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Happy 100th Birthday, C. L. Moore!

Happy 100th Birthday, C. L. Moore!

shambleau1Catherine Lucille (C.L.) Moore, one of the great pulps writers of the 20th Century and author of Judgment Night, Shambleau and Others, Northwest of Earth, and Jirel of Joiry, was born 100 years ago today, on January 24, 1911.

Moore’s first story, “Shambleau,” the tale of a beautiful alien vampire, introduced interplanetary adventurer and pulp hero Northwest Smith  in the November 1933 issue of Weird Tales. The next year she published “Black God’s Kiss,” the first tale of Jirel of Joiry. They remain two of the most famous stories Weird Tales ever published.

Much of Moore’s early science fiction and fantasy stories were collected by Gnome Press in handsome volumes that are still highly collectible today, including Judgment Night (1952), Shambleau and Others (1953), and Northwest of Earth (1954).

Moore married fellow science fiction author Henry Kuttner in 1940, and they collaborated on many classic tales for the pulps, including “Mimsy Were the Borogroves,” (filmed in 2007 as The Last Mimzy), “The Twonky,” and “Vintage Season.” Much of their work together appeared in Astounding Science-Fiction,  usually under the name Lewis Padgett or Laurence O’Donnell.

judgment-nightMoore published three novels before her death in 1987: Doomsday Morning(1957), and two with Kuttner: Earth’s Last Citadel (1943) and The Mask of Circe (1948).

Unlike most pulp authors, C.L. Moore’s fame continued to grow after her death, and the past decade alone has seen several major collections of her work including two Planet Stories editions from Paizo: Black God’s Kiss (2007) and Northwest of Earth (2008); as well as Volume 31 in the Fantasy Masterworks series from Gollancz, Black Gods and Scarlet Dreams (2002); and two huge retrospectives: Two-Handed Engine (Centipede Press, 2006) and Detour to Otherness (Haffner Press, 2010).

Over the years we’ve done our own tributes to C.L. Moore, including Ryan Harvey’s Jirel of Joiry: The Mother of Us All, Paul Di Filippo’s review of Judgment Night, and C.S.E. Cooney’s recent Jirel, Ma Joie!

Celebrate the life of one of our finest writers this week — pick up and enjoy a C.L. Moore story. You’ll thank us later.

[Thanks to Stephen Haffner of Haffner Press for the tip.]

“Jirel, Ma Joie!” (In Which I Encounter My First C.L. Moore)

“Jirel, Ma Joie!” (In Which I Encounter My First C.L. Moore)

jirel21Due to an unfortunate (or perhaps I should say, “fortuitous”) comment I let slip in an email, Howard Andrew Jones discovered I had no idea who C.L. Moore was.

My comment was something to the effect of, “C.L. Moore? What did he write?”

I met Howard in person once, about a billion years ago at World Fantasy in Saratoga Springs. I retain no clear picture of him in my head, except from images I’ve gleaned off of his Facebook profile page, but from his quick reply, I could so clearly see the bare patches on his skull where he had just torn out huge clumps of hair in rage and frustration.

But he was quite polite about it all.

In his email, he linked me right to Ryan Harvey’s thorough and passionate overview of Herself, Catherine Lucille Moore, Mighty Sorceress of the Pen, Queen Mother of the First Female Sword-Swinging Spit-Fire Protagonist in Fantasy and Science Fiction. This article I happily read, promising myself I would devour some C.L. Moore books the first chance I got!

And then I promptly forgot all about it.

But Howard Andrew Jones and John O’Neill, undaunted by my insouciance, both earnestly strove to further my education in this, our beloved genre. By hook, crook and conspiracy, they contrived to smuggle me a copy (through dangers untold and hardships unnumbered) of C.L. Moore’s Jirel of Joiry for my birthday.

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Black Gate Kuttner Contest: And the Winners Are…

Black Gate Kuttner Contest: And the Winners Are…

kuttnerBlack Gate magazine is very pleased to announce the winners of our Kuttner Contest:

Pawel Martin
Alexander G. Tozzi
G. W. Thomas

All three winners receive a copy of Terror in the House: The Early Kuttner, Volume One, compliments of publisher Haffner Press. Terror in the House is 712 pages in hardcover, and is edited by Stephen Haffner and illustrated by Harry V. Parkhurst. Congratulations to the winners!

To enter the contest required a one-sentence review of your favorite Henry Kuttner short story. Winners were chosen at random from all eligible entries.

The wide range of entries gave us a fine appreciation for just how well Henry Kuttner is still remembered over 50 years after his death, and these concise reviews of readers’ favorite Kuttner tales should help those less familiar with him understand the enduring quality of his fiction. Some of the best entires we received are collected below.

