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Year: 2015

Weirdbook Relaunches

Weirdbook Relaunches

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Weirdbook 22-smallW. Paul Ganley’s Weirdbook, one of the all-time great weird fiction magazines, will be relaunched this year by David A. Riley and Black Gate blogger Douglas Draa‎.

Weirdbook, a large-sized magazine with excellent production values, produced thirty annual issues between 1968 and 1997, publishing fiction by Stephen King, Joseph Payne Brennan, H. Warner Munn, Robert E. Howard, Tim Powers, Darrell Schweitzer, Basil Wells, Charles R. Saunders, Michael Bishop, Jessica Amanda Salmonson, Ramsey Campbell, Delia Sherman, and countless others. The magazine was also famous for its gorgeous interior artwork by Gene Day, Victoria Poyser, J. K. Potter, Allen Koszowski, Stephen E. Fabian, and many others.

Douglas Draa, a prolific blogger and the former Online Editor for Weird Tales, is the Managing Editor and Fiction editor; Riley has signed on as Senior Editor and Publisher. When I asked Doug for additional details he shared this with us:

We’ll closely, but not slavishly, follow the original format. Content wise we hope to have a strong mix of weird, horror, weird-sf, dark fantasy, swords & sorcery, and everything in between. The accent will be on strong story telling that the reader will enjoy. The eclectic mix of style and sub-genres that the original was famous will be our “leitfaden.” Paul is on board as Editor Emeritus with “kill-switch” powers to keep us on the straight and narrow.

Our goal is to bring the reader high quality genre fiction original in the Weirdbook tradition. The key word will be entertainment. Critics be damned.

On a personal note, W. Paul Ganley and Weirdbook were a big influence on me, and a major inspiration for Black Gate. I was consciously following in Paul’s footsteps when I launched BG 15 years ago, and I’m very excited to see his magazine return. For more details, see Doug’s announcement here, and the magazines’s new website here.

Tips For Homemakers: Preparing Your Garden of Victory!

Tips For Homemakers: Preparing Your Garden of Victory!

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No blog post is complete without a war time propaganda poster.
You too could look this morally superior as you plant your garden.

Are you in charge of a Barbarian horde? Did your family lay siege to a neighboring kingdom over the winter? Do you enjoy feasting on the thawed entrails of your enemy (remember to cook the meat well, first! Who knows where your enemy has been!)

Well, my heroic homemakers, spring will soon be in the air. The ground will thaw and so will the bodies of your enemies.  Birds will sing and battle cries will echo. Grass will sprout and warrior tummies will demand feeding.

The time to plan your Garden of Victory is now!  Here are some easy to follow tips and tricks to make it even easier than before, all while using existing resources.

Burn, Burn, Burn!

First, you MUST BURN THE WINTER SCARS FROM YOUR LAND! (I’m told this isn’t really a planting thing, but trust me, it’ll look cool.) Make sure your land is covered with combustible materials, like oil, dry hay or failed batches of barbarian moonshine.

TIP: Make sure you don’t set the fire too close to your home. If you didn’t destroy all neighboring tribes during the winter, add some coloring agents to keep the smoke interesting. You don’t want to start being predictable. Remember: predictable neighbors are invadable neighbors.

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Galaxy Science Fiction, July 1952: A Retro-Review

Galaxy Science Fiction, July 1952: A Retro-Review

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Galaxy Science Fiction July 1952-smallSporting a robot miner on the cover (art by Jack Coggins), Galaxy’s July, 1952 issue invites readers inside. And it doesn’t disappoint!

“Star, Bright” by Mark Clifton — A single father observes that his four-year-old daughter, Star, has an impressive intelligence level. He doesn’t understand exactly how high it is until she begins to use telepathy.

The story has an interesting premise, but I’m not sure I liked where the story went. It seemed a bit too far-fetched at points.

