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By Crom: The Tor Conan – Quality May Vary…

By Crom: The Tor Conan – Quality May Vary…

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Conan_RogueEvery so often, I get the hankering to read a tale of Conan the Cimmerian (better known as ‘The Barbarian’ thanks to Ah-nuld Schwarzenmuscles).

I usually grab one of the three excellent Del Rey volumes (which Howard Andrew Jones and Bill Ward entertainingly went through – here’s the first installment) and get a quick fix. For a little more reading, I snag one of the Ace/Lancer series edited by L Sprague De Camp (with some help from Lin Carter). And less often, I find one of the Tor paperbacks that I haven’t gotten around to yet and try one of them.

As I mentioned in this post on what qualifies as Conan Canon (say that five times fast!) back in 2015:

‘From 1982 through 2003, eight authors (though primarily four) cranked out 43 new Conan novels for Tor. At two per year, the quality varied wildly, as you can imagine. John M. Roberts’ Conan the Rogue is an homage to Dashiell Hammett’s Red Harvest and one of my favorite Conan books. Steve Perry’s Conan the Indomitable is one of the worst fantasy books I’ve ever read (even though it is a direct sequel to Perry’s Conan the Defiant, which I liked).’

I have maybe two-thirds of the Tor books and have read two-thirds of those (What: I’m channeling Yogi Berra now?). Some of the Tor titles give you at least a bit of an idea what the story is about, such as John M. Roberts’ Conan and the Treasure of the Python and Leonard Carpenter’s Conan of the Red Brotherhood.

But the majority are all titled Conan the (insert vague word here). It’s a litany of titles like Conan the Valorous, Conan the Defiant, Conan the Great, Conan the Formidable: you get the idea. You’ve got to read the back cover to get some clue what the story is about.

The Tor books, pushed out at a punishing pace, are very much a mixed bag. And my experience so far is that more often than not, they fall into the “meh” or worse category.

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The Poison Apple: An Interview with Author Jennifer Brozek

The Poison Apple: An Interview with Author Jennifer Brozek

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Jennifer Brozek, photo by M. Dutta

Jennifer Brozek is a 2x Bram Stoker Award Nominee, most recently for Last Days of Salton Academy.

Your specialty seems to be YA.

Yes, it has turned into that, but that wasn’t always the case. In the past, I did a lot of tie-in fiction for Shadowrun (cyberpunk with magic) and Battletech, which was Young Adult, but Shadowrun was not. I’ve had the most acclaim for my YA work, and every YA novel I’ve written has been nominated or has actually won an award.

This seems to be a success formula for you.

I’ve discovered that and tend to write for age twelve to seventeen. Many adults like my work, too, and I think a lot of it is because I never talk down to teenagers. If they don’t understand something, they have Google. They can look up something they don’t understand.

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Hobo Fights: A Chat with Image Comics’ Rock Candy Mountain Creator Kyle Starks

Hobo Fights: A Chat with Image Comics’ Rock Candy Mountain Creator Kyle Starks

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Rock Candy Mountain Volume One-small

Image Comics is soon releasing the first trade paperback of Kyle Starks’ Rock Candy Mountain, collecting issues 1-4. The original solicitation runs as follows:

Eisner-nominated comic creator Kyle Starks would like to invite you to enter the magical world of hobos. The world’s toughest hobo is searching through post-WW2 America for the mythological Rock Candy Mountain, and he’s going to have to fight his way to get there. Lots of hobo fights. So many hobo fights. A new action-comedy series full of high action, epic stakes, magic, friendship, trains, punching, kicking, joking, a ton of hobo nonsense, and the Literal Devil. Yeah. The Literal Devil.

Who could turn down a description like that? I had a chance to catch up with Kyle for an e-mail interview about this fiesta of fisticuffs and the hobo code of honor.

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How Did That Get Published?

How Did That Get Published?

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OdysseyPopeLast time out I talked about how the experience of reading has changed, from listening to the storytellers in the market square, to downloading a book onto your e-reader of choice. Publishing has also gone through some sea changes, though its practical history really only begins with Gutenberg. Before that, as I mentioned in the earlier post, there was more copying than publishing going on.

