Weird Fiction Review #4 Now on Sale

Weird Fiction Review #4 Now on Sale

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Weird Fiction Review 4-smallWhile I was wandering around the Dealer’s Room at the World Fantasy Convention, I spotted this little gem on Greg Ketter’s table. It’s the fourth issue of Weird Fiction Review, S.T. Joshi’s annual magazine devoted to the study of weird and supernatural fiction. And yeah, that’s our boy Godzilla on the cover.

Joshi has a rep as a serious scholar of weird fiction and he’s edited numerous collections and anthologies, including the brand new The Madness of Cthulhu, The Dark Eidolon and Other Fantasies by Clark Ashton Smith, and the long-running magazine Lovecraft Studies. But the thing that’s surprised me about Weird Fiction Review is the delightful sense of whimsy it exhibits, especially with cover art. The cover of the previous issue, for example, featured Mad magazine poster child Alfred E. Neuman with Cthulhu tentacles. That’s some serious satiric genius right there.

The massive fourth issue contains fiction from J.C. Hemphill, Lynne Jamneck, Donald Tyson, Mark Fuller Dillon, Michael Kelly, Clint Smith, Michael Washburn, and a classic reprint by Nigel Dennis. The cover is by Bob Eggleton (click the image at left for the glorious wrap-around version.)

There’s also some terrific articles — John Butler contributes a lengthy (30-page) review of The New Monster Magazines and a retrospective of E.C. artist Jack Davis, Jason V. Brock looks at “Forrest J. Ackerman: Fan Zero,” there’s a lengthy interview with Patrick McGrath, there’s an 8-page full-color gallery of art by Bob Eggleton, plus regular columns by Danel Olson and John Pelan, and much more, including poetry, and reviews.

The only serious drawback, in fact, is the price: $35. Like almost everything Centipede publishes, it has a limited print run (500 copies.) However, it is available through Amazon at a 45% discount (for $19.17).

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Step into a Dark Alternative London in Unhallowed Metropolis Revised

Step into a Dark Alternative London in Unhallowed Metropolis Revised

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Unhallowed Metropolis-smallThe dark fantasy role-playing game Unhallowed Metropolis was published by Eos Press in December 2007. I never got a copy, but I sure heard about it.

Set in an alternative London of 2105, two hundred years after a zombie apocalypse very nearly destroyed civilization, the game included ghosts, psychic powers, failed supersoldier experiments, zeppelins, ghoul colonies, vampires, and darker things. The futuristic dark-age London was made real with a well-conceived historical timeline, fascinating detail, and some terrific art.

The game was updated in 2011 with Unhallowed Metropolis Revised, which features new art, a foreword by Kenneth Hite (Trail of Cthulhu), streamlined rules, complete rules for volatile psychics and spectral entities, details on the wonders of aether technology, and much more. I bought a copy last month at the Fall Games Plus auction, and settled in for a read through today.

So far, I’ve been very impressed. The world building is strong indeed, and the setting splendidly realized. The art is a mix of pen and ink work and black & white photos of some very talented cosplay (the credits list 37 models, two make-up artists, and four photo manipulation artists… a pretty major production, no matter how you look at it).

All that effort has paid off. Unhallowed Metropolis Revised sucks you into the game world in a way I haven’t experienced since Ashen Stars. This is a game that makes you ache to play it.

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Blogging Sapper’s Bulldog Drummond, Part Seven: Temple Tower

Blogging Sapper’s Bulldog Drummond, Part Seven: Temple Tower

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BD06-01Temple_Tower_1st_edition_book_coverTemple Tower (1929) was the sixth Bulldog Drummond novel and marked a departure from the series formula. Having killed Carl Peterson off at the conclusion of the fourth book and dealt with his embittered mistress Irma’s revenge scheme as the plot of the fifth book, Sapper took the series in an unexpected direction by turning to French pulp fiction for inspiration.