“Wailing Wall” by Roger Dee — The crew of the Marco Four interacts with the colony on Sadr III. The Sadrians had been under the control of an alien race known as the Hymenops, which could explain their odd behavior. Since the crew’s landing, over a hundred people in the world’s only village have died as a result of murder or suicide.

I think the story would have been better without the initial flash-forward. Otherwise, it was a good read. Roger Dee is a pseudonym for Roger D. Aycock. The crew of the Marco Four return in “Pet Farm” (published in the February, 1954 issue of Galaxy) and “Control Group” (in the January, 1960 issue of Amazing Science Fiction Stories).

“Origin of Galactic Slang” by Edward Wellen (illustrated by David Stone) — This is a compilation of fictional anecdotes around “galactic” terms and phrases.

I’m not sure if this qualifies as a story, but I found it amusing. It’s listed in the table of contents as a “Non-Fact Article”. Wellen wrote eight such “Origins of Galactic X” articles.

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New Treasures: Monstrous by MarcyKate Connolly

New Treasures: Monstrous by MarcyKate Connolly

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Monstrous-smallNow this looks like a cool book.

Monstrous, the debut novel from MarcyKate Connolly, features a city under the sway of dark magic, a mysterious curse… and a girl with bolts in her neck, who was built to defeat the curse and rescue the inhabitants of Byre. You can read the first 72 pages online, at the HarperCollins Web Sampler.

The city of Bryre suffers under the magic of an evil wizard. Because of his curse, girls sicken and disappear without a trace, and Bryre’s inhabitants live in fear. No one is allowed outside after dark.

Yet night is the only time that Kymera can enter this dangerous city, for she must not be seen by humans. Her father says they would not understand her wings, the bolts in her neck, or her spiky tail — they would kill her. They would not understand that she was created for a purpose: to rescue the girls of Bryre.

Despite her caution, a boy named Ren sees Kym and begins to leave a perfect red rose for her every evening. As they become friends, Kym learns that Ren knows about the missing girls, the wizard, and the evil magic that haunts Bryre.

And what he knows will change Kym’s life.

Reminiscent of Frankenstein and the tales of the Brothers Grimm, this debut novel by MarcyKate Connolly stands out as a compelling, original story that has the feel of a classic.

Monstrous was published by HarperCollins on February 10, 2015. It is 432 pages, priced at $16.99 in hardcover and $9.99 for the digital edition.

Goth Chick News – Don’t Open: Dead Inside, Walker Stalker Con Drags into Chicago

Goth Chick News – Don’t Open: Dead Inside, Walker Stalker Con Drags into Chicago

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Walker Stalker Con ChicagoZombies continue their relentless, feet-shuffling domination of all things pop culture – proof (we continue to hope) that sparkly, angsty, Seattle vampires with sappy theme songs are staked for good.

One of many indications that our infectious love of the undead shows no signs of a cure is the proliferation of Walker Stalker Con, a convention spawned by and primarily dedicated to, AMC’s hit TV show The Walking Dead.

What started in Atlanta, GA (near where the show films) as a small fan convention organized by fanboy pod-casters James Frazier and Eric Nordhoff, then spread to Chicago in 2014 and has now grown to a seven-city tour.

Walker Stalker Con is more than a standard fan convention. In the two Chicago events we have attended, Frazier and Nordhoff have managed to secure a sizable chunk of the cumulative cast of the show’s five seasons and space for “the talent” accounts for more than half of the convention floor.

In addition, the organizers strive to ensure all guests “come away feeling like they’ve had an amazing experience and became part of a greater community of zombie lovers!”

Is this great or what?

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The Omnibus Volumes of Jack Vance, Part II: Tales of the Dying Earth

The Omnibus Volumes of Jack Vance, Part II: Tales of the Dying Earth

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Tales of the Dying Earth-smallI’ve been reading Jack Vance recently. My interest was initially piqued by the beautiful collections of his earliest stories from Subterranean Press, The Early Jack Vance, including the upcoming fifth book, Grand Crusades. Two weeks ago I started a project to examine the current crop of omnibus volumes collecting his most popular series, starting with Planet of Adventure.

