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Future Treasures: Blood Sisters, edited by Paula Guran

Future Treasures: Blood Sisters, edited by Paula Guran

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Blood Sisters Paula Guran-smallIn her lengthy intro to her new anthology Blood Sisters, Paula Guran traces the modern literary history of the vampire, from C.L. Moore (“Whether… Moore’s “Shambleau” (1933) is a vampire story may be open to question, but one can make a good argument that the alien Shambleau is a form of vampire”) to Stephen King (“Salem’s Lot… downplayed vampiric eroticism, upped the level of terror, and focused on the vampire as a metaphor of corrupt power”) to Chelsea Quinn Yarbro (“Saint-Germain was the first genuinely romantic and heroic vampire”), and beyond.

In Blood Sisters Guran collects 25 vampire stories by Carrie Vaughn, Catherynne M. Valente, Nancy A. Collins, Suzy McKee Charnas, Pat Cadigan, Nalo Hopkinson, Chelsea Quinn Yarbro, Melanie Tem, Charlaine Harris, and over a dozen other women. It’s a stellar line-up, and one of the most intriguing collections of any kind I’ve seen this year.

A tantalizing selection of stories from some of the best female authors who’ve helped define the modern vampire.

Bram Stoker was hardly the first author — male or female — to fictionalize the folkloric vampire, but he defined the modern iconic vampire when Dracula appeared in 1897. Since then, many have reinterpreted the ever-versatile vampire over and over again — and female writers have played vital roles in proving that the vampire, as well as our perpetual fascination with it, is truly immortal. These authors have devised some of the most fascinating, popular, and entertaining of our many vampiric variations: suavely sensual… fascinating but fatal… sexy and smart… undead but prone to detection… tormented or terrifying… amusing or amoral… doomed or deadly… badass and beautiful… cutting-edge or classic…

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Sex and Violence in Poul Anderson’s Rogue Sword

Sex and Violence in Poul Anderson’s Rogue Sword

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Zebra Heroic Fantasy. Another ghastly cover. I guess that’s some Byzantium-esque architecture in the background. But who’s ever seen “armor” or a sword like that?
Zebra Heroic Fantasy. Another ghastly cover. I guess that’s some Byzantium-esque architecture in the background. But who’s ever seen “armor” or a sword like that?

As in The Golden Slave (and to lesser degrees in Three Hearts and Three Lions and in Virgin Planet) the major textures of Poul Anderson’s Rogue Sword sketch a love triangle. But at first our hero Lucas Greco’s love is not confined to only two women. No, he is a philanderer, a gallant, and the prologue establishes this as Lucas escapes the rage of Gasparo Reni, a jealous husband. This also shows Anderson’s impressive ability to construct symmetrical plots, for Gasparo and another in the prologue, Ser Jaime, shall be around for the duration of the novel.

The first chapter jumps ahead fourteen years. Lucas, with his friend Brother Hugh de Tourneville, surprise encounters Gasparo again, this time in the streets of Constantinople. Exhibiting rage apparently beyond all reason, Gasparo orders his men to fall on Lucas and to slay him on the spot. But, assisted by Brother Hugh, Lucas defends himself and escapes. During his escape, however, Gasparo’s slave woman, a woman who had been destined for a lord’s harem, joins herself to Lucas.

This slave, Djansha, becomes Lucas’s first love. It is notable that Lucas is not aware of this at first. He takes for granted Djansha’s complete faithfulness and service to Lucas. Lucas perhaps thinks that she is so into him because he is kind and supportive of her needs. Perhaps he believes that she would behave the same for any man who treated her in this manner. He also probably takes her for granted because she is a slave. Lucas cannot be blind to the strict social classes of 1306 A.D. (using Anderson’s signifier for era). And, naturally, he aspires for the heights. He actively pursues this state when he meets the lady Violante, a sensual and cunning member of the aristocracy married to the savage warrior Asberto.

Before briefing the reader on this third part of the triangle, however, we should pause a moment to focus on Anderson’s initial description of Djansha. I am struck now how, in a number of novels, Anderson has presented the reader with two female body “types.” What we read about Djansha also could describe Alionara from Three Hearts and Three Lions and perhaps Barbara from Virgin Planet and of course Phryne from The Golden Slave. Generally, this type is slim, childlike, and “boyish.” Here’s a description of Djansha.

