Black Gate

Back in June, I reported on the second novel in Max Gladstone’s Craft Sequence. And just in time, too… the third, Full Fathom Five, arrived barely a month later, and I don’t wanna appear behind the times (any more than usual, anyway.)

The best description of this series I’ve found so far is from Elizabeth Bear (no surprise), who says at her blog:

The Craft Sequence books are all about ancient necromancers in charge of corporations; liches running litigation; court battles fought by means of sorcerous contests; deities dueling by means of legal proxies and stock trading souls.

I have several narrative hot buttons when shopping for fantasy and that description punches every one of them. If John Grisham wrote zombie novels, we might have plots as cool as Max Gladstone’s. Maybe.

I wrote about the first book in the sequence, Three Parts Dead, in 2012, and Two Serpents Rise in June. The fourth, Last First Snow, is not yet scheduled. Max describes it as follows:

Last First Snow, as the (working) title suggests, is set a bit earlier along the series timeline, and shows the older generation’s history. Dresediel Lex teeters on the edge of a knife, riven by protest over controversial zoning legislation, while a younger Elayne Kevarian confronts a tangle of conspiracies, revolutionaries, personal demons, and dead gods.

I can see I’m going to have to set some time aside for that one, too.

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I first met Rob (Robyn) Thurman at Dragon*Con back in 2010, when she had a booth right next to the chaotic and busy Black Gate booth in the Dealer’s Room. As Howard put it in his con report, hanging out with Rob was one of the highlights of the con for us — she was charming and funny, and told hilarious tales of cosplay misadventures in a knockout Deadpool costume.

Turns out Rob is also a terrific writer, as I discovered when I finally had a chance to pick up one of her popular Cal Leandros dark urban fantasy novels. The series began with Nightlife in 2006; since then she’s published one per year. The ninth and most recent, Downfall, arrived earlier this month. It’s not too late to discover this New York Times bestselling series — if you haven’t already.

I let it go — all of it. Everything I’d been saving up all my life, building and growing inside me, too much to hold in one half-human body. It pushed and fought to be free with a force that turned me into a bomb with a timer vibrating on zero. I was free.

But so was everything I’d fought so hard not to be….

Brothers Cal and Niko Leandros know trouble when they see it — and then proceed to wipe the floor with it. But now it seems their whole world is falling to pieces. Cal’s nightmarish monster side is growing ever stronger, changing Cal physically as well as mentally. Which is exactly what Grimm — Cal’s savage doppelgänger — wants. And when a covert supernatural organization decides that it’s time to put Cal down before he threatens pretty much everything else in existence, the brothers find themselves in a fight they actually might lose. But the dark temptations Cal has denied all his life may prove to be exactly what can save them.

Even if he must fall forever…

Downfall was published on August 5, 2014 by Roc Books. It is 338 pages, priced at $7.99 in paperback and $6.99 for the digital edition. The cover is by Chris McGrath.

Carol Berg’s first novel was Transformation, a Roc midlist paperback, in August 2000. It was a success and it became the first novel of the Rai-Kirah trilogy.

Some fourteen epic fantasy novels followed, including four in The Bridge of D’Arnath series and the Collegia Magica trilogy. There were a couple standalone titles in there as well, including Song of the Beast (2003), and the story “Unmasking,” in the 2007 Elemental Magic collection.

The two novels in The Lighthouse Duet, Flesh and Spirit (2007) and Breath and Bone (2008), were set in the world of Sanctuary. Now Berg returns to Sanctuary with her latest novel, the first installment of a new duology.

How much must one pay for an hour of youthful folly? The Pureblood Registry accused Lucian de Remeni-Masson of “unseemly involvement with ordinaries,” which meant only that he spoke with a young woman not of his own kind, allowed her to see his face unmasked, worked a bit of magic for her… After that one mistake, Lucian’s grandsire excised half his magic and savage Harrowers massacred his family. Now the Registry has contracted his art to a common coroner. His extraordinary gift for portraiture is restricted to dead ordinaries — beggars or starvelings hauled from the streets.

But sketching the truth of dead men’s souls brings unforeseen consequences. Sensations not his own. Truths he cannot possibly know and dares not believe. The coroner calls him a cheat and says he is trying to weasel out of a humiliating contract. The Registry will call him mad — and mad sorcerers are very dangerous…

Dust and Light was published by Roc Books on August 5. It is 445 pages, priced at $16 in trade paperback and $9.99 for the digital edition. The cover is by Gene Mollica.

Steven Erikson made a name for himself with his 10-volume Malazan Book of the Fallen series, acclaimed by many as the finest heroic fantasy series of the last few decades. He co-created the world of Malaz with a member of his gaming group, Manitoba author Ian C. Esslemont, who for the past four years has been writing his own novels in the same setting, starting with Night of Knives (2010).

Esslemont has built his own fan base over the years, and the sixth and final novel in his Malazan series, Assail, arrived in hardcover and trade paperback last week.

Tens of thousands of years of ice is melting, and the land of Assail, long a byword for menace and inaccessibility, is at last yielding its secrets. Tales of gold discovered in the region’s north circulate in every waterfront dive and sailor’s tavern, and now countless adventurers and fortune-seekers have set sail in search of riches. All these adventurers have to guide them are legends and garbled tales of the dangers that lie in wait — hostile coasts, fields of ice, impassable barriers and strange, terrifying creatures. But all accounts concur that the people of the north meet all trespassers with the sword. And beyond are rumoured to lurk Elder monsters out of history’s very beginnings.

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