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Vintage Treasures: The Scroll of Man by John Dalmas

Vintage Treasures: The Scroll of Man by John Dalmas

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The Scroll of Man-smallThis month, I’ve been trying out books by authors I’ve never read before and today it’s time to try the American SF writer John Dalmas.

John Dalmas was born in Chicago in 1926; his first published story was The Yngling, which appeared (in two parts) in the October and November issues of Analog Science Fiction in 1969. Since then, he’s published some 27 novels, including his latest, The Signature of God, which appeared as an e-book last year. He turns 88 this year and maintains a fairly active blog here. (That’s the spirit, Dalmas! Don’t let any of those younger SF writers give you crap.)

Dalmas is probably best known for his Regiment books from Baen, a military SF series which began with The Regiment in 1987 and continued for five more novels. But I settled on The Scroll of Man because it has a cool cover with a regal blue cat and a young lady with some impressive headgear, zapping her lazy kitty with a mini lightning bolt. I wish I could do the same thing when my cat won’t budge from my recliner, let me tell you. You show ’em, princess lady.

“I hit the ground and lay there, feeling close-cropped grass against my body. A moment earlier I’d been kicking along on skis across the Yukon flats in a Siberian training project. But this looked like some sort of temple garden, it was a summer night, and I was naked and unarmed.

“And two large golden eyes were watching me from the shadows.”

The Guardian had sent out a call for a great warrior. Now She had one… only he was from three million years in the past.

Okay, I have no idea what any of that is about. My guess, princess lady is The Guardian. I don’t know how the cat figures into events, but I bet it deserved the lighting bolt. Cats. You can’t trust ’em.

The Scroll of Man was published in 1985 by Tor. It is 255 pages, priced at $2.95. It has never been reprinted and there is no digital edition. The colorful cover is by Ramos.

An Age of Random Portents and Incoherent Miracles – Echoes of the Goddess by Darrell Schweitzer

An Age of Random Portents and Incoherent Miracles – Echoes of the Goddess by Darrell Schweitzer

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The Goddess is dead. The Earth is very old. The fabric of time itself has worn thin. Who knows what might be glimpsed through it? — Opharastes, After Revelation

oie_543314pkYzAsIcWhen the Goddess who reigned over Earth died her body shattered and the pieces, resonating with her power, rained down over the world. Wherever they settled they caused great changes in both the people and the land. In some places new realities were created. In others, images of the Goddess herself appeared and lingered on for years until the dawn of a new age and the emergence of a new deity.

Echoes of the Goddess: Tales of Terror and Wonder From the End of Time (2012) by Darrell Schweitzer is a collection of eleven stories written over the past thirty five years and set between the earliest days of the Goddess’ death and the last days before the new age.

One of the best things to come out of reviewing books is that I’ve finally read a bunch of the authors that I somehow managed to overlook for years, despite their large catalogs and great reviews. Steve Brust and Andre Norton are two of those recent “discoveries” as is today’s author, Darrell Schweitzer.

It’s hard to fathom that I’d managed to read only two stories (“Those of the Air” in Cthulhu’s Heirs and “The Castle of Kites and Crows” in Swords Against Darkness V) by a man who has written around three hundred of the things, several novels, and numerous works of non-fiction. Nonetheless, for most of my reading life, Schweitzer existed as little more than a name I knew.

Last year, I bought his The White Isle (1980) because it was cheap, there was some mention of a comparison to Lord Dunsany, and the cover looked cool. The novel is a dark (very dark!) take on the Orpheus and Eurydice story. It’s a powerful and bleak story of love and blind obsession set in one of the most despairing worlds I’ve ever encountered. I reviewed it last year at my site and promised myself to keep my eyes open for more of Schweitzer’s work. When Echoes of the Goddess showed up as an e-book, I snagged it at once.

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The Fantasy of Lucius Shepard: The Dragon Griaule

The Fantasy of Lucius Shepard: The Dragon Griaule

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The Dragon Griaule-smallLucius Shepard died last month and, to commemorate his profound contributions to the genre, we are surveying his fantasy books here. Today, we continue with one of his most famous books, The Dragon Griaule.

The point could be made that Shepard made his greatest contributions to fantasy at short length and certainly this volume supports that theory. A collection of six linked stories, including two of his most famous — “The Man Who Painted the Dragon Griaule” and “The Scalehunter’s Beautiful Daughter” — The Dragon Griaule collects all the tales of the massive corpse-dragon Griaule, including a new story, “The Skull,” which connects the mythical world of the Carbonales Valley to one of Shepard’s most prevalent literary concerns, 21st Century Central America.

