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The Riddle-Master of Hed by Patricia McKillip

The Riddle-Master of Hed by Patricia McKillip

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“Who is the Star-Bearer, and what will he loose that is bound?”

                                             from the Riddle-Master of Hed

This week’s work of epic high fantasy, Patricia McKillip’s The Riddle-Master of Hed (1976), the first volume in her Riddle-Master trilogy, is more restrained than those I’ve reviewed the past few weeks. In his book Modern Fantasy, David Pringle calls the series “romantic fantasies of a delicate kind” and in the Encyclopedia of Fantasy John Clute describes McKillip’s development of the series’ lead characters as “handled with scrupulous delicacy.” While I detect a slightly dismissive tone in those comments, neither is completely inaccurate. If The Chronicles of Thomas Covenant are a great big Romantic symphony, then McKillip’s book is more like a piano sonata. There’s a lightness of touch, though not of tone, here, as well as a focus on the small details. So, though an ancient war is reignited, mysterious shapeshifting enemies appear out of nowhere, and the fate of the world is at stake, at the center of the story is a young hero and his struggle to refuse to submit to prophecies of which he wants no part.

My mother took these books out from the YA section in the St. George Library on Staten Island way back in 1979 for my dad. She thought he’d like them and she was right. He must have read them every other year or so between then and his death in 2001. Because he liked them so much I gave them a try and I was as enthralled as he clearly was. Like him, I was drawn into McKillip’s world of riddles, strange magics, and hidden and lost identities. I’ve probably read the trilogy four or five times myself, but this is the first time I’ve picked it up in over a decade. Having finished the first, I’m looking forward to the next two volumes, Heir of Sea and Fire and Harpist in the Wind, with great anticipation.

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When Mankind Shares the Earth with Vampires, Werewolves, & Trolls: Dean R. Koontz’s The Haunted Earth

When Mankind Shares the Earth with Vampires, Werewolves, & Trolls: Dean R. Koontz’s The Haunted Earth

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The Haunted Earth
Dean R. Koontz
Lancer Books original paperback (192 pages, $0.95, 1973)

Last time out, I did a retro-review of Koontz’s early 1970’s science-fiction murder mystery, A Werewolf Among Us. This time around, I’m looking at another of the genre mysteries he wrote early in his career, The Haunted Earth. I enjoyed it when I first read it in 1973, and I enjoyed it again, 42 years later. For those of you who are familiar with Clifford D. Simak’s Out of Their Minds and The Goblin Reservation, as well as the works of Ron Goulart, most notably his The Chameleon Corps, Koontz’s The Haunted Earth has much in common with those: wild imagination, fast-paced narrative, interesting characters, and plenty of humor.

The premise is this: in the “future” year of 2000, Earth is visited by a race of Lovecraft-inspired, benevolent aliens called the Maseni. Not only were we introduced to these tentacle-wearing ETs, they brought with them their supernatural brothers. Furthermore, the Maseni showed us how to “release from bondage” our own mythological and supernatural entities. Thus, Mankind now shares the Earth with vampires, werewolves, minotaurs, dryads, trolls, et cetera, et cetera.

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New Treasures: Dark Parchments: Midnight Curses and Verses by Michael H. Hanson

New Treasures: Dark Parchments: Midnight Curses and Verses by Michael H. Hanson

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I don’t see a lot of dark poetry, so I was very pleased to receive a copy of Michael Hanson’s Dark Parchments: Midnight Curses and Verses, a gorgeous volume of new poems from the author of Autumn Blush, Jubilant Whispers, and the creator of the Sha’Daa shared-world horror/fantasy anthology series. Janet Morris, in her Foreword, calls Dark Parchments “a brooding anthology exploring humanity’s awful heart, its crippling guilt and madness, its untoward dominion and unbridled power.” Hanson’s best work, including “Nevada Test Site Mannequins” and “Midnight in Moon Alley,” is fearless and intensely descriptive, and the numerous illustrations give the book an impressive visual appeal.

If the cover art looks familiar, it’s because it’s the work of the brilliant Chris Mars, whom we first took notice of for his work on Thomas Ligotti’s new Penguin collection Songs of a Dead Dreamer and Grimscribe, and whom we profiled here.

Dark Parchments was published by MoonDream Press on October 25, 2015. It is 120 pages, priced at $12.95 in trade paperback and just $0.99 for the digital edition. The front and back covers are by Chris Mars.

