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Uncanny Magazine Issue 12 Now on Sale

Uncanny Magazine Issue 12 Now on Sale

uncanny-issue-12-september-october-smallCharles Payseur at Quick Sip Reviews has some high praise for the latest issue of Uncanny,

This month’s offerings from Uncanny Magazine bring a bit of everything. Two original fiction pieces, two poems, and two works of nonfiction covering fairy tales and AI insurrections and ghosts and desires and distorted realities and lineages of SFF. The fiction is gripping and challenging, difficult and unflinching. The poetry is moving and all about desire and nostalgia and looking back. And the nonfiction is about perception and how it can be changed, either in the brain or by those around you, and how that can effect the inroads to SFF. It’s a full month and a nice balance of the strange, the heartbreaking, and the affirming….

“The Witch of Orion Waste and the Boy Knight” by E. Lily Yu (5,868 words)

This story takes an interesting look at fairy tale tropes and humanizes them in interesting ways, casting a goose girl as a witch and a cursed boy as a knight and weaving a complex tale of hope and disappointment and longing. The story does an excellent job capturing the feel of the witch, who is blown across her own life, going where inclination leads. She is inquisitive and never truly satisfied and when given the opportunity to be a witch she jumps on it, only to find that not all things are what she expects. She ends up following a knight on his quest, hoping to keep him safe and also stay with him, but the way that power and curses work in this story is strange and interesting. It twists things. And that’s part of what I love about it.

Read his complete review here

The issue includes fiction by Sarah Pinsker, Carmen Maria Machado, Tim Pratt, E. Lily Yu, Ferrett Steinmetz, and a reprint by Sofia Samatar, and non-fiction by Una McCormack, Mary Anne Mohanraj, Dominik Parisien, and Aidan Moher, plus poetry, interview, and an editorial. All of the content became available for purchase as an eBook (PDF, EPUB, MOBI) on September 1, 2016.

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October/November 2016 Asimov’s Science Fiction Now on Sale

October/November 2016 Asimov’s Science Fiction Now on Sale

asimovs-sf-october-november-2016-smallThe October/November double issue of Asimov’s Science Fiction is the annual “Slightly Spooky” Halloween special, “jam-packed with stories about ghosts, angels, demons, souls, curses, and a couple of aliens.” Here’s Sheila’s full description:

October/November is our traditional “slightly spooky” issue, and the 2016 edition is no exception. The magazine is jam-packed with stories about ghosts, angels, demons, souls, curses, and a couple of aliens. Alexander Jablokov’s bold new novella brings us a tale of death and danger, a woman with a rather unusual occupation, and “The Forgotten Taste of Honey.”

Sandra McDonald’s cheerful tone belies the horror that lurks for “The People in the Building”; the souls of the damned are captured in Susan Palwick’s poignant “Lucite”; death and another odd job play a part in Michael Libling’s amusing and irreverent tale of “Wretched the Romantic”; “Project Extropy” uncovers new mysteries in Dominica Phetteplace’s ongoing series; S. N. Dyer draws on history and folklore to explain what happens “When Grandfather Returns”; seeds of hurt and mistrust are sewn in Rich Larson’s “Water Scorpions”; new author Octavia Cade invites us to spend some time “Eating Science With Ghosts”; Will Ludwigsen examines the curse of “The Leaning Lincoln”; and Michael Blumlein’sheartfelt novella asks us to “Choose Poison, Choose Life.”

Robert Silverberg’s Reflections column dabbles in some “Magical Thinking”; James Patrick Kelly’s On the Net prepares to “Welcome Our Robot Overlords!”; Norman Spinrad’s On Books takes on “Short Stories” in a column that features the Nebula Awards Showcase anthologies as well as The Fredric Brown Megapack and Harlan Ellison’sCan & Can’tankerous; plus we’ll have an array of poetry and other features you’re sure to enjoy.

The cover is fabulous, but I couldn’t find any info anywhere on the website on who painted it. It’s by Karla Ortiz (karlaortizart.com/illustration).