It wasn’t until professional printers were ubiquitous, however, that what we now think of as publishing really got started. Nowadays people tend to divide the publishing world into “traditional” publishing, with people like DAW, Ace, and Tor, etc. and “self-publishing” where you pay for your books to be printed, or for an e-book to be created (or do it yourself if you have the skills) or you take advantage of the kind of e-publishing that a business like Amazon offers. The point being that you take on all the risk and all the expense yourself.

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Playing Child Friendly OneDice Fantasy on the Edge of the World

Playing Child Friendly OneDice Fantasy on the Edge of the World

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255 OneDice Fantasy
Vaguely renaissance setting that recalls Warhammer Fantasy RPG

Isle of Harris, Scottish Hebrides.

Still bleeding from the last trap, the wounded warrior positions himself against the wall on the hinge side of the door, leans out and turns the handle.

SLAM!

The door swings open with surprising force and whacks him like a fly swat.

And outside the window, the dark clouds sweep in from the Atlantic. Rain rattles on the glass.

OneDice Fantasy
Nerd Outreach on the Isle of Harris

Yes, we’re playing OneDice Fantasy on the Isle of Harris, practically the  edge of the world. Step out the door and swim the wrong direction and the next stop is the USA. (Go take a look at where we stayed.)

Around the table are my wife and both kids — 13 and 8 –, plus the drummer from my old rock and roll band, his wife — a novice player — and their two kids, 11 and 8.  It’s their son’s Fighter who just took several points of damage from an old school dungeon. His little sister, meanwhile, is having fun being an elf.

It’s more adults than I’ve ever GM’d at one go, and actually more people. However, the rules are easy to run so I’m surviving.

Skeletal ferryman aside, it’s not quite Nerd Outreach Beyond the Styx. Our hosts were already keen players of co-op games like Forbidden Island and Warhammer figures have already invaded the table in the lounge.  That’s why I brought a selection of OneDice books with me on holiday… that and the chance to actually read them in depth.

The OneDice engine is like Fate, but more simulationist and using only  1D6…

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The Strategy Behind Disabled Stories: The What, Why, and How (but Mostly How) of Disabled People Destroy Science Fiction

The Strategy Behind Disabled Stories: The What, Why, and How (but Mostly How) of Disabled People Destroy Science Fiction

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Disabled People Destroy Science Fiction-small

When I started writing this article my face was spotted with burst blood cells. Earlier in the day I’d had one of my violent convulsive episodes. I was exhausted and aching but I meant to write, because it felt appropriate, topical. I’m here, after all, to write about Uncanny Magazine’s Disabled People Destroy Science Fiction issue.

But I couldn’t muster the energy for more than a few lines. I lacked the spoons.

The project description goes like this: Disabled People Destroy Science Fiction is a continuation of the Destroy series in which we, disabled members of the science fiction community, will put ourselves where we belong: at the center of the story. Often, disabled people are an afterthought, a punchline, or simply forgotten in the face of new horizons, scientific discovery, or magical invention. We intend to destroy ableism and bring forth voices, narratives, and truths most important to disabled writers, editors, and creators with this special issue.

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Dune by Frank Herbert

Dune by Frank Herbert

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oie_3171159srWv2GrQIt’s been called the greatest science fiction novel of all time. Maybe, maybe not, but it’s one of the best I’ve ever read. Published all the way back in 1965, it’s the best-selling science fiction novel of all time. The first half of Dune made its debut as “Dune World,” starting in the December 1963 Analog. The second half, “The Prophet of Dune,” began in the January 1965 issue.

I read Dune for the first time in 1981, at the age of 14. From the very first pages I was hooked.  I was house sitting for my grandfather, and the only things I had to do were let the dog out and feed her and myself, and that meant I barely put the book down all day. Like Dune’s hero, Paul Atreides, I was wondering what the heck is a gom jabbar? Who are the Bene Gesserit? What is melange? My dad’s paperback, at 544 pages, is one of the longest books I’ve read in a single day (beat only by Terry Brooks’ The Sword of Shannara).

I’m not sure what triggered it, but something called out from the depths telling me it was time to reread Dune again. The last time (which was the fourth time) I read it was nearly 20 years ago. A friend wanted to get into science fiction, so a few of us started rereading the classics and tossing them his way. Among the books I revisited were Asimov’s Foundation Trilogy and The Gods Themselves, Clarke’s Rendezvous With Rama, Heinlein’s Orphans of the Sky, and Herbert’s Dune.