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Vintage Treasures: Sturgeon is Alive and Well… by Theodore Sturgeon

Vintage Treasures: Sturgeon is Alive and Well… by Theodore Sturgeon

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Sturgeon is Alive and Well-small Sturgeon is Alive and Well Pocket-small

Sturgeon is Alive and Well… was Theodore Sturgeon’s fourteenth short story collection. It was first published in 1971, and came following a five-year gap after Starshine (1966). As I mentioned in my write-up on that book, Starshine went through nearly a dozen printings in as many years. But Sturgeon is Alive and Well… had only three: a hardcover in 1971, a paperback reprint the same year from Berkley Medallion (above left, cover by the great Paul Lehr), and a Pocket reprint in 1978 (above right, artist unknown.)

It’s now been out of print for 37 years, and there is no digital edition.

The title is… unusual. It probably made more sense in 1971, when Jacques Brel is Alive and Well and Living in Paris was an unexpected smash hit off-Broadway. Sturgeon touches on what a five-year gap between collections meant for a writer who made a living on short stories in his introduction.

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Return of the Master Cheeser: The Disappearing Dwarf by James P. Blaylock

Return of the Master Cheeser: The Disappearing Dwarf by James P. Blaylock

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The Disappearing Dwarf-smallPublished in 1983, The Disappearing Dwarf is James P. Blaylock’s second novel, the sequel to his first, The Elfin Ship. Along with The Stone Giant (1989) they form the Balumnia Trilogy. If you have any love for Kenneth Grahame’s The Wind in the Willows, or mouth watering descriptions of all sorts of food and drink, then these books are for you.

The Elfin Ship (reviewed here last year) is filled with constant comical digressions and expends pages on delightful, superfluous details. It’s filled with oddball characters and deliriously silly escapades. The plot is wonderfully complicated. The Disappearing Dwarf has all of those things — save the plot. It’s not that it doesn’t have a plot, it’s just not much of one.

Bored with his new life as man of leisure (allowed by the success of his travels in the previous volume), Jonathan Bing, master cheesemaker, agrees to take a trip down the Oriel River with Professor Wurzle to explore the abandoned castle of their foe, Selznak the dwarf. The castle, they quickly learn, is not empty — and definitely not safe.

From there they meet Miles (pronounce Meelays), the Magician who is hunting Selznak. He tells them that their old nemesis has reappeared, and is certainly up to no good. The magician suspects the dwarf is looking to steal a great magical orb from their friend, Squire Myrkle. Upon reaching the squire’s estate, they discover that he has vanished through a magical door that appeared in his library. The next thing we know, Jonathan, the Professor, and Miles (along with Ahab the dog), are back on board the elfin airship and headed for a doorway to the parallel world, Balumnia.

Narrative drive is nearly absent in The Disappearing Dwarf. Jonathan’s goals switch from one thing to another several times throughout the book. The adventurers spend much of the book traveling from one place to another without ever really knowing what they’re trying to achieve, other than their rather vague plan to find the squire before he falls into Selznak’s clutches. Balumnia has its own villain, a mysterious figure called Sikorsky, but as with the rest of the characters, we never get a clear sight of him or what he’s actually up to. Several characters fade away. One vanishes only to suddenly reappear with little explanation. The book moves haphazardly from one incident to another. Fortunately, most of those incidents are terrific fun.

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New Treasures: Master of Plagues by E.L. Tettensor

New Treasures: Master of Plagues by E.L. Tettensor

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Master of Plagues-smallAbout a year ago I reported on the first novel in a promising new series: Darkwalker by E.L. Tettensor. Now the second novel featuring Police Inspector Nicolas Lenoi has arrived, Master of Plagues, and it looks as intriguing.

The Nicolas Lenoi novels are set in Kennian, part of the backwater Five Villages, which seems a lot like 19th-century England if you squint. Lenoir is tasked with investigating dark mysteries in a place where folks scoff at the supernatural. These books look like a fine mix of fantasy and mystery in a fog-shrouded Victorian(ish) landscape, with plenty of original touches to keep things interesting.

Unraveling a deadly mystery takes time — and his is running out…

Having barely escaped the clutches of the Darkwalker, Inspector Nicolas Lenoir throws himself into his work with a determination he hasn’t known in years. But his legendary skills are about to be put to the test. A horrific disease is ravaging the city — and all signs point to it having been deliberately unleashed.

With a mass murderer on the loose, a rising body count, and every hound in the city on quarantine duty, the streets of Kennian are descending into mayhem, while Lenoir and his partner, Sergeant Bran Kody, are running out of time to catch a killer and find a cure.