In her editorial, Sheila Williams talks about the annual tradition of the “slightly spooky” issue, saying that she saves the best creepy stories each year for Halloween. She also talks about some of her favorites over the years.

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Beneath Ceaseless Skies 210 Now Available

Beneath Ceaseless Skies 210 Now Available

beneath-ceaseless-skies-210-smallIssue #210 of Beneath Ceaseless Skies is now available, completely free on their website. It is dated October 13 and features fiction by Stephanie Burgis and Martin Cahill, a podcast by Stephanie Burgis, and a reprint by Siobhan Carroll. Here’s the complete Table of Contents.

A Cup of Comfort” by Stephanie Burgis
“Of course I will come,” said the Dragon Queen. Her voice was muted beneath the layers of dark cloth that covered her, but a ripple of amusement sounded as she added, “I should hope my old friend has not forgotten my favorite blend, after all these decades. I shall be disappointed if there isn’t a fresh pot awaiting me.”

A Glass Kiss for the Little Prince of Pain” by Martin Cahill
His grip tightens. He looks up at me with an honesty reserved for saints and the soon to be executed. “If you do this, it’ll ruin you. Please, come back with me to the school, give up this alliance with the Empress, and together we can find a way to save the boy. Armila, please, this kind of murder, to one so young? You can’t come back from that kind of corruption.”

Audio Fiction Podcast

A Cup of Comfort” by Stephanie Burgis (Duration: 28:08 — 19.32MB)
“Nonsense. You are my guest.” The dragon reached out with long, sharp, delicately curving claws and tipped the teapot.

From the Archives

In the Gardens of the Night by Siobhan Carroll
If the General wants her dead, he must agree to my requests.

Read issue 210 online completely free here.

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How to Be a Doomed Meddler

How to Be a Doomed Meddler

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I was always a Carnacki man, staunch and true. An Edwardian adventurer, willing to admit that I was afraid, but determined to stiffen that lip and see the game through. And as a follower of William Hope Hodgson’s Carnacki the Ghostfinder, I quickly took to games like Call of Cthulhu when it first came out in the eighties. The dedicated investigator pitted against almost indescribable horrors had an obvious appeal. It turned out to be a shock, because unlike our usual, intriguing fantasy RPG campaigns, in CoC we died a lot. A real lot. We were, generally, doomed.

So when we decided that we would launch a new magazine, Occult Detective Quarterly, we knew what we wanted. Someone even suggested that Doomed Meddler Quarterly would be a good alternative name. We wanted tales of psychic detectives, amateur supernatural sleuths, embittered foes of the Dark, and people who ended up having to investigate malevolent forces against their wills. New Lovecraftian terror was welcome, as was old-fashioned pluck. Stories from Carnacki to Constantine, with terrified innocents thrown in along the way.

We held an open call for stories over the Summer, and we even received quite a few tales where the protagonist didn’t die, not yet. He or she survived with a modicum of sanity, which counts as a major victory in this sort of area. Not only did we get stories from people unknown to us, but tales from seasoned fantasy and weird fiction authors.

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October 2016 Clarkesworld Now Available

October 2016 Clarkesworld Now Available

clarkesworld-121-smallOkay, I’ve settled into a routine now. I drop by Charles Payseur’s Quick Sip Reviews to see what he thinks of this month’s crop of magazines, read what he has to say about Clarkesworld, and then make a beeline to the Clarkesworld website. The guy knows how to whet your appetite for good fiction.

Here he is on Genevieve Valentine’s 9,000-word tale, “Everyone from Themis Sends Letters Home.”

So this is a rather heartbreaking story about a place that doesn’t even exist. Not exactly. It’s about a woman who has been unfortunate all her life finally being a part of something that she loves, that makes her feel…okay, and then having to find out that it’s been not only a lie but a cruel one… It’s also about a game, a game that comes to be something more than that, mired in the horror of what it did but also in the good that came of it. The story is brilliantly told through letter, at first between Marie and a mysterious other person, then drawing out to include other people… The story does a terrific job of selling the idea of the game and then exploring how the game abused its test subject. How a corporation teamed with a prison to use people and how no one cared. The story flits from person to person but only through letters, so that the story is in some ways the evidence being gathered by the main character, by Benjamina, to turn over to expose what has happened. And it’s completely believable that such treatment of inmates would happen. It points to how we treat the incarcerated, how we treat those we’ve deemed criminal. How powerless they become and how easy they are to use, even when it leaves permanent damage. It’s a wrenching story and I love how it plays out, the guilt and the pain and the yearning. It uses form to great effect and you should definitely read this one. Go!

