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Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Ten – “The Mummy”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Ten – “The Mummy”

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mummy1blood-of-fu-manchu-1968-01-g-1“The Mummy” was the tenth and final installment of Sax Rohmer’s Fu-Manchu and Company. The story was first published in Collier’s on December 4, 1915 and was later expanded to comprise Chapters 31-33 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

Following on from the unbearably suspenseful sadomasochistic tour de force of “The Six Gates,” this final installment of the second Fu-Manchu serial opens with Petrie sleeping securely for the first time in months aboard a ship’s cabin as he crosses the Mediterranean when his rest is disturbed by an urgent telegraph message that has just been received from an unknown destination. The message reads simply, “Dr. Petrie – my shadow lies upon you all.” It serves as a chilling reminder that, though believed dead after being shot by Karamaneh at the conclusion of the next episode, Dr. Fu-Manchu’s servants may yet take vengeance for her betrayal.

No sooner has this fact occurred to them than all concerned are startled by the sound of Karamaneh screaming. They rush to her cabin along with her brother Aziz and find her hysterical after an attempt on her life by an Egyptian mummy she claims entered her cabin through the porthole and attempted to strangle her in her sleep. Of course there is no sign of an intruder anywhere.

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Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Nine – “The Six Gates”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Nine – “The Six Gates”

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fumanchu4“The Six Gates” was the ninth installment of Sax Rohmer’s Fu-Manchu and Company. The story was first published in Collier’s on October 23, 1915 and was later expanded to comprise Chapters 27-30 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

face-fu-manchu-poster1The story opens, like many early Rohmer tales, with the unexpected arrival of a late night visitor. In this instance, Smith and Petrie are preparing for the raid on the Gables when Aziz, Karamaneh’s brother, turns up at Petrie’s door. While initially skeptical of trusting him, both men are quickly won over by the young man’s tale of how Karamaneh was abducted by Fu-Manchu’s minions shortly after he and his sister returned home to Cairo; how Karamaneh was rendered amnesiac by a drug administered by Dr. Fu-Manchu; and how Aziz followed their trail from Cairo to Rangoon to London in his desperate quest to free his sister from slavery. Smith and Petrie leave Aziz in police custody as they join Inspector Weymouth for the police raid on the Gables.

Smith and Petrie foolishly separate from the Scotland Yard men and encounter Karamaneh in the house. She warns them that they are walking into a trap, but Smith disregards her warning and he and Petrie step right into a trapdoor hidden behind a curtain. They recover consciousness to find Dr. Fu-Manchu gloating over their blundering incompetence. He mocks them for being inferior to children who learn from experience to fear fire lest they be burned a second time. Presently coming to the point, Fu-Manchu explains that Smith is to be tortured with the Six Gates of Joyful Wisdom while Petrie, his devoted friend, is provided with a samurai sword to end Smith’s sufferings if he dares.

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Vintage Treasures: Science Fiction in the Golden Age

Vintage Treasures: Science Fiction in the Golden Age

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sf-golden-ageJames Van Hise, renowned comic and pulp expert and editor of The Rocket’s Blast ComicCollector magazine, has compiled a terrific collection of non-fiction articles from the dawn of the science fiction pulp era.

Science Fiction in the Golden Age arrived in the mail a week ago, and I’ve been mesmerized by it ever since. It gathers articles, letters, interviews, advertisements and artwork that appeared in pulps, fanzines and other sources between 1908 and 1955, including a H. G. Wells piece in a 1908 issue of Cosmopolitan speculating about life on Mars – with four illustrations, all reproduced here in color – a 1938 report on John W. Campbell’s plans as the new editor of Astounding Science Fiction, a review of E.E. “Doc” Smith’s Galactic Patrol from 1950,  a report from “Inside the Graf Zeppelin” from Science & Invention (1929), and a lot more.

Authors include Hugo Gernsback, Leigh Brackett, Edgar Rice Burroughs, Thomas Sheridan, and Ray Bradbury, and the vintage art from pulps and fan magazines includes classic work by Frank R. Paul and others, as well as unused art intended for the first edition of The Skylark of Space. I particularly enjoyed the house ads for magazines and novels, including Amazing Stories and Otis Adelbert Kline’s The Planet of Peril.

