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Peter Watts’ Rifters Trilogy

Peter Watts’ Rifters Trilogy

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StarfishUsually I write here about books I’ve read and enjoyed. It’s really quite selfish: thinking about a good book extends the pleasure I get from reading it. This post, though, is a little different. I’m going to write about a science fiction trilogy in order to work out why I don’t like it more than I do. These are good books, even excellent books. But something about them didn’t grip me the way I would have thought they might.

The books are Peter Watts’ Rifters trilogy: Starfish, Maelstrom, and ßehemoth (that’s a Greek beta at the start of the last; for ease of typing, I’ll stick with the English B from here out). Starfish was Watts’ first novel, published in 1999, and Maelstrom followed two years later. Behemoth was split into two volumes for print publication; B-Max (Betamax, I suppose) was published in 2004, Seppuku in 2005. All these books are available for free on Watts’ web site.

They’re extremely well-written. The plot’s tight and fast-moving, the characters are multilayered, and the prose is both concise and, when it needs to be, beautiful. And they’ve got some potent themes, about power and science and the nature of humanity. I came away from them very impressed. And also somehow dissatisfied, for no reason I could put a finger on. So I will write about them here, and see if I can articulate for my own satisfaction what it was that I missed, and whether it was something in the books or something in myself in as a reader.

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Hitchhiker’s Guide to Edmond Hamilton: Who did Douglas Adams Really Read?

Hitchhiker’s Guide to Edmond Hamilton: Who did Douglas Adams Really Read?

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Last-of-the-Star-Kings2-Copy
…how is it that Hitchhiker’s Guide to the Galaxy reads like a rip-roaring Silver Age Space Opera with added humour and satire?

Douglas Adams famously wasn’t an SF fan — apparently he “only got to about page 10” of most SF books (source) .

How odd, then, that Hitchhiker’s Guide to the Galaxy reads like a rip-roaring Silver Age Space Opera with added humour and satire.

Douglas Adams always told the same story about the birth of his magnum opus:

One night in 1971 a 19-year-old English hitchhiker named Douglas Adams lay drunk in a field in Innsbruck, Austria. He had with him a borrowed copy of Hitchhiker’s Guide to Europe by Ken Welsh.

No mention of reading widely in the genre.

Really?

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The Recent Best: The Fantasy Catalog of Prime Books

The Recent Best: The Fantasy Catalog of Prime Books

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Time Travel Recent Trips-small Magic City Recent Spells-small Aliens Recent Encounters-small

In November of last year I attended the World Fantasy Convention in Washington, D.C. I’d never been to the city, and there was a tremendous amount to do and see — including the National Mall, the Washington Monument, the White House, the Vietnam Veterans Memorial, and the Lincoln Memorial.

All very impressive, even for a Canadian like me. But three months later, the place that’s lingered longest in my mind is the convention Dealer’s Room. It was packed with dozens of tables from the finest publishers in the genre, all showing their latest wares. Since I pay attention to the market every day, I naturally assumed there wouldn’t be a lot of surprises, even in a target-rich environment like that.

I was dead wrong. Walking from table to table, and seeing the dazzling display of novels, anthologies and collections piled in dense stacks before all the smiling vendors, drove home just how marvelously rich and diverse our industry is. Since returning from the convention I’ve tried hard to replicate that experience here, in a series of posts showcasing the catalogs of several of the most impressive publishers. So far I’ve covered Valancourt Books and ChiZine Publications; today we turn our attention to the gorgeous catalog of Prime Books.

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Vintage Treasures: Vulcan’s Hammer by Philip K. Dick/ The Skynappers by John Brunner

Vintage Treasures: Vulcan’s Hammer by Philip K. Dick/ The Skynappers by John Brunner

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Vulcan's Hammer-small The Skynappers-small

One of the things I love about the early Ace Doubles is that they frequently paired young writers who later became superstars. It’s like finding a movie starring Scarlett Johansson and Elijah Wood when they were both 10 years old (that move exists, by the way. It’s called North. Don’t see it.)

The 1960 Ace Double Vulcan’s Hammer/The Skynappers is a fine example. It paired the 32-year old Philip K. Dick — well established by that point, with seven novels under his belt — with an up-and coming British author, the 26-year old John Brunner, whose first novel Threshold of Eternity had appeared as an Ace Double the previous year. Both went on to stellar careers. Indeed, they’re two of the most highly regarded SF writers of the 20th Century.

Neither of these two books is particularly well remembered, however. In fact, if you’re a Brunner fan and interested in reading The Skynappers, this 55-year old paperback is pretty much the only way to get it.

