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Mage: The Hero Denied #6

Mage: The Hero Denied #6

Mage 6So I picked up issue 7 of Mage this week and realized that I’d never gotten around to reviewing issue 6, so expect another review to follow this one very soon.

Issue 5 ended with Kevin and Joe spotting the Questing Beast. Upon seeing the pair, the Beast takes off. Kevin tells Joe that he’s got to follow it. Kevin thinks that the Questing Beast could show him the way to the Fisher King. Joe’s response is that he’s out of this whole hero/quest thing and then leaving.

When Kevin gets home, he finds Magda waiting up for him. What follows is an argument that touches on some things that I’ve been going on about in earlier reviews. We learn that Kevin hasn’t had a regular job since he was twenty-two years old and that he’s been relying on that magic debit card for most of his adulthood. No idea how that sort of thing generates enough money for them to afford houses without anyone asking where the money comes from … unless everyone just assumes that Kevin is a drug dealer. The fact that Kevin hasn’t really used his powers to help anyone in this volume of the series, only fending off monsters that have come looking for him, makes Magda seem less like a killjoy and more like a wise friend offering good advice. On top of that, we’ve seen that Joe’s given up adventuring with no ill effects, while Kirby’s dedication to adventuring eventually got him killed.

Meanwhile, the Umbra Sprite is testing the city’s resident handicapped population to see if any of them are the Fisher King in disguise. Of course, the “test” involves opening a handbag full of flying piranhas on them. Anyone whom the flying piranhas (OK, she calls them Sluagh Sidhe) DON’T eat is the Fisher King. Needless to say, this ends with a lot of bone piles and no Fisher King. While the plan of setting up shelters in order to look for the Fisher King makes sense, we understand as readers that he likely won’t be found in such a conventional, undramatic fashion, so these interludes are mostly excuses to show the various grisly acts that the Umbra Sprite and her Gracklethorns are willing to commit.

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Looking at the Density of Comic Book Page Layouts

Looking at the Density of Comic Book Page Layouts

Eternals01-003 copy

I may have picked the most boring blog post title in history, but this is something I’ve been thinking a lot about lately.

I was listening to Kieron Gillen’s excellent podcast Decompressed. Decompressed is a look under the hood at the craft of comic book creation and in the 4th one, he interviewed Matt Fraction and David Aja, the creative team behind Marvel’s Hawkeye from 2012. During the episode, Matt Fraction mentioned that Hawkeye was meant to feel different from most of the mainstream comics at the time, especially with respect to how much compression there was.

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The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Comics & Graphic Novels of February 2018

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Comics & Graphic Novels of February 2018

Scales & Scoundrels-small Godshaper Simon Spurrier-small Grass Kings-small

I don’t have time to keep tabs on all the fabulous new comics showing up every week at my local comic shop, so I’m glad there are folks I trust who do. One of them is Ross Johnson at the Barnes & Noble Sci-Fi & Fantasy Blog, who checks in with a list of the 19 most promising new graphic novels this month. Here’s a few of the highlights.

Scales & Scoundrels, Vol. 1: Into the Dragon’s Maw, by Sebastian Girner, Galaad, and Jeff Powell

Girner and Galaad introduce a new breed of fantasy adventurer in Luvander, a tough loner who sets out on a quest to find what treasure awaits in “the Dragon’s Maw,” a labyrinth that she hopes will bring an end to her days of penniless wandering. The only problem: she needs a team. The colorful story offers a modern take on medieval-style fantasy with a light touch and a sense of the epic.

Godshaper, by Simon Spurrier and Jonas Goonface

Following the collapse of the laws of physics in 1958, everyone received their own personal deity, whose size, shape, and influence determines your fate. Then there are those women and men like Ennay, who were born without their own gods but with the power to shape the deities of others. Ennay meets up with Bud, a god without a human, and together, they wind up in the heart of a mystery. It’s a unique story with some lovely, colorful artwork.

