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Vintage Treasures: Kelwin by Neal Barrett, Jr.

Vintage Treasures: Kelwin by Neal Barrett, Jr.

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Kelwin Neal Barrett-smallWe have the makings of a small Neal Barrett, Jr. fan club here at Black Gate. It began when a discussion of his Aldair novels — which Fletcher Vredenburgh called “a blast of strangeness and adventure” — broke out in the comments section of a post about Mark Frost’s The List of 7. Shortly after Barrett’s death last year, Keith West briefly recounted meeting him at various conventions, and Fletcher reviewed The Prophecy Machine, the first of his novels of Finn, the Master Lizard Maker, saying:

I started it immediately and found myself in a fun, almost goofy story of craftsmen, duelists, animal people, and machinery not meant to be fiddled with by man…

From its first page, The Prophecy Machine heralds fun… Barrett has created a hilarious city of lunatics ruled by lunatic rules for Finn’s adventures to take place in… the book’s a lark. It’s funny and inventive from end to end. Jessica Slagg’s an amusing foil for the occasionally pompous and cocksure Finn. Sabatino’s exchanges with Finn are a funny mix of menace and camaraderie.

The only thing I can possibly compare it to is one of Jack Vance’s Cugel books. Like Vance, Barrett’s fantasy world doesn’t feel beholden to any real world setting. But the comparison really doesn’t do it justice. Barrett’s sly voice and Finn’s world are entirely his own.

I recently stumbled on a copy of Barrett’s first novel, Kelwin, a post-apocalyptic novel packaged as a sword & sorcery novel. It’s a fine example of 70s-era science fantasy, and I didn’t hesitate to make it mine.

Kelwin was released in paperback by Lancer Books in 1970 with a Jim Steranko cover. It has never been reprinted, and has now been out of print for 45 years. For Barrett fans, it makes a fine collectible.

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Vintage Treasures: Ariosto by Chelsea Quinn Yarbro

Vintage Treasures: Ariosto by Chelsea Quinn Yarbro

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Ariosto Chelsea Quinn Yarbro-small Ariosto Chelsea Quinn Yarbro Tor-small

Two weeks ago I wrote about Chelsea Quinn Yarbro’s third novel, Hôtel Transylvania (1978), the opening novel in the celebrated Count Saint-Germain series, one of the first (and most successful) vampire romance sagas. It reminded me that, before Yarbro became a celebrated horror writer, she was well on her way to being one of the most acclaimed fantasists in America, with two of her earliest novels, The Palace (1979) and Ariosto (1980), nominated for the World Fantasy Award.

Ariosto was first published by Pocket Books, with a cover by Don Maitz (left). In addition to the World Fantasy, it was also nominated for the Balrog Award, and placed 11th in the Locus poll for best Best Fantasy Novel of the year. It was reprinted only once in the US, in a new paperback edition by Tor Books in January 1988 (right, cover by McPheeters), and has been out of print for nearly 30 years.

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One Shot, One Story: Ray Bradbury

One Shot, One Story: Ray Bradbury

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Ray Bradbury-smallEnmeshed as we are in the world-shaking spectacle that is the 2015 NBA finals, this might be an appropriate time to take a break from the struggle of the Hobbits (Stephen Curry, Klay Thompson, and their Golden State Warriors) against the dominion of the Dark Lord (LeBron James and the Cleveland Cavaliers) and remember back to the last improbable time that professional basketball was mentioned on Black Gate.

That was in my article of last October, “One Shot, One Story: Clark Ashton Smith,” which was inspired by a discussion I had with a fellow NBA addict in which we debated the burning question, “If you had to pick one player to make one shot — to save your life — who would it be?” Once our argument had run its course, I started thinking about a different form of acrobatic exhibitionism — writing, which led to a related question: If you had to introduce a prospective reader to the work of Clark Ashton Smith with just one story, which story would you choose?

If you’re dying to know the sporting and literary answers to those queries, read the old article; it’s not bad, and I’m already thinking about an All-Fantasy Greats basketball team… let’s see, H.P. Lovecraft at point guard creating for his teammates, finding that punishing inside player Robert E. Howard in the post, or kicking out to Clark Ashton Smith for a deep three pointer… woah. Somebody had better stop me before I get silly…

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Vintage Treasures: Dragonflight and Dragonquest by Anne McCaffrey

Vintage Treasures: Dragonflight and Dragonquest by Anne McCaffrey

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Dragonflight McCaffrey-small Dragonquest McCaffrey-small

Anne McCaffrey’s Dragonriders of Pern is one of the most famous and bestselling science fantasy series of all time. All told there are sixteen novels, written between 1968 and 2006, the last two in collaboration with her son Todd.

The artist most closely associated with it is probably Michael Whelan, who was hired to paint the cover for the third novel, The White Dragon, published in June 1978. The White Dragon became the first bestseller in the series, and Whelan was hired by Ballantine to create new covers for the first two novels, Dragonflight and Dragonquest, late in 1978. He did a fine job, and was subsequently hired for the next four volumes in the series.

But I still admit a great fondness for the early 70s covers of the first two books (above), both painted by Gino D’Achille. Both books were Ballantine paperback originals. The covers are more whimsical and fairy-tale like, and speak to me of 1970s fantasy.

