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The 2011 Locus Award Winners

The 2011 Locus Award Winners

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hundred-thousandThe 2011 Locus Awards were announced last weekend. The winners are:

Best Science Fiction Novel: Blackout/All Clear, Connie Willis (Spectra)
Best Fantasy Novel: Kraken, China Miéville (Macmillan UK; Del Rey)
Best First Novel: The Hundred Thousand Kingdoms, N.K. Jemisin (Orbit UK; Orbit US)
Best Young Adult Book: Ship Breaker, Paolo Bacigalupi (Little, Brown)
Best Novella: The Lifecycle of Software Objects, Ted Chiang (Subterranean)
Best Novelette: “The Truth Is a Cave in the Black Mountains”, Neil Gaiman (Stories)
Best Short Story: “The Thing About Cassandra”, Neil Gaiman (Songs of Love and Death)
Best Magazine: Asimov’s SF
Best Book Publisher: Tor
Best Anthology: Warriors, George R.R. Martin & Gardner Dozois, eds. (Tor)
Best Collection: Fritz Leiber: Selected Stories, Fritz Leiber (Night Shade)

You can find the complete list of winners and nominees at Locus Online.

The Locus Awards are presented to winners of Locus Magazine’s annual readers’ poll. The award was first given in 1971, for works published in 1970. According to Locus, the awards frequently draw more voters than the Hugo and Nebula Awards combined.

The Centenary of Mervyn Peake

The Centenary of Mervyn Peake

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Titus GroanJuly 9, 2011 will be the hundredth anniversary of the birth of Mervyn Peake, the author of three remarkable fantasy novels: Titus Groan, Gormenghast, and Titus Alone. The books — published in 1946, 1950, and 1959 — form a series (along with the novella “Boy in Darkness,” which I have not read) following the early life of Titus Groan, Seventy-Seventh Earl of the immense castle called Gormenghast. Peake had intended to write a longer sequence of novels about Titus; he planned two more books, but the advent of Parkinson`s Disease made that impossible. A number of activities are being planned to commemorate Peake’s centenary, including the publication of a fourth Titus volume, Titus Awakes, written by Peake’s wife after his death in 1968.

The Titus novels are excellent books. Each seems to have a slightly different style, a different approach to Titus and his world. All of them are stylistically and imaginatively rich; although the explicitly fantastic is rare in the books, arguably nonexistent, there is in each of them an approach to world-building, a readiness to leave behind the rational, that I think makes them fantasy more than anything else — so long as you use “fantasy” in its broadest sense, agreeing that contemporary genre expectations have nothing to do with the variety implicit in the word.

Put it this way: Peake wrote before fantasy fiction had been defined as a form, but from where we stand now, his work is more easily assimilable to fantasy than to anything else. He’s been a strong influence on fantasists like Michael Moorcock; Lin Carter published his books as part of the Ballantine Adult Fantasy series. But like a lot of early fantasists, Peake is somewhat apart from the conventions of fantasy we now know. His books have little to do with medievalism or any historical culture, but neither do they seem to reflect the modern world (except in the last of them, and that’s a world as strange and distorted as a Terry Gilliam movie, a setting that, it has been said, prefigures the fantasy of steampunk). As an illustrator, Peake was working on Alice’s Adventures in Wonderland and the Grimms’ Household Tales while writing Titus Groan; those may be useful places to start.

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The Year’s Best SF & Fantasy 2011, edited by Rich Horton

The Year’s Best SF & Fantasy 2011, edited by Rich Horton

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yearsbest2011The third volume of Rich Horton’s Year’s Best Science Fiction and Fantasy (Prime Books), my favorite annual Year’s Best collection, shipped in early June, and my copy finally arrived last week. Imagine my surprise to find this on the dedication page:

For two editors who got me started on the route to putting together these books: Dave Truesdale and John O’Neill.

