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Month: February 2013

The Weird of Oz Recalls his First Visit to Barsoom

The Weird of Oz Recalls his First Visit to Barsoom

warlord of marsBy the time I was in the third grade, I was reading a little bit of everything (still do). From Zorro to The Hardy Boys to Pippi Longstocking, I gave everything a try. But already I was being drawn more strongly to works of speculative fiction, especially heroic fantasy. The year before, I’d gotten hooked on C.S. Lewis’s Chronicles of Narnia.

I often did my best bouts of reading after I’d been tucked into bed and the lights were out. I’d sneak down by the door, sprawl out on the carpet, and read by the narrow band of light coming in from the bathroom down the hall (my mother would leave it on as a nightlight). On one particular night, I chose an old hardcover that I’d taken off my Granddad’s shelf. Whatever dust jacket had once adorned its fraying red cloth was long since lost, and the pages were becoming yellow and brittle. I gently opened to the first page and read these words:

In the shadows of the forest that flanks the crimson plain by the side of the Lost Sea of Korus in the Valley Dor, beneath the hurtling moons of Mars, speeding their meteoric way close above the bosom of the dying planet, I crept stealthily along the trail of a shadowy form that hugged the darker places with a persistency that proclaimed the sinister nature of its errand.

These are the first words of The Warlord of Mars  (1919) by Edgar Rice Burroughs.

This happens to be the third book in the Barsoom series, so I had no idea what was going on. But “the shadows of the forest that flanks the crimson plain,” the “Lost Sea of Korus,” the “Valley Dor,” and the “dying planet” piqued a part of my brain that wanted to explore, as the voice at the beginning of Star Trek used to announce, “strange new worlds.” And then that sudden telescoping in on the “shadowy form” on a sinister errand…I was hooked.  I was on my way to Mars — or Barsoom, as its inhabitants called it.

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New Treasures: Death Watch, by Ari Berk

New Treasures: Death Watch, by Ari Berk

Death WatchI live in a house with three young adults, all fairly active readers. When one discovers an intriguing new fantasy series, it gets passed around excitedly. That happened with Christopher Paolini’s Eragon books, Stephanie Meyer’s Twilight, Suzanne Collins’s Gregor The Overlander and The Hunger Games, and John Flanagan’s Ranger’s Apprentice books.

The latest book to get discussed and passed around is Ari Berk’s Death Watch, the first installment in The Undertaken Trilogy. It’s too early to determine if this will captivate all three the way previous books have, but early indications are good.

They say the dead should rest in peace. Not all the dead agree.

When Silas Umber’s father, Amos, doesn’t come home from work one night, Silas discovers that his father was no mere mortician, but an Undertaker who worked to bring The Peace to lost and wandering souls. With Amos gone, Silas and his mother move back to Lichport, the crumbling seaside town where he was born, and Silas seizes the opportunity to investigate his father’s disappearance.

When his search leads him to his father’s old office, he comes across a powerful artifact: the Death Watch, a tool that allows the owner to see the dead. Death Watch in hand, Silas begins to unearth Lichport’s secret history — and discovers that he has taken on his father’s mantle as Lichport’s Undertaker. Now, Silas must embark on a dangerous path into the Shadowlands to embrace his destiny and discover the truth about his father — even if it kills him.

Death Watch was published November 27, 2012 by Simon & Schuster Books for Young Readers. It is 560 pages in trade paperback, priced at $9.99 ($8.89 for the digital edition). The second volume of The Undertaken Trilogy, Mistle Child, was published Feb 12.

The Rise of the Short Story: The New York Times on the New Era of Short Fiction

The Rise of the Short Story: The New York Times on the New Era of Short Fiction

The New York Times logoInteresting post on the success of short stories in the digital marketplace at today’s New York Times:

The Internet may be disrupting much of the book industry, but for short-story writers it has been a good thing. Story collections, an often underappreciated literary cousin of novels, are experiencing a resurgence, driven by a proliferation of digital options that offer not only new creative opportunities but exposure and revenue as well.

Already, 2013 has yielded an unusually rich crop of short-story collections, including George Saunders’s Tenth of December, which arrived in January with a media splash normally reserved for Hollywood movies and moved quickly onto the best-seller lists…

“It is the culmination of a trend we have seen building for five years,” said Cal Morgan, the editorial director of Harper Perennial Originals, who until last year ran a blog called Fifty-Two Stories, devoted to short fiction. “The Internet has made people a lot more open to reading story forms that are different from the novel, and you see a generation of writers very engaged in experimentation.”

The article was written by Leslie Kaufman; the complete text is here.

Amazing Stuff Where There’s a Will

Amazing Stuff Where There’s a Will

Amazing Stories August 2012Here’s some Amazing news. Just think what the Golden Agers who wrote for this magazine back in the 1940s might wonder about an online pulp magazine?