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Science Fiction Seeking Legitimacy: Connoisseur’s Science Fiction, edited by Tom Boardman

Science Fiction Seeking Legitimacy: Connoisseur’s Science Fiction, edited by Tom Boardman

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Connoisseur's Science Fiction-smallConnoisseur’s Science Fiction
Edited by Tom Boardman
Penguin Books (234 pages, $0.95, 1966)

It’s a small world. The last story in the last anthology I read (Other Dimensions, edited by Robert Silverberg) was “Disappearing Act,” by Alfred Bester. The next book I read was this one, and the first story therein was “Disappearing Act,” by Alfred Bester. How do you like that? In any event, I didn’t read it again, but copied my remarks from the review at my site to this one.

In Connoisseur’s Science Fiction, Boardman, a pioneering SF reviewer in Britain who went on to edit four more anthologies, attempted to put together a collection of science fiction stories that had literary merit — or something like that. And you thought this business about science fiction seeking legitimacy was a new thing. Half of the stories worked for me and half did not.

Thumbs Up

“Disappearing Act,” by Alfred Bester

The military is trying to determine why shell-shocked patients in a secret ward are disappearing. The answer is a fairly simple one having to do with other dimensions. But it’s made more interesting by the portrayal of the General in charge, who’s way over the top and who’s constantly demanding experts to sort out whatever he needs to know. Comparisons to a certain Kubrick movie wouldn’t be too far off the mark.

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Vintage Treasures: Jamie the Red by Gordon R. Dickson with Roland Green

Vintage Treasures: Jamie the Red by Gordon R. Dickson with Roland Green

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Jamie the Red-smallThieves World is one of the most endlessly creative concepts in the history of fantasy. Nearly four decades after it was first conceived, it’s still surprising me.

This time the surprise came in the shape of Jamie the Red, a 1984 fantasy novel written by Gordon R. Dickson and Roland Green and published by Ace Books, with a cover by Thieves World artist Walter Velez. It’s a surprise because, up until last week, I never knew it existed, despite the fact that I’ve been collecting Thieves World books for 37 years. And also because a little investigation revealed that it’s one of the most important books in the storied history of Thieves World — and for a fascinating reason.

But let’s back up. Who the heck is Jamie the Red, and just what does he have to do with Thieves World?

For our first clue, let’s turn to Paul Shackley’s Poul Anderson Appreciation blog. In August 2013, Paul wrote an entry titled Jamie the Red, where he said, in part:

Maybe everyone else out there already knew this but I certainly did not. When, in “The Gate of the Flying Knives” (Poul Anderson, Fantasy, New York, 1981), Anderson’s character, Cappen Varra, receives help from his friend, Jamie the Red, that friend is a Thieves’ World character in his own right and is even the title character of a novel by two other authors.

Paul was the first to tip me off about Jamie the Red. Yes, Jamie is a Thieves World character, and he does appear rather prominently in a Poul Anderson’s TW story. But Gordon R. Dickson was not even a Thieves World writer… so how the heck did he end up writing a Jamie the Red novel? And why isn’t there a Thieves World banner on the cover?

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R.A. MacAvoy’s The Book of Kells

R.A. MacAvoy’s The Book of Kells

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MacAvoy KellsLately I’ve been exploring portal fantasies, and last time I talked about Charles de Lint’s The Little Country. This week I’d like to take a look at R.A. MacAvoy’s The Book of Kells.

John Thornburn is a Canadian artist living and teaching in Dublin. He’s a bit of a klutz socially and emotionally, and has a tendency to focus on his work to the exclusion of everything else. His friend and sometime lover Derval O’Keane is an academic historian. The story begins when a young, injured girl suddenly appears in  John’s bathroom, having come through a portal  he inadvertently opened while working on the tracing of an old Gaelic pattern. It takes a bit of doing, but John and Derval finally figure out that Ailesh is the survivor of a Viking attack on her village in the Ireland of 985, saved by her father’s throwing her through the portal.

John and Derval take Ailesh back to her own time, and find the injured poet Labres MacCullen among the dead. John doesn’t know how to open the portal from this side, or even if it can be opened, so they accompany Ailesh and Labres to Dublin, where they hope to get help and justice from the King. Though the King in Dublin is himself a Dane at this point in history, they also want to warn him that the Vikings seem to have come as invaders, not as mere raiders who, having struck, will now go away.

Unknown to them, however, these same Vikings offered the lives of all the villagers to Odin, and the fact that Ailesh and Labres escaped puts them in a bit of a quandary. The leader decides that they must find and kill those who escaped, or forfeit their own lives – and the success of their expedition – to Odin’s displeasure.

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Unknown, September 1939: A Retro-Review

Unknown, September 1939: A Retro-Review

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Unknown September 1939 None But Lucifer-smallMy last post was a review of Galaxy’s September 1952 issue. So I’m jumping back more than a decade to an issue of another magazine I’ve wanted to get into for a few years.