More than twenty-five years ago, Lucius Shepard introduced us to a remarkable fictional world, a world separated from our own “by the thinnest margin of possibility.” There, in the mythical Carbonales Valley, Shepard found the setting for “The Man Who Painted the Dragon Griaule,” the classic account of an artist — Meric Cattanay — and his decades long effort to paint — and kill — a dormant, not quite dead dragon measuring 6,000 feet from end to end. The story was nominated for multiple awards and is now recognized as one of its author’s signature accomplishments.

Over the years, Shepard has revisited this world in a number of brilliant, independent narratives that have illuminated the Dragon’s story from a variety of perspectives. This loosely connected series reached a dramatic crossroads in the astonishing novella, “The Taborin Scale.” The Dragon Griaule now gathers all of these hard to find stories into a single generous volume. The capstone of the book — and a particular treat for Shepard fans — is “The Skull,” a new 40,000 word novel that advances the story in unexpected ways, connecting the ongoing saga of an ancient and fabulous beast with the political realities of Central America in the 21st century. Augmented by a group of engaging, highly informative story notes, The Dragon Griaule is an indispensable volume, the work of a master stylist with a powerful — and always unpredictable — imagination.

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Bazaar of the Bizarre: Sci-Fi Creeps and Horror Crawlies for a Quarter

Bazaar of the Bizarre: Sci-Fi Creeps and Horror Crawlies for a Quarter

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photo-13Because I don’t collect enough crap already, I’ve kinda started a new hobby collection. A few months back I shared about my childhood affinity for rubber critters, plastic spaceships, puffy-sticker monster faces, and a myriad of other pocket-sized products that could be had for a quarter from the supermarket vending machine. Well, why buy them individually when you can have the whole vending card?

You may yourself fondly recall the windows of enchantment that lured you to plunk your silver into the slot and eagerly turn the crank: displayed behind the glass were all the amazing things — artfully arranged and shrink-wrapped to a colorful cardboard backing — that might plop into the palm of your hand in an acorn- or bubble-shaped plastic capsule.

It’s easy enough to postulate a psychological motivation behind this new pursuit of hounding down vintage vending cards. Surely you experienced the same disappointment I often did: you’re looking at a rubber monster or a plastic tank with swiveling turret or a metal cap-gun; you go through the rigmarole of begging your mother to spare some change from her purse (this was often quite a feat requiring a great deal of persuasion — sometimes called “throwing a tantrum” — and it didn’t always pay off; in fact, the more you put into it, the greater the odds that you’d be denied on principle: “Well, I can’t give it to you now, because then you’d get the impression that you can throw a fit and get rewarded for it” — a line of reasoning that, as a new parent, I now find myself paraphrasing quite frequently); you succeed in scoring the quarter and feed the machine — crank crank crank — (anticipation) —  the clank of the metal trapdoor — the popping of the lid…

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Tribulations Herculean and Tragic: Beyond Wizardwall by Janet Morris

Tribulations Herculean and Tragic: Beyond Wizardwall by Janet Morris

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Beyond Wizardwall

Woe betide the soul who loves too much, wants too much, dares too much.

I finish my reviews of the 5-star, Author’s Cut editions of Janet Morris’s classic of Homeric Heroic Fantasy, the Beyond Sanctuary Trilogy, with the third and final book, Beyond Wizardwall. This was the toughest of the three to review because there is so much that happens and so much ground to cover. This is also the most dramatic, tense and emotionally powerful of the three books. Let me begin with a little recap in Janet’s own words:

Heavy snows had put the war against Mygdonia and its Nisibisi wizards into hiatus. Niko’s commander, Tempus, called the Riddler, had employed magic to bring his mixed cadre of shock troops (Rankan 3rd Commando rangers, Tysian ‘specials,’ hillmen of Free Nisibis, and Niko’s unit of Stepsons) back to Tyse for the winter. Fighting had ended inconclusively, with the Mygdonian warlord Ajami still at large.

They ride into Tyse triumphant and settle in to wait for spring, content with the season’s work. All except Niko. Everything in this excellent novel revolves around Niko (who is also known by his war name, Stealth), for what trials he endures and what tribulations he suffers are Herculean and tragic and form the core of this novel.

