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Vintage Treasures: Watership Down by Richard Adams

Vintage Treasures: Watership Down by Richard Adams

watershipdown“I announce,” read the Times of London’s review in 1972, “with trembling pleasure, the appearance of a great story.”

This is not the typical language of a contemporary book review, but then the book in question, Watership Down, was not a typical book. It was and is a fantasy with wide crossover appeal, a mythic adventure with rabbits as the principal characters. That’s right, rabbits: those long-eared good-for-nothings whom we humans largely dismiss as being dumber than a box of rabbit-sized rocks.

Having read and adored the book in my early teens, I determined it was time to share it with my twelve-year-old son, who still craves his daily dose of bedtime story. And why not? I’d get to read a tale I had not revisited for more than thirty-five years, and I’d get to gauge my son’s reactions every step of the way.

To say he was impressed would be an understatement. As we approached the closing chapters, he wanted extra, before-bed reading time, but in the same breath kept exclaiming how he didn’t want to finish. “Are there more books about Hazel and Bigwig?” he asked. “Are there?”

Spoilers follow. If by some terrible chance you, gentle reader, have not read Watership Down for yourself, then please, close this page. Go do something else. Purchase a copy of Watership Down, for example. You can always return here once you’ve read to “The End.”

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The First Blade Runner 2 Trailer is Out!

The First Blade Runner 2 Trailer is Out!

Blade Runner is my favorite science fiction movie and it’s probably in my Top 10 Movies of All Time as well. It’s scifi, hard boiled noir with great cinematography. I have the 4-disc Director’s Cut DVD set and a couple soundtrack CDs. I played the PC game through twice and I even have D.K. Jeter’s two not-so-great sequel novels (thank goodness they didn’t turn to those for the sequel!).

I am optimistic that Blade Runner 2049, the sequel out next year, over two decades after the original, will be a good movie. Hampton Fancher, who co-wrote the original Blade Runner script, co-wrote this one as well. And Harrison Ford is back as Rick Deckard. Now, I think that Ridley Scott played a pivotal role in the look and feel of Blade Runner. He is listed as an Executive Producer on the new film, but he is not directing. So, I’m a bit concerned.

In the new film, Ryan Gosling plays Agent K, a young blade runner who discovers a secret which could destroy society. So, he seeks out former blade runner Rick Deckard (Ford), who seems to have been missing for thirty years, for help. Visually, this has the Blade Runner feel. And I can’t stress enough how important that’s going to be. If watching this new film doesn’t take you back to the original, it’s going to be a failure.

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Hammers, Chemo and Disapproving Dads: Marvel’s Thor

Hammers, Chemo and Disapproving Dads: Marvel’s Thor

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Working on novels and such took me away from some of the main Marvel storylines just before Secret Wars until just after Civil War II (so I just missed a lot). I’m in the process of catching up on some Marvel real estate.

Lately I’ve been reading The Mighty Thor (they’re up to issue #13) and The Unworthy Thor (they’re up to issue #2).

For you completists, Thor goes way back to Journey Into Mystery #83, when Stan Lee and Jack Kirby made up the Asgardian god and made him fight aliens. Thor has been a popular character in Marvel who, along with Hercules, brought the divine to the Marvel Universe.

Asgard and Tales of Asgard brought in a ton of new characters into Thor’s orbit in the 1970s. The 1980s gave Thor a huge boost under creator Walt Simonson who defined the character for many modern readers.

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Always Winter, Never Christmas?

Always Winter, Never Christmas?

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Just a short post this week, since I’m sure we all want to get back to our holiday celebrations.

And speaking of which, I’m sure that everyone who remembers The Lion, the Witch, and the Wardrobe as well as I do knows where today’s title comes from. The first time that Lucy finds herself in in Narnia, she meets Tumnus the faun, who tells her that because of the power of the White Queen, in Narnia it’s always winter, but never Christmas.