Sapper also placed Hugh Drummond in a supporting role and elevated his loyal friend Peter Darrell to the role of narrator. The subsequent success of the venerable movie series and the future controversies generated by Sapper’s reactionary politics and bigotry obscured the versatility of his narratives and led to his being under-appreciated when considered with his peers.

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Selling Short Fantasy, Science Fiction and Horror Fiction, Part III: Reprints

Selling Short Fantasy, Science Fiction and Horror Fiction, Part III: Reprints

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The Polish magazine Nowa Fantastyka

This is the third of three posts about selling short fiction. We’ve talked about how to know how to fit your story into the ecosystem of short fiction markets and what the business side (contracts, rights, etc) look like. This one is about reprints.

Other than the rule of never selling your copyright or paying to have your short fiction published, the big strategic rule to keep in mind when selling fiction is: reprint rights are usually far less valuable than first English rights.

So why consider reprints? (1) It’s more money, for no extra work, and (2) it may expose your work to other audiences.

So where can you sell reprints?

In the olden days, some magazines would accept reprints. Not the top line magazines, but some. And they would have been paying penny for the word or less. You can still find those markets on www.ralan.com. But when I sell a story now, there are three places I actively try to resell after the story has finished its run.

One: Audio markets

Podcastle for fantasy, Escapepod for scifi, and Pseudopod for horror. Each episode of these podcasts gets downloaded 5,000+ times, so that’s a big market expansion, which often doesn’t cross over into wherever my story was initially published.

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What Old Futures Can Tell Us About Worldbuilding

What Old Futures Can Tell Us About Worldbuilding

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StandByForMars
JKR did it better

I was taking a look at Stand by for Mars!, the first of the classic 1950s Tom Corbett Space Cadet Adventures, and this passage stood out like a sore thumb:

Speaking into an audioscriber, a machine that transmitted his spoken words into typescript, he repeated the names of the candidates as they passed.

And later

…he picked up the audioscriber microphone and recorded a brief message. Removing the threadlike tape from the machine, he returned to the house and left it on the spool

Bit of background. It’s the year AD whatever. In the first excerpt, somebody is recording the arrival of candidates for the Space Academy. In the second excerpt… actually I have no idea what’s happening. I bounced halfway through the first chapter, not because of the retro future, but because I didn’t much care for standard issue school stories where the personality clashes weren’t tied to wider issues and themes — JKR did it better. However, it’s the retro future I’m interested in here.

Let’s think about the audioscriber.

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Vintage Treasures: The Worlds of A.E. Van Vogt

Vintage Treasures: The Worlds of A.E. Van Vogt

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The Worlds of A.E. Van Vogt-smallWe haven’t discussed A.E. Van van Vogt at Black Gate very much, and that’s probably a significant oversight.

True, he’s primarily thought of as a science fiction writer (when he’s thought of at all these days.) But however you categorize him, van Vogt was one of the most important writers of the pulp era. I looked at one of his most famous novels, a fix-up of his early pulp stories from Astounding Science Fiction, The Voyage of the Space Beagle, back in September, but that’s really the first time we discussed van Vogt at any length.

Well, that leaves us a lot of ground to cover, so we better get started.

Van Vogt’s longer works include some of the most famous early novels in the SF canon, including Slan (1946), The World of Null-A (1948), and The Weapon Shops of Isher (1951). If you’re interested in sampling his shorter work, there are a lot of collections to choose from — including Transfinite: The Essential A. E. Van Vogt (2003), the deluxe, 576-page hardcover collection of his best work from NESFA Press (still in print, you lucky dog.) If you’re looking for something a little more economical, I highly recommend Transgalactic (2006), a handsome trade collection containing eleven short stories and a short novel, The Wizard of Linn, still in print from Baen.

Of course, you know how I feel. If you want to experience Van Vogt in the pure state, the way his original fans did, you should collect pulps, like any decent person. Failing that, I recommend tracking down a few of his most important paperbacks. Besides, that’s the truly economical approach.