This is clearly a labor of love from someone who spent years reading and gathering literary gems and curiosities from some extremely rare sources, including Air Wonder Stories, Fantastic Adventures, Scientifiction, Fantasy Review, Boys Magazine, Writers Digest, Fantasy Advertiser, and many other pulps and fanzines. The only criticism I have is that the page numbers in the TOC are rather useless, given that most of the magazine isn’t paginated.

Science Fiction in the Golden Age is the first in a planned series, although since this one came out in May 2005 and no new volumes have followed, I’m not sure about the state of those plans. Volume One is 160 pages, 8 1/2 x 11 (side-stapled) with full color front and back covers by Frank R. Paul. I bought mine from the author on eBay for $20; additional copies are still available.

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Eight – “The Fiery Hand”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Eight – “The Fiery Hand”

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fiery-hand“The Fiery Hand” was the eighth installment of Sax Rohmer’s Fu-Manchu and Company.   The story was first published in Collier’s on September 25, 1915 and was later expanded to comprise Chapters 24-26 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

8073861This serves as Rohmer’s variation on the haunted house story and mines the same territory as countless Sherlock Holmes pastiches where the reader is assured that the detective will arrive at a rational explanation because the other characters are convinced that the mysterious goings-on must be of supernatural origin from the start. That said, the story is an excellent one and finds Rohmer in fine form.

Inspector Weymouth calls on Nayland Smith and Dr. Petrie to enlist Smith’s aid in investigating the Gables, a property in Hampstead that appears to have been haunted for the past two years. The previous owners, a Quaker family who lived at the house for over forty years sold it after manifestations of a fiery hand holding a flaming dagger appeared. They said nothing of the incident at the time for fear of not being able to sell the property.

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OF SECRET WORLDS INCREDIBLE: A Psychedelic Journey into Clark Ashton Smith’s Poetic Masterpiece

OF SECRET WORLDS INCREDIBLE: A Psychedelic Journey into Clark Ashton Smith’s Poetic Masterpiece

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smith2What a TRIP…

In the world of epic fantasy, poetry often gets a bad rap. In the world of legendary fantasists, one name that continues to be revered is Clark Ashton Smith. As one of the “big three” WEIRD TALES writers from the 1920s and 30s, Smith gained a reputation that rivaled that of H.P. Lovecraft and Robert E. Howard for fantastic fiction. His superbly dark fantasies set in realms such as Zothique, Hyperborea, Atlantis, and Averoigne set a new bar for weird fantasy. With his lush language, poetic sensibilities, and lyrical style, he was a word-wizard of the highest caliber. Any scholar of classic fantasy is sure to sing Smith’s praises. He is certainly one of this author’s favorite writers (especially his Tales of Zothique, my favorite of all his story cycles).

However, Smith thought of himself first and foremost as a poet. He wrote weird fiction because it paid well (yes, there was a time when short stories paid well). The key to his dark genius is probably to be found in his thousands of stanzas of verse…his poetry seeped into his weird fiction and made his tales baroque and lyrical. Smith denied the archetype of the conquering hero…his main characters were more likely to meet hideous doom than to defeat the eldritch monsters they encountered. His wizards were diabolical megalomaniacs or hermetic iconoclasts who explored forbidden mysteries and unlocked terrible powers.

Smith’s greatest piece of verse is (arguably) the epic poem entitled THE HASHISH-EATER or THE APOCALYPSE OF EVIL. It is a phantasmagoric tour de force through jeweled realms of fantasy laced with cosmic horror. It is a masterwork of fantasy, but is usually overlooked in favor of his short stories. It is also probably my very favorite poem. Ever.

Rather than attempt to explain why the poem is so magnificent, I thought I’d simply present it here at BLACK GATE, one stanza at a time, with a paragraph of analysis/commentary between each stanza. For those who prefer to read the poem without annotations first, I recommend a visit to my favorite CAS tribute site The Eldritch Dark, where the entire poem is posted without comments or analysis: http://www.eldritchdark.com/writings/poetry/572/the-hashish-eater–or–the-apocalypse-of-evil

You may want to light some candles and put on a stick of incense…I suggest the heady aroma of jasmine…maybe some old Black Sabbath in the background. Now…let us begin our celestial excursion into the depths of darkest fantasy…let us delve without fear into the eerie depths of a gorgeous nightmare…let us travel stanza by stanza through Clark Ashton Smith’s greatest poem….

