Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Rogues in the House”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Rogues in the House”

Conan Rogues in the House-smallHoward Andrew Jones and Bill Ward have been reading their way through the Robert E. Howard collection The Coming of Conan, the first of the three Del Rey volumes, perhaps the definitive collection of Conan tales. They recently discussed “Rogues in the House,” first published in the January 1934 issue of Weird Tales.

Here’s Howard:

On re-reading it I was surprised that I haven’t visited this one more often. It gallops along. A lot happens in a short time because it’s told with such economy. And it’s very different from what has come before. I’ve been reading a lot of Conan pastiche in my downtime via The Savage Sword of Conan reprints recently, and so many of those writers model a Conan story off of the formula we saw in the last stories — monster, half-naked damsel, evil wizard/trap, escape. “Rogues in the House” breaks the formula and for this reason is even more of a pleasure.

Stepping back you can see how it’s a strange beast inspired from multiple sources — weird death traps out of Fu Manchu stories, a system of mirrors set to emulate a modern mastermind’s hidden cameras, and an ape servant who’s rebelled against his master. If someone had come and babbled the various story elements to me I would have rolled my eyes. Yet it works very well, in part because once it starts rolling it just never lets up.

You could say that about stories that catch you up and then realize upon re-examination that some of the elements didn’t make sense. That, however, can’t be said about “Rogues.” In retrospect it’s one fine scene after another, although my favorite moment may well be the conclusion.

Read More Read More

New Treasures: The Lazarus Gate by Mark A. Latham

New Treasures: The Lazarus Gate by Mark A. Latham

The Lazarus Gate-smallMark Latham has had an interesting career. He’s the former editor of White Dwarf, Games Workshop’s flagship magazine, and the head of their ultra-successful Warhammer 40K line. He’s also a game designer is his own right, with several tabletop games to his credit.

His debut novel, The Lazarus Gate, is the opening volume in a new Victorian supernatural series. Captain John Hardwick, a tough but troubled army veteran, is recruited by a mysterious club to combat a growing threat to the British Empire. It’s an intriguing new gaslight fantasy, reminiscent of James Blaylock and Arthur Conan Doyle.

London, 1890. Captain John Hardwick, an embittered army veteran and opium addict, is released from captivity in Burma and returns home, only to be recruited by a mysterious gentlemen’s club to combat a supernatural threat to the British Empire.

This is the tale of a secret war between parallel universes, between reality and the supernatural; a war waged relentlessly by an elite group of agents; unsung heroes, whose efforts can never be acknowledged, but by whose sacrifice we are all kept safe.

The Lazarus Gate was published by Titan Books on September 29, 2015. It is 399 pages, priced at $14.95 in trade paperback, and $5.99 for the digital edition. The cover was designed by Julia Lloyd.

See all of our recent New Treasures here.

Short Speculative Fiction: “The Karen Joy Fowler Book Club” by Nike Salway

Short Speculative Fiction: “The Karen Joy Fowler Book Club” by Nike Salway

https://www.blackgate.com/wp-content/uploads/2015/10/Lightspeed-October-2015-small.jpg

This is the marvelous sort of story that never quite allows you to form a picture in your head, because it’s always contradicting itself. It seems to exist on three (or more?) levels at once, strange images super-imposed on each other. On the one hand it seems a story of everyday modern life, Facebook and all, told with keen emotional resonance.

There’s for instance, this passage from a mother’s perspective when her daughter has an abortion:

“And afterwards, her daughter wanting ice cream and to sit by the river and watch the waterbirds dancing in the shallow water. Alice had rested her head on Clara’s shoulder, curled her feet up under her bottom like a child. Her breath had smelled of milk and sweet biscuits, and her hair of antiseptic. It is the last time Clara can remember her daughter wanting to be held.”

This passage sounds the sort of thing you could read in any mainstream fiction magazine, rich in sensory detail and lived-in experience.

But no. It’s firmly of our genre. Do you want to discover for yourself the speculative element, which slowly and imperceptibly bleeds into the tale? Go and read this lovely tale by Nike Sulway for free at Lightspeed, here. Then click on for the full review with spoilers.

Read More Read More

Collecting Isaac Asimov: Mark R. Kelly on the Best of Asimov

Collecting Isaac Asimov: Mark R. Kelly on the Best of Asimov

Isaac Asimov collection-small

It’s hard for me to be objective about Isaac Asimov. By modern standards, much of his fiction is not very readable. But the man introduced me to science fiction virtually single-handedly. More than that, he also instilled in me an enduring love of the pulps (via the amazing Before the Golden Age), taught me the fascinating history of the genre, and showed me convincingly that science fiction was, at its core, a community of writers — of fascinating people, who deserved to be read and known.