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Kirkus Looks at The Meteoric Rise and Fall of Gnome Press

Kirkus Looks at The Meteoric Rise and Fall of Gnome Press

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judgment-nightThe legendary Gnome Press, founded by David Kyle and Martin Greenberg in 1948, put some of the most important SF and fantasy ever written between hard covers for the first time — including C.L. Moore’s Judgment Night and Shambleau and Others, The Coming of Conan and Conan the Conqueror by Robert E. Howard, Clifford D. Simak’s City, Robert A. Heinlein’s Sixth Column and Methuselah’s Children, Two Sought Adventure by Fritz Leiber, plus Arthur C. Clarke, Edward E. Smith, L. Ron Hubbard, Leigh Brackett, Murray Leinster, A. E. van Vogt, and dozens of others. It kept the genre’s most important writers in print, at a time when they appeared only in magazines, and in the process introduced them to a whole new generation.

Andrew Liptak at Kirkus Reviews has dug into the history of the press with an excellent piece, part of his ongoing look at the origins of SF and fantasy in America. Here’s his retelling of one of Gnome Press’s most famous acquisitions:

In 1950, Isaac Asimov began looking for a new home for some of his short stories… Rebuffed by his current publisher, Doubleday (who wanted new material, rather than repackaged short stories), Asimov approached Greenberg, who was eager to publish his stories. Asimov pulled together nine of his robot stories… into a single volume called I, Robot. Gnome released the collection at the end of 1950, with some of the stories reworked to include his character, Susan Calvin, telling a larger story of the evolution of robotics. The collection was a successful one, and Asimov brought Greenberg another series of books for which he would be well known: Foundation. First serialized in magazines, Gnome brought Asimov’s Foundation trilogy to hardcover between 1951 and 1953.

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Vintage Treasures: The Vizier’s Second Daughter by Robert F. Young

Vintage Treasures: The Vizier’s Second Daughter by Robert F. Young

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The Vizier's Second Daughter-smallI don’t know much about Robert F. Young. His first short story, “The Black Deep Thou Wingest,” appeared in Startling Stories in 1953; it was followed by roughly 140 more in Astounding Science Fiction, Science Fiction Quarterly, Science Fiction Stories, IF, Fantastic Universe, The Saturday Evening Post, Collier’s, and many other places. His story “Little Dog Gone,” from the February 1964 issue of Worlds of Tomorrow, was nominated for a Hugo Award.

His first novel, La Quete de la Sainte Grille (1975), was written in French; it was released only in France and has never appeared in the U.S. He only wrote four novels in English, including Starfinder (1980), The Last Yggdrasill (1982), and Eridahn (1983). His last, The Vizier’s Second Daughter (1985), was a time traveling science fantasy romp, featuring genies, Ali Baba, and the kid sister of Sheherazade. It looks like a great place to start my education in the the work of Robert F. Young.

They sent him into the past to kidnap and bring back Sheherazade, the famous narrator of the Thousand and One Nights. But when he had grabbed a lovely lady out of the Sultan’s harem and scooted away on his “magic carpet” time machine he discovered that he had muffed it — for she was the Vizier’s second daughter — Sheherazade’s kid sister!

He thought he could rectify the mistake before going back to the 21st Century — but it was already to late. Because the ifrits were on his trail, Ali Baba had jumped aboard, and the enchanted Castle of Brass awaited his arrival with ghoulish glee.

It’s a wonderful romp through time and legend with the kid sister pulling marvels out of her hair faster than you could pull the cork on a djinn bottle!

Robert F. Young died in June 1986, at the age of 71; he continued writing right until his death. The Vizier’s Second Daughter was published by DAW in February 1985. It is 203 pages, priced at $2.50 in paperback; the cover is by Sanjulian. It has never been reprinted and there is no digital edition.

Win a Copy of The Collected Edmond Hamilton, Volume Four from Haffner Press

Win a Copy of The Collected Edmond Hamilton, Volume Four from Haffner Press

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The Collected Edmond Hamilton Volume Four-smallHaffner Press has released the long-awaited fourth volume of The Collected Edmond Hamilton and we have a copy to give away to one lucky winner.