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New Treasures: Ourselves by S.G. Redling

New Treasures: Ourselves by S.G. Redling

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Ourselves S G Redling-smallS.G. Redling’s first novel Flowertown, a taunt conspiracy thriller set in a town quarantined by an experimental pesticide spill, appeared in 2012. Since then she’s dabbled in a variety of genres, including space adventure (Damocles, 2013), and industrial thrillers (The Widow File and its sequel Redemption Key, both 2014).

Now she turns her hand to the vampire novel with Ourselves, the first novel in The Nathan Series, which introduces readers to the mysterious Nathan, a secret society concealing a vampiric race hiding among us in plain sight.

Dangerous, deadly, invisible — and they have always been among us.

An ancient, enigmatic race, the Nahan have protected their secret world by cultivating the myths of fanged, bloodsucking monsters that haunt legends. Yet they walk through our world as our coworkers and our neighbors, hiding in plain sight and coexisting in peace. They survive… and they prosper.

A shy young dreamer, Tomas wanders through his life with help from his good friends and influential family on the ruling Council. Now, he’s decided his future lies with the Nahan’s most elite class: the mysterious Storytellers. But his family is troubled by his new choice — and by his new girlfriend, Stell, a wild, beautiful, and deadly outcast from a fanatical Nahan cult.

As Tomas descends into the dark wonders of the Nahan’s most powerful culture, Stell answers her own calling as an exceptional assassin. But when a lethal conspiracy threatens their destinies, Tomas and Stell must unite their remarkable talents against the strongest — and most sinister — of their kind.

Ourselves was published by 47North on January 27. It is 322 pages, priced at $14.95 in trade paperback, and $4.99 in digital format. The cover was designed by Stewart A. Williams.

Drizzt Do’Urden Simply Won’t Stop Adventuring: Myke Cole on Learning to Love Serial Fantasy

Drizzt Do’Urden Simply Won’t Stop Adventuring: Myke Cole on Learning to Love Serial Fantasy

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Gemini Cell-smallMy name is Myke Cole, and I have a hard time with serial fantasy.

Yes, that’s right, I’m admitting it right up front. I’m wading into the hornet’s nest and making my confession.

More than three books in a series and I start to nod off. At five, you’ve pretty much lost me. It’s happened to me again and again and again. In A Song of Ice and Fire, I honestly don’t really care what happens after Dance. I followed Bernard Cornwell’s Richard Sharp through twelve books before I finally decided that, no matter how awesome his further adventures might be, I couldn’t get excited about them. Daniel Abraham’s The Widow’s House is the fourth book in his absolutely stunning Dagger and Coin series, and I know I’ll get to it… eventually.

It’s happened to me time and again with comic book series. Fables, Hundred Bullets, Sandman and on and on and on. I reach a point 5 or 6 or 10 trades in where I just sort of throw up my hands.

And all of the above examples are for good books. The kind of books that resonate and transport, the kind of books that make you want to give up writing because you’ll never be in the same league as that author.

For years, I’ve hid my head in the company of other fans, bit my tongue and kept my opinions to myself. Because Brandon Sanderson wound up rounding out The Wheel of Time series at fourteen books. Because Drizzt Do’Urden simply won’t stop adventuring, because fans LOVE long serials.

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Dave Duncan’s The Great Game

Dave Duncan’s The Great Game

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duncan past Connor Gormley wrote a post not long ago in which he discussed the seeming sameness of the current state of Fantasy. That the genre which should be most imaginative showed a singular lack of imagination, or flexibility might be a better word, in its choice of settings and characters. The comments give you a pretty good idea of how people agreed or disagreed with his thesis, and the whole post is well worth looking at. I think what it did for a lot of people, however, is remind them of books they’ve read that aren’t cloyed down with the sameness of things.

In my case, I was reminded specifically of Dave Duncan’s work. I’ve mentioned his Alchemist Novels in discussing fantasy mysteries, and one day I’d like discuss the brilliant West of January in more detail, but at the moment I want to introduce you to the trilogy The Great Game, made up of Past Imperative, Present Tense, and Future Indefinite.

At first glance it seems we’re being dealt a typical stranger-in-a-strange land trope, but as is so often the case with Duncan, the first glance is all you get for free. I think it’s safe to say that whatever you think Duncan’s up to, it’s very seldom what’s going on.

Part Imperative begin with two apparently unconnected storylines, or rather, we assume they are connected – not being entirely new to this game ourselves – but we aren’t shown how until much farther into the narrative than we’d expect. An epigraph does give us a broad hint, but honestly, it’s very easy to overlook. I have a theory that fewer than half of all readers actually read epigraphs, even the ones at the beginning of chapters, but that’s neither here nor there – which, come to think of it, pretty much describes the position of Duncan’s characters.