At last year’s World Fantasy Convention, while John O’Neill was trying to set a world record for the number of books carried in a single stack (seriously, if you had seen it, you would have been impressed), I came across a dealer selling old issues of Unknown. Actually, I told my wife I was trying to find some, and she actually found a bin of them. While not impossible to come by, collecting issues of Unknown is somewhat more cost prohibitive than collecting issues of Galaxy.

Unknown (later retitled Unknown Worlds) was a speculative fiction magazine that ran from 1939 to 1942. It was published by Street & Smith, who also published Astounding. It was edited by John W. Campbell, Jr., who also edited Astounding. The early issues have art on the cover, like the September 1952 issue. These are also the more expensive ones. But if you don’t care too much about quality because you’re just going to rip it while reading it, you can find some inexpensive copies. Mine was $15.

What I find perhaps most interesting about this particular issue is that it contains a novel written by H. L. Gold and L. Sprague de Camp. Not only that, but I think (prove me wrong or right, Rich Horton) that this may have been the first time Gold used this particular pseudonym. He’d had stories published as Horace L. Gold but not the familiar H. L. Gold that he continued to use as his soubriquet at Galaxy. Am I the only one geeking out about this? Please tell me I’m cool in a Galaxy/Unknown/pulp sort of way.

None But Lucifer by H. L. Gold and L. Sprague de Camp — William Hale has realized the truth about Earth. It isn’t Earth, at least not in the sense people think of it. Everyone on Earth is actually living in Hell.

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Venture, July 1957: A Retro-Review

Venture, July 1957: A Retro-Review

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Venture Science Fiction July 1957-smallI’ve written about Venture before, a short-lived companion to F&SF, first in the late ’50s, then again in the late ’60s to early ’70s. It tried to be a bit more adventure-oriented, and also (at least in its first incarnation) seemed to try to have a sexier image.

The feature list is pretty thin – most significant is the first book review column by Theodore Sturgeon, whom the editor proudly introduces as “the discoverer and distinguished proponent of that basic maxim known as “Sturgeon’s Law.” He reviews only one book, Martin Greenberg’s collection of non-fiction of SF interest, Coming Attractions. The inside back cover has a feature called “Venturing,” short bio-ish pieces about a few of the issue’s authors (Sturgeon, James Gunn, and “Paul Janvier”). The cover is by Ed Emshwiller (in my opinion, not one of his better efforts), and the interior art is by John Giunta and by Cindy Smith.

The stories are:

“Not So Great an Enemy,” by James E. Gunn (17,500 words)
“And Then She Found Him,” by Paul Janvier (6,900 words)
“Aces Loaded,” by Theodore R. Cogswell (6,500 words)
“The Keeper,” by H. Beam Piper (8,700 words)
“The Education of Tigress McCardle,” by C. M. Kornbluth (3,700 words)
“Seat of Judgment,” by Lester Del Rey (7,700 words)
“The Harvest,” by Tom Godwin (800 words)

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Vintage Treasures: The Black Corridor by Michael Moorcock

Vintage Treasures: The Black Corridor by Michael Moorcock

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The Black Corridor Michael Moorcock-smallLast week I purchased a small collection of vintage paperbacks (something I do a lot). I bought it chiefly because it was inexpensive, all the books were in terrific shape… and it had a Michael Moorcock paperback I’d never seen before.

The Moorcock was The Black Corridor, an Ace Science Fiction Special, written in collaboration with Moorcock’s then-wife, Hilary Bailey (author of Frankenstein’s Bride and Fifty-First State.) The Ace Science Fiction Specials are highly prized by readers and collectors alike. They were edited by Terry Carr, and included first editions of Ursula K. Le Guin’s The Left Hand of Darkness, Alexei Panshin’s Rite of Passage, John Brunner’s The Jagged Orbit and The Traveler in Black, and William Gibson’s Neuromancer, among many others.

The Black Corridor is something of an odd bird. It wasn’t as successful or acclaimed as many of the other Ace Specials, and in fact it has never been reprinted in paperback in the US. But it does have its admirers. It was cited by Karl Edward Wagner as one of the thirteen best science-fiction horror novels, and Harlan Ellison said “Saying I enjoyed this book would be damning with faint praise… I was surprised by this book, at least eleven times.” Although it was never reprinted in paperback in the US, it was included as part of the omnibus collection Sailing to Utopia, The Tale of the Eternal Champion #5, published by Millennium (UK) and White Wolf (US), alongside The Ice Schooner, The Distant Suns, and the novelette “Flux.”

The Black Corridor is based on an incomplete fragment of a thriller written by Bailey, which Moorcock called “a straight future disaster story – collapse of society stuff.” Moorcock substantially re-drafted it, setting the bulk of the book in interstellar space, to tell a tale of an Earth collapsing into anarchy and war, and the starship and crew that flee into space. The book is fairly experimental, even for Moorcock. It contains sequences of typographical art where, as Moorcock put it, “words create a pattern of other letters forming other words,” and the narrative is enhanced with entries for the spaceship’s log, dream sequences, and computer printouts straight out of the 1960s.

The Black Corridor was published by Ace Books in 1969. It is 187 pages, priced at 75 cents. The cover is by Leo Dillon and Diane Dillon. There is no digital edition.