Black Gate – Page 823 – Adventures in Fantasy Literature

Get Ready For 11 Best-of-the-Year Volumes

Thursday, April 9, 2015 John ONeill Comments 3 comments

We’re entering the Best-of-the-Year season.

Starting in May we’ll see no less than eleven volumes collecting the best short fiction of last year, beginning with Jonathan Strahan’s Best Science Fiction and Fantasy of the Year: Volume Nine (released May 12), and ending in October with the release of the latest volume in Stephen Jones’ long-running Mammoth Book of Best New Horror. We’ve showcased eight as Future Treasures in just the last few months (click on the links below for details on each.)

The Best Science Fiction and Fantasy of the Year: Volume Nine, edited by Jonathan Strahan (May 12)
Best British Horror 2015, edited by Johnny Mains (May 25)
The Year’s Best Military SF and Space Opera, edited by David Afsharirad (June 2)
The Year’s Best Science Fiction & Fantasy Novellas: 2015 edited by Paula Guran (June 16)
The Year’s Best Science Fiction & Fantasy 2015, edited by Rich Horton (June 16)
The Year’s Best Dark Fantasy & Horror 2015, edited by Paula Guran (June 24)
The Year’s Best Science Fiction: Thirty-Second Annual Collection, edited by Gardner Dozois (July 7)
The Best Horror of the Year Volume Seven, edited by Ellen Datlow (August 4)
The Best American Science Fiction and Fantasy 2015, edited by John Joseph Adams and Joe Hill (October 6)
Year’s Best Weird Fiction Volume 2, edited by Kathe Koja (October)
The Mammoth Book of Best New Horror 26, edited by Stephen Jones (October)

After 18 volumes, we lost David’s Hartwell’s Year’s Best SF in 2014 — a major loss– but we’ve added three to the list this year: the Afsharirad, Adams, and Paula Guran’s Best Novellas book. (And Year’s Best Weird Fiction just started up in 2014). I don’t remember any time in the history of the genre when we had this many Year’s Best volumes; certainly there’s been no time when I’ve looked forward with anticipation to nearly so many. I take it as a sign that there’s still a very healthy interest in short fiction in this market. Stay tuned over the next six months, and we’ll bring you additional details as they hit the market.

Into the Pits: Ody-C Issues 3 and 4

Wednesday, April 8, 2015 Elizabeth Cady Comments 1 comment

Odysseus’ encounter with the Cyclops is (and has consistently been for several thousand years) one of the best known episodes from the Odyssey. It’s exciting, it’s graphic, and it displays Odysseus’ most notable quality: his cunning. So I was eager to see what Ody-C would do with this episode when it reached that point. It did so fairly quickly, and issues 3 and 4 span the telling of this encounter for Odyssia and her crew.

The results were mixed. There are things I loved, and a few I really didn’t. But first, to touch on what Homer did first. Not because it’s the meter by which we should judge Ody-C but because I like some of the ways Matt Fraction is playing with the prototype here.

For those who don’t remember, Odysseus and his crew wash up on the shores of the island of the Cyclopes. They find a large, empty cave, and help themselves to cheese and milk while waiting for the inhabitant to return. When he does, he isn’t a human but the massive Cyclops Polyphemus. Polyphemus proceeds to eat many of the sailors, until Odysseus gets him drunk and gouges out the Cyclops’ eye with a massive pole. The men then tie themselves beneath Polyphemus’ sheep in order to escape the cave when the flocks are let out to graze.

In Ody-C, the fundamentals are all here but the differences are significant. Odyssia and her women arrive on the planet Kylos. They find a massive fortress, and rather than looking for sustenance, Odyssia orders a break of the citadel in the hopes of finding treasure.

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Eastercon 66: Fun and Friction in Science Fiction

Wednesday, April 8, 2015 Sean McLachlan Comments 0 Comment

Last weekend I had the good fortune to attend Dysprosium, the 66th Eastercon, in London. It was only my second big convention and I was impressed by the number of people, dealers, panels, and events. Big cons are definitely my thing!