How do you enter? Just send an e-mail to john@blackgate.com with the title “Edmond Hamilton” and a one-sentence review of your favorite Hamilton novel or short story (don’t forget to mention the title of the story). One winner will be drawn at random from all qualifying entries and we’ll publish the best reviews here on the Black Gate blog. To give you the idea, here’s my one-sentence review of my favorite Hamilton story, “The Man Who Evolved.” (read the complete story here)

Arthur Wright and Hugh Dutton visit Dr. John Pollard on the night he first tests a ray that allows him to experience millions of years of human evolution… and witness a deadly experiment that threatens the entire human race.

See how easy that was? If you need more inspiration. we recently covered several Edmond Hamilton books — including Starwolf and The Best of Edmond Hamilton — and we reprinted his very first story, “The Monster-God of Mamurth” (from the August 1926 issue of Weird Tales) in Black Gate 2.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Not valid where prohibited by law. Or anywhere postage for a hefty hardcover is more than, like, 10 bucks. Seriously, this thing is huge and postage is killing me.

The Reign of the Robots, The Collected Edmond Hamilton, Volume Four was published by Haffner Press on December 30, 2013. It is 696 pages, priced at $40 in hardcover. There is no digital edition. Learn more at the Haffner website.

Vintage Treasures: Starwolf by Edmond Hamilton

Vintage Treasures: Starwolf by Edmond Hamilton

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Edmond Hamilton Starwolf-smallLast week, I wrote about a delightful collection of 80′s paperbacks I bought on eBay for just 10 bucks — including John Silbersack’s Buck Rogers novel Rogers’ Rangers, well worth $10 all on its own. Sometimes it’s good when no one else shares your hobbies.

I’m still digging through the remaining 74 volumes and continuing to make marvelous finds. Like the omnibus collection of pulp novels by Edmond Hamilton, gathering together all three volumes in his classic Starwolf trilogy. It contains The Weapon From Beyond (1967), The Closed Worlds (1968), and The World of the Starwolves (1968), all originally published by Ace. That’s a lot of classic space adventure from one of the greatest pulp writers of the 20th Century. Well worth tracking down, if you can find a copy.

The only mercy a Starwolf could expect was death…

Morgan Chane was a Starwolf – a member of the most infamous band of interstellar pirates in the galaxy. He had flown with the raiding packs, rockets screaming, to plunder the rich and slaughter the helpless.

But Morgan Chane was also a Terran, adopted as a child into the Starwolf clan. And when a quarrel erupted, Chane discovered that the Starwolves weighed his alien birth more heavily than all the years of comradeship. Now he is cast out of the clan – and running for his life.

But where, in all the galaxy, can a Starwolf expect to find refuge?

Starwolf was published by Ace Books in October 1982. It is 456 pages, priced at $3.50. It went through multiple printings between 1982 and 1990, but has otherwise never been reprinted. There is no digital edition. The cover is by David Schleinkofer, who was obviously influenced by one too many viewings of Battlestar Galactica.

See all of our recent Vintage Treasures here.

Doctor Who and the Daemons – the Novel!

Doctor Who and the Daemons – the Novel!

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Daemons002 More than once on Black Gate, I’ve heard that the seventies were a dead zone for science fiction and fantasy. For teens in search of readily available genre “gateway drugs,” I suppose this might have been true for many, but my particular experience of growing up managed, against all odds, to be different. Ohio was my home base, a vanilla environment for “culture” of the fantastical sort, but luckily I had a smorgasbord of British relatives. One especially perceptive and sibylline aunt started sending me Doctor Who novelizations.

Doctor Who and the Dinosaur Invasion, that was the first I tried. Next, one of the best offerings in the canon, Doctor Who and the Auton Invasion.  I was in third grade and after facing down those blank-eyed Autons and their Nestene masters, I was hooked.

Note that I wasn’t in any way watching the TV show. In Columbus, Ohio, it simply wasn’t available, not until the early eighties, and then, when PBS did pick up a few random episodes, it was Tom Baker’s roost to rule. The Jon Pertwee, Patrick Troughton, and William Hartnell adventures I first encountered were absent entire.

What Tom Baker’s run taught me is that talented actors can be mired forever in substandard scripts and even worse special effects. This was a total and unpleasant surprise, because the novelizations were fast-paced genre gems, especially those penned by Terrance Dicks.  (Malcolm Hulke was the other regular adapter for the Doctor Who franchise, with a rotating cast of fellow contributors including Gerry Davis, Ian Marter, and David Whitaker.) How could such pacey, adrenaline-filled books arise from such hokey, hamstrung screen material?

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