You don’t have to imagine how honored I feel, because I can tell you that right now: pretty damn honored. I’ve been publishing Rich’s excellent articles and reviews since the early days of the SF Site, shortly after he was introduced to me by, yes, Dave Truesdale, who was publishing his short fiction reviews at Tangent. Thanks, Rich. And thanks, Dave.  Owe you one.

As for the book, it’s excellent as always. This year it features thirty stories that showcase the very best in contemporary SF and fantasy, from the finest writers in the field: Gene Wolfe, Robert Reed, Paul Park, Carol Emshwiller, and many others. In fact, this year’s volume is even more awesome than usual, as it features “The Word of Azrael” from BG 14, by our very own Matthew David Surridge, as well as “Braiding the Ghosts” (from Clockwork Phoenix 3) by our website editor C.S.E. Cooney.

C.S.E. had a particularly good year last year, in fact: two additional tales made Rich’s Recommended Reading list, including “Household Spirits” (from Strange Horizons; read the complete story here) and her novella The Big Bah-Ha (from Drollerie Press), alongside Robert J. Howe’s novella from BG 14, “The Natural History of Calamity.” We covered the 2009 edition of Year’s Best SF & Fantasy here.

Congratulations to all the contributors, and to Rich on another superb volume. If you’re looking for one book this year to point you to the cream of the crop in modern SF & fantasy, this is the one.

Art of the Genre: The Black Company

Art of the Genre: The Black Company

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Kerdark grabs a chance at the original Black Company cover
Kerdark grabs a chance at the original Black Company cover

In 1984 author Glen Cook published The Black Company. In 1990, my freshman year in college, this book was passed to me by a person on my dorm and I spent the next decade following the exploits of the last of the Free Companies of Khatovar.

Now, as a storyteller myself, the book resonated with its rather unique concept, that it was actually a tale written by the Company annalist as he continued the four hundred years of written tradition the company had laid down since its came out of the distant south.

This is a military book, although cast in a fantasy setting. To that point, there are wizards present, although all of them are seemingly either competent illusionists or powerful necromancers. You don’t see any fireballs or lightning bolts, and the craft of a medieval military is kept up in rather precise fashion as the Black Company moves from what I would perceive as northern Europe, through Africa, and finally ending up someplace in India.

It’s a fantastic tale, one so well crafted that I’m actually floored even today when I remember a three-book long twist that had me shaking my head and calling for Cook to be given a Hugo. If you haven’t read the series, I certainly suggest it, even if the first book is over twenty-five years old and what was acceptable for publication then is much different than today. I still think these books hold water and are well worth your time, but on to the reason I assume you’re here, the art.

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Behind the Plague of Shadows

Behind the Plague of Shadows

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Pathfinder Tales: Plague of Shadows, by Howard Andrew Jones. Coming February 2011Over at Flames Rising, Black Gate Managing Editor Howard Andrew Jones talks about the genesis of his Pathfinder novel Plague of Shadows:

I pitched [editor James Sutter] “Jirel of Joiry crossed with Unforgiven.” I wasn’t planning to lift the character or the plot, but I hoped to evoke a similar feel… I’d never written anything with orcs or dwarves, and while I’d scripted an evil sorcerer or two, they’d never been Pathfinder magic users. Writing deals in a lot of archetypes, and fantasy gaming fiction tends to wear those archetypes proudly on its sleeves — the elven archer, the surly half-orc, the mysterious wizard. I embraced those archetypes and tweaked them, as any gamer would when designing a character for play. I planned out scenes that would put the characters in conflict so I could get a better handle on who they were and what was important to them.

I started writing within a day or two of getting my outline approved, and pretty quickly I realized that I needed to stat out my main characters. I’ve been gaming regularly with a variety of systems since I was about 9, but in all that time, I’d never rolled up story characters prior to writing about them… I kept the rule book handy so that my spell descriptions would match, as closely as possible, the spiffy descriptions drafted by the Paizo maestros.

