New Treasures: Tower Lord by Anthony Ryan

New Treasures: Tower Lord by Anthony Ryan

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Tower Lord-smallI have a pretty standard routine when I wander the aisles at book stores. It goes like this.

  1. Find a great book I want to read immediately.
  2. Discover it’s the second installment in a series.

Seriously. Happens every time. Most recently, it happened with Anthony Ryan’s second novel Tower Lord, which drew me in with the title alone (Wait, Tower Lord? Like some guy with no kingdom, just a kick-ass tower? That rocks!) What can I tell you, I’m a man with simple needs.

Vaelin Al Sorna, warrior of the Sixth Order, called Darkblade, called Hope Killer. The greatest warrior of his day, and witness to the greatest defeat of his nation: King Janus’s vision of a Greater Unified Realm drowned in the blood of brave men fighting for a cause Vaelin alone knows was forged from a lie. Sick at heart, he comes home, determined to kill no more. Named Tower Lord of the Northern Reaches by King Janus’s grateful heir, he can perhaps find peace in a colder, more remote land far from the intrigues of a troubled Realm.

But those gifted with the blood-song are never destined to live a quiet life. Many died in King Janus’s wars, but many survived, and Vaelin is a target, not just for those seeking revenge but for those who know what he can do. The Faith has been sundered, and many have no doubt who their leader should be. The new King is weak, but his sister is strong. The blood-song is powerful, rich in warning and guidance in times of trouble, but is only a fraction of the power available to others who understand more of its mysteries. Something moves against the Realm, something that commands mighty forces, and Vaelin will find to his great regret that when faced with annihilation, even the most reluctant hand must eventually draw a sword.

Yup, yup, Darkblades, realms in chaos, weird magic. Whatever. They had me at “Tower Lord of the Northern Reaches.” I’ve been blindly seeking the wrong material possessions my entire life. I don’t even remember what I wanted before I saw this book. All I want now is to be a Tower Lord. I could have my own zip code.

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Evidence of a Higher Power at Work: Pacific Rim 2 Gets a 2017 Release Date

Evidence of a Higher Power at Work: Pacific Rim 2 Gets a 2017 Release Date

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Pacific Rim is too good for you-smallPhilosophers and scientists search for God using logic and telescopes, while evidence of the divine at work in their daily lives escapes them. Me, I look for God in the Hollywood press. Certainly no truly loving deity would allow Pacific Rim, the best film of 2013, to wither away without a sequel.

And lo is my diligence and faith rewarded. BuzzFeed reports this morning that Pacific Rim 2 will arrive in theaters April 7, 2017. Here’s Director Guillermo del Toro:

The characters I love will return… Raleigh, Mako, Newt, Gottlieb and who knows, maybe even Hannibal Chau – but we are taking them into a fresh territory that will display amazing sights and battles. The first film set the stage and now we’re ready to have a blast.

Del Toro is currently wrapping up production on Crimson Peak and his upcoming TV series The Strain. Box Office Mojo reports the first Pacific Rim earned over $411 million (against a budget of $190 million), by far the biggest hit of Del Toro’s career, but a sequel was by no means a sure thing — especially considering the relatively anemic domestic box office ($101 million.)

This is the best news of the week — especially for my son Drew, who’s a huge Pacific Rim fan. If you haven’t seen the first film yet, I urge you to get the Blu Ray edition, cook up a big bucket of popcorn, and settle in for a joyous two hours of giant-robot-versus-mega-monster mayhem. (And be sure to turn the speakers WAY UP.) Read Ryan Harvey’s deliriously happy Black Gate review “Pacific Rim Loves You. Love It Back” here, and the complete BuzzFeed article here. (Thanks to Tor.com for the tip!)

Heroes and Antiheroes

Heroes and Antiheroes

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Kerdark grabs a chance at the original Black Company cover
Kerdark grabs a chance at the original Black Company cover

We’re all familiar with heroes. They claim the central role in most fantasy stories. They are, well, heroic — usually noble, brave, and good. They are often the kind of people we wish we could be in real life. Superman, Wonder Woman, and Captain America are iconic heroes. So is Luke Skywalker. The good guys.

Antiheroes are also the leading characters in their stories, but they lack some (or all) of those traditional heroic traits. They have flawed personalities. The new Dark Knight and Wolverine are comic book antiheroes. In Star Wars, Han Solo is the antihero, always looking out for himself (until he finds love and changes his ways).

In fantasy, we have been treated to a plethora of both kinds of heroes. For every Conan, there is an Elric of Melnibone. For every Rand al’thor, there is a Thomas Covenant. Heck, The Black Company by Glen Cook features antiheroes almost exclusively.