Only one ray of hope exists: the nomadic Adali, famed for their arcane healing skills, claim to have a cure. But dark magic comes at a price, one even the dying may be unwilling to pay. All that’s left to Lenoir is a desperate gamble. And when the ashes settle, the city of Kennian will be changed forever…

E.L. Tettensor also writes under the name Erin Lindsey. We recently covered her fantasy novel The Bloodbound. Master of Plagues was published on February 3, 2015 by Roc. It is 368 pages, priced at $7.99 in paperback and $6.99 for the digital edition.

David Drake on E. Hoffmann Price

David Drake on E. Hoffmann Price

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Far Lands Other Days-smallDavid Drake, author of The Tank Lords, The Sea Without a Shore, and dozens of other fantasy and SF novels, was also the man behind Carcosa, a small press he co-founded with Karl Edward Wagner in 1973. Carcosa published only four volumes — including Far Lands Other Days, a 590-page illustrated collection of the classic pulp fantasy of E. Hoffmann Price — but ah, what volumes they were!

Andy Duncan has started a new blog, Past and Present Futures, and he invited David to share his memories of Price. Yesterday he shared the results. Here’s a slice.

In fact [Price] spent only 30 days in the Philippines before the 15th Cav was recalled to the Mexican Border where Pancho Villa was raiding. Shortly after that they were shipped to France where they acted as mule skinners unloading freighters in Bayonne, France. He had stories about the prostitutes in all three continents.

When WW I was over, Ed was on garrison duty on the German border. The army created a service-wide scheme by which enlisted men could take an entrance exam for admission to West Point. Ed was one of the extremely few who gained admission through that test. He graduated in 1922 and was briefly a 2nd Lieutenant assigned to a Coast Artillery unit in NJ. He resigned ahead of a court martial because he had gotten to know the battalion commander’s wife rather better than the major was pleased to learn.

I’ve told the story this way to make it clear that though Ed was very smart, he was also an iconoclast who was not even slightly interested in polite society or its norms. He was acting out in the introduction [to Far Lands Other Days], but I don’t doubt he meant what he said.

Read David’s complete comments here, and visit Andy’s excellent new blog here.

The Public Life of Sherlock Holmes: What Story Should You Read First?

The Public Life of Sherlock Holmes: What Story Should You Read First?

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FirstStory_LionsMane
One of my favorites: Frederic Dorr Steele for The Lion’s Mane

Recently a post in a Holmes Facebook group caught my eye. A woman was a fan of one of the current TV shows (I don’t recall if it was Elementary or BBC’s Sherlock), but she loved it and wanted to read the stories. She wondered where to start.

First, I think it’s a bit interesting that there are Holmes fans that have never read Sir Arthur Conan Doyle’s stories. They only know the detective through television shows set in the modern day. I suppose this also happened a bit with the first Robert Downey Jr. movie, but that had a shorter shelf life. Anyhoo…

There’s a bit of a divide in the Holmes community these days between the ‘old school’ and the newer generation. One characterization is between those who study the stories and those who write speculative fan fiction that has little to no relationship with Doyle’s actual writings. To some extent, there’s always been an old guard/new fans distinction, but social media has exploded it.

While I’ve long been a fan of Holmes pastiches and enjoy most movies and films, I do look askance at all the doey-eyed swooning over Benedict Cumberbatch as Holmes. And they’ll pry my calabash pipe from my cold, dead hands before I recognize merit in this Sherlock Meta stuff.

But moving off the grumpy old man ruminations, the question the woman asked was a good one. The initial responses seemed to go with the standard ‘read them in the order they were written.’ That’s logical. But I don’t think it’s the best way to go.

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Future Treasures: The Year’s Best Science Fiction: Thirty-Second Annual Collection, edited by Gardner Dozois

Future Treasures: The Year’s Best Science Fiction: Thirty-Second Annual Collection, edited by Gardner Dozois

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The Year's Best Science Fiction Thirty-Second Annual Collection-smallThere are roughly ten Year’s Best volumes currently being published in the speculative fiction market, but they all bow before Gardner Dozois’ The Year’s Best Science Fiction. The Thirty-Second volume in this venerable series will be published in July.