But of course, it began with his fiction. I thrilled to many of his books in my youth, especially I, Robot and his Foundation novels. I even read — and immensely enjoyed — The Early Asimov, a collection of barely-publishable stories from the earliest days of his career, interleaved with Asimov’s funny and self-deprecating remembrances of life as an aspiring teenage writer in the late 30s. You probably had to be an aspiring teenage SF writer yourself to have any hope of appreciating that book… but I was, and I loved it.

I recently bought the collection of 35 Isaac Asimov books above on eBay. I paid quite a bit for it ($82.17, which is a lot for relatively modern paperbacks), but they were all in virtually flawless condition, and my copies had been read to pieces. I’ve been slowly unpacking the box they arrived in, and taking the time to sample Asimov’s fiction and non-fiction. It’s been a long time since I returned to the man who first acquainted me with SF. Coincidentally, I discovered that Locus Online editor Mark Kelly has been, like me, re-reading Asimov as an adult and blogging about the experience, and I found his thoughts mirrored my own in many respects.

Read More Read More

Vintage Treasures: A Lower Deep by Tom Piccirilli

Vintage Treasures: A Lower Deep by Tom Piccirilli

A Lower Deep-back-small A Lower Deep-small

I read Tom Piccirilli’s A Choir of Ill Children in 2004, and it sent me scrambling to find his other novels. The first I came across was his 2001 novel A Lower Deep, the tale of the Necromancer and his demonic companion Self, who wander the spectral highways as the Necromancer attempts to prevent Armageddon.

The Publishers Weekly review offered a nice summary, but also warned about the novel’s graphic content:

The Necromancer must battle the leader of his old coven, Jebediah DeLancre, who has created a new band of witches intent on forcing Christ to return to Earth prematurely. When Jebediah offers to raise Danielle, the Necromancer’s only love, from the dead in exchange for his cooperation, he finds himself torn between good and evil… a stream of characters, spirits and demons wander in and out of this disturbing tale, including Michael the Archangel, who is wrested from the stomach of the Necromancer’s father. Piccirilli (The Night Class) attempts to lighten the story up with Self’s flippant one-liners, but a glut of gory details will keep readers squirming. This tale is not for the fainthearted…

Piccirilli was also the author of Deep into the Darkness Peering (1999), November Mourns (2005), Headstone City (2006), and The Midnight Road (2007), among others. He died earlier this year.

A Lower Deep was published by Leisure Books in October 2001. It is 363 pages, priced at $5.99 in paperback. A digital edition was released in 2011 by Crossroad Press & Macabre Ink. The cover is uncredited.

Red Moon and Black Mountain by Joy Chant

Red Moon and Black Mountain by Joy Chant

oie_1024853Qhsh9stJoy Chant’s first novel, Red Moon and Black Mountain (1970), was published when she was only twenty-five years old. In the afterword to a later novel she explains how the world of her stories, Vandarei, grew out of fantasies she made up for herself as a child. At one point she made herself the great and majestic Queen of this world. The story of three siblings — Oliver, Penelope, and Nicholas — pulled out of England into the land of Vandarei, it reads a little like the Chronicles of Narnia crossed with The Lord of the Rings and wrung through Alan Garner’s darker fantasies.

The novel has often been dismissed as a mere clone of Tolkien’s work — most recently right here at Black Gate by Brian Murphy — but RMBM is a book that has also received tremendous praise over the decades. In his introduction to the first American edition, published as part of his Ballantine Adult Fantasy series, Lin Carter refers to it as a masterpiece. James Stoddard, author of The High House, calls it the best fantasy novel no one reads. It was the second recipient of the Mythopoeic Award back in 1972.

I first read RMBM about fifteen years ago, but retained only the dimmest memories of it. Rereading it, I will say it is one of the best works of epic high fantasy I’ve ever read. While not the toil of a lifetime, Chant draws on the same deep body of European mythology and archetypal characters as Tolkien with similar power and effect. Maybe due to its roots in her childhood imagination and definitely out of a deep well of talent, in Vanderei, its people, and its legends, Chant created a deeply heartfelt and fantastic world.

A mysterious figure lurking along the garden path sends the children out of this world and into Vandarei out of grave necessity. Penelope and Nicholas materialize along a path trod by the grave and steely princess In’serinna and her retinue. Oliver arrives among the nomadic Khentors and their single-horned horses. All the children have a part to play in an upcoming struggle for the future of Vandarei. Oliver, especially, will find himself tested to his limits.

Read More Read More

Future Treasures: The Rising by Ian Tregillis

Future Treasures: The Rising by Ian Tregillis

The Rising Ian Tregillis-smallIan Tregillis is the author of the Milkweed alternate history trilogy for Tor (Bitter Seeds, The Coldest War, and Necessary Evil), and Something More Than Night, a murder mystery set in heaven. Emily Mah interviewed him for us in 2012.