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Modular: How to Introduce Kids to Tabletop Role-Playing #1: Picking a System and Genre

Modular: How to Introduce Kids to Tabletop Role-Playing #1: Picking a System and Genre

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…perhaps in a fit of nostalgia, you made a Christmas present to yourself

It’s Christmas. You’ve got everybody together. Perhaps you’ve all watched Stranger Things  and now you have the urge to dust down your dice, dig out the Dungeon Masters’ Guide and introduce whatever kids just happen to be lying around to the imaginative world of your youth.

Or perhaps in a fit of nostalgia, you made a Christmas present to yourself of a recently published role-playing game, but the only available players right now are under 12. Or perhaps you’re like me, a life long player, and this is just a good moment to share the joy.

So how do you go about introducing kids to tabletop role-playing?

Really very easily, as it happens. The youngest child I’ve GM’d for was my 5-year-old-daughter when she crashed a party of 9-year olds, found all the traps and made off with the loot. Having done this a few times and talked to other gamer-parents, I’ve noticed a few things…

(Geek and Sundry beat me to the punch on this one (link), but my take is slightly different.)

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The Blue Lamp by Robert Zoltan

The Blue Lamp by Robert Zoltan

oie_19158312fpr312tLet me confide a secret I have never told anyone before: sometimes, when I’m reading a story, and I’m all by myself, especially if it’s night and the only illumination is from my reading light, I’ll read out loud. And do voices. I’ll only read the dialogue out loud, reading the rest silently so it’s like I’m creating my own radio show. I like to think it sounds pretty cool. It’s definitely fun. When Robert Zoltan Szeles began telling people he was hard at work on an audio version of his story “The Blue Lamp,” I was jazzed.

“The Blue Lamp” first appeared in Heroic Fantasy Quarterly #26 last year, as written by Robert Zoltan (a name, you have to admit, is pretty awesome for penning S&S). I liked it very much and reviewed it favorably in my October 2015 Short Story Roundup:

A catman, a mothwoman, and an eerie blue lamp figure in Robert Zoltan’s very fun and self-illustrated (well one picture anyway) “The Blue Lamp.” For any fan of S&S those three things should be enough to make you read the story. We know what we like and when we seen it we flock to it like, well, moths.

For those wanting to know more it’s simple: two friends — a tattoo-covered barbarian called Blue, and the poet (and master swordsman) Dareon Vin — get into a fight. Wandering into the big city by himself, Blue ends up looking into the wrong magic blue lamp. When Dareon goes out to find him, unexpected things start to happen. The two physically and temperamentally mismatched heroes bring to mind a certain pair from classic S&S, but only enough to be good fun, not reeking of thievery.

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Rogue One: I Am One With the Force and the Force Is With Me

Rogue One: I Am One With the Force and the Force Is With Me

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A most excellent hero for this movie

When I was eight years old, some friends of the family gave me The Star Wars Storybook. Back in 1979, there was just one movie (and a confusing, once-seen Christmas special), and the action figures.

Everything I could learn of the larger universe of the movie that had changed my life was in that book. I wanted to know about the rebels, the past of Darth Vader and Kenobi, and who were these alliance pilots and Grand Moff Tarkin?

Some questions were answered in Empire, and Return of the Jedi, and others I got through comic books (I really enjoyed the Marvel Star Wars comic series started in 1977). And of course, we have the Jar-Jar infected prequels, which, with just enough denial, can be watchable for the light saber fights, or shown to children, who love them.

But it was only yesterday, when I saw Rogue One, that I saw the world I’d glimpsed when pressing my face against the glass as an eight-year old. I watched Rogue One with my brother, his eleven-year old son, and my own eleven-year old. And I really enjoyed it, in a complex way.

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Modular: Using Norse-Themed Roleplaying Games and Supplements to Expand the World of Yggdrasill — Vidar Solaas’s Vikings RPG

Modular: Using Norse-Themed Roleplaying Games and Supplements to Expand the World of Yggdrasill — Vidar Solaas’s Vikings RPG

vikingsrpgSome time ago I celebrated the new Modular series of Black Gate posts by contributing my own enthusiastic review of the four English-language volumes in the current Yggdrasill roleplaying game line. I’m grateful for the many responses to that post and for the reader recommendations of other Norse-related rpg material. I would collect all roleplaying game materials, regardless of game ethos or genre, but my budget won’t allow it. So I’ve narrowed my collection to Norse and Viking-themed materials. Hey, I tell myself, I’m actually running a Viking-themed game right now, using Yggdrasill, and I can justify this expense by believing, truthfully or not, that I’ll find some practical gaming use for it.