Read Charles’ complete review of the issue here.

The October Clarkesworld, issue #121, is packed with new fiction by Robert Reed, James Patrick Kelly, Chi Hui, and Nnedi Okorafor & Wanuri Kahiu, and reprints by Jy Yang and Michael Swanwick.

Here’s the complete list of stories.

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The October Fantasy Magazine Rack

The October Fantasy Magazine Rack

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We added two new magazines to our regular coverage this month: Skelos, the Journal of Weird Fiction and Dark Fantasy, edited by Mark Finn, Chris Gruber, and Jeffrey Shanks, and Postscripts, edited by Nick Gevers, which is more of a regular anthology series, but it publishes short fiction and has numbered issues, so what the hell. Welcome aboard.

We also have lots of interest for vintage fiction fans, including retro reviews by Rich Horton and Matthew Wuertz of the July 1953 issue of Galaxy Science Fiction (with stories by Clifford D. Simak, James H. Schmitz, C. L. Moore and Henry Kuttner, Fritz Leiber, and Pulitzer Prize-winner Michael Shaara), the November and December 1963 Fantastic (John Jakes, Neal Barrett, Jr., Ursula K. Le Guin, Keith Laumer, and Edmond Hamilton) and the May 1963 Amazing (Henry Slesar, Leigh Brackett, Albert Teichner, and Robert F. Young).

Check out all the details on the magazines above by clicking on the each of the images. Our September Fantasy Magazine Rack is here.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $35/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

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Galaxy Science Fiction, July 1953: A Retro-Review

Galaxy Science Fiction, July 1953: A Retro-Review

galaxy-science-fiction-july-1953-smallThe July, 1953 issue of Galaxy Science Fiction is bereft of a serialized novel, so a curious reader could jump into it without feeling a need to commit to something larger. I suggested the same thing for the June, 1953 issue as well, so here are two issues to choose between. Or read them both.

“Kindergarten” by Clifford D. Simak — Peter lives in the country, having moved out of the city after being diagnosed with cancer. He lives a simple life until he discovers a strange machine on his property. When he touches it, it dispenses a remarkable piece of jade.

Other people discover the machine soon enough, and with each touch, it dispenses an item specific to the person. As word spreads, the police become involved, followed by the military. The machine, though clearly alien, isn’t too disturbing until it begins laying a foundation for something much larger.

Simak’s story works really well. I think he did a good job with Peter’s character — showing his pain with cancer. And I like that the source of his pain or why he lived in the country didn’t come out immediately. I expected after reading it that nothing else in the issue would top this story, but I later found something else that edged it out as my favorite.

“Caretaker” by James H. Schmitz — An exploring party visits the planet, Cresgyth. A man named Hulman crashed on it over twenty years ago — the lone survivor of his crew. He was saved by other humans — the only humans known to exist beyond Earth. Those humans, however, are threatened by other humanoid creatures that Hulman calls snakes. The humans won’t fight back, and Hulman believes the humans will become extinct unless something is done about the snakes.

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Fantastic, November and December 1963: A Retro-Review

Fantastic, November and December 1963: A Retro-Review

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I recently looked at a couple of issues of Fantastic with a Brak the Barbarian serial by John Jakes, and here’s another pair with a Brak serial. Indeed, this was Jakes’ first SF/Fantasy novel, and his second Brak story.