When I begin preparing to write a new book, one of the first things I do is decide who my main character will be. In that process, I work out whether I’m going to feature a hero or an antihero. And it’s a big decision. Massive, in fact, because it affects every other aspect of the story.

The main character in Shadow’s Son is an assassin. I gave him some heroic traits—physical courage and stamina — but he’s not a nice guy. Instead of brooding about his life as a professional killer, he accepts it. As a result, we see more of the underbelly of society in that series, from Caim’s perspective.

Whereas if I had chosen an idealistic young knight or captain of the guard as the main character, the entire series would have been portrayed in a different light. Indeed, in the later books I use just such a character (Josephine) as a counter-balance to Caim’s story.

So which is better, the hero or antihero?

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The Editor As Author: Donald A. Wollheim’s The Secret of the Ninth Planet

The Editor As Author: Donald A. Wollheim’s The Secret of the Ninth Planet

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Wollheim2As a publisher and editor, Donald A. Wollheim (1914-1990) is arguably the most important single figure in the 20th-century SF and Fantasy community. SF in paperback? SF anthologies? He started them – including The Pocket Book of Science Fiction, the first book with the words “science fiction” in the title.

Aside: for those who don’t already know, what we now call a “paperback,” used to be called a “pocket book.”

As the editor at Avon (1947-1951), he was responsible for introducing the likes of Lovecraft and Lewis to the mass market. At Ace Books (1952-1971), he created the now legendary Ace Doubles, reintroduced then out-of-print writers such as Edgar Rice Burroughs, and bought the paperback rights to Dune.

He was also responsible for bringing Lord of the Rings to paperback, and thus launching, however controversially, the modern Fantasy publishing world. It’s not my intention to discuss the controversy right now, but you can get a good look at both sides of it here and here.

Considering all this, it’s not surprising that Wollheim isn’t well known as an author – and a fairly prolific one if you remember that he also wrote under seven pseudonyms. So today I’d like to introduce you to The Secret of the Ninth Planet.

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Blogging Sapper’s Bulldog Drummond, Part Three – The Black Gang

Blogging Sapper’s Bulldog Drummond, Part Three – The Black Gang

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2940011937965_p0_v1_s260x420BD02-Cover-01The most striking feature of the second Bulldog Drummond thriller by Sapper is the near complete removal of humor from the proceedings compared with the frequent light touch demonstrated with the initial book in the series. There is also precious little mention of the First World War, which was such an important factor in the first book, as the focus here is much more on the reaction against the Russian Revolution and the fear of a similar Communist uprising occurring in Britain during the early 1920s. Once more the influence of Edgar Wallace’s Four Just Men series is strongly felt, particularly in the first half of the book, where the Black Gang are featured anonymously with no mention of their true identities.

Many critics label this second entry in the long-running series as fascist. I suppose that is an understandable reaction to a vigilante storyline in which it is suggested Britain would benefit from modifying freedom of speech to deny protection to political radicals. The Black Gang is very much a Machiavellian work, but one which seeks to restore order at its conclusion by having Hugh Drummond agree to dismantle the Black Gang and let the law sit in judgment over criminals going forward. Of course with such a finale as this, one wonders why Sapper bothered to take the proceedings to such an extreme in the first place.

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Goth Chick News: A Review of The Heavens Rise

Goth Chick News: A Review of The Heavens Rise

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Christopher Rice The Heavens Rise-smallIn May, the 2013 Bram Stoker award-winners were announced, creating a nice summer reading list for us genre enthusiasts. The Bram Stoker Awards were instituted in 1987 by the Horror Writers Association and cover eleven literary categories, recognizing “superior achievement” in dark fantasy and horror writing.

Though he didn’t ultimately win the category “Superior Achievement in a Novel” in which he was a finalist, Christopher Rice’s work The Heavens Rise piqued my interest. I’ve been keeping an eye on Rice since his first novel A Density of Souls appeared back in 2000. He has since published three other New York Times bestselling thrillers, and if his name rings a bell, it’s because he is the son of legendary vampire chronicler Anne Rice.

Honestly, until this year I hadn’t actually read any of Rice’s works end-to-end. I tried because I wanted to like him, probably due to spending so many hours with his mom’s books. But like many new, young authors finding their story-telling voices (Rice first published at 22 years of age), he often went over the top with his characters and plot lines.

He hadn’t yet learned to trust his readers, and allow their imaginations to immerse them in the story and fill in the tiny details. Instead, I found Rice’s self-indulgence, generalizations, and in-your-face descriptions made me feel like I was riding along on a story he was telling himself, rather than pulling me into a tale he was telling me.