I suggest starting with The Worlds of A.E. Van Vogt, a generous sampling of his short fiction spanning 1941 – 1971. It was originally published in 1974 and is still easy to find and very inexpensive. Twelve of the stories within (plus Forrest J. Ackerman’s one-page introduction) appeared in a smaller paperback, The Far-Out Worlds of A. E. van Vogt, in 1968; but this edition includes all of those stories plus three long novelettes, adding over 100 pages. It’s the one you want.

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New Treasures: Burnt Black Suns by Simon Strantzas

New Treasures: Burnt Black Suns by Simon Strantzas

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Burnt Black Suns-smallAnother interesting thing about exploring the Dealer’s Room at the World Fantasy Convention was meeting all these marvelous small press publishers, and discovering just how many delightful books they’ve produced. Hippocampus Press, whom I’m not really familiar with, had a table packed high with books by H.P. Lovecraft, Clark Ashton Smith, S. T. Joshi, Wade German, Algernon Blackwood, William F. Nolan, Donald Wandrei, and Thomas Ligotti, as well as several copies of their journals, Dead Reckonings, Spectral Realms, and The Lovecraft Annual.

I had to try at least one. I was sorely tempted by John Langan’s collection The Wide, Carnivorous Sky and Other Monstrous Geographies and Clint Smith’s Ghouljaw and Other Stories. But the one I eventually settled on was Simon Strantzas’s most recent collection, Burnt Black Suns, mostly because I was drawn to the cover and the story descriptions on the back. Adam Nevill’s quote on the back cover (“In Burnt Black Suns Strantzas casts far into time and space to find the alien, and what comes back wriggling inside his net is ghastly”) didn’t hurt, either. The first story, “On Ice,” described as “a grim novella of arctic horror,” will be the story I read this weekend.

In this fourth collection of stories, Simon Strantzas establishes himself as one of the most dynamic figures in contemporary weird fiction. The nine stories in this volume exhibit Strantzas’s wide range in theme and subject matter, from the Lovecraftian “Thistle’s Find” to the Robert W. Chambers homage “Beyond the Banks of the River Seine.” But Strantzas’s imagination, while drawing upon the best weird fiction of the past, ventures into new territory in such works as “On Ice,” a grim novella of arctic horror; “One Last Bloom,” a grisly account of a scientific experiment gone hideously awry; and the title story, an emotionally wrenching account of terror and loss in the baked Mexican desert. With this volume, Strantzas lays claim to be discussed in the company of Caitlín R. Kiernan and Laird Barron as one of the premier weird fictionists of our time.

Burnt Black Suns was published by Hippocampus Press on May 1, 2014. It is 310 pages, priced at $20 in trade paperback and $6 for the digital edition. The Foreword is by Laird Barron. The cover art is by Santiago Caruso. Burnt Black Suns is available for half price on the Hippocampus Press website this month — check out their November specials here.

Firefly Friday: Better and Not-So-Better Days in Serenity Comics

Firefly Friday: Better and Not-So-Better Days in Serenity Comics

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SerenityBetterDaysNext week will mark the release of the hardcover collection of the Serenity: Leaves on the Wind (Amazon) limited series, which marks the first official story set in the post-film Serenity ‘Verse.

However, this is actually the fourth collection of Serenity comics. I previously reviewed the Serenity: Those Left Behind comic story, which was published before the release of the film Serenity. Two additional stories have been released as comics to tell further adventures of the Serenity crew since the film came out, but these were telling stories that took place before the film.

Serenity: Better Days (Amazon)

The second limited series to get collected together, Better Days tells the story of a mission that goes surprisingly right for the Serenity crew. It sets them on a path where they all might be able to live their wildest dreams. More importantly, though, the series is set before the events of Serenity – so the series includes characters who don’t make it out of the film alive. We get yet another glimpse of some of our favorite characters all together.