The convention was held at The Park Inn at Heathrow Airport, which is appropriately decorated with images of aviation and space pioneers. The elevators have glowing plastic panels that change colors and made me feel like I was in an Italian science fiction movie from the 1960s. The con was stretched out. Two large common rooms were connected by a long corridor. This meant that there was no main dealers room. Instead, each dealer had their own room and they took advantage of this by hosting their own events. Elsewhen Press gets my vote for friendliest dealer for offering plenty of friendly chatter, UFO-shaped candies, and several readings. Another dealer hosted a fascinating talk on Malaysian folklore. This worked out well for the guests but I heard more than one dealer complain they felt isolated from other dealers.

Like last year’s Worldcon, which I reported on here, diversity and inclusion was a central theme. Several of the panels reflected this, such as one on Fencing for Writers, in which two women demonstrated various ways to slash and skewer your opponent. They gave several anecdotes about female swashbucklers in the Renaissance. One French lesbian fought numerous duels with men over women and even saved her lover from a nunnery by burning the place down! That’s just begging to be made into a novel. The presenters made the telling point that, “Historians have dismissed these women as exceptions, but when you look at the sources, there are an awful lots of exceptions.”

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Future Treasures: Blood Sisters, edited by Paula Guran

Wednesday, April 8, 2015 John ONeill Comments 2 comments

In her lengthy intro to her new anthology Blood Sisters, Paula Guran traces the modern literary history of the vampire, from C.L. Moore (“Whether… Moore’s “Shambleau” (1933) is a vampire story may be open to question, but one can make a good argument that the alien Shambleau is a form of vampire”) to Stephen King (“Salem’s Lot… downplayed vampiric eroticism, upped the level of terror, and focused on the vampire as a metaphor of corrupt power”) to Chelsea Quinn Yarbro (“Saint-Germain was the first genuinely romantic and heroic vampire”), and beyond.

In Blood Sisters Guran collects 25 vampire stories by Carrie Vaughn, Catherynne M. Valente, Nancy A. Collins, Suzy McKee Charnas, Pat Cadigan, Nalo Hopkinson, Chelsea Quinn Yarbro, Melanie Tem, Charlaine Harris, and over a dozen other women. It’s a stellar line-up, and one of the most intriguing collections of any kind I’ve seen this year.

A tantalizing selection of stories from some of the best female authors who’ve helped define the modern vampire.

Bram Stoker was hardly the first author — male or female — to fictionalize the folkloric vampire, but he defined the modern iconic vampire when Dracula appeared in 1897. Since then, many have reinterpreted the ever-versatile vampire over and over again — and female writers have played vital roles in proving that the vampire, as well as our perpetual fascination with it, is truly immortal. These authors have devised some of the most fascinating, popular, and entertaining of our many vampiric variations: suavely sensual… fascinating but fatal… sexy and smart… undead but prone to detection… tormented or terrifying… amusing or amoral… doomed or deadly… badass and beautiful… cutting-edge or classic…

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Sex and Violence in Poul Anderson’s Rogue Sword

Wednesday, April 8, 2015 Gabe Dybing Comments 4 comments

Zebra Heroic Fantasy. Another ghastly cover. I guess that’s some Byzantium-esque architecture in the background. But who’s ever seen “armor” or a sword like that?

As in The Golden Slave (and to lesser degrees in Three Hearts and Three Lions and in Virgin Planet) the major textures of Poul Anderson’s Rogue Sword sketch a love triangle. But at first our hero Lucas Greco’s love is not confined to only two women. No, he is a philanderer, a gallant, and the prologue establishes this as Lucas escapes the rage of Gasparo Reni, a jealous husband. This also shows Anderson’s impressive ability to construct symmetrical plots, for Gasparo and another in the prologue, Ser Jaime, shall be around for the duration of the novel.

The first chapter jumps ahead fourteen years. Lucas, with his friend Brother Hugh de Tourneville, surprise encounters Gasparo again, this time in the streets of Constantinople. Exhibiting rage apparently beyond all reason, Gasparo orders his men to fall on Lucas and to slay him on the spot. But, assisted by Brother Hugh, Lucas defends himself and escapes. During his escape, however, Gasparo’s slave woman, a woman who had been destined for a lord’s harem, joins herself to Lucas.