The Heavens Rise marks a different direction for Rice. It’s his first foray into supernatural suspense. Perhaps because it is difficult to over-describe something you’ve never witnessed, his writing style has shown a marked evolution, helped along no doubt by interaction with his audience via his blog and weekly radio show. The upshot is that his style has become more confident and more interactive, which means it was time for me to tuck in and read one of his tales cover to cover.

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io9 on The 20 Most WTF Magical Items in Dungeons & Dragons

io9 on The 20 Most WTF Magical Items in Dungeons & Dragons

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Magic potion-smallOver at i09, Rob Bricken takes a hilarious look at some of the goofiest magic items in Dungeons & Dragons, including the infamous Wand of Wonder, the Bowl of Watery Death, and the Robe of Vermin.

Here he is on the Druid’s Yoke:

If you’re in a D&D campaign where you need to do any kind of farming, you have bigger problems than any magical item can fix. But this yoke allows characters to — when they put it on themselves — turn into an ox. Not a magical ox; a regular ox. Then you can till your field yourself! You can’t do it any faster, because again, you’re just a goddamned ox, but it does allow you to… do the horrible manual labor… instead of the animal you’ve bred for this exact purpose. So that’s… something someone would totally want. The best part? Once you’ve put it on, you can’t take the yoke off; someone else has to do it for you. Because you’re a goddamned ox.

I think he’s reaching pretty far afield for some of these items, because I sure as hell don’t recall a Druid’s Yoke or Crystal Parrot in the Dungeon Masters Guide (or Unearthed Arcana, for that matter). Since he doesn’t cite any references, it’s entirely possible he’s making half of them up. (I mean… the Brooch of Number Numbing? That’s gotta be from an April 1 issue of Dragon or something, right?)

In any event, the article is well worth a read. Check it out here.

Vintage Treasures: Stephen E. Fabian’s Ladies & Legends

Vintage Treasures: Stephen E. Fabian’s Ladies & Legends

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Stephen Fabian Ladies and Legends-thumbI brought home two boxes of treasures from the 2014 Windy City Pulp & Paper show in April. I’ve been very happy with my various finds, which included a rich assortment of eye-catching pulps, vintage paperbacks, classic anthologies, and hard-to-find fanzines and magazines. I’ve covered some of the more interesting items here in the past few months.

But I’ve saved the best for the last: a luscious collection of black and white artwork from one of my all-time favorite artists, Stephen E. Fabian.

A few years ago, Scott Taylor asked me to provide my list of nominees for his Top 10 Fantasy Artists of the Past 100 Years and I had Fabian right near the top, along with Wally Wood and Al Williamson. (None of those three made the list. Go figure.)

Stephen Fabian is one of the great craftsmen in all of fantasy. It’s not merely his command of the medium and his consummate technical skill… his art is genuinely beautiful (a characteristic I frequently find lacking with some of his contemporaries). Fabian has an unerring eye for composition, perfectly positioning his knights, mermaids, and grave robbers among moonlit ruins, floating fairy castles, and more imaginative settings.

He’s equally at home with humor, action, and horror, and all are on display in Stephen E. Fabian’s Ladies & Legends. He’s frequently at his best with pen and ink drawings, as he is here. This is a gorgeous book and, like the best fantasy artwork, it will set your imagination soaring.

Warning — some adult content ahead.

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“Gamera Is Really Neat!” (Sometimes): The Classic Gamera Series on Blu-ray

“Gamera Is Really Neat!” (Sometimes): The Classic Gamera Series on Blu-ray

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Gamera two disc setThe Japanese giant monster world of the 1960s and early ‘70s was about more than Godzilla. It was also about the Frankenstein Monster, dueling Frankenstein Monsters (a.k.a. “Gargantuas”), wrathful stone idols, burrowing Boston Terrier lizards, alien saucer-headed chicken thingies, King Kong, a robot King Kong, huge squids and crabs, Atlantean dragon-gods, and a gratuitous giant walrus.

Mixed up in there was a flying turtle who was the friend to all children, Gamera. This airborne Chelonia somehow managed to sustain a seven-film franchise during the Golden Age (plus a strange one-off in 1980), making it the most successful monster after Godzilla, and the only giant monster from a studio other than Toho to make a large impression on audiences outside its home country.

Gamera is Godzilla’s poor stepchild/competitor, but the spinning turtle has leaped into the Blu-ray ring right along with the recent influx of Godzilla films as part of the release of the U.S. Godzilla. Reaching North American shelves a month before Godzilla stormed onto screens, all eight of the Gamera films from 1965–80 are available courtesy of Mill Creek on two separate releases, presented in their original Japanese language soundtracks. Now people with little acquaintance with Gamera, outside of memories of watching the AIP television versions in the late ‘70s and the Mystery Science Theater 3000 riffing episodes, can witness all the full weirdness of this uniquely strange/wonderful/awful region of kaiju cinema.

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