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Vintage Treasures: The Green Girl by Jack Williamson

Vintage Treasures: The Green Girl by Jack Williamson

The Green Girl-smallJack Williamson is a science fiction legend. He won the Hugo and Nebula award for his novella “The Ultimate Earth,” published in Analog in 2000, when he was 92 years old. He kept right on writing until 2006, when he died at the age of 98.

Of course, Jack Williamson first made a name for himself in the pulp era, when he was right at the top of the field, with novels like Golden Blood (1933), The Legion of Space (1934), The Cometeers (1936) and One Against the Legion (1939). That’s right, Williamson was a popular writer for more than seven decades. Sales records fall all the time in this fast-moving business…. but that one is likely to stay for a very long time.

Williamson is also highly collectible, especially his early paperback appearances. In my Vintage Treasures posts it’s routine for me to highlight highly desirable paperbacks from the 50s, 60s, and 70s that can be purchased for $5-$6, or less than the price of a modern paperback. (That’s what “highly desirable” means in the vintage paperback biz. Paperbacks that aren’t highly desirable usually sell for under $1.)

Not so with Williamson. His first book, The Green Girl, is one of the most collectible paperbacks in the field, with copies routinely selling on eBay from $25 – $150.

Of course, much of that has to with the eye-catching cover, painted by prolific pulp artist Ray Johnson. The novel was out of print for over 60 years (another reason for its collectibility), but that cover has spawned thousands of posters and t-shirts. Click on the image at left for a bigger version.

The Green Girl was originally published in two parts in Amazing Stories in March and April, 1930, and reprinted in 1950 as Avon Fantasy Novel #2, under editor Don Wollheim. While Williamson had had many popular appearances in the magazines by this point, this was his first solo appearance in book form.

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The Collections of Tanith Lee

The Collections of Tanith Lee

Cyrion-small Red as Blood or Tales from the Sisters Grimmer-small Tamastara-small

We’re continuing with our look at the extraordinary 40-year career of Tanith Lee, who passed away on May 24th. So far we’ve covered 13 of her novels; today I’d like to look at her equally dazzling short story career.

Lee published well over 300 short stories during her long career, an amazing accomplishment. Her first three major collections were all published by her long-time publisher DAW, starting with the sword-and-sorcery collection Cyrion in 1982.

Cyrion (Sept 1982, 304 pages, $2.95, cover by Ken Kelly)
Red as Blood, or Tales from the Sisters Grimmer (January 1983, 208 pages, $2.50, cover by Michael Whelan)
Tamastara, or The Indian Nights (March 1984, 174 pages, $2.95, cover by Don Maitz)

A lot has been said about Cyrion over the years, but I think perhaps James Lecky, on his blog Tales from the Computerbank, said it best in his 2009 review.

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Vintage Treasures: Timeless Stories for Today and Tomorrow, edited by Ray Bradbury

Vintage Treasures: Timeless Stories for Today and Tomorrow, edited by Ray Bradbury

Timeless Stories for Today and Tomorrow Bantam 1952

Ray Bradbury is known primarily as a writer, and as one of the most gifted fantasists of the 20th Century. But in his 70+-year career, he also edited a handful of anthologies. The first of these, Timeless Stories for Today and Tomorrow, originally published as a Bantam Giant paperback original in 1952, was also the most popular, with multiple reprintings and editions over the next two decades.

Most SF and fantasy anthologies in the forties and fifties drew heavily from pulp sources. Bradbury’s approach was very different. His fat, 306-page anthology collected classic and contemporary fantasies originally published in The New Yorker, Charm magazine, Harper’s magazine, and other more literary sources, and included such writers as John Steinbeck, Franz Kafka, E. B. White, John Cheever, Roald Dahl, Shirley Jackson, and Henry Kuttner and C. L. Moore.

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Vintage Treasures: Over the Hills and Far Away by Lord Dunsany

Vintage Treasures: Over the Hills and Far Away by Lord Dunsany

Over the Hills and Far Away-smallOver the Hills and Far Away is my favorite Dunsany collection, and the Ballantine Adult Fantasy edition, edited by Lin Carter and published in 1974, is my favorite edition.