Actually, one of them, Ray Bradbury, considered the Internet a “waste of time.” I guess his problem was he never spent any time on the Internet.

We don’t have any of Shakespeare’s plays that he wrote in his actual hand, but we do have the plays as transcribed by members of his acting troupe. These days, it wouldn’t be profitable to have an Amazing Stories magazine if it weren’t for the Internet. Even Uncle Ray would be down with that, wouldn’t you think?

Apex Magazine 49Speaking of the Bard and online magazines, I had two “minor” fields of study for my English M.A. (if you must know, or care, the major field was Rhetoric), which were science fiction and Shakespeare.

When I say that, some people think there’s a discipline called “Science Fiction and Shakespeare” and maybe there should be, as certainly the Elizabethan fantasist has inspired many a modern one.

Case in point is the latest edition of Apex Magazine, which is a Shakespeare-themed issue featuring the work of Kate Elliott, Kat Howard, Sarah Monette, Merrie Haskell and Patricia Wrede.

Renovating Tegel Manor

Renovating Tegel Manor

Tegel Manor-smallWhile I was assembling my Judges Guild article on Tuesday, I stumbled on an odd reference to a revised version of one of their earliest (and most famous) products: Tegel Manor. I’d never seen a copy however, and was pretty sure it didn’t exist, so I set it aside to investigate later.

What makes Tegel Manor so famous? I don’t think I could articulate its wonders as well as the talented James Maliszewski, author of the Grognardia blog; here he is:

Tegel Manor is without a doubt one of Bob Bledsaw’s masterpieces. Describing a sprawling 240-room haunted castle, the module is a textbook example of a funhouse dungeon, utterly lacking in anything resembling an ecology and filled with many encounters for which the adjective “whimsical” is charitable at best. The contents and/or inhabitants of each room are random — in some cases literally — meaning that, here you might find nothing more threatening than some giant beetles but next door you might find a Type III demon polymorphed as a kindly old beggar…

With its random encounter charts containing 100 members of the cursed and unfortunately named Rump family (all of whose names start with the letter R) and its goofy encounters (“Four Zombies … bowing to a Giant White Rat … in a pink cape and red plumed hat”), it certainly seems that way. It’s one thing to sidestep naturalism, but Tegel Manor goes above and beyond the call of duty when it comes to “gonzo.”

But the map is a thing of beauty. Nothing — and I mean nothing — has ever beaten it… It’s filled with winding passages, secret doors, mazes, empty rooms, weird features, and more.

James’s complete review is here. Tegel Manor was originally released in 1977, and revised and expanded in later editions. A little digging revealed that Necromancer Games had contracted to do an updated version for the Old School Renaissance market — and even produced the cover at right — but Judges Guild withdrew the rights before it saw the light of day. But that’s a story that deserves a post of its own.

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Two

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Two

$(KGrHqJ,!p!E9dR9SnnCBPebmY)fDQ~~60_35The Bride of Fu ManchuSax Rohmer’s The Bride of Fu Manchu was originally serialized in Collier’s from May 6 to July 8, 1933 under the variant title, Fu Manchu’s Bride. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The US edition retained the original magazine title until the 1960s, when the UK book title was adopted for the paperback edition published by Pyramid Books.

After Alan Sterling recovers consciousness, Sir Denis insists he dine out that evening in Monte Carlo to take his mind off the terrible situation with Dr. Petrie. Complying with his wishes, Alan drives to Monaco and spends some time at a casino trying to apply Petrie’s (really Rohmer’s) complicated system to break the bank, to no avail. While dining that night, he is startled to spy Fleurette at another table dining with a Russian nobleman and Mahdi Bey.

Observing them in public, Sterling convinces himself that Fleurette must be Mahdi Bey’s mistress. This devastates him as he has idealized her as his virginal dream girl since first glimpsing her on the beach at Ste. Claire. Sterling’s reverie is broken when he spies the Chinese agents of Dr. Fu Manchu in the restaurant. He then hears the mysterious sonic trumpet sound once more. He doesn’t understand the connection, but he is now certain that Mahdi Bey is somehow mixed up in the dangerous business and Fleurette with him.

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Goth Chick News: The Vatican Tapes – We’re Nothing If Not Timely

Goth Chick News: The Vatican Tapes – We’re Nothing If Not Timely

image004Earlier this week, we learned Pope Benedict XVI resigned his post, reportedly due to “advanced age.”

But could the real reason have anything to do with a misplaced video of a botched exorcism?

Okay, probably not. But as a new pope must be found, so too has a new director been recruited for a long-awaited exorcism tale from Lakeshore Entertainment.

Tuesday Lakeshore released a statement indicating Mark Neveldine, one half of the directing duo behind Gamer, Ghost Rider: Spirit of Vengeance and the two Crank films, will be at the helm of Lakeshore’s possession project, The Vatican Tapes, but without his usual co-director Brian Taylor. James Marsh (Man on a Wire) was in the director’s chair for a while, but dropped out for unknown reasons; advanced age perhaps?