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Mage: The Hero Denied #5

Mage: The Hero Denied #5

Mage The Hero Denied 5-smallYeah, Kevin, it’s me. There was a two-month break between issues 4 and 5, but it wasn’t due to any sort of publishing mishap. Rather, Matt Wagner built these month-gaps into the series schedule from the beginning in order to give himself enough time to finish everything without any unexpected delays. He takes advantage of this gap by jumping the story ahead by thirteen months. Obviously, spoilers and fan theories ahead.

It opens with a five-page flashback set some time shortly after the end of the first series (Hero Discovered). Kevin Matchstick is tromping through a sewer with a full head of hair; a magic baseball bat; and the first World Mage, Mirth. We get hints of things to come (high top shoes, four star hotels, the departure of Mirth) and a nice splash page of an Ellen Trechend.

We then flash to the present. Kevin is trying to explain to his son that his life is filled with tragedy and serious mythic underpinnings. But Hugo just wants to hear stories about his dad fighting monsters. Meanwhile, Kevin’s wife is apparently a realtor now (even though she was a teacher four issues ago), looking pretty sharp in her red business suit. They also own a purple cat named Chloe. And they’re staying in a house that they can afford because … I seriously don’t know.

We’re on issue #5 and I still have no idea what Kevin Matchstick is supposed to have been doing for the last ten years. Has he seriously just been living off a magic ATM card while he’s been avoiding fighting monsters?

Anyway, he’s walking Hugo to a school bus, asking if he likes the neighborhood, then takes a detour to an ATM to grab some money and bitch at the absent mage. And it looks like he’s been lying low since his battle with the hell-queen last issue. Which means, I guess, that he left his family to protect them, fought a monster, figured out that abandoning his family in times of trouble was dumb, then returned home.

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GOING BIG! Super Sized Marvel Treasury Editions

GOING BIG! Super Sized Marvel Treasury Editions

Super Sized Marvel Treasury Editions-small

Ex-size-ior! Few things give me an exhilarating rush of childhood more than a Marvel Treasury Edition.

I see one and suddenly I’m five years old again, sprawled on the shag carpet by the bedroom door when I’m supposed to be asleep, that ginormous comic book spread out in front of me like a Life Magazine, surreptitiously turning the newsprint pages and delving into the four-color wonders of Spider-Man fighting a guy with a stegosaurus head or the Avengers flying across the sky to do battle with various nemeses or Conan hewing villains to rescue a curvaceous damsel.

Popular in the 1970s, Treasury Editions were mostly just reprints on Super Growth Hormone. They were, in a way, precursors to graphic novels: Each edition collected three or four comics from a series, sometimes with some new material thrown in.

Measuring 10” by 13”, they were striking. Part of the appeal to a younger reader would be the pictures are all bigger and more easily digested. I remember “reading” them before I could really read.

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Reading 2000AD’s The ABC Warriors for the First Time

Reading 2000AD’s The ABC Warriors for the First Time

The ABC Warriors-1-small

I’ve been reading 2000AD for a bit now, and listening to the 2000AD podcast by the Molcher-Droid, so I’ve heard a lot about The ABC Warriors, but didn’t know anything about them. In fact, from the name alone, my first thought was that canned pasta Alphaghettis that my mother used to have in the pantry for when she was working and we had to make our own lunch. Little could I have guessed that ABC stands for the Atomic, Biological and Chemical parts of warfare, and the robots who fight in those kinds of wars.

As one of the comics bloggers for Black Gate, I recently got my hands on an advanced pdf of the fourth volume of The ABC Warriors. For clarity and disclosure, the publisher 2000AD is owned by the same horse-riding video game designers who own Solaris Books (my publisher), but I don’t get any bonuses or consideration if I review their comics. I just like comic books (as you can tell from my post history). So, I wouldn’t have reviewed this if I didn’t actually like it.