Part of the reason I do this, of course, is that these books are a terrific value for collectors and new readers alike, gathering as they do multiple novels — many of which have been out of print for decades — in inexpensive trade paperbacks. But seeing these fat volumes on bookshelves doesn’t always do anything for me… until I have a clear picture of exactly what’s inside.

I’m a visual guy, so for me that usually means the covers of the original paperbacks. Once I see those, these handsome omnibus volumes become a lot more desirable.

Of course, we’re dealing with Jack Vance here. His books were some of the most popular fantasy of the Twentieth Century, and went through multiple editions from a whole host of publishers. And his Dying Earth novels are perhaps his most popular and enduring works — I count more than two dozen English language editions just of the first book alone, since it first appeared in paperback in 1950.

So that presents a bit of a quandary. What I’m aiming to do here is provide a snapshot of the books contained within Tales of the Dying Earth that will jog the memory of the casual reader… perhaps remind them of that fascinating paperback they picked up at the cabin back in 1979, or that forgotten series they briefly glimpsed on bookstore shelves in 1994. I won’t attempt to catalog every appearance of the four novels in the Dying Earth sequence here, but instead just focus on the most popular editions that have been in circulation for the last sixty years or so.

I hope that if this article does jog your memory, perhaps reminding you of that long-forgotten paperback copy of Eyes of the Overworld or Rhialto the Marvelous you devoured twenty summers ago, you’ll seek out one of these omnibus editions and give it a try. The publishers who have brought these vintage classics back into print deserve your support.

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Future Treasures: Crimson Bound by Rosamund Hodge

Future Treasures: Crimson Bound by Rosamund Hodge

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Crimson Bound-smallRosamund Hodge’s short story “Apotheosis” (Black Gate 15) was a marvelously original tale of three brothers who undertake a voyage across a vast sea only six inches deep, to find a new god for their small village. Her first novel, Cruel Beauty, mixed Greek mythology with Beauty and the Beast to create a tale of adventure and romance (read the first 59 pages at the HarperCollins Web Sampler).

Her second novel, Crimson Bound, is due May 5 from Balzer + Bray. This one is a dark fantasy inspired by Little Red Riding Hood, the fairy tale The Girl With No Hands, and Norse mythology.

When Rachelle was fifteen she was good — apprenticed to her aunt and in training to protect her village from dark magic. But she was also reckless — straying from the forest path in search of a way to free her world from the threat of eternal darkness. After an illicit meeting goes dreadfully wrong, Rachelle is forced to make a terrible choice that binds her to the very evil she had hoped to defeat.

Three years later, Rachelle has given her life to serving the realm, fighting deadly creatures in a vain effort to atone. When the king orders her to guard his son Armand — the man she hates most — Rachelle forces Armand to help her hunt for the legendary sword that might save their world. Together, they navigate the opulent world of the courtly elite, where beauty and power reign and no one can be trusted. And as the two become unexpected allies, they discover far-reaching conspiracies, hidden magic… and a love that may be their undoing. Within a palace built on unbelievable wealth and dangerous secrets, can Rachelle discover the truth and stop the fall of endless night?

Crimson Bound goes on sale on May 5 from Balzer + Bray. It is 448 pages, priced at $17.99 in hardcover, and $9.99 for the digital version.

Memories of Mosul before ISIS

Memories of Mosul before ISIS

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The author in front of the mosque of the Prophet Younis, or Jonah, in Mosul. ISIS militants blew it up in July 2014. Revered by Muslims as the burial place of Jonah, it was destroyed because ISIS believes shrines to be un-Islamic.
The author in front of the mosque of the Prophet Younis, or Jonah, in Mosul. ISIS militants blew it up in July 2014. Revered by Muslims and Christians alike as the burial place of Jonah, it was destroyed because ISIS believes shrines to be un-Islamic. The explosion was so powerful it also damaged several nearby homes.