This slave, Djansha, becomes Lucas’s first love. It is notable that Lucas is not aware of this at first. He takes for granted Djansha’s complete faithfulness and service to Lucas. Lucas perhaps thinks that she is so into him because he is kind and supportive of her needs. Perhaps he believes that she would behave the same for any man who treated her in this manner. He also probably takes her for granted because she is a slave. Lucas cannot be blind to the strict social classes of 1306 A.D. (using Anderson’s signifier for era). And, naturally, he aspires for the heights. He actively pursues this state when he meets the lady Violante, a sensual and cunning member of the aristocracy married to the savage warrior Asberto.

Before briefing the reader on this third part of the triangle, however, we should pause a moment to focus on Anderson’s initial description of Djansha. I am struck now how, in a number of novels, Anderson has presented the reader with two female body “types.” What we read about Djansha also could describe Alionara from Three Hearts and Three Lions and perhaps Barbara from Virgin Planet and of course Phryne from The Golden Slave. Generally, this type is slim, childlike, and “boyish.” Here’s a description of Djansha.

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Vintage Treasures: Sturgeon is Alive and Well… by Theodore Sturgeon

Wednesday, April 8, 2015 John ONeill Comments 5 comments

Sturgeon is Alive and Well… was Theodore Sturgeon’s fourteenth short story collection. It was first published in 1971, and came following a five-year gap after Starshine (1966). As I mentioned in my write-up on that book, Starshine went through nearly a dozen printings in as many years. But Sturgeon is Alive and Well… had only three: a hardcover in 1971, a paperback reprint the same year from Berkley Medallion (above left, cover by the great Paul Lehr), and a Pocket reprint in 1978 (above right, artist unknown.)

It’s now been out of print for 37 years, and there is no digital edition.

The title is… unusual. It probably made more sense in 1971, when Jacques Brel is Alive and Well and Living in Paris was an unexpected smash hit off-Broadway. Sturgeon touches on what a five-year gap between collections meant for a writer who made a living on short stories in his introduction.

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Sad Puppies and Super Puppies: The 2015 Hugo Train Wreck

Tuesday, April 7, 2015 John ONeill Comments 76 comments

Tony C. Smith and his 2010 Hugo for StarShipSofa

As both Matthew David Surridge and I wrote about earlier this week, there’s been considerable controversy swirling around the just-announced ballot for the 2015 Hugo Awards, the most prestigious fan-based award in science fiction and fantasy. Matthew and I are involved in this controversy because we were both included, without our knowledge or consent, in a slate of bloc votes (the “Sad Puppies 3” and “Rabid Puppies”) that resulted in us being put on the ballot.

Matthew declined his nomination. Since Black Gate‘s nomination was for the entire site, a fan-based effort that involves over 40 participants, I decided not to decline on behalf of those individuals. But (no surprise) I had plenty to say about it, in my article “Black Gate Nominated for a Hugo Award in a Terrible Ballot.”

I don’t think it’s an exaggeration to say this topic has riveted the entire industry. The two BG articles I link to above have been read over 32,000 times in less than three days… and Matthew and Black Gate were nominated for fan awards, the part of the ballot that, to be blunt, most people really don’t give a damn about.

There are just shy of 200 comments on those two posts, so the conversation is already getting a little unwieldy (and I find I have to keep repeating myself, because let’s face it, who can be bothered to read 200 comments before asking a simple question?) So I figured it made sense to do a quick re-cap, especially for those readers who surfed over here on their lunch hour, and have roughly the time it takes to eat a tuna fish sandwich to get caught up.

The crux of the matter is this.

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April/May 2015 Asimov’s Science Fiction Now on Sale

Tuesday, April 7, 2015 John ONeill Comments 4 comments

I’m delighted to be talking about Asimov’s SF as part of Black Gate‘s new initiative to expand our coverage of fantasy and SF magazines. Asimov’s has been a favorite of mine since the first year it was published, in 1977. (If you’re interested in learning what’s so special about the magazine, I wrote a lengthy 3-part history, looking at it decade by decade, back when I was editing SF Site in 1998).

It took us this long to start covering it because Asimov’s is primarily a science fiction magazine. But the current editor, Sheila Williams — like her predecessor, Gardner Dozois — has shown an appreciation for good fantasy, and there’s plenty of evidence of that in the current issue. The big April/May double issue weighs in at a generous 192 pages, and contains fiction from Allen M. Steele, Tom Purdom, Michael Swanwick & Gregory Frost, Liz Williams, Robert Reed, and many others.