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Frank M. Robinson’s Legendary Pulp Collection for Sale

Frank M. Robinson’s Legendary Pulp Collection for Sale

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incredible-pulpsOne of the largest and most impressive pulp collections in the world is now for sale.

Pulp historian and author Frank M. Robinson, whose books on pulps include The Incredible Pulps, Pulp Culture: The Art of Fiction Magazines, and Science Fiction of the 20th Century: An Illustrated History, is selling his collection of nearly 10,000 pulps magazines. The sale will be conducted through John Gunnison’s Adventure House Auctions.

Adventure House has prepared a YouTube video showing a small sampling of the pulps in the collection, including Weird Tales, Spicy Mystery, The Thrill Book, Submarine Stories, Pirate Stories, and Doc Savage, here.

Highlights of the collection include rare pulps such as Ghost Stories, Miracle Science Fiction and Fantasy, Tales of Mystery and Imagination — and ultra-rare gems such as Gun Molls, Courtroom Stories, Saucy Movie Tale, Mystery Adventure, and the only only known copy of the June 1929 issue of Zeppelin Stories, which includes the near-legendary tale “Gorilla of the Gasbags.” 58 of the rarest issues in his collection are included in the MagazineArt Gallery (do a search on Frank M. Robinson).

I’m not sure how I feel about this. I’m glad the collection appears to be being kept together. But there’s no way I can buy it without winning a lottery.

I wonder if Patrick Rothfuss will offer to buy it for me.

Howard Andrew Jones and Scott Oden Surround the Sword Woman

Howard Andrew Jones and Scott Oden Surround the Sword Woman

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sword_womanAs Howard Andrew Jones month heads into the final stretch, we still have several exciting developments to tell you about.

First is the release this month of Robert E. Howard’s latest thick collection, Sword Woman and Other Historical Adventures, featuring a generous selection of classic pulp adventure tales from the creator of Conan, including “The Sowers of the Thunder,” “Lord of Samarcand,” “Hawks of Outremer,” and “The Road of Azrael.” This is the 11th volume in the handsome Del Rey editions of collected Howard fiction, following The Coming of Conan the Cimmerian, the two-volume The Best of Robert E. Howard, and El Borak and Other Desert Adventures.

Howard Andrew Jones teamed up with fellow Black Gate blogger and historical fiction author Scott Oden to bookend the collection: Scott wrote the introduction, and Howard the lengthy 22-page afterword, “Howard’s Journey,” which puts REH’s historical fiction in proper context with the great pulp writers who preceded him.  From his afterword:

Pound for pound Robert E. Howard’s historical fiction more than holds its weight against Howard’s other genre and series work. Over just a few years Howard fashioned a grander helping of these stories than many historical writers craft over a lifetime… It should not be assumed, though, that he wrote any of his stories in a vacuum… Professional author though he was, Howard still had to find his comfort level with the genre. He did so in part by being familiar with both history and the writers who brought it to life before him…

Scholars have noted the influence of Jack London and Rudyard Kipling in his work, as well as Howard’s familiarity with myth and legend, likely via Thomas Bulfinch. The shadow cast by adventure and historical adventure writer Harold Lamb has been noted but never discussed at length. Robert E. Howard seems to have found a kind of kindred spirit in Lamb, and progressed from modeling off his fiction until, student growing to master, Howard matched and even sometimes surpassed his skill.

Sword Woman is fully illustrated by John Watkiss. It includes 18 complete stories, over a half-dozen fragments, and detailed notes on the texts. It is available in trade paperback for $18, and clocks in at over 570 pages. The series is edited by Rusty Burke.

Goth Chick News: Barnabas Collins Rises

Goth Chick News: Barnabas Collins Rises

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image0061Though I would normally start this post by ranting about the lack of originality in Hollywood and threaten to stick my thumbs in the Black Gate blender if yet one more remake crawls into a theater near me, I’m brought up short by news of a project with a serious pedigree.

Dark Shadows is slated to start production this Spring for an early 2012 release.