Now, believe it or not, there were Year’s Best series before Gardner. Everett F Bleiler and T.E Dikty edited the first volume of The Best Science Fiction Stories way back in 1949 (I know, right? Who knew there was good science fiction in those days!) Judith Merril edited twelve volumes of The Year’s Greatest Science Fiction and Fantasy (1956-1967), while Donald Wollheim, Terry Carr, Lin Carter, Arthur Saha, Harry Harrison and Brian Aldis, and Lester del Rey all tried their hand at it for a while, with varying success. Gardner Dozois edited the Del Rey series, taking over from Lester del Rey, from 1977-81, until starting over again with The Year’s Best Science Fiction: First Annual Collection in 1984 (There’s a nice summary of all this history in Scott Laz’s review of that very first volume here.)

Gardner’s The Year’s Best Science Fiction was exceptional right from the very beginning. For one thing, most prior books — even market leaders like Terry Carr’s The Best Science Fiction of the Year — were slender paperback originals. With his first volume Gardner delivered a massive 575-page hardcover, packed with 25 stories — including a couple of novellas, like Dan Simmons’ knockout “Carrion Comfort.”

He also began what quickly became one of the most-read columns in the entire industry: his lengthy, frank, and often highly opinionated annual summation, covering news, magazines, anthologies, movies, deaths, awards, the birth and growth of fan websites, podcasts, and much more. His first one in 1984 was a thin 17 pages, but over the decades Gardner’s comprehensive report card on the field grew to nearly 100 pages. I, for one, read them cover-to-cover.

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Self-published Book Reviews: The Severed Oath by Andrew J. Luther

Self-published Book Reviews: The Severed Oath by Andrew J. Luther

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If you have a book you’d like me to review, please see the submission guidelines here. 

Severed-Oath-coverThe Severed Oath is the second book of The Undying Empire series by Andrew J. Luther, of which three novels are now available. However, the three work as standalone novels, so I’m only reviewing The Severed Oath here.

Leyndra is a Guild-trained Warden, a bodyguard given mystical abilities in order to protect her ward. She works for the nobleman Osho, a successful businessman for whom she has a high regard. Despite Osho’s wife’s, Tyina’s, suspicions, there is nothing romantic about their relationship—Leyndra is a professional, and her affection for Osho is, at most, sisterly.

Leyndra’s situation is contentious, but safe, until someone sends shadows to attack Osho in his sleep. Despite Leyndra’s skill and powers, she is tricked into seeing shadows where Osho stands, and it is her sword that ends his life. She is immediately branded as an Oathbreaker as the magic of the Guild marks her face, and hauled off to prison, first by the Watch, and then by the Imperial Guard. Planted evidence confirms her guilt, though she tells the true story even under torture. Even if the Emperor believed her innocent, the only ones in the city of Ythis capable of such magic are the sorcerous Five or the church of the mad god, and the Emperor does not dare confront either of them directly. So Leyndra is sentenced to be executed.

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Vengeful Specters, Vampires, and Monster Worms: Night Terrors: The Ghost Stories of E.F. Benson

Vengeful Specters, Vampires, and Monster Worms: Night Terrors: The Ghost Stories of E.F. Benson

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Night Terrors the Ghost Stories of E.F. Benson-smallWordsworth’s Tales of Mystery And The Supernatural volumes (or, as we like to call them, TOMAToS) have been a virtual graduate course in British horror for me, introducing me to a host of classic Nineteenth and Twentieth Century ghost story and supernatural fiction writers. But I have to admit I was a little relieved to come across Night Terrors: The Ghost Stories of E.F. Benson, since at least I’ve heard of E.F. Benson.

Benson (July 24, 1867 – February 29, 1940) was an English archaeologist and novelist who published over 60 novels between 1883 and 1934. Today he is chiefly remembered for his ghost stories, collected in The Room in the Tower and Other Stories (1912), Visible and Invisible (1923), The Horror Horn (1923), Spook Stories (1928), and Old London (1937), among others.

Unlike many of the subjects of the Wordsworth collections — who’ve been sadly neglected by modern readers — Benson is still fondly remembered. His work has seen many modern collections, including the Panther edition of The Horror Horn (1974), Desirable Residences and Other Stories (1991), The Collected Ghost Stories of E. F. Benson (1992), Fine Feathers and Other Stories (1994), and the five-volume The Collected Spook Stories from Ash-Tree Press (1998 – 2005), which collects all of his supernatural fiction.

H.P. Lovecraft thought highly of Benson’s work, especially “The Horror-Horn,” “The Man Who Went Too Far,” and “The Face,” calling him an important contributor to the weird short story. If you’re interested in a nice one-volume introduction to his work Night Terrors is an excellent option. It collects 54 of his best-known stories, and an introduction by David Stuart Davies, in a handsome and economical 718-page paperback.

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