Collecting Robert A. Heinlein

Collecting Robert A. Heinlein

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Over the past few weeks I’ve discussed some interesting patterns I’ve seen among paperback SF and fantasy collectors. These are hardly profound observations — they’re obvious to anyone who’s been collecting science fiction paperbacks for the past twenty years. But it has been interesting to see some well-known trends quantified.

The catalyst for all this was a sequence of similar online auctions by a single seller, for roughly comparable lots of paperback books by some of the most popular genre writers of the 20th Century. All were in virtually perfect shape — the kind of auctions that bring out die-hard collectors. The results were fairly predictable.

32 books by Arthur C. Clarke $27.00
35 books by Isaac Asimov $82.17
56 books by Philip K. Dick $536.99

Click on the links to see the actual books in question. What we’re seeing here is a pretty fair representation of the popularly and demand for each of these writers some two to three decades after their deaths. So while there’s a wide disparity in prices, that’s to be expected. But I think the really interesting result came from the Heinlein auction.

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Thinking About What Makes The Shining and The Exorcist Work

Thinking About What Makes The Shining and The Exorcist Work

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Aw, man. This just ain’t right.

Sometimes in the course of growing as a writer, you fluke into a success before you grow the skills to consistently hit that success. My second-ever fiction sale was to Asimov’s Science Fiction in 2008 and over the following two-and-a-half years, I collected nothing but rejections from them.

My 2008 story had accidentally included enough good elements that it made it into the magazine, but I didn’t understand what those science fictional elements were or how to use them properly until about 2011.

I think the same thing happened to me with a story called “Dog’s Paw.” I thought I’d been writing a lit story when in fact, I had included horror elements that eventually got it published in a horror anthology, Ellen Datlow’s Best Horror of the Year, and a superb audio version at Pseudopod.org (British people make everything sound extra-good). After my experience with my 2008 Asimov’s story, I was under no illusions that I was a competent horror writer, just a lucky one.

This spring, I decided to try to write a horror story. Knowing my weakness, I deliberately tried to figure out what goes into a good horror story. And when I want to analyze story structure, I go first to movies, because I find it easier to see the moving parts.

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A Slick and Stylish Potpourri of Geeky Hipness: Ernest Cline’s Armada

A Slick and Stylish Potpourri of Geeky Hipness: Ernest Cline’s Armada

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By Earnest Cline
Crown Books (368 pages, $26 in hardcover, July 14, 2015)

Ernest Cline’s 2011 debut novel Ready Player One was quite the achievement. As I said in my review earlier this year here at Black GateReady Player One was more than just a cute cyberpunk romp. I think it showed real ingenuity, portraying what science fiction could be for a new generation. And I thoroughly enjoyed it! It’s no surprise to me that Steven Spielberg is slated to direct a movie version, hopefully sometime in the near future. I was incredibly excited about reading Ernest Cline’s second novel Armada.

There are quite a few similarities between Armada and Ready Player One. For example, Armada‘s protagonist, Zack Lightman, fits the standard NSA profile for contemporary geek: young loner who spends more time in a make-believe world of science fiction and fantasy books, movies, and videogames than he does in the “real” world. Zack particularly dreams of flying off on some grand space-faring adventure, mainly because he spends most of his time on a hugely popular online flight simulator called, coincidentally, Armada.

Zack later learns, however, along with everyone else on the planet, that the Armada game is actually a testing device for evaluating and then recruiting people for real spaceflight and warfare against an alien force. And — surprise, surprise — it turns out that Zack Lightman is one of the top players. Does this sound anything like The Last Starfighter to anyone? Similar, but not quite.

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Future Treasures: City of Blades by Robert Jackson Bennett

Future Treasures: City of Blades by Robert Jackson Bennett

City of Blades-smallRobert Jackson Bennett’s City of Stairs, the first volume in The Divine Cities, was nominated for the World Fantasy and British Fantasy Awards, and came in second for the Locus Award. That’s a very impressive trifecta, and not something you see very often. Tor.com described it as “an atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city,” (and Peadar Ó Guilín called it “The best fantasy I’ve read so far this year. Great stuff”), and that’s what first sparked my interest. The second volume, City of Blades, arrives next month, and I’m very much looking forward to it.