A fine example of that openness to fantasy is Michael Swanwick & Gregory Frost’s “Lock Up Your Chickens and Daughters — H’ard and Andy Are Come to Town!” Here’s Bob Blough’s review at Tangent Online:

This is a light-hearted romp about two slightly magical con-men who go to great lengths to prove that a dust giant is causing the drought in some alternate version of the American Dust Bowl during the 1930s. Unfortunately they wake up something much more real than the con they plan to pull. As a lagniappe, if you know your short fiction you can tell who these two men are by what they talk about. It’s a fun if innocuous ride.

Read Bob’s complete review here, and the first half of Swanwick & Gregory Frost’s tale online here.

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Return of the Master Cheeser: The Disappearing Dwarf by James P. Blaylock

Tuesday, April 7, 2015 Fletcher Vredenburgh Comments 0 Comment

Published in 1983, The Disappearing Dwarf is James P. Blaylock’s second novel, the sequel to his first, The Elfin Ship. Along with The Stone Giant (1989) they form the Balumnia Trilogy. If you have any love for Kenneth Grahame’s The Wind in the Willows, or mouth watering descriptions of all sorts of food and drink, then these books are for you.

The Elfin Ship (reviewed here last year) is filled with constant comical digressions and expends pages on delightful, superfluous details. It’s filled with oddball characters and deliriously silly escapades. The plot is wonderfully complicated. The Disappearing Dwarf has all of those things — save the plot. It’s not that it doesn’t have a plot, it’s just not much of one.

Bored with his new life as man of leisure (allowed by the success of his travels in the previous volume), Jonathan Bing, master cheesemaker, agrees to take a trip down the Oriel River with Professor Wurzle to explore the abandoned castle of their foe, Selznak the dwarf. The castle, they quickly learn, is not empty — and definitely not safe.

From there they meet Miles (pronounce Meelays), the Magician who is hunting Selznak. He tells them that their old nemesis has reappeared, and is certainly up to no good. The magician suspects the dwarf is looking to steal a great magical orb from their friend, Squire Myrkle. Upon reaching the squire’s estate, they discover that he has vanished through a magical door that appeared in his library. The next thing we know, Jonathan, the Professor, and Miles (along with Ahab the dog), are back on board the elfin airship and headed for a doorway to the parallel world, Balumnia.

Narrative drive is nearly absent in The Disappearing Dwarf. Jonathan’s goals switch from one thing to another several times throughout the book. The adventurers spend much of the book traveling from one place to another without ever really knowing what they’re trying to achieve, other than their rather vague plan to find the squire before he falls into Selznak’s clutches. Balumnia has its own villain, a mysterious figure called Sikorsky, but as with the rest of the characters, we never get a clear sight of him or what he’s actually up to. Several characters fade away. One vanishes only to suddenly reappear with little explanation. The book moves haphazardly from one incident to another. Fortunately, most of those incidents are terrific fun.

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The Top 50 Black Gate Posts in March

Tuesday, April 7, 2015 John ONeill Comments 2 comments

I keep hunting for themes when I tabulate the most popular articles on this website every month. But you Black Gate readers, you’re inscrutable. One month you want all the secrets of writing fantasy trilogies, the next it’s all about the origins of Dungeons and Dragons. Seriously, I’d love to know what articles I should be planning for this blog… but after seven years like this, I give up.

Well, I suppose it’s good that you have diverse interests, anyway. And you sure have great taste in writers and books.

Take last month for example. The number one article for the month was a guest post from author Harry Connolly, author of “The Whoremaster of Pald” and Game of Cages, examining Attack Novels — those story ideas that a writer can’t stop thinking about.

Number two on the list was M Harold Page’s review of Campaign Cartographer 3 Plus, a terrific new fantasy cartography tool for creating your own magical kingdom.

And the number three article at BG last month was M Harold Page’s look at history as the bedrock of fantasy: “The History Manifesto and Sweeping Histories.”

Fourth on the list was our report on a recent attempt to reboot SSI’s famed Gold Box games using Kickstarter, followed by Thomas Parker’s heartfelt remembrance of a great American actor, “Leonard Nimoy Saved My Life.” And sixth was Elizabeth Cady’s detailed look at the new film Jupiter Ascending, “Capitalism Ascending.”

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