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Take Advantage of Holiday Discounts at Lulu.com

Take Advantage of Holiday Discounts at Lulu.com

luluI got a reminder from Lulu.com this morning that the window for placing Holiday orders in time for Christmas is closing.  Thanks Lulu!

Plus, they sent me the handy coupon at right.  It’s good for 20% off any order (up to a total of $100 savings) until Dec 31, 2010.

I hope I don’t get in trouble for sharing it. Probably not.  But if anybody locks you in a small room and shines a bright light in your face and demands to know where you got this coupon, remember these handy phrases: “I’ll talk!  It was Gordon van Gelder.”

Or just go get your own coupon online, at their Daily Deals page.

startling-storiesLulu is the leading Print on Demand (POD) publisher. Need a reminder of all the great titles available at Lulu?

Over the past year we’ve told you about the two volumes of The Clayton Astounding reprints, Vagabonds of Space and Planetoids of Peril.

For gamers, there’s the new role playing game of heroic rodents, Hyperborean Mice, featuring grim swords & sorcery action… with talking mice.

For short fiction lovers, there’s G.W. Thomas’ terrific Dark Worlds magazine, featuring tales of modern adventure fantasy, and the new incarnation of pulp magazine Startling Stories, from Wild Cat Books (shown at left).

And don’t forget Charles R. Saunders’ latest Imaro novels, The Naama War, and The Trail of Bohu.

At that and much more.  Support your favorite small press publishers, and get some great gifts at the same time. How cool is that?

Blogging Alex Raymond’s Flash Gordon, Part Five: “The Witch Queen of Mongo”

Blogging Alex Raymond’s Flash Gordon, Part Five: “The Witch Queen of Mongo”

flashgordon2_1cvr1“The Witch Queen of Mongo“ was the fifth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between April 21 and October 13, 1935, “The Witch Queen of Mongo” picked up the storyline where the fourth installment, “Caverns of Mongo” left off with Flash and Dale setting out to conquer the cave kingdom that was awarded to Flash following the tourney held by Ming and Vultan.

Writer/artist Alex Raymond benefitted greatly from the contributions of ghost writer Don Moore who developed characterization to bring much-needed balance to the nonstop parade of cliffhangers. The serial quickly sets the tone with Dale’s mounting frustration with Flash’s preference for continued adventures over settling down and marrying her. This development coincides with the introduction of Azura, the titular Witch Queen of the Kingdom of Syk.

azuracomicsAzura is the second of Alex Raymond’s stunning exotic women of Mongo and rivals Aura in complexity and appeal. The Witch Queen’s descent from the heavens on a stair of flames is an iconic image that may have influenced Frank Frazetta’s cover art for Conan the Freebooter three decades later. Likewise, Flash’s Nordic-style horned helmet suggests the strip was a vital inspiration on the depiction of Robert E. Howard’s barbarian pulp hero.

From the very start, the point is made that the Witch Queen’s “magic” is nothing more than advanced technology. The continued juxtaposition of the futuristic with medieval fantasy remained a potent formula for success with the stip.

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Dr. Nikola: An Introduction

Dr. Nikola: An Introduction

nikola311Dr. Nikola is another highly influential Victorian character who has been all but forgotten in the intervening century. The creation of Australian novelist Guy Boothby, Antonio Nikola was one of the earliest examples of a villain granted his own series. Nikola appears in five novels: A Bid for Fortune (1895), Dr. Nikola Returns (1896), The Lust of Hate (1898), Dr. Nikola’s Experiment (1899), and Farewell, Nikola (1901).

Many of the trademarks associated with later criminal geniuses begin with Nikola. Like James Bond’s nemesis Blofeld and his ever-present white Persian cat, Nikola is rarely seen without his black cat Apollyon. Fu Manchu’s pet marmoset Peko is often depicted perched on his shoulder in Sax Rohmer’s thrillers, so Apollyon is regularly described as perching on Nikola’s shoulder.

It is Fu Manchu who owes the most to Nikola. The description of Fu Manchu’s “brow like Shakespeare and face like Satan” finds a parallel in Nikola’s similarly striking features. Nikola is described as having “the Devil’s eyes.”
Even more so, Fu Manchu shares with Nikola an uncharacteristic code of honor that makes these villains somewhat sympathetic in the reader’s eye. Both villains make generous gifts to the individuals they formerly persecuted treating the entire affair as if it was merely a game.

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Fantomas: An Introduction

Fantomas: An Introduction

fantomasFantomas is criminally unknown in the United States. Only seven of the original 43 classic French pulp novels are currently in print in English. The series is unique in its successful blend of black comedy and absurdist humor within the traditional murder mystery genre.

Fantomas himself is a criminal anarchist who robs and murders for the sheer joy of creating chaos. While the murders are frequently described in surprisingly grisly detail for their day, they are quickly followed by delightfully sublime escapes or revelations handled with such a deftly light touch that it is impossible not to find the villainous character fun in spite of his many crimes.