Yes, some of that has to do with the gorgeous wraparound cover by Gervasio Gallardo (see the original painting here). But I think most of it has to do with Lin Carter’s attitude as an unabashed Dunsany fanbody, and the passion that comes across throughout the book. This is a man who was arguably the most respected voice in fantasy in the mid-Twentieth Century, and his admiration for Dunsay was second to none. Here’s a bit from his introduction:

Lord Dunsany is probably the greatest fantasy writer who ever lived. Quite a few of the most distinguished writers of fantasy have made a similar judgment of his work. James Branch Cabell, for example, praised Dunsany’s craftsmanship in glowing terms. H.P. Lovecraft adored Dunsany’s early Book of Wonder tales, and paid them the highest compliment of direct imitation (as I also have done in my little fables of Simrana the Dreamworld). In fact, Lovecraft wrote several pieces about Dunsany’s work, which he considered superlative. I think Clark Ashton Smith might also have concurred with my estimate of Dunsany, and perhaps Jack Vance and Fritz Leiber would agree as well…

In the pages of this book I have brought together twenty-five of his finest fantasy stories, as well as one major novella, or short novel. Also included are two of his most brilliant and fantastical plays, four of his short-short stories, and (just to give you a balanced and comprehensive view of his entire literary career) four of the later short stories concerning Mr. Joseph Jorkens, the world traveler and noted clubman.

Over the Hills and Far Away was edited by Lin Carter and published by Ballantine Books in 1974. It is 234 pages, priced at $1.25. The cover is by Gervasio Gallardo. It is part of the groundbreaking Ballantine Adult Fantasy series, which Keith West is current examining for us in detail; his most recent article was Dragons, Elves, and Heroes.

Building a World in a Vacant Lot: The Circus of Dr. Lao

Building a World in a Vacant Lot: The Circus of Dr. Lao

The Circus of Dr Lao Bison 2nd Edition-smallFantasy, like all life-consuming obsessions (fly fishing, stamp collecting, running for public office) has a language all its own, one that can seem arcane and incomprehensible to the uninitiated. Polder, thinning, underlier, Dark Lord, secondary world, Hidden Monarch, threshold, time abyss, mythago – each of these names a vital fantasy concept or device, and of all such terms, none is more important to the modern genre than worldbuilding.

Worldbuilding is, according to Wikipedia, (the greatest repository of fantasy on the internet) the process of “developing an imaginary setting with coherent qualities such as a history, geography, and ecology,” and it “often involves the creation of maps, a backstory, and people for the world.”

In worldbuilding as in so many other things, it was J.R.R. Tolkien who set the standard for all who followed. His Middle Earth, with its immensely deep and detailed history, cosmogony, and geography, was worldbuilding on an unprecedented scale, even to the creation of complete languages for the various races that inhabit this invented milieu.

Post-Tolkien fantasy is largely the story of the primacy of this kind of worldbuilding, as the maps, glossaries, and genealogies that pad the backs of so many fat paperbacks attest, and almost all epic fantasies published since The Lord of the Rings owe a large debt to Tolkien and his example. But all writers are worldbuilders, Hemingway and Updike as much as Jordan and Martin, and perfect as the Tolkien method is for a particular kind of tale, there are many ways to create a believable world — even a fantasy one.

The kind of construction exemplified in The Lord of the Rings is largely external, which is well suited to Tolkien’s rather formal purposes. There is another kind of worldbuilding, however, one less concerned with royal lines and the names of rivers than with what might be called the mythic geography of ordinary life. A superb example of this kind of work is Charles G. Finney’s The Circus of Dr. Lao. Published in 1935, it is one of the greatest fantasy novels ever written; indeed, in some moods I’m inclined to think that it is the greatest of them all.

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The Omnibus Volumes of James H. Schmitz

The Omnibus Volumes of James H. Schmitz

Agent of Vega & Other Stories-small Telzey Amberdon-small TNT Telzey Amberdon & Trigger Argee Together-small

We continue to survey the best omnibus volumes for collectors out there. And at long last, we come to one of my favorite short story writers, and one of my favorite omnibus sets: the seven volumes collecting the science fiction and science fantasy of James H. Schmitz, published by Baen Books.

Baen Books, and especially its long-time editor Eric Flint, have done some really extraordinary work collecting classic SF and fantasy in handsome and highly affordable mass market editions, and they’ve been doing it for decades. Baen has published omnibus collections featuring Andre Norton, P.C. Hogdell, Murray Leinster, A. Bertam Chandler, Lois McMaster Bujold, Cordwainer Smith, Christopher Anvil, Randall Garrett, Keith Laumer, Howard L. Myers, Michael Shea, A. E. Van Vogt, and countless others.

The Baen reprint program largely began with these volumes in 2000, and I still believe they may be their crowning achievement.

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Galaxy Science Fiction, October 1952: A Retro-Review

Galaxy Science Fiction, October 1952: A Retro-Review

Galaxy Science Fiction October 1952 back-small Galaxy Science Fiction October 1952 cover-small

Galaxy celebrated its second birthday (and start of its third year) with a cover depicting some of its staff and contributors (illustrated by E. A. Emshwiller). The artwork wrapped around the back (interrupted by the spine) and included a “key” on the inside cover to identify each person, including the robot and alien.