His latest fantasy series is The Alchemy Wars trilogy, an epic tale of liberation and war. The first novel, The Mechanical, was released in March; Publishers Weekly called it “Superb alternate history filled with clockwork men and ethical questions on the nature of free will… rich characters and gripping story really make this tale soar,” and it was cited by Flavorwire as one of the 10 Best Sci-Fi and Fantasy Novels of 2015 (So Far). The second, The Rising, will be released early next month.

Jax, a rogue Clakker, has wreaked havoc upon the Clockmakers’ Guild by destroying the Grand Forge. Reborn in the flames, he must begin his life as a free Clakker, but liberation proves its own burden.

Berenice, formerly the legendary spymaster of New France, mastermind behind her nation’s attempts to undermine the Dutch Hegemony — has been banished from her homeland and captured by the Clockmakers Guild’s draconian secret police force.

Meanwhile, Captain Hugo Longchamp is faced with rallying the beleaguered and untested defenders of Marseilles-in-the-West for the inevitable onslaught from the Brasswork Throne and its army of mechanical soldiers.

The Rising will be published by Orbit Books on December 1, 2015. It is 480 pages, priced at $16.99 in trade paperback and $9.99 for the digital edition.

Warring Supercomputers, Deep Space, and Cold Equations: 5 Tales from Tomorrow

Warring Supercomputers, Deep Space, and Cold Equations: 5 Tales from Tomorrow

5 Tales from Tomorrow-back-small 5 Tales from Tomorrow-small

5 Tales from Tomorrow
Edited by T. E. Dikty
Crest Books (176 pages, $0.35, December 1957)
Cover by Richard Powers

T.E. Dikty edited a bunch of SF anthologies, mostly throughout the Fifties and many in collaboration with Everett F. Bleiler. Aside from Clifford Simak and perhaps one-hit wonder Tom Godwin, the names in this volume are not quite the SF A-list, but the results are mostly not bad.

“Push-Button Passion,” by Albert Compton Friborg

As I was reading this story I couldn’t help wondering if Friborg was the pseudonym for a better known author – Kurt Vonnegut. It has that whimsical, satirical feel that one tends to associate with Vonnegut. Turns out that it is indeed a pseudonym, but for an academic named Bud Foote, whose SF output was limited to this and one other short story, also published in the Fifties.

Read More Read More

Cemetery Dance 73 Now on Sale

Cemetery Dance 73 Now on Sale

Cemetery Dance 73-smallThere aren’t a lot of print horror magazines left, so I’m grateful we still have Cemetery Dance. It was founded by Richard Chizmar in 1988, while he was still in college, and it is still edited by him today. Cemetery Dance Publications began to publish books in 1992, and quickly outgrew the magazine, but CD Publications has continued to publish approximately two issues a year of the magazine for the past 27 years.

Issue #73 is cover-dated December 2015, and is currently for sale on the CD website (although the issue is listed as forthcoming.) It has new fiction from Gerard Houarner, Keith Minnion, Michael Wehunt, Nik Houser, and Amanda C. Davis. Here’s the complete contents.

Fiction

“A Devil Inside” by Gerard Houarner
“Down There” by Keith Minnion
“The Inconsolable” by Michael Wehunt
“Citizen Flame” by Nik Houser
“Voices Without Voices, Words With No Words” by Amanda C. Davis

Read More Read More

Of Necromancers & Frog Gods – Part One (The Public Life of Sherlock Holmes)

Of Necromancers & Frog Gods – Part One (The Public Life of Sherlock Holmes)

NECROMANCER GAMES

OGL and D20

Necro_LogoWhen Wizards of the Coast rolled out the Open Game License for 3rd Edition Dungeons and Dragons, a plethora of third party companies would produce products, leaving players with a seemingly unlimited number of options available for purchase. A few were great, more were terrible and most were in between.

That period was known as the d20 boom, which inevitably led to a d20 bust and is explained in depth in Shannon Appelcline’s tremendous, four-volume RPG history, Designers and Dragons. If you have any interest in role playing history, you will love those books (they are broken up into decades: The Seventies, Eighties, Nineties and Two Thousands).

Along the way, many new and existing companies entered the official Dungeons and Dragons world. One of the most popular and successful was Necromancer Games, founded by Clark Peterson and Bill Webb. Under a different name, Necromancer’s offspring is a major player in the RPG scene today.

The Open Gaming License (OGL) made the 3rd Edition Dungeons and Dragons mechanics permanently “open use” and the basis of a System Reference Document (SRD). The OGL was accompanied by the d20 license, which verified that third party products were compatible with 3rd Edition.

The OGL and d20 licenses had distinguishing characteristics and somebody more versed than I in the intricacies should write a post on that whole shebang. Suffice to say here, companies began rolling out d20 products from day one.

Read More Read More