It’s been nearly three years since I’ve heard anything new about the movie, but as far as I can determine the plot line remains the same. The Vatican Tapes follows a series of events depicted on a tape leaked from the Vatican displaying an exorcism that goes horribly wrong. Christopher Borrelli (Con Air, Armageddon) is scripting based on a story envisioned by he and Chris Morgan, but no cast is attached yet and IMDB still lists it as “in development.”

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Invocation of The Muses

Invocation of The Muses

Thalia Took’s Sketch of 9 Greek Muses

One of Steven Pressfield’s main topics of focus in The War of Art is the fight against what he calls Resistance — the unrelenting struggle a writer faces to NOT write. Every day a writer has to push forward and make the writing happen. You just can’t wait for inspiration, at least not if you’re going to write professionally.

I’ve found that The War of Art is one of the most useful writing books I’ve ever read because of its description of and advice about waging the battle against Resistance (note the capital R — you must respect the enemy). To help me do battle, one of my tactics is to recognize that when you sit down to write, you’re entering a different kind of mental state. I tell writing students that just as a professional athlete would not simply arrive at the track field and start sprinting, a writer will be poorly served to jump into the seat and immediately start typing.

It’s my thought that you have to acknowledge that change, that transition from one mental state (where you’re worrying about groceries and laundry or that news article) to another where the story is all, in order to do good work.

On the first page of The War of Art, Pressfield describes what he does each day to prepare to write so that he can be in the proper frame. Amongst several other personal rituals, Pressfield says a prayer. His is the Invocation of the Muse from Homer’s Odyssey, translated by T.E. Lawrence (that’s Lawrence of Arabia, incidentally).

I’ve never been much of a praying man myself, but I liked the sound of this, so I looked up the prayer, which I had read as a school boy and probably blipped over.

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Teaching and Fantasy Literature: Weird Things My Students Have Been Told About Writers

Teaching and Fantasy Literature: Weird Things My Students Have Been Told About Writers

The classic flippant answer to “Where do you get your ideas?”

Most of my students and their families have perfectly ordinary misperceptions about how books come into the world. They ask what non-writers ask–where do ideas come from, that kind of thing. They’re not sure whether they expect all writers to be starving or loaded, but they’re pretty sure it’s all one or the other. Writing professionally is something that other people do in some other world, not something mere mortals who stand in their kitchens might do. That’s okay. They’re kind people who care about being literate in the best, most expansive sense. Yay them.

And then, there are the outliers.

Allow me to introduce the Client Mom from Hell.

It was my first freelance tutoring gig. My student was a charming sixth-grader who had somehow talked me into reading Redwall with him. There are people who love Redwall, which is fine, but it’s just not my thing. So my student asked me how I would write about a book I just didn’t like, since he had to do that at school all the time. A good, practical question.

“I try to set aside what I want in a book,” I said, “and to think about what the author was trying to accomplish. He didn’t write this story the way I would have, but he must have had a reason for writing it the way he did.”

The Client Mom from Hell dropped whatever she was doing in the kitchen and blustered into the dining room to interrupt our lesson.

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Tangent Online on “Life on the Sun”: “This One Captured a Piece of my Soul. Brilliant.”

Tangent Online on “Life on the Sun”: “This One Captured a Piece of my Soul. Brilliant.”

cseLouis West at Tangent Online reviews C.S.E. Cooney’s original fantasy novelette, published here on Sunday, February 10th:

C.S.E. Cooney’s “Life on the Sun” is bold and powerful… While the previous story in this series, “Godmother Lizard,” entranced me, this one captured a piece of my soul. Brilliant.

Kantu, warrior of the Bird People, seeks to rid her desert city, Rok Moris, of the occupiers from the Empire of the Open Palm. When Fa Izikban Azur and his Army of Childless Men march upon Rok Moris, Kantu and her people rise up. But the Fa did not come to liberate, but to reclaim those who belonged to him — Kantu, his daughter, and the Rokka Mama, mother to the Bird People and the Fa’s favorite wife, even after she had killed him…

I don’t know how Cooney weaves so many rich story arcs into a single novelette tapestry. But, on a scale of 1 to 10, I rank this one as a twelve.

“Life on the Sun” is the sequel to C.S.E.’s “Godmother Lizard,” which Tangent Online called “a delightful fantasy tale about an orphan girl… The dialog has a pleasantly oblique edge to it which entranced me from the beginning.” We published “Godmother Lizard” right here on November 11th.

Read Louis West’s review at Tangent Online, and read “Life on the Sun” completely free here.

The complete catalog of Black Gate Online Fiction, including stories by Vaughn Heppner, E.E. Knight, Jason E. Thummel, Gregory Bierly, Mark Rigney, Judith Berman, Howard Andrew Jones, Dave Gross, Harry Connolly, and others, is here.