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New Treasures: The Dark Defiles by Richard K. Morgan

New Treasures: The Dark Defiles by Richard K. Morgan

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The Dark Defiles-smallI can’t read all the fantasy books out there. I can’t even read all the really great stuff. Fortunately, I’m surrounded by a superb team of reviewers who keep me on top of things.

When Richard K. Morgan published his highly acclaimed first fantasy novel back in 2009, I totally missed it. But John C. Hocking didn’t, and in his review in Black Gate 13 he called it:

One of the most unusual, powerful, and daring sword & sorcery novels to see print for decades… The Steel Remains follows a trio of characters, each of whom played a dramatic part in humanity’s grim battle with the Scaled Folk — reptilian invaders from the sea, defeated several years past… As the three heroes are slowly drawn back together, a threat older and even more alien than the Scaled Folk moves into the world. Ringil and his friends will meet it with steel.

A sequel, The Cold Commands, followed in 2011, introducing the dark prophecy of the Illwrack Changeling, a boy raised to manhood in a ghostly between-world realm, whose return would be catastrophic for the fragile land. And late last year the final novel in what’s now being called a trilogy finally arrived. As the world teeters towards another war with the dragon folk, Ringil and his companions find the prophecy of a dark lord may be coming true very close to home.

Here’s the publisher’s description for The Dark Defiles, the closing volume of Land Fit for Heroes.

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Vintage Treasures: The Ship That Sailed the Time Stream by G.C. Edmondson

Vintage Treasures: The Ship That Sailed the Time Stream by G.C. Edmondson

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The Ship That Sailed the Time Stream 1965-small The Ship That Sailed the Time Stream 1970-small The Ship That Sailed the Time Stream-small

G.C. Edmondson was not a prolific fantasy author. He wrote barely half a dozen novels between 1965 and 1981. But at least one, The Ship That Sailed the Time Stream, became an acknowledged classic, kept in print by Ace Books for nearly two decades after it first appeared in 1965.

Edmondson wrote Westerns under at least three pseudonyms. The Ship That Sailed the Time Stream was his first fantasy novel; it first appeared as part of an Ace Double (cover by Jack Gaughan, above left), paired with Stranger Than You Think, a collection of Edmondson’s short stories.

The book, the tale of a military research ship cast back in time to the Bronze Age while testing experimental submarine detection gear, was an immediate critical success. It was nominated for the Nebula Award (it lost to Frank Herbert’s Dune), and Jerry Pournelle, co-author of The Mote in God’s Eye and Lucifer’s Hammer, called it “One of the best time travel novels I have ever read.”

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Forbes on the Books that Inspired the New Dungeons & Dragons

Forbes on the Books that Inspired the New Dungeons & Dragons

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The Name of the Wind-smallGary Gygax, creator of Advanced Dungeons and Dragons, famously listed the fantasy writers and books that inspired him in Appendix N. We’ve had lengthy discussions on Appendix N, and its suitability as a jumping-off point for a fantasy collection, here on Black Gate.

Now that there’s a new version of D&D on the market, it’s not too surprising that its creators have included their own version of Appendix N. And while I consider Gygax’s Appendix N to be a terrific resource for classic fantasy fans, I was pleased (and not at all surprised) to find that the new inspiration comes chiefly from a new generation of fantasy writers.

Forbes magazine writer David M. Ewalt, who’s written about Dungeons and Dragons before, interviewed Mike Mearls, head of R&D for Dungeons & Dragons and co-lead designer on the fifth edition rules, and designer Rodney Thompson. Here’s some excerpts:

Patrick Rothfuss ”showed that bards didn’t have to suck,” according to Mearls. Fifth edition designers knew that players would use the bard class to create characters inspired by Kvothe, the hero of Rothfuss’ novel The Name of the Wind. “We actually talked about using words of power as big element of the bard, but toned it down as too on the nose.”

Saladin Ahmed ”did a great job of capturing the concept of an adventuring party in Throne of the Crescent Moon,” says Mearls. “A lot of the stuff behind bonds, flaws, all the stuff that binds characters to the campaign, was inspired by reading Throne…”

Mearls, Thompson and the rest of D&D team are also inspired by the storytellers who wrote for previous versions of the Dungeons & Dragons game. Last week, Wizards of the Coast announced “Elemental Evil,” a new storyline in the Dungeons & Dragons product universe tied into several new products: The storyline is based, in part, on the 1985 game module The Temple of Elemental Evil, which was written by Gary Gygax and Frank Mentzer for the first edition Advanced Dungeons & Dragons rules.

David M. Ewalt is also the author of Of Dice and Men: The Story of Dungeons & Dragons and the People Who Play It. See his complete article here.