UNLESS HE TERRIFIES THEM WITH HIS GIANT… UH… SWORD? I mean seriously. I really don’t give much weight to Freudian analysis the vast majority of the time but sometimes? You say one thing and you obviously mean your mother.)

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A Hero in the Service of Organized Crime: A Review of Jhereg by Steven Brust

Tuesday, November 26, 2013 Fletcher Vredenburgh Comments 6 comments

I’m always excited to find a new author, especially one with a long back catalogue for me to plunge into. With 26 novels to his name, Steven Brust is one of those finds.

When I first started blogging about swords & sorcery I spent some time looking around for newer books and series (newer for me meaning anything written after 1984). Again and again, people suggested Steven Brust’s Dragaeran Empire series. Without reading too much about it I learned the main protagonist, Vlad Taltos, had a little pet dragon. Right away my brain flashed some kind of warning and, fearing the books might be too cute by half, I rejected them.

Well, a few weeks ago Bill Ward wrote very highly of the adventures of Vlad Taltos. I figured why not? For a penny (plus $3.99 shipping) I ordered The Book of Jhereg (1999), an omnibus containing the series’ first three books: Jhereg, Yendi, and Teckla. Though still apprehensive of the little dragon, I started on Jhereg (1983) and blew through it in two days. Well I’m feeling a little foolish now for not having overcome my dracophobia much sooner.

The Dragaerans are nearly immortal, seven foot tall beings with slightly pointed ears and more finely featured than humans. Their society is divided into seventeen houses, each with its own traits and skills. Humans are a small and disfavored minority. The human Vlad Taltos is an assassin in House Jhereg, the Dragaeran equivalent of the mafia.

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New Treasures: The Edinburgh Dead by Brian Ruckley

Tuesday, November 26, 2013 John ONeill Comments 0 Comment

The first time I encountered Brian Ruckley, he impressed me greatly. It was with his long story “Beyond the Reach of His Gods,” in Jason Waltz’s groundbreaking anthology Rage of the Behemoth. Since then, he’s proved that wasn’t a fluke with The Godless World trilogy (Winterbirth, Bloodheir, and Fall of Thanes), a satisfying rich heroic fantasy of an apocalyptic war in a godless winter landscape.

But it was his dark fantasy set in the Scottish capital that really grabbed my attention. A gothic tale of devilry and detective work, it looks like it could be a breakout success for this heroic fantasy writer.

Edinburgh: 1828. In the starkly-lit operating theaters of the city, grisly experiments are being carried out on corpses in the name of medical science. But elsewhere, there are those experimenting with more sinister forces.

Amongst the crowded, sprawling tenements of the labyrinthine Old Town, a body is found, its neck torn to pieces. Charged with investigating the murder is Adam Quire, Officer of the newly-formed Edinburgh Police. The trail will lead him into the deepest reaches of the city’s criminal underclass, and to the highest echelons of the filthy rich.

Soon Quire will discover that a darkness is crawling through this city of enlightenment — and no one is safe from its corruption.

The Edinburgh Dead is a powerful fusion of gothic horror, history, and the fantastical.

The Edinburgh Dead was published by Orbit on August 17, 2011. It is 354 pages, priced at $14.99 in trade paperback and $9.99 for the digital edition.

See all of our recent New Treasures here.