A generation ago, the city of Voortyashtan was the stronghold of the god of war and death, the birthplace of fearsome supernatural sentinels who killed and subjugated millions.

Now, the city’s god is dead. The city itself lies in ruins. And to its new military occupiers, the once-powerful capital is a wasteland of sectarian violence and bloody uprisings.

So it makes perfect sense that General Turyin Mulaghesh — foul-mouthed hero of the battle of Bulikov, rumored war criminal, ally of an embattled Prime Minister — has been exiled there to count down the days until she can draw her pension and be forgotten.

At least, it makes the perfect cover story.

The truth is that the general has been pressed into service one last time, dispatched to investigate a discovery with the potential to change the world — or destroy it.

The trouble is that this old soldier isn’t sure she’s still got what it takes to be the hero.

City of Blades will be published by Broadway Books on January 26, 2016. It is 296 pages, priced at $15 in trade paperback and $9.99 for the digital edition.

The Wasteland: Swan Song by Robert McCammon

The Wasteland: Swan Song by Robert McCammon

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Swan Song
By Robert McCammon
Pocket Books (956 pages, $4.95, June 1987)
Cover by Rowena Morrill

Post-apocalypse tales are a rising star these days. Mad Max: Fury Road is rightfully acknowledged as a high-water mark for action films. Most recently the release of Bethseda’s Fallout 4 has anyone who calls himself a gamer holed up for power-armored adventure in the American wasteland. Whether the apocalypses are caused by nuclear blasts, hordes of the undead, or simply climate change, they consistently capture the imagination of millions.

The appeal is easy to understand. Our imaginations suggest that the collapse of civilization would give us ordinary people a chance to be heroes, to transform our baseball bats into swords, to see our commuter vehicles transformed into heroes’ chariots. We spend idle time in fluorescent-lit cubicles wondering how we’d fare if a mushroom cloud rose over the horizon.

Most post-apocalyptic settings have a clear surface pessimism. The end of civilization isn’t generally something to smile at. But I think the genre’s enduring popularity can be found in an underlying optimism about the ability of (relatively) ordinary people to become heroes in the most extreme circumstances imaginable. The misery of radioactive mutations or mass deaths are the grim background which makes the courage and heroism of the survivors all the brighter.

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New Treasures: The Messenger of Fear Novels by Michael Grant

New Treasures: The Messenger of Fear Novels by Michael Grant

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Michael Grant is the best selling author of Gone and BZRK. His latest series, which began with Messenger of Fear, follows the adventures of Mara, who wakes up in a graveyard and eventually becomes the Messenger’s apprentice, punishing the wicked who act out of selfishness and greed.

Messenger of Fear was reprinted in paperback in August and the sequel, The Tattooed Heart, was released in hardcover in September. Lisa McMann, bestselling author of the Wake trilogy, calls the first volume “A palpitating horror fantasy mash-up with a genius twist that blew my mind.” Sounds like this one’s worth investigating.

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Kull and the Quest for Identity

Kull and the Quest for Identity

Baen Kull Robert E Howard-smallkull-the-fabulous-warrior-king-198NOTE: The following article was first published on April 18, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Robert E. Howard’s “The Shadow Kingdom” is a remarkable advancement upon “Exile of Atlantis” and the “Am-ra of the Ta’an” fragments. Howard’s first published story of what will later be known as the Pre-Cataclysmic Age leaves behind the derivative world of Edgar Rice Burroughs pastiches to mine new territory in terms of character and setting as well as genre.

Kull, the barbarian who has recently seized the crown and now must struggle to keep it, marks a significant break from both Howard and the fantasy genre’s past while continuing to build upon the age-old theme of the outsider as noble savage. Howard was hardly the first young man who felt a sense of kinship with such characters. It is not hard to imagine the aspiring young writer, alienated in Cross Plains, pouring his feelings into the exiled Atlantean who remains an outcast even after rising to the throne of Valusia.

The story opens with Kull making a proper royal entrance. Unsurprisingly, the barbarian king’s empathy rests not with Valusia’s finest archers and trumpeters, but with the mercenaries paid to act as foot soldiers – men who show the king little respect, but who demonstrate integrity for all their brash honesty. This sets the stage for the introduction of Brule, the noble Pict destined to become Kull’s loyal companion. While Brule enters the series as a figure of suspicion, Kull soon modifies his opinion of the man’s character. Brule, like Kull, is a man of integrity.

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