The editorials cover first, Freeman Dyson’s ideas about using gravity as an energy source (for transportation), and second, the notion of having astronauts use crayons in orbit. The covers are by Alex Schomburg (November) and Paul E. Wenzel (December), in neither case, perhaps oddly, illustrating Jakes’ novel. Interiors are by Lee Brown Coye, Virgil Finlay, and Peter Lutjens (each of them appeared in both issues). (I will note that I find Coye okay as a pure horror illustrator, which seems to have been his forte, but I thought his illustration for Jack Sharkey’s “The Aftertime” just terrible.)

There is a letter column in November (Fantastic’s lettercol, which only appeared occasionally at this time, was called According to You ...). The letters this time are by David T. Keil, Paula Crunk, and Dennis Lien. I’ve known Denny online for quite some time, first on Usenet and later via email, so that was interesting. Keil has praise for Keith Laumer and Brian Aldiss and Thomas Disch, some (generally positive) discussion of Fritz Leiber, and scorn for David R. Bunch. Paula Crunk is happy with Leiber and Laumer, but complains about some of the other dreadful stuff the magazine published. And Lien disputes a claim in an earlier letter that fantasy has gotten short shrift in Hugo nominations relative to SF. (He notes the several examples of fantasy that were nominated — 3 at least of the five short fiction nominees the previous year — and also notes that, after all, the Hugos are given at a “Science Fiction” convention.)

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September Short Story Roundup

September Short Story Roundup

oie_413844fthp1nteWe’re still in the midst of a swords & sorcery renaissance that started around a decade ago, and now there’s a broader pulp one going on as well. Between the first issue of Skelos and the third of Cirsova, September saw a hurricane of short stories involving swords, wizards, warriors, pirates, and space pirates. Good times ahead! At least that’s my hope.

I first became aware of Skelos‘ then-impending existence with a flurry of internet activity announcing a Kickstarter this past spring. On the pledge page the magazine was heralded as “A horror and fantasy journal featuring short fiction, essays, poetry, reviews, and art by both seasoned pros and talented newcomers!” I found those words impossible to resist, and kicked in enough money to get myself billed in its pages as a benefactor, and be rewarded with a print copy and a four-issue e-book subscription.

When the print copy of Skelos 1 appeared in my mailbox last month, I was very impressed with its look and feel. The cover is decorated with a nicely creepy Gustav Doré illustration and the inside is filled with great black and white art.

Skelos is edited by a triumvirate comprising Mark Finn, Chris Gruber, and Jeffrey Shanks, but the introduction was written by Finn alone. The co-editors are looking to have an an ongoing conversation with their readers and are “willing to learn as we go, if you’re willing to talk to us about the thoughts behind the words and pictures. We want everyone to walk away feeling like they learned something new, or at least, were heard and understood.” It may be “too ambitious to try and bridge the gap between Classic Weird Fiction and New Weird Fiction,” but where they intersect is what the trio find interesting, and what Skelos intends to investigate. While there are very specific references to authors and artists from the early days of weird fiction (Lovecraft, Moore, Bok, and Finlay), there aren’t any contemporary ones. If that sounds a little vague, I believe it’s deliberate, as Skelos is still a work in progress.

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Interzone #266 Now on Sale

Interzone #266 Now on Sale

interzone-266-smallThe September/October issue of Interzone magazine is now on sale, with a cover by 2016 cover artist Vincent Sammy, “Heaven Spots” (click the image at right for a bigger version.)

This issue is pretty intriguing. Or, at least, Kevin P Hallett’s Tangent Online review makes it sound pretty intriguing. Here’s Kevin on Malcolm Devlin’s “The End of Hope Street.”

The twelve houses on Hope Street faced a strange blight in this horror mystery novelette. One by one, the sinister blight consumed each house making it unlivable. Failure to leave resulted in death; failure to stay away resulted in death. The displaced residents found temporary sanctuary in the other houses on the street. In all but one, that is. For Daniel Dormer, the patriarch at number twelve, felt that all this had happened to his neighbours for a reason.

When Daniel’s house was the only one still livable, he had to face the consequences of his petty prejudices.

The author develops the characters well and uses the mystery to pull the reader through the story. The enigmatic blight hangs over everything leaving the reader with many questions to answer. A pleasant and intriguing tale.

And Tade Thompson’s “The Apologists.”

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