Fantomas made his debut in the 1911 novel, Fantomas. The book was an instant sensation whose appeal transcended all barriers of French society. The avant-garde adopted the character as one of their own. Inspired by Gino Sterace’s lurid cover art for the first book, surrealists such as Rene Magritte and Juan Gris, composer Kurt Weil, and poets such as Guillaume Apollinaire and Max Jacob soon incorporated the character in their work.

Fantomas’ appeal to the art world was as strong as the popularity of the books among the working class. The character’s centennial next year will be marked with celebrations in San Francisco, Los Angeles, New York, and Philadelphia in an effort to bring greater recognition to the character and its impact on 20th Century art.

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A Review of The Witches of Karres, by James H. Schmitz

A Review of The Witches of Karres, by James H. Schmitz

witches-karres-aI decided to review The Witches of Karres mostly because I remember seeing some sequels, written by different authors, as James H. Schmitz died in 1981.

I’m not surprised; The Witches of Karres feels like it should have been a series all along. The setting seems designed for multiple adventures. The book itself is less a space opera than a space operetta — it never takes itself too seriously — but it’s still distinctly an adventure story, not a straight-up comedy.

Captain Pausert is a decent and friendly man, perhaps a touch too in love with his notion of himself as a square-jawed space adventurer. For instance, we find out quite early in the book that he faked a log entry about a desperate fight against pirates when he actually just spent a few hours blowing up asteroids — partly to test his ship’s guns, partly for the fun of it.

Still, he can’t resist helping someone in trouble, especially when that someone is an apparently helpless teenage slave girl. Despite the anti-slavery laws of his native planet, he’s quickly maneuvered into buying her, then her two younger sisters.

Pausert may be a bit bumbling at this point in the story, but he’s not quite stupid; he notices that the slave-owners are extremely eager to sell, and that there’s something slightly off about the three girls.

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Writing: Serial Characters and the Book Deal

Writing: Serial Characters and the Book Deal

World Fantasy Award Nominee
World Fantasy Award Nominee.

A growing number of Black Gate authors have moved on to book deals, and some were published novelists before they appeared in the magazine.

Two of us, James Enge and myself,  landed book deals featuring recurring characters that had appeared in Black Gate short stories.

They were the Dabir & Asim stories for me (“Whispers from the Stone” and “Sight of Vengeance“) and the Morlock tales for James (six appearances in BG so far, starting with “Turn Up This Crooked Way” and “Payment Deferred,” and most recently the novella “Destroyer” in Black Gate 14).

Back before James got nominated for the World Fantasy Award in the Best Novel category (for his first novel, no less! — that’s Blood of Ambrose, if you don’t have a copy yet) the two of us got talking one day about the connections between magazine sales and book deals.

We decided to turn the thing into a public back-and-forth discussion about writing serial fantasy characters, starting with a look at the idea that short story successes lead naturally to selling books.

I’ve captured and condensed that conversation here for your enjoyment.

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Adventure Tales #6 Arrives

Adventure Tales #6 Arrives

adventure-6Wildside Press continues their excellent pulp reprint series with the sixth issue of Adventure Tales, presenting tales of classic fiction from Nelson S. Bond, Arthur O. Friel, Talbot Mundy, and Zorro creator Johnston McCulley, and poetry by Poul Anderson and Clark Ashton Smith, among others. The issue is cover-dated Winter 2010, but the publication date on the copy we received was September 13.

This is a special H. Bedford-Jones issue, with three complete stories from the pulp master. As usual the issue is handsomely illustrated, with finely detailed reproductions of the original accompanying artwork. It also includes a reprint of the complete first issue of George Scithers’ legendary Sword & Sorcery fanzine Amra, which is pretty darn cool, and I hope future issues of Adventure Tales  keep up this tradition.

John Betancourt’s editorial laments the loss of Scithers, one of the most accomplished editors in our field. Scithers was founding editor of Asimov’s Science Fiction and edited both Amazing and Weird Tales in a long and varied career. He was a typesetter and Assistant Editor at Wildside until his death at 80 (and perhaps the loss of George’s keen eye explains the rather unfortunate back cover credit to “Frits Leiber,” for the poem “The Gray Mouser: 1” )

Overall this is a very handsome package, typical for Wildside’s pulp reprints, and there were brief fisticuffs atop the Black Gate rooftop headquarters to determine who would take home our sole review copy.  John Fultz sucker-punched Bill Ward and had me in a headlock when Howard Andrew Jones unleashed an evil trained chicken who swooped in and scored the prize. Howard retreated to Indiana and, in his latest mocking transmission back to headquarters, claims to be already at work on a review.

Adventure Tales is 152 pages and is now available directly from Wildside for just $12.95.