October 1952 Cover Key

Editor H. L. Gold is on the left on the front cover, halfway down the picture, shown in a blue suit and holding a cup. (Click on the images above for bigger versions.)

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If You’re Looking for Close to 5,000 pages of Epic Fantasy, Consider the Sun Sword Hexology

If You’re Looking for Close to 5,000 pages of Epic Fantasy, Consider the Sun Sword Hexology

The Broken Crown-small The Uncrowned King-small The Shining Court-small

Last week, I was looking for something to read and as I was hunting through my shelves, I came upon Michelle West’s Sun Sword series. I had picked up the first volume (The Broken Crown) when I was about to head to Central America for 6 months of volunteering, and had wanted to have a few fat books with me.

The Broken Crown was a lucky pick back then. Firstly, it was fat, clocking in at an epic 764 pages, but it was also really good. The thrust of the whole series is that a very competent general has staged a coup and killed an incompetent king and all his family. So far, no problems. I like the General.

But there are always problems.

The symbol of kingship in the south is whether the king can take up the Sun Sword, which happens to be really really useful against demons. There was one last son of the old king’s who was serving as a hostage in a northern court, and the agent sent to kill him was not successful. So, we have a lost prince deprived of his thrown, and only he can wield the Sun Sword.

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Vintage Treasures: Dinosaur Beach by Keith Laumer

Vintage Treasures: Dinosaur Beach by Keith Laumer

Dinosaur Beach Keith Laumer-small Dinosaur Beach Keith Laumer 1975-small Dinosaur Beach Keith Laumer Baen-small

It’s a pretty popular time for dinosaur novels, what with Victor Milán’s upcoming The Dinosaur Lords, and the biggest movie of the summer being Jurassic World. What many people don’t realize is that dinosaur stories weren’t created by the makers of Jurassic World. They weren’t even created by Steven Spielberg, director of Jurassic Park, way back in the last century in 1993. Believe it or not, they weren’t even created by Michael Crichton, the author of the original 1990 novel. Dinosaur novels were totally created by the science fiction novelist Keith Laumer, in his 1971 novel Dinosaur Beach.

Okay. After doing some, y’know, actual fact checking, it turns out Keith Laumer didn’t completely create the dinosaur novel. But it’s true enough for our purposes. Which are, to give us an excuse to talk about Dinosaur Beach.

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Jakes’ Progress: On Wheels

Jakes’ Progress: On Wheels

On Wheels-smallJohn Jakes is a publishing phenomenon. That is always the first thing mentioned whenever he is written about and will doubtless be the first line of his obituary (not that I’m trying to hurry him). From 1974 through 1979 he produced the eight volumes of The Kent Family Chronicles, which follow the fortunes of an American family from revolutionary times through the end of the nineteenth century. The series has sold over 50 million copies and is still in print, and Jakes followed it with the even more successful North and South trilogy. Appearing from 1982 to 1987 and set in the Civil War era, it tells the story of two closely connected families, the Hazards and the Mains, one from Pennsylvania and the other from South Carolina, as they live through the country’s greatest conflict.

In the succeeding years Jakes has written other books of the same stripe, and while none have generated the huge numbers that either earlier series did, he is still one of America’s most popular authors. He is the reigning master of the American historical blockbuster; his historicals are straightforward, thoroughly researched, expansive in scope (and in page count), and unashamedly, old-fashionedly melodramatic. They are the sort of  stories that used to be called “lusty.” Tolstoy they ain’t (and Jakes has never claimed that they are), but they are solid, well-constructed entertainments that deserve their wide success.

But before he became the writer of a New York Times number one bestseller (a distinction earned by North and South, the first volume of the trilogy that bears its name), John Jakes spent his time cranking out yarns about a Conan clone named Brak the Barbarian, and one-off heroic fantasies like The Last Magicians and the humorous Mention My Name in Atlantis, as well as science fiction novels such as the Westworld-flavored Six-Gun Planet (three years before Westworld). None of these books ever made the New York Times bestseller list. Once he glimpsed those green (and I mean green) pastures, Jakes understandably left such low-paying, low-prestige science fiction and fantasy work behind, seemingly forever — he wrote his last fantastic fiction in 1973.

Was his exit from the ranks of the genre any loss? Is there anything to be found in the pre-respectability John Jakes but slapdash schlock? Is any of it still worth reading? Well, brothers and sisters, that’s what I’m here to tell you! And yes, that means that there are spoilers galore in the following review of a forty two year old book. Sue me.

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