You can learn more about Plague of Shadows here, and the complete conversation with Howard is at Flames Rising.

The Dream-World of Lud-in-the-Mist

The Dream-World of Lud-in-the-Mist

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Lud-in-the-MistHope Mirrlees’ stunning 1926 novel Lud-in-the-Mist begins with the following epigraph:

The Sirens stand, as it would seem, to the ancient and the modern, for the impulses in life as yet immoralised, imperious longings, ecstasies, whether of love or art, or philosophy, magical voices calling to a man from his “Land of Heart’s Desire,” and to which if he hearken it may be that he will return no more — voices, too, which, whether a man sail by or stay to hearken, still sing on.

It’s a quote from the classical scholar Jane Harrison, who was Mirrlees’ close companion at the time Mirrlees was working on Lud-in-the-Mist. It’s a perfectly chosen introduction to the book. It sets out the themes, and to an extent the method, which Mirrlees used: the conflict between instinctive desires and the conscious will, that tries to repress those desires and establish a social harmony — all symbolically realised through the imagery of myth and fantasy.

The sirens sang to Odysseus, who had himself lashed to his mast to hear their song while his crew went about their duties with their ears stopped up with wax. Apollonius of Rhodes says that they also sang to the Argonauts, but that their song was overcome by Orpheus, and the sirens threw themselves into the sea and became rocks. And I will note here, for reasons that should become clear later, that Apollonius also says that only a little later the Argonauts came to the garden of the Hesperides, in the far west, where the golden apples of Gaea had been kept, a marriage gift for Hera, until Hercules had took them as part of his labours.

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Andrew Zimmerman Jones Reviews The Authorized Ender Companion

Andrew Zimmerman Jones Reviews The Authorized Ender Companion

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the-authorized-ender-companionThe Authorized Ender Companion
Jake Black
Tor (432 pp, $27.99, November 2009)
Reviewed by Andrew Zimmerman Jones

One of my most prized possessions is a signed hardcover copy of Orson Scott Card’s Hugo and Nebula award winning Ender’s Game. Before the signature, Card inscribed “A survival guide for geniuses.” This is a wonderful tagline for Ender’s Game, which has spoken to a full generation of science fiction fans. Now, Jake Black has written a complete and authorized companion to the set of nine (so far) novels and assorted short stories – the Enderverse, as it is known to fans.

The bulk of The Authorized Ender Companion is taken up by the 315-page “Ender Encyclopedia,” which lists every individual, place, or thing that shows up anywhere in the Enderverse. This ranges from the detailed (a 15-page entry on Bean and 20-page entry on Ender) to the passing (such as the one-line entry that reminds us all what a “barkdancer” is). Probably one of the best entries is the 3-page lexicon of Battle School Slang.
The end of the Encyclopedia lists all of the sources, which is very helpful for those of us who haven’t yet read all of the short stories, followed by a couple of pages of “Ender’s Time Line” which, while interesting, is in print that is so small you may need a magnifying glass. (Note: I read an advanced review copy, so hopefully some sane editor will decided that this must be enlarged for the final edition.) Beyond the Encyclopedia, however, are some of the more substantive aspects of this book and the ones that fans should really be looking forward to.

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Pottermore Revealed: Unique “Online Reading Experience” says Rowling

Pottermore Revealed: Unique “Online Reading Experience” says Rowling

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pottermorescreenHarry Potter author J.K. Rowling announced this morning (video here) that she will be releasing

“something unique: an online reading experience unlike any other. It’s called Pottermore. It’s the same story, with a few crucial additions. The most important one is you. Just as the experience of reading requires that the imaginations of the author and reader work together to create the story, so Pottermore will be built in part by you, the reader. The digital generation will be able to enjoy a safe, online reading experience built around the Harry Potter books.“

She claims that this new website will include not only the ability to buy digital audiobook and e-book versions of the Potter series, but also that she will be directly involved with the community, revealing tidbits about the universe which she’s known for years but which never made it directly into the novels.

youtubepotterscreenFor about a week, rumors have been swirling across the internet about the exact nature of Pottermore, since Rowling established a website by that name and a mysterious countdown clock appeared on YouTube (shown below).