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Goth Chick News: Comics (and Potentially You) Get Dragged…

Goth Chick News: Comics (and Potentially You) Get Dragged…

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Black Gate Goth Chick News ComicCon 2017

Sometimes, horror-related or not, a story is just too good not to share.

With the Chicago Comic Con still a few weeks off, the GCN staff has been glued to our screens watching all the going’s on at the mother-of-all cons, the San Diego Comic Con (SDCC for you cool kids) which wrapped up last Sunday.

Like any comic con, when you get this many people with this much…uh…passion together in one place, there are bound to be shenanigans. However the big surprise this year didn’t come to us courtesy of an over-enthusiastic cosplayer after too many adult beverages mixed with Red Bull, but instead from what has become a consistent player on the stage of WTF…the airline industry.

After gaining infamy from their “aggressive” removal of a passenger from a flight earlier this year, United Airlines prevented passengers leaving the SDCC via San Diego International, from carrying comic books in their checked baggage.

No, I’m not kidding.

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A Tale of Two Robert E. Howard Biographies

A Tale of Two Robert E. Howard Biographies

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Dark Valley Destiny The Life of Robert E. Howard-small Blood & Thunder The Life and Art of Robert E. Howard-small

Not so long ago, in a galaxy really close by (in fact, our galaxy), there was a tale of two biographies of the same writer. This is how the story goes. Or at least, this is what I have gathered.

Once upon a time there was a Jedi-in-training (also known as a sci-fi writer) who, tempted by the Dark Side of the Force, figured out that he could make quite a bit of money in the fantasy genre. Tolkien was selling like gangbusters at the time, so why not? Robert E. Howard (REH), a long dead Golden Age pulp writer, had all of that Conan stuff just lying around begging to be exploited utilized. So off to work the Jedi went.

But, in pursuing this decades-long venture, said sci-fi writer unfortunately and eventually went completely over to the Dark Side — full Sith Lord territory. In time, by his own reckoning, he became the de facto spokesperson for what counted as canonical Conan. And further, as a self-made REH authority, he published his own biography of Howard. The Force was strong with this one.

Fortunately though, so the tale goes, the Force eventually balanced out. A small but growing band of Jedi — fully committed to the Light Side — fought vigorously against this Sith Lord, trying to demonstrate who the true REH actually was. In time, the evil Sith Lord was defeated, and died of natural causes. But the task of undoing his dark damage against REH’s legacy would take years. And eventually a very able Jedi warrior would come along and write a new REH biography that would, among other things, hopefully undo all the damage done by the first bio.

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July Short Story Roundup

July Short Story Roundup

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CaptureAs the dog days begin, my mind has been prodded back to swords & sorcery by a few things. The most important one was the the return to the fray of Charles R. Saunders, creator of the heroes Imaro and Doussouye. Just the other day, he announced the start of a new blog, Different Drumming. If you are not familiar with Saunders and his superb body of work, go at once and check out his site.

The next thing, while not exactly S&S, was that I learned the final volume of R. Scott Bakker’s Aspect Emperor series, The Unholy Consult, is about to be published. For all my issues with it, it is one of the few contemporary series that has held my interest past the first book or two.

There have also been some fun discussions among various wags over on Facebook about what a list of good introductory books to the genre would look like. I suspect it won’t be long before I’m lifted entirely from my S&S doldrums and return to reading and reviewing the stuff on a regular basis. Until then, there will still be short story roundups. Like this one.

Swords and Sorcery Magazine #65 provides the publication’s usual two new stories. I like both well enough, but neither qualifies as actual S&S. The definition of “what is swords & sorcery?” has been done to death by divers hands and on numerous stages, but suffice to say there should be action and at least a touch of the dark and macabre. This issue’s two stories contain neither of those things.

“Then Will Die Your Pain,” by Tom Crowley, consists of the reflections of Konsler, an aged soldier now serving as the attendant to a knight of unclear pedigree.

Sir Garner isn’t a proper knight, just as I’m not a proper squire. There are no knights where Garner comes from, but everyone in the company calls him Sir. And of course I’m too old to be a squire. The other mercenaries say to me, “You’re gonna die out here, grandpa.” They’re probably right. I just need to finish my job first, and I’m writing this in case I don’t.

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