As I collect these materials, I notice that they sort into three or four categories:

  • Actual “full” roleplaying games; what I mean here is that the product comes complete with rules and setting designed to emulate, in particular, the kinds of experiences one expects from a Norse-themed roleplaying game
  • Sourcebooks and campaign settings, using the real world “Viking Age” as inspiration but designed to be used with an existing “Core Rules Set” (like D20 or GURPS, Fate Core, etc.)
  • Campaign settings, adventure paths, or standalone modules that detail a particular region of a fantasy world that is designed to emulate, within that secondary world, a “Viking Age” roleplaying experience

That’s right: I said three “or four” categories. The fourth category constitutes an “Appendix Y” — Appendix Yggdrasill — if you will, the reading I have been doing for most of my life that informs the kind of Viking Age adventure that I want to evoke in my roleplaying game. I might find occasion to comment on these works, as well, for they’re just as relevant as actual gaming material.

I intend to use these rough categories to frame the reviews of my developing collection. And I begin today with an item from the first category — well, I’m placing it in this category, even though Vidar Solaas’s Vikings RPG (2008) has been built using the D20 system. Attempting to use D20 to emulate a more or less “authentic” Viking Age experience has required Solaas to modify, rebuild, or “hack” the D20 rules set so drastically that Vikings RPG does indeed qualify as a game in its own right.

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The Public Life of Sherlock Holmes: A Holmes Christmas Carol

The Public Life of Sherlock Holmes: A Holmes Christmas Carol

A Holmes Christmas Carol – By Bob Byrne

christmastree_victorianIt is with a certain sense of misgiving that I relate the following tale, which took place during the Christmas season of 1902. I had moved out of our Baker Street lodgings earlier that year, having married only a few months before that most festive of holidays. I now had rooms in Queen Anne Street and was quite busy with my flourishing medical practice. A newly married man, I once again found myself as head of a household, with all of the duties thereof. I saw Holmes infrequently, but had found the time to visit him the day before Christmas. Certain that he would have no plans of any kind, I extended to him an invitation to join my wife and I for Christmas day.

Holmes rebuffed my attempts to have him share in the holiday spirit with us. “Watson, I have no use for the Christmas season. Is it rational to believe a man rose from the dead? And even if it were, do you not see the hypocrisy of it all? For one day, a man will give a beggar a farthing, because it is Christmas. He would pass by that beggar 364 other days and pay him no mind. That is Christmas?”

I could not recall Holmes being so churlish. When we had roomed together, he had not been an avid celebrator of Christmas, but he did accommodate my warm feelings towards the season. Now, left to his own devices, it seemed that his natural contrariness was shining through. I made one last effort to have him spend a pleasant dinner at the Watson household. It was to no avail.

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Five Reasons Why a Writer Should Stay On Social Media!

Five Reasons Why a Writer Should Stay On Social Media!

...you have to avoid falling into the rabbit hole of long debates where you can't let something stand
…you have to avoid falling into the rabbit hole of long debates where you can’t let something stand

Me: I’m stuck. What kind of sentries would the bad guys set up?

DS Baker (a former soldier): Hang on…

Two minutes later we’re talking face-to-face across the Atlantic. I love the 21st century!

Yes, there are good reasons for a writer to stay on social media.

Well not all the time — and yes you have to avoid falling into the rabbit hole of long debates where you can’t let something stand. However, if you are a writer, then my experience is that properly curated social media is your friend.

I’m not talking about marketing, though it does help to have a wide circle of friendly people who are on your wavelength so might — not that you are entitled to this in any way — give your books a try.

No, I’m talking about more basic stuff.

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