Nobody smiled in Mosul.

What struck me the most when I visited Iraq as a journalist in 2012 was how many people smiled at me. On the street, in mosques, in museums, people came up to welcome me to their country. There was a lull in the fighting and the Iraqis were beginning to allow themselves hope. Nothing brought that home to me like the first time I heard gunshots in Baghdad. Early in the trip I was in my hotel room when that distinctive popping noise came from outside. Peeking from my window, I saw a wedding in progress in front of the hotel. Some of the men were firing into the air to celebrate, oblivious to the sensitivities of hotel guests or the consequences of gravity.

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Interzone #256 Now on Sale

Interzone #256 Now on Sale

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Interzone-256-smallBlack Static 44 is now on sale here in the US, and I thought it was long past time to take a look at its sister magazine Interzone, also published by TTA Press in the UK.

Interzone was founded in 1982 by a UK collective of fans that included author and critic John Clute, Take Back Plenty author Colin Greenland, Malcolm Edwards, who became the SF editor at Victor Gollancz and creator of the highly respected SF Masterworks line, and David Pringle. David Pringle eventually became the sole editor, remaining at the helm for an incredible 193 issues, until he stepped down in 2004. Since then it’s been owned by TTA Press, publishers of Black Static and Crimewave, with Andy Cox as editor.

Interzone contains chiefly science fiction but, like Asimov’s SF here in the states, does publish the occasional fantasy piece. Issue #256 is cover-dated January/February, and contains the following stories:

“Nostalgia” by Bonnie Jo Stufflebeam
“An Advanced Guide to Successful Price-Fixing in Extraterrestrial Betting Markets” by T.R. Napper
“The Ferry Man” by Pandora Hope
“Tribute” by Christen Gholson
“Fish on Friday” by Neil Williamson

The cover this issue (titled Berenice) is by artist Martin Hanford, who has been commissioned to do all the 2015 covers. Click the cover for a bigger version. If the style looks familiar, you probably saw Hanford’s art just yesterday in our New Treasures piece on Swords of Steel.

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Capitalism Ascending

Capitalism Ascending

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Jupiter-Ascending-Mila-KunisJupiter Ascending has gotten a great deal of attention since its release. Generally not the kind of attention most movies want, especially when they come with a price tag that eclipses the annual budgets of some nations. It has been eviscerated by critics while quickly gaining cult status and a loyal fandom. In short, everyone has an opinion on this one. And far be it from me to stay out of an argument.

I’m not going to try and convince you of the quality of Jupiter Ascending. It is indisputably gorgeous. It is also indisputably plagued with plot holes that wouldn’t make it past a Creative Writing 101 professor. It’s a love note to The Fifth Element, Flash Gordon, and Barbarella while presenting women viewers (the film’s most ardent fans at this point) with something we don’t usually get: wish fulfillment aimed at us. But in the midst of this beautiful mess is a subversive meaning that goes deeper than most critics realize. Some commentary describes the movie as having an “anti-corporate” message, and while I think that’s accurate it’s also an understatement.

Jupiter Ascending doesn’t have an anti-corporate subtext. The entire piece is a manifesto against modern corporate capitalism. That message is such an integral part of the movie that it is often the very thing that undermines the story. Let’s face it: there are two critical storytelling rules that are commonly broken by very successful artists. The first is Never Outgrow Your Editor (George, JK, I’m looking at you.) The second is Never Let the Metaphor Run the Movie. All sci-fi, and really all fiction, has meaning beyond the bare story on the page. But when the message becomes the story, things go awry. In this case, that means plot holes have been left intact to preserve the metaphor to the detriment of the overall product.

(And here comes the obligatory warning: here there be spoilers.)

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