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Carl Burgos and Air-Sub “DX”

Carl Burgos and Air-Sub “DX”

Amazing Mystery Funnies #6, June 1939, cover art by Bill Everett

Amazing Mystery Funnies #10, June 1939, cover art by Bill Everett

Twenty-two-year-old artist Carl Burgos entered comics in 1938. He almost immediately started creating  his own features as artist/writer, achieving immortality in the field when an android bizarrely named the Human Torch burst into flames in the legendary Marvel Comics #1 (October 1939), the same issue that introduced Bill Everett’s Sub-Mariner. The Torch’s name got passed on to Johnny Storm when The Fantastic Four debuted and the original received one of the weirdest revivals in comics’ history as the Vision in Avengers #57 (October 1968). (No relation to a 1940s character called the Vision.) The Avengers’ brainier members quickly traced his heritage to that android created by scientist Phineas Horton in 1939, conveniently forgetting that Burgos himself stopped calling him an android after about three issues. For the next decade, the Human Torch seemed to be a regular human whose body was fire, or could be set on fire, or contained fire, or something else equally unclear. The Golden Age lacked continuity police.

Probably only a few comics historians understand how obsessed Burgos was with artificial people. Just before the Human Torch he created a cyborg or robot named Iron Skull whose origin story changed every couple of issues and a few months later he produced an unquestioned android, Manowar the White Streak. Despite the name, Manowar was a utopian who fought evil in the cause of peace. (And wasn’t white. And not the same as Paul Gustavson’s contemporary Man of War for the same company. Writing comics history is footnotes all the way down.)

Comic books were so new in 1939 that, like Leacock’s Lord Ronald, they rode madly off in all directions. Superman, the the sensation of 1938, spawned more of what we now call superheroes but they didn’t dominate. The 64-page comic books had already made a swift transition from reprinting newspaper comic strips, with 30 or more titles inside a single book, to all-new titles containing eight stories (seven pages each to account for ads and filler material) and eight different heroes. How they decided which contributed to sales is anyone’s guess, although letters from kids surely guided them, but tables of contents changed virtually every issue.

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Watching the Justice League Movie

Watching the Justice League Movie

Justice League trio-small

I have a poor track record seeing DC movies. The trailers have usually turned me off with their enthusiasm for finding the grim-dark cinematic angle that the regular comic book version of the DC universe chucked when it diversified its tone with the launch of Rebirth. So, I didn’t see Man of Steel kill people, or Batman and Superman fight, or any of that stuff, because I wasn’t interested.

Hearing that Wonder Woman was different, I happily checked that out, and thought it was a great expression of the superhero cinematic form (in this sense, I mean nothing more than the WW movie did what it could to make a great story within the conceits, conventions and expectations of anything based on super-powered vigilantes).

So my 12-year old son and I checked out the Justice League movie. By now, you’ll have seen many of the reviews, both good and bad, and will have seen that Warner Brothers isn’t making enough money of it for its investors to consider it a success. If you haven’t you can check out “Justice League’s Mediocre Box Office” and “shake-up in the works.”

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Rube Goldberg’s Radio Robot

Rube Goldberg’s Radio Robot

Rube Goldberg How to Get an Olive Out of a Long-Necked Bottle, Washington Times April 20, 1922

A robot on radio? What would be the point?

You might ask what was the point of a ventriloquist on radio, but Edgar Bergen made himself a multi-gazillionaire by ignoring other people’s considerations of sense or logic.

Bergen’s success with Charlie McCarthy was still a year off when Reuben Garrett Lucius “Rube” Goldberg had another of his incredibly numerous bright ideas. The cartoonist introduced the strip Mike and Ike (They Look Alike) in 1907. Calling lookalikes by those names became part of the language. So did the obscure slang term “boob” after Goldberg started the strip starring Boob McNutt in 1915. You think Al Jaffee created the bit Snappy Answers to Foolish Questions? Off by about a half-century. Goldberg’s Foolish Questions started appearing in 1915.

Not a bad legacy, though they all pale to his supreme cartoon invention — the Rube Goldberg machine. That term entered the dictionary, too, “accomplishing by complex means what seemingly could be done simply.” Above and below are a couple of examples from the early 1920s.

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