If you tell me you aren’t acquainted with Mr. Barnabas Collins I will first need to inquire how the weather here compares with your home in the Congo, and did you have a pleasant flight into civilization yesterday? I would then go on to tell you that Dark Shadows was a first-of-its-kind gothic soap opera dealing primarily with supernatural themes and if, like me, you were to discover it for the first time while watching contraband reruns at a 10-year-old’s birthday sleepover, it would have scared the crap out of you.

First impressions, no matter how traumatic, can stick with a person for a lifetime and Dark Shadows clearly stuck with a large segment of the population.

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Graphic Noir: A Random Sample

Graphic Noir: A Random Sample

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peter-gunn-dell-4colorNoir comics have bubbled under the surface for decades. Even the mainstream success of the Dick Tracy newspaper strip failed to bring hardboiled detectives to the forefront of the medium. Batman started off as a noir title before quickly eschewing dark corners for brightly-colored superhero theatrics for decades. TV and movie tie-in’s, usually one-off’s from publishers like Dell popped up here and there but failed to be anything more than curios.

playback1A quick look at Dell’s Peter Gunn one-shot from 1959 is a perfect example. The television series was strictly adult fare in its day with a 9:30 PM time slot so it’s strange to see a kid-friendly comic with Pete tracking down a maker of counterfeit postage stamps as the lead story.

Dell fared much better with the simultaneous publication of a TV tie-in novel by the author of the Peter Chambers series, Henry Kane. That book managed to aim for a more sophisticated audience than late fifties network television standards would allow making Dell’s dime comic all the more strange in comparison.

The advent of the graphic novel was really the medium that allowed noir titles to flourish. Darker, more adult and frequently self-contained, the graphic novel was the perfect vehicle to bring hardboiled detectives into the graphic medium. Jim Steranko may have been the first to exploit the combination with Red Tide (1976) featuring the adventures of a gumshoe named Chandler in an appreciative nod to the creator of Philip Marlowe. That seminal work was the first graphic noir in the United States, Europe having got the drop on us first.

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Happy 100th Birthday, C. L. Moore!

Happy 100th Birthday, C. L. Moore!

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shambleau1Catherine Lucille (C.L.) Moore, one of the great pulps writers of the 20th Century and author of Judgment Night, Shambleau and Others, Northwest of Earth, and Jirel of Joiry, was born 100 years ago today, on January 24, 1911.

Moore’s first story, “Shambleau,” the tale of a beautiful alien vampire, introduced interplanetary adventurer and pulp hero Northwest Smith  in the November 1933 issue of Weird Tales. The next year she published “Black God’s Kiss,” the first tale of Jirel of Joiry. They remain two of the most famous stories Weird Tales ever published.

Much of Moore’s early science fiction and fantasy stories were collected by Gnome Press in handsome volumes that are still highly collectible today, including Judgment Night (1952), Shambleau and Others (1953), and Northwest of Earth (1954).

Moore married fellow science fiction author Henry Kuttner in 1940, and they collaborated on many classic tales for the pulps, including “Mimsy Were the Borogroves,” (filmed in 2007 as The Last Mimzy), “The Twonky,” and “Vintage Season.” Much of their work together appeared in Astounding Science-Fiction,  usually under the name Lewis Padgett or Laurence O’Donnell.

judgment-nightMoore published three novels before her death in 1987: Doomsday Morning(1957), and two with Kuttner: Earth’s Last Citadel (1943) and The Mask of Circe (1948).

Unlike most pulp authors, C.L. Moore’s fame continued to grow after her death, and the past decade alone has seen several major collections of her work including two Planet Stories editions from Paizo: Black God’s Kiss (2007) and Northwest of Earth (2008); as well as Volume 31 in the Fantasy Masterworks series from Gollancz, Black Gods and Scarlet Dreams (2002); and two huge retrospectives: Two-Handed Engine (Centipede Press, 2006) and Detour to Otherness (Haffner Press, 2010).

Over the years we’ve done our own tributes to C.L. Moore, including Ryan Harvey’s Jirel of Joiry: The Mother of Us All, Paul Di Filippo’s review of Judgment Night, and C.S.E. Cooney’s recent Jirel, Ma Joie!

Celebrate the life of one of our finest writers this week — pick up and enjoy a C.L. Moore story. You’ll thank us later.

[Thanks to Stephen Haffner of Haffner Press for the tip.]