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Monsters, Lobster Women, and Creepy Cats: Explore the Dark Side of the Circus in Nightmare Carnival

Monsters, Lobster Women, and Creepy Cats: Explore the Dark Side of the Circus in Nightmare Carnival

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Nightmare Carnival-smallDepending on your perspective, a carnival or a circus can generate a host of pleasant or not-so-pleasant associations. You may have been thrilled by lions and elephants performing tricks, riding the Ferris wheel and Tilt-A-Whirl, or even eating popcorn and hotdogs.  Or perhaps you mainly associate carnivals and circuses with less pleasant things… like creepy clowns, freak shows, spooky fortune-tellers, and carnies. (No offense to the people that make carnivals possible!)

A newly released anthology, Nightmare Carnival, tends to present carnivals and circuses from this darker end of the scale. This new collection of dark fantasy and horror is edited by the inestimable Ellen Datlow, editor of scores of genre anthologies and the winner of many, many awards, including the Hugo, the Bram Stoker, the Shirley Jackson, and most recently the World Fantasy Award for Life Achievement. Datlow continues to show her impeccable ability for spotting good and chilling stories with Nightmare Carnival.

I’m a huge fan of Datlow’s horror anthologies. I raved about her latest Year’s Best Horror volume just a few months ago at Black Gate. Some of her efforts are better than others, and Nightmare Carnival is definitely one of Datlow’s better anthologies. As usual, she has corralled an impressive list of authors, as well as a few lesser known (at least to me). I’ll discuss a few of the best stories here.

I’m not familiar with N. Lee Wood, but her story “Scapegoats,” the leadoff story, was excellent. It is mainly told from the perspective of Mae, “The Amazing Lobster Woman,” part of the World Famous Bishop Brothers Traveling Carnival. Through Mae, we become acquainted with the various characters of this train-traveling carnival/circus, particularly a gentle elephant named Madelaine. The story focuses upon the carnival’s arrival in a small town, where an unjust incident involving Madelaine ends with a local man’s death, and the unfair consequences for the carnival. I won’t spoil the ending, but the title should give you some idea. And let me say that the ‘scapegoat’ scene is fairly traumatic. However, the ending offers something of a just desert, at least by some moral compasses.

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Future Treasures: Archivist Wasp by Nicole Kornher-Stace

Future Treasures: Archivist Wasp by Nicole Kornher-Stace

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Archivist Wasp-smallOne of the great things about the World Fantasy Convention — or any decent convention, really — is the opportunity to attend readings. Just think about that for a second. You get to sit back in a comfortable chair in an intimate setting, while some of the finest fantasy writers in the field personally read their stories to you. Why would you waste your time doing anything else? (Except trolling the Dealer’s Room, of course.)

This year was especially rewarding, as I got to attend readings by Frederic S. Durbin, the delightful Liz Argall, Helen Marshall, Nathan Ballingrud, Christopher Barzak, Peter V. Brett, Guy Gavriel Kay, Tiffany Trent, Sharon Shinn, Bradley Beaulieu, Jeffrey Ford, Mike Allen, Elwin Cotman, Kathryn Sullivan, Andy Duncan, Kelly Link, and many others. But the reading that surprised and delighted me the most was by a new writer named Nicole Kornher-Stace, who read from her upcoming novel to be published by Small Beer this spring. A fast-paced and beautifully written story of ghosts, a mysterious post-apocalyptic world, and a young woman of extraordinary bravery, I predict Archivist Wasp will make a major splash when it arrives next May.

Wasp’s job is simple. Hunt ghosts. And every year she has to fight to remain Archivist. Desperate and alone, she strikes a bargain with the ghost of a supersoldier. She will go with him on his underworld hunt for the long-lost ghost of his partner and in exchange she will find out more about his pre-apocalyptic world than any Archivist before her. And there is much to know. After all, Archivists are marked from birth to do the holy work of a goddess. They’re chosen. They’re special. Or so they’ve been told for four hundred years.

Archivist Wasp fears she is not the chosen one, that she won’t survive the trip to the underworld, that the brutal life she has escaped might be better than where she is going. There is only one way to find out.

Archivist Wasp will be published by Small Beer Press on May 12, 2015. It is 256 pages, priced at $14 in trade paperback and $9.95 for the digital edition.