Speculations ran wild throughout the week, fueled by tantalizing clues, some of them intentional, such as an online Google Maps-based game, and some unintentional, like the discovery that Warner Bros. had registered the website for trademark as a “global information computer network.”

Rowling and her spokesmen have been quiet on the details, except to stay that it is definitely not a new novel set in the Harry Potter universe, but still some have wondered if it was the long-anticipated Harry Potter encyclopedia, which Rowling has hinted may someday be released for charity.

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Howie Bentley Reviews The Drums of Chaos

Howie Bentley Reviews The Drums of Chaos

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the-drums-of-chaos-2The Drums Of Chaos
Richard L. Tierney
Mythos Books (440 pages, $45, Sept 2008)
Reviewed by Howie Bentley

Simon of Gitta, Richard L. Tierney’s famous escaped gladiator turned student of the occult, has returned to the Holy Land to take revenge on the Roman officials who killed his parents and sold him into slavery. The Drums of Chaos shows Simon at his most savage as he slays his foes and writes messages on the wall in their blood. Simon is a hell hound on his enemies’ trail, but his plans start being disrupted as apocalyptic supernatural events unfold and cross his path. It seems that there are a handful of different factions of sorcerers, all with their own agendas; not excluding Jesus Christ, the son of Yahweh Zava’ot (A.K.A. Yog-Sothoth).

Although this is a Sword & Sorcery novel in the grand Howardian tradition, it is just as much about the events surrounding the crucifixion of Jesus Christ as it is about Simon’s adventures in the Holy Land. Imagine the Christ Passion viewed through the eyes of H.P. Lovecraft and you start to get an idea where this is going. Some may scoff at this portrayal of biblical events but I think, looking at it objectively, you have to admit that Tierney’s account of the crucifixion is just as plausible as the stories you hear in church, and a hell of a lot more interesting – as I often found myself on the edge of my seat while reading Drums, as opposed to slumped down in my seat asleep. This might well be considered the most blasphemous yarn of the whole literary body termed “the Mythos,” and considering the nature of the field, that’s saying something.

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E.E. Knight Reviews Deader Still

E.E. Knight Reviews Deader Still

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deader-stillDeader Still
Anton Strout
Ace (303 pp, $7.99, March 2009)
Reviewed by E.E. Knight

Good news for fans of urban fantasy detective stories: Anton Strout hits one well into the bleachers with his sophomore publishing effort. Deader Still is the worthy follow on to last year’s Dead To Me. Strout is writing a first-person paranormal gumshoe saga about investigator Simon Canderous, a baseball bat-swinging sleuth. Simon works for the city government’s Department of Extraordinary Affairs, an underfunded law enforcement organization. Think Bill Murray’s college-basement departmental digs in Ghostbusters without the glamour. And the rest of officialdom feels much the same way about the Department as Murray’s outraged Dean. They’re on a shoestring budget for everything but paperwork.

Simon is a mix of beefy, quirky, and a little intense that makes me think of a young Jon Voight. He makes a nice pivot for the other characters in the series. There is more to Simon than his trusty baseball bat. He is a user of psychometry, able to get a read off an object and some idea of what was on the mind of the last person to handle it. This is fun for readers and impresses me as an author. One of the big problems with writing first person (or third person limited to a single character) is getting glimpses of other characters’ inner lives. Simon’s reading of objects nicely bridges the gap between points of view and the author in me finds the device brilliant. Ordinary readers will simply find it fun and interesting. I thought some of the best parts of the first book were Simon’s readings of objects, and that trend holds true for the sequel.

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